Today we welcome Mariame Kaba – activist and author of the book We Do This ‘Til We Free Us: Abolitionist Organizing and Transforming Justice, and her latest, No More Police: A Case for Abolition, which she cowrote with Andrea J. Ritchie. In discussing her lifelong devotion to anti-violence, we learn why Mariame doesn’t center herself in the work toward abolition, and why she does not consider herself a writer. She also explains the difference between punishment and consequences and shares some incredible book recommendations.
The Stacks Book Club selection for November isPrison By Any Other Nameby Maya Schenwar and Victoria Law.We will discuss the book on November 30th with Mariame Kaba.
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Today we’re joined by sportswriter, journalist, and podcaster Dave Zirin to discuss his new book The Kaepernick Effect: Taking a Knee, Changing the World. We talk about the impact of Colin Kaepernick’s NFL protest in 2016, the psyche of young activists, and the best sports protest moments of all time.
To support The Stacks and find out more from this week’s sponsors, click here.
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. If you prefer to support the show with a one time contribution go to paypal.me/thestackspod.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
Putting together a list of favorite reads is always so fun and so tough for me. I read over 100 books this year, so narrowing it all down is a great way to reflect on what I learned and how I’ve changed in the last 365 days.
I did keep track of everything I read. Mostly because I’m a huge nerd and love a good spreadsheet, but also because I like to stay accountable to my reading goals.
Before I dive into my top 10 books, here is a little breakdown of what I read in 2018. I read a total of 101 books, exactly ONE book over my goal.
49 were by authors of color (49%)
54 books were by women (54%)
31 books were by women of color (31%)
40 books were published in 2019 (40%)
62 books were acquired by me in 2019 (62%)
61 books were nonfiction (61%)
Of the 101 books I read here is how the star ratings shook out
17 books received five stars (17%)
23 books received four stars (23%)
45 books received three stars (45%)
14 books received two stars (14%)
2 books received one star (2%)
I love a good stat, and I could break down my reading even more, but I won’t. Instead here are my top 10 favorite reads of 2019 (in alphabetical order), though they weren’t all published this year.
The story of August, a twelve year old Black girl navigating a new life in Brooklyn. She moves north, with her father and brother, after her mother’s death. It’s the story of August growing up, finding new friends, and creating space her own space in the world.
This is one of the best coming of age stories I’ve ever read. The characters as vibrant and live in the space of confidence and insecurity that is so common for teenagers. She understands what it means to be lost and then found. She captures so much in this book, and does it all in less than 200 pages. That kind of brevity is rare, and a sign of true mastery.
In the story of her life, Assata Shakur lets her reader in on her childhood, her relationship with the Black Liberation Movement, and her arrest and imprisonment. The prose are conversational and the content is enraging and devastating. Not only is this book a look back at the past, it is also a very clear indictment on the current state of affairs in The United States.
I loved that Shakur wasn’t presenting an objective history, but rather a deeply personal and emotionally charged retelling of her life. You can feel her passion and her rage in every sentence, and it is beautiful.
The books is part memoir and part guide to identifying and combatting racist ideas in ourselves and in our culture. Kendi’s main premise is that there is no such thing as a “not racist” person, instead there are only racists thoughts and actions, and antiracist thoughts and actions, and these two things can live simultaneously in any human, even Kendi himself.
This was one of my most anticipated books for 2019, and it did not disappoint. Kendi is able to make combatting racism approachable. Most Americans can read this book and find ways to reflect on their own contributions to racism and their own role in changing the system. I also loved getting to see a more personal side of Kendi, a man I admire greatly.
A stunning memoir about finding ones self at the intersection of sexuality and race. Saeed Jones shares his coming of age and his questioning of his identity and belonging and it is incredible to read. Jones’ use of prose and poetry is effortless and serves the story and creates a piece that is as enjoyable to read as it is painful.
I learned a lot about the ways we get in the way of young queer people’s, especially of color, exploration of their identities. In How We Fight for Our Lives I was able to understand the types of violence both physical and emotional, that often accompany the shame and fear about living as one’s true self. I loved this book. Saeed Jones is a force.
A collection of short stories of middle school kids walking home from school. The stories are all unique and individual, but they intersect with the other stories in one way or another. It is a beautiful book about the few minutes a day kids are left unsupervised and get to experience the world on their own.
