On today’s Unabridged episode, we’re joined by veteran The Stacks guest Cree Myles – bookfluencer, writer and creator of All Ways Black, which celebrates Black lit and creators in every genre. Our conversation covers the perks of being a bully on social media, messy group chats and small wins. We also get into parenting woes, and the TV shows we’re currently into and not into.
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The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
October was my best reading month so far in 2019. Not only did I read the most books I’ve read in a month (eleven), but I also had the most five star reads (three). I did have a few two star reads, which is never fun, but you can’t win them all. The stand outs this month were Look Both Ways by Jason Reynolds, Another Brooklyn by Jacqueline Woodson, and Salt, Fat, Acid, Heat by Samin Nosrat. Read below for mini-reviews of everything I read in October.
October by the Numbers
Total Books Read: 11 Audiobooks: 2 Five Star Reads: 3 Unread Shelf: 1 Books Acquired: 26
By Women Authors: 5 By Authors of Color: 10 By Queer Authors: 2 Nonfiction Reads: 3 Published in 2019: 6
The story of August, a twelve year old Black girl navigating a new life in Brooklyn. She moves north, with her father and brother, after her mother’s death. It’s the story of August growing up, finding new friends, and creating space her own space in the world.
This book is the best coming of age story I’ve ever read. She nails what it feels like to be Black and young and fearless and terrified and longing and female and free. Woodson understands what it means to be searching and to be found. The complexities of getting older are handled with care but without any sense of preciousness. And she does all of this in less than 200 pages. That kind of brevity is rare, and a sign of true mastery.
The love between August and her three friends speaks powerfully to beauty of Black female friendships. At times it took my breath away. There is an ease to Woodson’s writing that makes these young women come to life wholly and authentically. She doesn’t attempt to smooth over the traumas or stifle the triumphs Instead there is a reality filled with pain and heartbreak, and with so much joy.
The Stacks received this book from the publisher in exchange for an honest review. For more information click here. (Photo: amazon.com)
Two pregnant women living in a secret maternity home in Los Angeles decide to escape north to San Francisco and raise their children free of constraint and expectation of their Chinese families in this novel.
First off, Hua is a really beautiful writer, she balances her sentences between art and information in a way that is enjoyable to read. The truth is, I just couldn’t connect with the story. I liked the lead characters and the plot moved, but nothing grabbed me. I didn’t feel that I had a stake in what happened to the people in this story one way or the other. I did listen to this book on audio, and its possible that the narrator was what didn’t work for me. All of this is to say, if you like novels about unconventional women who blaze their own trails, this might be a book for you.
Two Stars | Random House Audio | August 14, 2018 | 10 Hours 54 Minutes | Paperback | Purchase on IndieBound
In this lightly satirical novel we follow our narrator as tries to get back his Black card, that’s been revoked. If you’re looking for comparison, this book felt like the mixed kids version of the TV show Atlanta. It’s funny, a little surreal, and sometimes felt smarter/more clever than me.
Overall I liked it. Terry is clearly a creative thinker and grappling with what it is to be mixed, and how that relates to both Blackness and Whiteness, and why that matters. I love seeing stories told about being more than one thing when it comes to race and ethnicity, because there are so many of us mixed kids out there (not just Black and White, but all sorts of combinations).
Three Stars | Catapult | August 13, 2019 |272 Pages | Hardcover | Purchase on IndieBound Hear our conversation with Chris L. Terry on The Stacks HERE.
Henry V, a play you might not know, but you’ve probably heard a few famous lines from. “Once more into the breach, dear friends, once more” “We few, we happy few, we band of brothers” The play follows Henry, the new king, as he grapples with the responsibility of going to war, and what that says about him as a leader and as a man.
While I’m pretty over stories about Kings contemplating and ultimately going to war, I did get a lot out of this play. Henry has some wonderful speeches and meditates on some pretty heady stuff. This play got me thinking a lot about the responsibility of our leaders to the people versus the well being of the nation versus their own lust for power and legacy. It asks questions of who has blood on their hands? Is it the soldiers or the king that sends them to war? It all feels topical given what is going on in the world.
