The Tipping Point: How Little Things Can Make a Big Difference by Malcolm Gladwell

7796075C-DD3E-4D0A-8259-4C8E5A469D83I’ve been lying to the world. I’ve been proudly boasting that I love Malcolm Gladwell and that I’ve read all his books, and that he’s just the best. Turns out, thats a lie. I thought I had read all his books, but I had never actually read his first book, The Tipping Point. It has been a point of shame for me, I felt a little depressed that I wasn’t as much of a super fan of his work as I thought. But now, I can go back to my unabashed bragging about my love for Mr. Gladwell, because I have finally read The Tipping Point.

If you’re not familiar, here is more about The Tipping Point

The tipping point is that magic moment when an idea, trend, or social behavior crosses a threshold, tips, and spreads like wildfire. Just as a single sick person can start an epidemic of the flu, so too can a small but precisely targeted push cause a fashion trend, the popularity of a new product, or a drop in the crime rate. This widely acclaimed bestseller, in which Malcolm Gladwell explores and brilliantly illuminates the tipping point phenomenon, is already changing the way people throughout the world think about selling products and disseminating ideas.


Malcolm Gladwell is a thinker. Sure we all think, but we’re not all professional thinkers. His brand is his thought process; critical, obscure, individual. He has become known for taking an idea we think we understand, and flipping it on it’s head. Showing us the complexities of life, and often time the simplicity of it as well. The Tipping Point is his first book, and is perfectly in line with Gladwell’s brand and subsequent books, and podcast, Revisionist History.

I really enjoyed this book. Gladwell takes his time explaining his points, without laboring any one idea to death. The book is the right length, long enough to make sure you understand what a tipping point is, and how it works, but not so long that you’re skipping ahead because you’ve got it already. This is hard to do. Many books make a point early on, and work through it so many times it becomes redundant and stale. Gladwell uses a variety of examples, from crime in NYC to Hushpuppy shoes, to Divine Secrets of the Ya-ya Sisterhood, to illustrate his points, and this variety keeps the reader interested and engaged.

The later edition of The Tipping Point has an afterword that shows how ahead of conventional thinking Gladwell is. In the afterward written in 2002, a few years after the original book (2000) Gladwell makes a few predictions about the future as he sees it. One thing he discusses is school shootings as an emerging epidemic afflicting American teens, all before many of the most notorious school shootings of the last 20 years. He also forecasts a growing apathy toward email, and how we will become immune to the power of email, which of course in 2018 is expressly clear. Gladwell’s thinking is ahead of his time.

There were moments where Gladwell lost me in his train of thought. I wasn’t sure what point he was making, or the difference between certain categorizations he had laid out (i.e. maven vs sales person), or the connection between two seemingly unrelated topics. This happened a few times throughout the book and I had to go back and draw the connections in a second (or sometimes third) pass.

I listened to the audiobook of The Tipping Point with Gladwell narrating, which is well done. While he isn’t as animated as as he is on his podcast, you can hear his passion for the work he has done. He is convincing and clear. I also happen to enjoy the smooth sound of his voice. But again, I am huge Gladwell fangirl.

I recommend this book. I recommend just about everything Malcolm Gladwell does. Have I mentioned how much I love and admire his work? I don’t always agree with him, but I appreciate his thinking and his ability to shift the way I think and perceive the world around me. He is a provocateur in the best way.

  • Audiobook: 8 hours and 33 minutes
  • Publisher: Hachette Audio (December 31, 2006)
  • Paperback: 301 pages
  • Publisher: Back Bay Books (January 7, 2002)
  • 4/5 stars
  • Buy on The Tipping Point Amazon

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.

The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website. Shopping through these links helps support the show, but does not effect my opinions on books and products. For more information click here.

A Lucky Man by Jamel Brinkley

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The Stacks received this book from the publisher in exchange for an honest review. For more information click here

I had heard so many amazing things about A Lucky Man from a variety of people and when I saw it long-listed for The National Book Award, I had to pick it up and start reading.