This book was the biggest surprise for me this year. Admittedly middle grade short stories isn’t a genre I’d think I’d like, and yet here we are. Something that Jason Reynolds is able to do with Look Both Ways is see the humanity in his characters. These kids have all had experiences that have shaped them, some more traumatic than others, but he finds a way to present this without making the kids into their trauma. The characters are full of life and joy and they are impossible to forget. Its also worth noting, Reynolds can write!
Lot by Bryan Washington
A collection of short stories about Black and Brown life in a neighborhood in Houston, told all in the first person with differing narrators, this book is a work of creativity and true craft. Unlike most short story collections where there is no sense of progress or growth over time, in Lot, Washington uses one family as our anchor and we get to watch as their lives unfold through alternating stories. That is supplemented with a cast of characters from the”lot” and their lives.
Washington’s perspective on life and sex and family and gentrification are subtle and smart and really beautiful. The stories are small and intimate. He centers queerness and cultural homophobia in a way that is honest and not preachy. Some standout stories for me were “Lot”, “Waugh”, and “Congress”, but I would say each story enhances the next.
A collection of essays on things that are difficult to say. This book is not what it seems. Corrigan wrote Tell Me More after the passing of her father and dear friend, Lisa. The book ends up being more a response to the loss of her loved ones, an understanding of her own grief, and way to help her (and the reader) move on when things feel devastating.
I loved this book. I got so much out of it and wept openly in sections. While the grief is ever present through out, there are also conversations about knowing your own worth, finding ways to be truly empathetic, and seeking out true love and joy that were valuable.
Historical fiction at its best. The Nickel Boys is inspired by a real life nightmare of a reform school, and follows two fictional characters who grapple with the horrors they experience, the friendships they create, and the prejudice they face as young Black men in Jim Crow Florida.
Colson Whitehead is a professional writer of the finest caliber. He is exacting and precise. There is not a word wasted in this book. You get to know the characters and feel for them deeply. The way this story unfolds is near perfection.
A beautifully told oral history of the events of September 11, 2001 as told by the people who lived the day. The accounts range from employees who went to work in the World Trade Center to the Vice President tucked away in a bunker, to a mother who gave birth on that fateful day, to worried family members whose loved ones were aboard hijacked planes. This book encapsulates the emotions and voices of a nation in fear, and without any answers.
What this book does best is connect the reader to the anxiety of that day. It is an extremely emotional book and there were times in my reading where I could feel my heart rate quicken as I turned each page. More than any event this book is about the feelings. We all know what happened that day, but this book will live on as a document of what it felt like to live through this historic event.
A collection of essays that are at once smart, funny, and truly thought provoking. Cottom is one of the most critical and nuanced thinkers on race and gender, and she centers the experience of Black women consistently in her work. Thick is effortless in its ability to move between ideas of intersectionality, the art of “the turn” is perfected in these pages.
I loved how I felt challenged in reading this book. I didn’t always understand what Cottom was saying on the first read, and was forced to go back and grapple with the work. I applaud Cottom for not making her work small to accommodate her reader. Her writing is too important for that. Go read Thick. You will learn things, you will connect dots you never knew you could. It is powerful and empowering.
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The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
April was not my best reading month as far as content. I liked a lot of what I read, but I really didn’t love anything. I reread Cheryl Strayed’s Tiny Beautiful Things and still found it excellent, but it wasn’t as thrilling as the first time around. I loved Fatimah Asghar’s poetry collection If They Come for Us, and was happy too participate in reading poems as part of National Poetry Month.I enjoyed mostly what I read all month, but was never really blown away.
You can find my reading month by the numbers and short reviews of everything I read below, and check out reviews of all of these books over on The Stacks Instagram
April by the Numbers
Total Books Read: 10 Audiobooks: 1 Five Star Reads: 2 Unread Shelf: 1 Books Acquired: 37
By Women Authors: 6 By Authors of Color: 6 By Queer Authors: 2 Nonfiction Reads: 7 Published in 2019: 4
The Stacks received this book from the author in exchange for an honest review. For more information click here. (Photo: amazon.com)
In her collection of poetry that covers the history of incarceration of Black women in America, DaMaris Hill crafts poems that highlight the pain of being a Black woman and the undeniable strength that comes along with it. She tells of some of the most famous women of the Diaspora as well as many women whose stories were nearly lost to history.
