Today we speak with Saeed Jones – award-winning author of the new poetry collection Alive at the End of the World. Our conversation covers the art of embracing chaos and finding humor, and how Saeed considers his poems in relation to the reading and the performance of poetry. Saeed also explains why he thinks of all his poems as traps.
The Stacks Book Club selection for September isThe Treesby Percival Everett.We will discuss the book on September 28th with Lisa Lucas.
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Putting together a list of favorite reads is always so fun and so tough for me. I read over 100 books this year, so narrowing it all down is a great way to reflect on what I learned and how I’ve changed in the last 365 days.
I did keep track of everything I read. Mostly because I’m a huge nerd and love a good spreadsheet, but also because I like to stay accountable to my reading goals.
Before I dive into my top 10 books, here is a little breakdown of what I read in 2018. I read a total of 101 books, exactly ONE book over my goal.
49 were by authors of color (49%)
54 books were by women (54%)
31 books were by women of color (31%)
40 books were published in 2019 (40%)
62 books were acquired by me in 2019 (62%)
61 books were nonfiction (61%)
Of the 101 books I read here is how the star ratings shook out
17 books received five stars (17%)
23 books received four stars (23%)
45 books received three stars (45%)
14 books received two stars (14%)
2 books received one star (2%)
I love a good stat, and I could break down my reading even more, but I won’t. Instead here are my top 10 favorite reads of 2019 (in alphabetical order), though they weren’t all published this year.
The story of August, a twelve year old Black girl navigating a new life in Brooklyn. She moves north, with her father and brother, after her mother’s death. It’s the story of August growing up, finding new friends, and creating space her own space in the world.
This is one of the best coming of age stories I’ve ever read. The characters as vibrant and live in the space of confidence and insecurity that is so common for teenagers. She understands what it means to be lost and then found. She captures so much in this book, and does it all in less than 200 pages. That kind of brevity is rare, and a sign of true mastery.
In the story of her life, Assata Shakur lets her reader in on her childhood, her relationship with the Black Liberation Movement, and her arrest and imprisonment. The prose are conversational and the content is enraging and devastating. Not only is this book a look back at the past, it is also a very clear indictment on the current state of affairs in The United States.
I loved that Shakur wasn’t presenting an objective history, but rather a deeply personal and emotionally charged retelling of her life. You can feel her passion and her rage in every sentence, and it is beautiful.
The books is part memoir and part guide to identifying and combatting racist ideas in ourselves and in our culture. Kendi’s main premise is that there is no such thing as a “not racist” person, instead there are only racists thoughts and actions, and antiracist thoughts and actions, and these two things can live simultaneously in any human, even Kendi himself.
This was one of my most anticipated books for 2019, and it did not disappoint. Kendi is able to make combatting racism approachable. Most Americans can read this book and find ways to reflect on their own contributions to racism and their own role in changing the system. I also loved getting to see a more personal side of Kendi, a man I admire greatly.
A stunning memoir about finding ones self at the intersection of sexuality and race. Saeed Jones shares his coming of age and his questioning of his identity and belonging and it is incredible to read. Jones’ use of prose and poetry is effortless and serves the story and creates a piece that is as enjoyable to read as it is painful.
I learned a lot about the ways we get in the way of young queer people’s, especially of color, exploration of their identities. In How We Fight for Our Lives I was able to understand the types of violence both physical and emotional, that often accompany the shame and fear about living as one’s true self. I loved this book. Saeed Jones is a force.
A collection of short stories of middle school kids walking home from school. The stories are all unique and individual, but they intersect with the other stories in one way or another. It is a beautiful book about the few minutes a day kids are left unsupervised and get to experience the world on their own.
This book was the biggest surprise for me this year. Admittedly middle grade short stories isn’t a genre I’d think I’d like, and yet here we are. Something that Jason Reynolds is able to do with Look Both Ways is see the humanity in his characters. These kids have all had experiences that have shaped them, some more traumatic than others, but he finds a way to present this without making the kids into their trauma. The characters are full of life and joy and they are impossible to forget. Its also worth noting, Reynolds can write!
Lot by Bryan Washington
A collection of short stories about Black and Brown life in a neighborhood in Houston, told all in the first person with differing narrators, this book is a work of creativity and true craft. Unlike most short story collections where there is no sense of progress or growth over time, in Lot, Washington uses one family as our anchor and we get to watch as their lives unfold through alternating stories. That is supplemented with a cast of characters from the”lot” and their lives.