More about A Lucky Man

In the nine expansive stories ofA Lucky Man, fathers and sons attempt to salvage relationships with friends and family members and confront mistakes made in the past. An imaginative young boy from the Bronx goes swimming with his group from day camp at a backyard pool in the suburbs, and faces the effects of power and privilege in ways he can barely grasp. A pair of college boys on the prowl follow two girls home from a party and have to own the uncomfortable truth of their desires. And at a capoeira conference, two brothers grapple with how to tell the story of their family, caught in the dance of their painful, fractured history.

Jamel Brinkley’s stories, in a debut that announces the arrival of a significant new voice, reflect the tenderness and vulnerability of black men and boys whose hopes sometimes betray them, especially in a world shaped by race, gender, and class―where luck may be the greatest fiction of all.


When you encounter a writer that takes the path less traveled, sometimes the work can feel overwrought and self-important. You sense the labor that went into being clever or different, as if the author is showing off how unique their thinking is compared to everyone around them. That is not the case with Jamel Brinkley and A Lucky Man. Brinkley instead proves himself to be authentically singular with these stories. His characters and events feel fresh and effortless, as if there was no other thing in the world for him to do but write these stories.

I have not read many short story collections and I think there is certainly a muscle needed to switch ones mind quickly between stories, a muscle that allows you to move on seamlessly from one set of characters to the next. I have still yet to develop that muscle. That being said, these stories are strong on their own, they are vulnerable and rich, and tell of life as a Black man in ways I’ve never seen depicted. There are no two dimensional characters in this book, there are no stereotypes. Everyone is layered and nuanced in a way that left me wanting more from many of the stories. I could easily imagine many being turned into movies. Brinkley obviously loves his characters, at times I felt that there is no way he created these people out of thin air, they felt like his loved ones, his real life friends and family somehow turned into fiction. I have no idea if that is true or not, but either way, you could feel the deep connection Brinkley has to the people in his book.

I often struggled transitioning between stories, and sometimes felt like too little happened. I felt unfulfilled. Sometimes so little happened I have forgotten what happened at all. This book is all suspense and sometimes there wasn’t enough payoff. I felt disconnected from the emotion of some of the stories. However, for a debut collection, I am thrilled to see what will come next as I thoroughly enjoyed the process of reading this book, even if it doesn’t stick with me down the road.

My personal favorite stories were “A Family” and “Everything the Mouth Eats”. This book has received much praise from critics and readers alike, I would not hesitate to recommend this book to you.

  • Hardcover: 264 pages
  • Publisher: Graywolf Press; First Edition, First Printing edition (May 1, 2018)
  • 3/5 stars
  • Buy on A Lucky Man Amazon

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.

The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website. Shopping through these links helps support the show, but does not effect my opinions on books and products. For more information click here.

To the Bridge: A True Story of Motherhood and Murder by Nancy Rommelmann

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The Stacks received this book from the publisher in exchange for an honest review. For more information click here

A friend who recommends you books that you love is a rare and valuable friend. I am lucky to have such friends, who tell me what to read, and rarely lead me astray. I came to To The Bridge by Nancy Rommelmann through one of these friends, my book recommending savant Heather John Fogarty. Heather told me about the book months before it came out, even before I had created The Stacks. She knew it was my kind of book. So once I decided to start the podcast, it seemed obvious Heather would be a guest and we would discuss it for The Stacks Book Club. That episode is out now, and you can listen to it here.

Here is more about To The Bridge

On May 23, 2009, Amanda Stott-Smith drove to the middle of the Sellwood Bridge in Portland, Oregon, and dropped her two children into the Willamette River. Forty minutes later, rescuers found the body of four-year-old Eldon. Miraculously, his seven-year-old sister, Trinity, was saved. As the public cried out for blood, Amanda was arrested, convicted, and sentenced to thirty-five years in prison.