The collection is both poems and small bits of historical context that allow the reader to get a deeper understanding of the poetry. I really enjoyed the contextual bits of this book. Not all of the poems resonated with me, some were too fare removed from the context given. I also found some to be extremely powerful. The section on Assata Shakur was my favorite.
Three Stars | Bloomsbury Publishing | January 15, 2019 | 192 Pages | Hardcover | Purchase on IndieBound DaMaris Hill is our guest on The Stacks, hear that conversation now, by clicking HERE.
Every once in a while I will read a book that I can appreicate for its artistic beauty and masterful use of themes, language, and characters. I will be impressed by the dialogue and wowed by the sheer craft of the thing. And despite all of the beauty and skill, I won’t really like the book. That was the case for me with Beloved, Toni Morrison’s most famous and well regarded book. Its not that I didn’t think the book was spectacular, its just that it wasn’t for me. When I say a book is “too fiction-y” this book is a prime example.
If you’re not familiar with the book, it is the story of a runaway slave woman, Sethe, and her life as she lives free in Ohio mixed with the haunting of her past on the plantation and the early days of freedom. It is supernatural and haunting, and contains so many layers. I didn’t love the book, but I look forward to talking about it on The Stacks Book Club on May 22. I have a hunch that every time I discuss and dissect the book I will like it more and more. Toni Morrison’s works have a funny way of always having more to give.
A collection of poetry about violence, race, gender, and mortality both in a cultural sense and in the more intimate context of what it means to be alive and human. These poems are so smart and tough and vibrant and some are funny and snarky in the best ways.
What I appreciate in these poems beyond the craft itself is that the content ties in the historical and deeply personal. Asghar talks about being an orphan along side the fracturing of India and Pakistan. She takes the many parts of her identity and reflects them back to her audience. She reminds us all of the pain and joy in the world to which we must bear witness.
Five Stars | One World Books | August 7, 2018 | 128 Pages | Paperback | Purchase on IndieBound
A collection of short stories about drifters, drug addicts and life on the margins. It is both about the falling down and the getting back up of life. Before we recognized the opioid crisis as a crisis and before we sympathized with addicts, Jesus’ Son gave a human perspective to those that suffer from addiction. The book feels ahead of its time in this way. I couldn’t help but see Johnson’s ability to tell this story as a part of his own privilege. He gets to tell the stories of this specific group of users, instead of having to be responsible for all people who have ever been addicted. It is a great thing for an artist to be able to do, though I wonder if a Black author’s work would have been granted that kind of specificity.
Jesus’ Son is a well crafted collection, sparse in words but big in feeling. Johnson is fantastic at all the twists and the short sentences that pack a huge punch. While there were moments of great emotional resonance, this one wasn’t for me, in the end, I just didn’t care about the people in the stories.
This month for the #ShakeTheStacks Challenge I read Richard II. It looks at the reign and fall of King Richard II, and is a glimpse into the fragility of power and the necessity of legitimacy. This play has the potential to be boring, however Shakespeare crafts dynamic characters who use their speech as a way to influence and persuade. I was particularly struck by the diversity in oratory style between Bolingbroke and Richard. Both men attempt to convince those around them to follow their lead, and both do it in drastically different ways. I found a couple of Richard’s speeches to be some of Shakespeare’s most beautiful. On top of the beauty, the play is easy to read and understand, which isn’t always the case for The Bard.
Richard II is an engaging and thrilling read. It is a play about politics and legitimacy. It feels especially relevant in today’s climate. What does it take to overthrow the leader? It is a dramatization of a theoretical question of who has the will of the people. The play is more cerebral than action packed, but it works beautifully and leaves the reader with much to think about.
Three Stars | Penguin Classics; reprint edition | December 1, 2000 | 160 Pages | Paperback | Purchase on IndieBound
The Stacks received this book from the author in exchange for an honest review. For more information click here. (Photo: amazon.com)
A collection of essays that are at once smart, funny, and truly thought provoking. Cottom is one of the most critical and nuanced thinkers on race and gender in this moment in The United States.Thick is effortless in its ability to move between ideas of intersectionality, the art of “the turn” is perfected in these pages. As the collection goes on the essays build on each other and deepen the readers understanding of Cottom and the work she has dedicated her life to. It is because of this depth that the second half of the book really stood out for me.