Washington’s perspective on life and sex and family and gentrification are subtle and smart and really beautiful. The stories are small and intimate. He centers queerness and cultural homophobia in a way that is honest and not preachy. Some standout stories for me were “Lot”, “Waugh”, and “Congress”, but I would say each story enhances the next.
A collection of essays on things that are difficult to say. This book is not what it seems. Corrigan wrote Tell Me More after the passing of her father and dear friend, Lisa. The book ends up being more a response to the loss of her loved ones, an understanding of her own grief, and way to help her (and the reader) move on when things feel devastating.
I loved this book. I got so much out of it and wept openly in sections. While the grief is ever present through out, there are also conversations about knowing your own worth, finding ways to be truly empathetic, and seeking out true love and joy that were valuable.
Historical fiction at its best. The Nickel Boys is inspired by a real life nightmare of a reform school, and follows two fictional characters who grapple with the horrors they experience, the friendships they create, and the prejudice they face as young Black men in Jim Crow Florida.
Colson Whitehead is a professional writer of the finest caliber. He is exacting and precise. There is not a word wasted in this book. You get to know the characters and feel for them deeply. The way this story unfolds is near perfection.
A beautifully told oral history of the events of September 11, 2001 as told by the people who lived the day. The accounts range from employees who went to work in the World Trade Center to the Vice President tucked away in a bunker, to a mother who gave birth on that fateful day, to worried family members whose loved ones were aboard hijacked planes. This book encapsulates the emotions and voices of a nation in fear, and without any answers.
What this book does best is connect the reader to the anxiety of that day. It is an extremely emotional book and there were times in my reading where I could feel my heart rate quicken as I turned each page. More than any event this book is about the feelings. We all know what happened that day, but this book will live on as a document of what it felt like to live through this historic event.
A collection of essays that are at once smart, funny, and truly thought provoking. Cottom is one of the most critical and nuanced thinkers on race and gender, and she centers the experience of Black women consistently in her work. Thick is effortless in its ability to move between ideas of intersectionality, the art of “the turn” is perfected in these pages.
I loved how I felt challenged in reading this book. I didn’t always understand what Cottom was saying on the first read, and was forced to go back and grapple with the work. I applaud Cottom for not making her work small to accommodate her reader. Her writing is too important for that. Go read Thick. You will learn things, you will connect dots you never knew you could. It is powerful and empowering.
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The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
June was a fun month where I got to attend Book Con in NYC and meet up with many awesome authors, publishers, and bookish friends. I also collected some awesome books, including my favorite read of the month, How We Fight for Our Lives by Saeed Jones. I can’t reccomend this memoir more, and it comes out in October, trust me you want to be on team pre-order. Get your copy now!
You can find my reading month by the numbers and short reviews of everything I read below, and check out reviews of all of these books over on The Stacks Instagram.
June by the Numbers
Total Books Read: 8 Audiobooks: 1 Five Star Reads: 1 Unread Shelf: 2 Books Acquired: 20
By Women Authors: 5 By Authors of Color: 5 By Queer Authors: 3 Nonfiction Reads: 6 Published in 2019: 5
In her first book Rachel Overvoll examines her childhood in a fundamentalist Evangelical family and the events that led her away from her religious past and toward a life of liberation and empowerment. Overvoll is very vulnerable and shares her past sexual assaults, her abusive relationships, and the social conditioning that led her into depression and self loathing.
To be perfectly frank, the writing in this book is just okay, but the content is compelling. A more skilled writer could have created a more emotional narrative, but Overvoll isn’t that, she is a person who wanted to tell her own story, which is to be commended. Its a quick read and gives the reader plenty to think about.
Two Stars | Peacock Proud Press; 1st edition | April 21, 2019 | 198 Pages | Paperback | Purchase on IndieBound Hear our conversation with Rachel Overvoll on the Stacks HERE
The Stacks received this book from the publisher in exchange for an honest review. For more information click here. (Photo: amazon.com)
A stunning memoir about finding ones self at the intersection of sexuality and race. Saeed Jones shares his coming of age and his questioning of his identity and belonging and it is incredible to read. Jones’ use of prose and poetry is effortless and serves the story and creates a piece that is as enjoyable to read as it is painful.