Embarking on a seven-year quest for the truth, Rommelmann traced the roots of Amanda’s fury and desperation through thousands of pages of records, withheld documents, meetings with lawyers and convicts, and interviews with friends and family who felt shocked, confused, and emotionally swindled by a woman whose entire life was now defined by an unspeakable crime. At the heart of that crime: a tempestuous marriage, a family on the fast track to self-destruction, and a myriad of secrets and lies as dark and turbulent as the Willamette River.


Nancy Rommelmann has crafted a layered and nuanced book with To The Bridge. She never falls into the trap of trying to make the book easy or clear. She presents her investigation and trusts that we, the readers, are smart enough to draw our own conclusions. For me, the conclusions were less obvious than I would have hoped, they were complex and often times contradictory, they came out of the work Rommelmann had done.

Where this book soars is in Rommelmann’s ability to sift through all the information she’d gathered. She is our guide into the world of this toxic relationship, between Amanda Stott-Smith and her estranged husband Jason Smith, and while she is somewhat objective, she also becomes a subject of her own writing. She is a character in this book.  At first Rommelmann’s pressence in the book threw me off, I was not excited about author and subject in a non-memoir type of true crime book. However in the end it didn’t bother me at all. I maybe even liked it a little, it helped me to understand this rocky landscape more clearly.

This is one of those books that you think you know how it is going to go, and if I’m being honest nothing really surprised me. Sure, there were details I didn’t guess, but mostly the story of sociopaths follows a pattern and this book just highlights those patterns. We all know that something is wrong if a mother is killing her children. However in To The Bridge we are not forced to read a sensational account of the events that led Stott-Smith to the bridge. Instead Rommelmann affords her subjects dignity and autonomy, and ultimately asks us to hold them accountable.

There are certainly things I wished would have been presented more expressly in the book. I would have appreciated if Rommelmann gave me the answers. I would have loved to know exactly what Amanda was thinking when she dropped her kids off the Sellwood bridge that night. But, To The Bridge can not definitively answer that question for me. I don’t even know is Amanda herself could answer for certain. What I respect about this book is that Rommelmann investigates to try to find out why, and then she shows us her work. She doesn’t shy away from the messy realities of the toxicity of Amanda and Jason’s marriage and she doesn’t let those around them off the hook for their complacency. I would love final answers, but that is not how life works. Things can get complicated, and this book leans into that complexity, it doesn’t attempt to smooth ir out.

If you like investigative journalism, if you like uncovering the story beneath the story, then this is a book for you. It moves fast, and is an easy read even though the subject matter is anything but. If you are a sensitive reader or are triggered by domestic abuse and child abuse then I would suggest you prepare yourself for this book, or set it aside for another time.

Don’t forget to listen the The Stacks with Heather John Fogarty discussing To The Bridge.

  • Hardcover: 303 pages
  • Publisher: Little A (July 1, 2018)
  • 4/5 stars
  • Buy on To The Bridge Amazon

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.

The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website. Shopping through these links helps support the show, but does not effect my opinions on books and products. For more information click here.

Ep. 32 The Stacks Book Club — To The Bridge by Nancy Rommelmann

cropped-TheStacks_logo_final.jpgWhen a mother, Amanda Stott-Smith, throws her two young children off of a bridge, one journalist tries to understand why. That is the premise of Nancy Rommelmann’s true crime book, To The Bridge. This week, for The Stacks Book Club, we discuss this haunting book with journalist Heather John Fogarty. While the story of Stott-Smith and her children is true, if you’re not familiar with the events there will be some spoilers on this week’s episode.

You can find everything we talk about this week in the show notes below. By shopping through the links you help support The Stacks, at no cost to you. Shop on Amazon and iTunes.

Connect with Heather: Heather’s Website|Heather’s Instagram

Connect with The Stacks: Instagram|The Stacks Website|Facebook|Twitter|Subscribe|Patreon|Goodreads|Traci’s Instagram

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.