Some of Thick was challenging to read. I often had to go back and reread sentences and passages because I found myself lost in her arguments. That is less a criticism and more an observation about the style of the book. I applaud Cottom for not making her work small to accommodate her reader. Her writing is too important for that. Go read Thick. You will learn things, you will connect dots you never knew you could. It is powerful and empowering.
Five Stars | The New Press | January 8, 2019 | 224 Pages | Hardcover | Purchase on IndieBound
In June 1973, there was a fire at the Up Stairs Lounge, a gay bar in New Orleans that left 32 people dead. This tragedy was barely acknowledged when it happened and has since, been largely lost to history. In his book, Tinderbox, Robert Fieseler attempts to shed light on the events of June 24, 1973, and the connect those events with the early days of the Gay Liberation Movement.
Tinderbox functions on two levels, one the story of the fire and the people and city directly involved, and two the story of the movement that was connected to it. The true crime part of this book is fantastic. In particular, the pages where Fieseler describes the fire itself were vivid and horrifying. The history of the movement falls a little flatter, the connection feels forced. I thoroughly enjoyed this book, and if you like true crime, you will too, even if some sections are not as good as the rest.
Three Stars | Liveright | June 5, 2018 | 384 Pages | Hardcover | Purchase on IndieBound Hear Robert W. Fieseler on The Short Stacks HERE, and hear our in depth discussion of Tinderbox on The Stacks HERE.
A reread of one of my favorite books from last year (you can find my first review here). Cheryl Strayed’s advice column from her days at The Rumpus strikes all the right chords. I love this book. I don’t know how else to say it. It is full of reminders and suggestions on how to live life a little better. Its not polite or even precious, its more in your face. Its the kind of book that opens you up a little bit. Thats what makes it so great. Strayed even says, most of the time you know what you must do, this book, like her advice, is just a nudge in the right direction.
The Truths We Hold is part of a tradition of books for future presidential candidates, they almost all have them. One part memoir, one part policy platform, and one part resume. These books aren’t particularly insightful, though they are a glimpse into the candidate on their very best days (even the bad ones are good or have packaged lessons to take away). Barack Obama famously wrote The Audacity of Hope on the eve of his candidacy, and that book gave America a glimpse into the changes Obama wanted to make in this country. Likewise Harris lays out the things she has achieved as prosecutor and attorney general, and the direction she thinks America should go. It is all well written and readable, but it is all so safe. I understand why, but I wish there was another way. I will wait and read her tell all after she is president.
The final section of the book are the truths she lives by, and aside from learning about her courtship with her husband, this is the best part of the book. Its a little insight into how she ticks. It should also be said, she reads her book and does a fantastic job. Her charisma shines through, and if nothing else, you finish the book and really like the woman.
Three Stars | Penguin Audio | January 8, 2019 | 9 hours and 26 minutes | Audiobook | Listen Through Libro.Fm
The Stacks received this book from the author in exchange for an honest review. For more information click here. (Photo: amazon.com)
What Doesn’t Kill You Makes You Blacker is the exact book you might expect from Damon Young, of Very Smart Brothas. It is smart and funny, and yet it still makes you think. The book is dynamic and covers a range of topics from what is a “good dude” to Black anxiety, to gentrification, homophobia, to name a few. The book is good, though some of the essays are stronger than others, and sometimes thats frustrating.
There are four essays that really stand out, and whats interesting is they all have a common thread: Women. Each one of these essays (about his controversial piece on rape on VSB, his wife, his mother, and his daughter) is vulnerable but still maintains the style that Young is known for. There is an ease to his voice though saying the hard things, admitting fault, calling out his own privilege, and taking others to task must have been extremely challenging. There is a humility to these essays that allows them to soar above the rest. The book is worth a read, even if at times I found Young to be reaching for a laugh when he didn’t need one. His story is enough.
Three Stars | Ecco | March 26, 2019 | 320 Pages | Hardcover | Purchase on IndieBound Hear our conversation with Damon Young on the Short Stacks HERE
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