I learned a lot about the ways we get in the way of young queer people’s, especially of color, exploration of their identities. In How We Fight for Our Lives I was able to understand the types of violence both physical and emotional, that often accompany the shame and fear about living as one’s true self. I loved this book. Saeed Jones is a force.
Five Stars | Simon & Schuster | October 8, 2019 | 198 Pages | Hardcover | Purchase on IndieBound
The Stacks received this book from the publisher in exchange for an honest review. For more information click here. (Photo: amazon.com)
This book is a collection of essays, poems, playlists, interviews, comics, and art pieces all answering the question “how do you fight White supremacy?”. A unique and inclusive work, How We Fight White Supremacy, does a fantastic job of showing the diversity and vastness of Black resistance.
What I loved most about this book is how dynamic it is. Akiba Solomon and Kenrya Rankin have done a fantastic job of finding unique and differing voices within the Black community. The commitment to showing the vastness of Black experience pays off in a book that is not about any one thing, and yet still remains connected to the central idea of fighting White supremacy. From comedian to survivalist to author to Black Lives Matter co-founders, this book proves the point that Black people are not and have never been a monolith.
Four Stars | Bold Type Books | March 26, 2019 | 304 Pages | Paperback | Purchase on IndieBound Hear our conversation with Akiba Solomon & Kenrya Rankin on The Short Stacks HERE
In his memoir that is sort of funny and also very authentic, Michael Arceneaux explores his relationship to his identity as a Black gay man and how it relates to his upbringing in Houston and in the Catholic church.
There really aren’t a lot of books about coming of age and living as a Black gay man that aren’t seeped in the exploitation of trauma. This book finds a way to be honest and truthful and deal with painful family dynamics and still keep its sense of humor. I hope this book can open doors for other queer authors to share their stories in ways that we don’t often get to see. Arceneaux is a vibrant personality and it shines throughout the book. Also, he loves Beyonce and I can’t find any fault in that.
Three Stars | Atria Books | July 24, 2018 | 256 Pages | Paperback | Purchase on IndieBound
One of the things I’m learning with my #ShaketheStacks journey through all of William Shakespeare’s plays is that, most of his plays that are obscure, are obscure for a reason, they aren’t that good. That is certainly the case with King John.
As with many of the other history plays, King John mostly revolves around the throne and who has the rightful claim to the power that it holds. There are really only so many ways you can tell that story, and in King John it is done in a way that feels remedial and lacks creativity and excitement. Plus, the full title of the play gives away the ending, which isn’t so bad, but in this case it feels like a trek to get there, and it fizzles out when you do.
Two Stars | Penguin Classics; Reprint edition | August 2000 | 118 Pages | Paperback | Purchase on IndieBound
A literary courtroom drama about a horrible accident at a medical facility that kills two people. This book is compelling from the start, a total who-done it mystery.
Angie Kim was once a trial lawyer and it shows. The scenes in the courtroom are amazing, they are vibrant and feel like you’re reading an episode of Law and Order. Kim is ambitious in including many different facets of life in this book. She draws from her own experience as a lawyer, an immigrant, and a mother which helps make these different parts of book feel full. Autism plays a huge part in this book and I didn’t find those characters to be fully explored or the different points of view to be shared as completely. Overall I really enjoyed reading this book and think it is well executed, I look forward to what comes next from Angie Kim.
Four Stars | Sarah Crichton Books | April 16, 2019 | 368 Pages | Hardcover | Purchase on IndieBound Hear our conversation with Angie Kim on The Short Stacks HEREand The Stacks Book Club discussion of the book HERE
A coming of age story of young girl trying to find her place in a family with a distant abusive mother. Mereidth May turns to her bee keeping grandfather as a role model and teacher. The book uses bees as a metaphor for May’s life.
This is a sweet story, but lacked any real emotional connection for me. This book feels very much life a YA story, and leaves a lot of the complexity out. I loved the sections with the bees, and learning about how they function as part of the hive were by far the most engaging sections of the book. Her grandfather was such a lovable figure and his passion for bees was the main saving grace of this story.