Sponsors

Audible– to get your FREE audiobook download and FREE 30 day trial go to audibletrial.com/thestacks.

My Mentor Book Club – for 50% off your first month of new nonfiction from My Mentor Book Club go to mymentorbookclub.com/thestacks


The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website. Shopping through these links helps support the show, but does not effect my opinions on books and products. For more information click here.

The Stacks Book Club — December Books

0D8B9819-6A6B-4EA8-85F0-D9C5D9931088It is time to announce the next books we will be reading for The Stacks Book Club. I can’t believe the year is almost over, and these will be the final books read in 2018. For the month of December we’re reading two fiction books that center identity, home, belonging, and dislocation.

We will discuss these books on the podcast, and also online in our virtual book club. It is an awesome way to get to dissect the books even further with other readers in our community. To join The Stacks virtual book club become a member of The Stacks Pack by clicking here. Join the fun .

The first book of December will be If You Leave Me by Crystal Hana Kim. This book is the saga of two ill-fated lovers in Korea and the heartbreaking choices they’re forced to make in the years surrounding the civil war that still haunts us today. We will read If You Leave Me on December 5th.

Then on December 19th we will read Teju Cole’s novel Open City, which follows a Nigerian doctor in Manhattan. He encounters people from different cultures and classes and ultimately ends up on his own journey of exploration.

As with all our TSBC books, we want to hear from you. If you’re reading along, send over your thoughts or questions so we can have the conversations you want to hear. You can email us at thestackswithtraci@gmail.com, comment on this post, or reach out to us through our Instagram @thestackspod.

Order your copies of our November books on Amazon:


The Stacks participates in affiliate programs in which we receive a small commission when products are purchased through some links on this website. This does not effect opinions on books and products. For more information click here.

The Executioner’s Song by Norman Mailer

5DF10CBB-A65E-4C65-B6E5-F119B079DA59.JPGI have been fascinated with murders and murderers for as long as I can remember. I’ve also always been a big reader, and when you put those two things together, true crime and reading, you invariably get to The Executioner’s Song. It is an eleven hundred page true crime classic. And so after ten years, I finally decided to check this off the big book bucket list.

Here is more about The Executioner’s Song:

Arguably the greatest book from America’s most heroically ambitious writer,The Executioner’s Song follows the short, blighted life of Gary Gilmore who became famous after he robbed two men in 1976 and killed them in cold blood. After being tried and convicted, he immediately insisted on being executed for his crime. To do so, he fought a system that seemed intent on keeping him alive long after it had sentenced him to death. And that fight for the right to die is what made him famous.

Mailer tells not only Gilmore’s story, but those of the men and women caught in the web of his life and drawn into his procession toward the firing squad. All with implacable authority, steely compassion, and a restraint that evokes the parched landscape and stern theology of Gilmore’s Utah.The Executioner’s Song is a trip down the wrong side of the tracks to the deepest source of American loneliness and violence. It is a towering achievement-impossible to put down, impossible to forget.


Normally when I read a book, I feel pretty confident in my review. I sit down to write it, and out comes my thoughts. I may stop and start a little, but with The Executioner’s Song I am about 4-5 attempts in and still feeling unsure of where I stand. Part of my struggle is coming from the fact that there is just so much book, so many ideas to unpack and feelings to sort through. Another part is because I do not want to spoil anything, even though you could easily spoil so much by looking up Gary Gilmore on wikipedia. So here goes my attempt to explain my thoughts without out giving away too much…

This is the kind of book that haunts you, not because of what happens in it, but because of how it all unravels. I didn’t love the book. It never fully hooked me, but I have found myself thinking about the people involved in Gilmore’s life and death a lot since I finished it. There were moments of suspense that I thoroughly enjoyed, and then sections that felt endless. There were people I loved in one section of the book, and then was hoping they’d be leaving the story a hundred pages later. While I never fully understood why so many people rave about this book, I suspect it has to do with the way Mailer is able to give his characters room to transform in front of the readers eyes. These people feel full and complete, no one is without dimension. Mailer’s writing style is impressive and specific and lacks any frills. It is direct, like the people you find in the book.