Two Stars | Park Row; Original edition | April 2, 2019 | 336 Pages | Hardcover | Purchase on IndieBound
A detailed look at the many ways the racial divide has been widened by White supremacy and the fear of advancement from Black people. This book is extremely well researched and full of detailed analysis of court cases, contemporaneous quotations, and more.
This book is extremely powerful and lays our the many ways Black people have been denied rights in America. Not just small individual acts of violence, but over reaching policies that are violent in their own ways. Policies that strip agency and access from Black Americans. White people have a long history of responding to Black advancement through these types of policies and Anderson lays out this history from Reconstruction to President Obama. This book is a clear indictment on the obvious and biased ways White people have made the playing field unleveled in order to get ahead. I certainly felt more equipped to understand the many injustices we see in America today, and this book is a wonderful companion to Anderson’s most recent book, One Person, No Vote. I will say this book is extremely dense, even if it is short, and take a lot of focus to unpack the facts, figures, quotes, and historical accounts. Thats not to deter anyone, rather to prepare you to make enough time to fully understand the work.
Three Stars | Bloomsbury USA; Reprint edition | September 5, 2017 | 304 Pages | Paperback | Purchase on IndieBound
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
The Stacks received this book from the publisher in exchange for an honest review. For more information click here.
This was possibly my most anticipated read of the year. I knew of Kiese Laymon’s essays, but had never read any of his books, and many people that I trust ad respect have nothing but the highest praise for him. So, I was eager to read his “American Memoir”.
In Heavy, Laymon writes eloquently and honestly about growing up a hard-headed black son to a complicated and brilliant black mother in Jackson, Mississippi. From his early experiences of sexual violence, to his suspension from college, to his trek to New York as a young college professor, Laymon charts his complex relationship with his mother, grandmother, anorexia, obesity, sex, writing, and ultimately gambling. By attempting to name secrets and lies he and his mother spent a lifetime avoiding, Laymon asks himself, his mother, his nation, and us to confront the terrifying possibility that few in this nation actually know how to responsibly love, and even fewer want to live under the weight of actually becoming free.
Complexity and vulnerability course through the pages of Heavy. Kiese Laymon never strays from a commitment to tell the truth of his story. As we read on, we understand his truth is painful. We learn how Laymon got to be the thorough, confrontational, relentless man that is writing this memoir. He allows himself to unfold page by page, until you feel as if you might actually know this man. Of course you don’t, but his brutal honesty gives a seeming closeness or understanding.
Laymon is a beautiful writer. He captures feelings and emotions in short and specific sentences. He creates worlds and moments with his words. In Heavy Laymon shows how his mother shapes him as a man, and also as a writer, and more importantly a thinker. In all of these things, her influence is not always positive, but it is obviously formative. She is herself a Black thought leader and academic who forces Laymon to confront the need to be excellent from a young age. We also watch as people come into Laymon’s life and influence his mind and his body. Quiet literally shaping him. We learn of his deep commitment to revision. We see how that compulsion towards excellence is pathological and often times destructive.
I knew very little about Laymon when I started reading, and within a few pages I understood that what I was reading was different than other memoirs. It was at once personal and a social commentary. Laymon would expose personal secrets, and also institutional deficiences. Heavy is a deeply intimate account of one man and his relationship to his own identity, and an examination of America and her relationship to her citizens. Racism, discipline, addiction, education, beauty standards and more are unpacked in Laymon’s memoir.
I was beyond impressed with this book.. I learned a lot and felt the wind knocked out of my sails at times. I have been calling it “Coates-ian” (a reference to author and journalist Ta-Nehisi Coates), except more intimate, more vulnerable, and less of a reflection on the broader racial questions of our time, more an examination of how one experience is inclusive of the larger picture. There have been some amazing reviews of Heavy, and I highly suggest one by Saeed Jones in The New York Times, Jones beautifully expresses the struggle for excellence and what that means for Laymon and all of us. Before I unequivocally suggest to you to read this book, I want to note there are some very graphic scenes of a child abuse in this book, and while that can be triggering for many, it is an important part of Laymon’s history. I couldn’t imagine this book without those scenes. Now, here it comes, go read this book.
Hardcover: 256 pages
Publisher: Scribner; First Edition edition (October 16, 2018)
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The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. Shopping through these links helps support the show, but does not effect my opinions on books and products. For more information click here.