A tale of White toxic masculinity told by a toxic White man, The Executioner’s Song can be rage inducing. I felt myself feeling sorry for a murderer and domestic abuser in one moment and then feeling furious at the author for presenting the story in that way. Giving Gilmore so much room to garner sympathies when he really behaves disgustingly through out. Despite his deep flaws, Mailer does find humanity in Gilmore. He also finds the humanity in the kind of world where a Gary Gilmore could be created. I don’t disagree with Mailer that part of Gilmore was cultivated during his time in prison, however the compassion that Mailer asks us to show to Gilmore was often times more than I could bear.

There are no answers in this book. I am okay with that. Conversations around incarceration and murder and class and relationships are seldom clear cut. Mailer throws all his research your way, and more or less asks you to sift through it. He may guide you, or allow his characters to sway you, but in the end you’ll take from this book whatever you need.

One of the big topics of debate revolves around capital punishment, not only if its a good idea or not, but how someone is sentenced for death and how that process progresses. Forty-plus years later, this part of the book feels more current than it should. We get a view of the death penalty debate from many sides. We see how death row works, how the appeals process functions, we even get a good look at the media frenzy behind high profile criminal cases. In the end, I found myself asking over and over, what is the point? Is the world really any better off with Gilmore dead?

In the end I am glad I read this book. I didn’t love it, but I appreciated it, not only as a piece of writing but as a glimpse into a moment in time. After spending the better part of a month reading through this book, it was not the greatest thing that ever happened to me, but I did have major moments of shock and awe. It is an incredible feat of journalism and story telling, and it is an exceptional commentary on the death penalty and the humanity of criminals. I can recognize the greatness in The Executioner’s Song theoretically, but I could never fully feel the power that many others have experienced in reading the book.

  • Hardcover: 1136 pages
  • Publisher: Grand Central Publishing; Reprint edition (May 8, 2012)
  • 3/5 stars
  • Buy on The Executioner’s Song Amazon

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.

The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website. Shopping through these links helps support the show, but does not effect my opinions on books and products. For more information click here.

Ep. 31 All the Book Recommendations with Heather John Fogarty

cropped-TheStacks_logo_final.jpgOur guest this week is journalist Heather John Fogarty, whose work has been featured in The Los Angeles Times, Marie Claire Magazine, Playboy, and more. Heather previously worked as the wine and spirits editor at Bon Appétit. In today’s conversation we talk about Heather’s James Beard vote, how finding a editor for a novel is like dating, and a book that made both of us very angry. Get ready, Heather is a prolific reader, your TBR will never be the same.

You can find everything we talk about this week in the show notes below. By shopping through the links you help support The Stacks, at no cost to you. Shop on Amazon and iTunes.

BOOKS

EVERYTHING ELSE

Connect with Heather: Heather’s Website|Heather’s Instagram

Connect with The Stacks: Instagram|The Stacks Website|Facebook|Twitter|Subscribe|Patreon|Goodreads|Traci’s Instagram

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.

Sponsors

Audible– to get your FREE audiobook download and FREE 30 day trial go to audibletrial.com/thestacks.

My Mentor Book Club – for 50% off your first month of new nonfiction from My Mentor Book Club go to mymentorbookclub.com/thestacks


The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website. Shopping through these links helps support the show, but does not effect my opinions on books and products. For more information click here.

How Democracies Die by Steven Levitsky and Daniel Ziblatt

B2D1793F-316A-4CBD-BCD7-10949229785BAs we approach the midterm elections in the United States, I have been increasingly anxious about the state of the nation and what our future holds. Reading How Democracies Die for The Stacks Book Club was a helpful way for me to process what my anxiety is rooted in. I talk about the book on the podcast with Harris Cohn, and you can hear the full conversation here. No need to worry, there are no spoilers on the episode.

Here is a little more about How Democracies Die

Donald Trump’s presidency has raised a question that many of us never thought we’d be asking: Is our democracy in danger? Harvard professors Steven Levitsky and Daniel Ziblatt have spent more than twenty years studying the breakdown of democracies in Europe and Latin America, and they believe the answer is yes. Democracy no longer ends with a bang—in a revolution or military coup—but with a whimper: the slow, steady weakening of critical institutions, such as the judiciary and the press, and the gradual erosion of long-standing political norms. The good news is that there are several exit ramps on the road to authoritarianism. The bad news is that, by electing Trump, we have already passed the first one. 

Drawing on decades of research and a wide range of historical and global examples, from 1930s Europe to contemporary Hungary, Turkey, and Venezuela, to the American South during Jim Crow, Levitsky and Ziblatt show how democracies die—and how ours can be saved.

I really enjoyed this book. I felt like I was learning so much as I read it. It breaks down differences between autocracies and democracies, it explains how democracies sustain themselves, and what institutions and norms preserve our democracy. The book is crash course in what makes our country run smoothly, and how those things can be eroded. I honestly couldn’t believe how little I know and how little I understand about the equilibrium of governments, both here in the US and abroad.

As the book dives deeper into the issues we’re facing in The United States Levitsky and Ziblatt do not shy away from institutional racism that has allowed America to stay a democracy. They call out the Southern Democrats disenfranchisement and remind us that Northerns were willing to look away while these suppression tactics were enacted. Better to preserve White rule, they thought, than to disturb the comfort Southern Democrats had due to the laws built to exclude Black Americans from participating in the democracy. Often times in books like this, the author won’t call out racism, instead they dance around the issue and find other euphemisms to explain what is going on. Not here. Ziblatt and Levitsky are upfront with the role that racism played and is still playing in our democracy.

This book doesn’t place blame completely on Donald Trump or any one person, but rather shows how certain actions (think the heist of Merrick Garland’s seat on The Supreme Court) have lead us in the direction where our country’s foundation is at risk. There is fair blame placed on both parties, but the authors seem to think the Republicans have been particularly cavalier and destructive with their power.

How Democracies Die ends by presenting a few options that The United States has to prevent a slip into an autocracy. They suggest solutions for both the Republicans and Democrats. They also caution that most countries that have fallen to a dictator had to hit rock bottom, before they could move toward democracy. It remains unclear if America, and her politicians, have the humility to compromise and move forward for the better of the country. I certainly hope so. Either way, I think you should check out this book. It is smart and if nothing else you will learn something. I would even say you will learn many things. It is worth your time.

Don’t forget to listen the The Stacks with Harris Cohn discussing How Democracies Die.

  • Hardcover: 320 pages
  • Publisher: Crown (January 16, 2018)
  • 4/5 stars
  • Buy on How Democracies Die Amazon

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.

The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website. Shopping through these links helps support the show, but does not effect my opinions on books and products. For more information click here.

 

Ep. 30 The Stacks Book Club — How Democracies Die by Steven Levitsky and Daniel Ziblatt

cropped-TheStacks_logo_final.jpgThis week on The Stacks Book Club, activist and organizer Harris Cohn is back to chat about  How Democracies Die by Steven Levitsky and Daniel Ziblatt. This book was recently featured by Barack Obama on his Facebook page, as a book that speaks to the current moment in the United States. President Obama says it “is a useful primer on the importance of norms, institutional restraints and civic participation in maintaining a democracy – and how quickly those things can erode when we’re not paying attention. There are no spoilers this week, instead you get a civics lesson with lots to discuss.

You can find everything we talk about this week in the show notes below. By shopping through the links you help support The Stacks, at no cost to you. Shop on Amazon and iTunes.

Connect with Harris: Harris’ Twitter|Harris’ Instagram

Connect with The Stacks: Instagram|The Stacks Website|Facebook|Twitter|Subscribe|Patreon|Goodreads|Traci’s Instagram

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.

Sponsors

Audible– to get your FREE audiobook download and FREE 30 day trial go to audibletrial.com/thestacks.

My Mentor Book Club – for 50% off your first month of new nonfiction from My Mentor Book Club go to mymentorbookclub.com/thestacks


The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website. Shopping through these links helps support the show, but does not effect my opinions on books and products. For more information click here.

Eloquent Rage: A Black Feminist Discovers Her Superpower by Brittney Cooper

ADA6ECB3-A56D-4D66-BBDE-E73C105136E8I requested this audiobook from my library months ago, I forgot about it. Then I got an email saying it was on my phone, and I’m so happy that I did.

A little more about Eloquent Rage

So what if it’s true that Black women are mad as hell? They have the right to be. In the Black feminist tradition of Audre Lorde, Brittney Cooper reminds us that anger is a powerful source of energy that can give us the strength to keep on fighting.

Far too often, Black women’s anger has been caricatured into an ugly and destructive force that threatens the civility and social fabric of American democracy. But Cooper shows us that there is more to the story than that. Black women’s eloquent rage is what makes Serena Williams such a powerful tennis player. It’s what makes Beyoncé’s girl power anthems resonate so hard. It’s what makes Michelle Obama an icon.

In Brittney Cooper’s world, neither mean girls nor fuckboys ever win. But homegirls emerge as heroes. This book argues that ultimately feminism, friendship, and faith in one’s own superpowers are all we really need to turn things right side up again.


Brittney Cooper has made the case that she is the smartest (and most articulate) person in the room, especially when it comes to Black Feminism. Eloquent Rage is a force of passion, intelligence, history, and of corse, rage, and it totally works. Cooper’s points are razor sharp, and she walks us through her thinking time and time again.

Eloquent Rage is committed to Black Girl Feminism. It centers women of color. Dr. Cooper comes back to Black women over and over again in this book, even when she leaves them to discuss Hilary Clinton or Black fathers. When she strays to follow a line of thinking, she always comes back to the intersectional point of Black women. She is never distracted or dissuaded.

I am struck by how smart Cooper is. Not because she holds her intelligence over the reader, but because she is able to distill complex ideas down to a place where any reader can hear her and understand her. That is not easy, and Cooper does it with, what feels like, ease. She takes feminist theory and transcribes it over Michelle Obama’s ponytail, or Beyonce’s song “Formation”. She dissects the bible’s thoughts on sex along side her own grandmother’s thoughts on sex. Only someone with a strong hold on the theories behind Black feminism and the depth of mind to grapple with these theories could create such a complex, and yet still simple book. She hits the pains and pleasures of being a Black woman on the head. It was wonderful to see my life and struggles reflected in Cooper’s writing.

There were moments in this book where Cooper lost me. Not because I couldn’t understand what she was saying, but more because I couldn’t always follow how she got there. And to be fair, I listened to this book as an audiobook, so some of the lack of comprehension could be blamed on focus and not flow. Dr. Cooper narrates the book, and she does a wonderful job. Its not too familiar and not too academic. Again, she strikes the perfect balance.

I can not suggest this book more to anyone interested in intersectional feminism. I can not suggest this book more to anyone interested in feminism, period. You’ll walk away feeling like you have a new and deep understanding of what life for Black women is like, even if you already are a Black woman.

  • Audiobook: 6 hours and 57 minutes
  • Publisher: Macmillan Audio (February 19, 2018)
  • Hardcover: 288 pages
  • Publisher: St. Martin’s Press (February 20, 2018)
  • 5/5 stars
  • Buy on Eloquent Rage Amazon

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