As a reader I loved reading the monologues from King Henry, but other parts fell flat, like the comedic bar scenes. There’s also a pretty spectacular courting scene in the play’s final act that shows how lacking in humanity our king is when he’s faced with courting (or conquering) a woman.
Three Stars | Pelican Shakespeare | September 1, 1999 | 121 Pages | Paperback | Purchase on IndieBound
The Stacks received this book from the publisher in exchange for an honest review. For more information click here. (Photo: amazon.com)
A collection of short stories of middle school kids walking home from school. The stories are all unique and individual, but they intersect with the other stories in one way or another. It is a beautiful book about the few minutes a day kids are left unsupervised and get to experience the world on their own.
Something that Jason Reynolds is able to do with Look Both Ways is see the humanity in his characters. These kids have all had experiences that have shaped them, some more traumatic than others, but he finds a way to present this without making the kids their trauma. The characters are full of life and joy and they are impossible to forget. Its also worth noting, Reynolds can write! His prose are rich without being over worked. He doesn’t preach to his audience, he sees his reader and shares with them. As someone who doesn’t read YA or middle grade books, Look Both Ways was a welcome surprise that brought me to life as a reader and reminded me of goodness. It is a favorite read of 2019 for sure!
Five Stars | Atheneum/Caitlyn Dlouhy Books | October 8, 2019 | 208 Pages | Hardcover | Purchase on IndieBound
Shea Serrano is hilarious and so smart. In his book Movies (and Other Things) he asks questions about movies and then answers them. It sounds like a pretty straight forward concept, but the genius in Shea Serrano is that he finds new and exciting ways to look at movies and the world. He opens up the conversation around movies so that you feel like you’re debating with your friend, and challenging yourself to see movies differently.
This book is laugh out loud funny. Not just the ideas behind it, but there are sentences that are so accurate you can’t help but laugh. Its not all funny (mostly it is) there is a little more going on in this one, for instance, the chapter on Selena talks about what it means to be Mexican American and the struggles of being two things at once. Of course, Serrano infuses his signature voice and his humor, but its more than that, trust me.
The only complaint I have about this book is that if you don’t know the movies or the genre, it can be a little harder to engage with certain chapters. Gangster movies aren’t my thing, so I felt a little lost when looking at the quintessential gangster movie scenes. Overall, if you like movies, you’ll get a kick out of this book.
Four Stars | Twelve Books | October 8, 2019 | 256 Pages | Hardcover | Purchase on IndieBound
The story of the Han family and their Chinese restaurant, The Beijing Duck House. When there is a fire that sets the restaurant a blaze the world of the Han family and their employees is shaken up and we’re left to sort the pieces.
This one wasn’t for me. It was too long and felt repetitive. I wasn’t excited by the characters or the plot, but rather felt like I was just going through the motions to get to the end of the book. There were some cute moments, and one scene at the end that was wonderful, but overall this wasn’t something that I enjoyed reading. I do think, however, this books would make a fantastic movie, in fact the whole time I was reading it I was wishing the movie already existed. The nuances of family drama might translate better to the screen, and certainly the food would be more appetizing that way.
The Stacks received this book from the publisher in exchange for an honest review. For more information click here. (Photo: amazon.com)
The story of one Black family through time and place. We start in 2001 at 16 year old Melody’s coming of age ceremony and then unwrap the layers that make her family fragmented, strong, unique, and whole.
Woodson understands and articulates what it means to be Black and female in America, and this book puts her ability on display. She captures the delicious subtleties of life. In Red at the Bone we see class and race and gender norms and sexuality and so much humanity, and we get to see it all through the beautiful prose of Woodson. Woodson who is a master of brevity that lands a punch. I’m not sure this specific story will stick with me in five years, but I know that the feeling of reading Jacqueline Woodson will never fade.
Four Stars | Riverhead Books | September 17, 2019 | 208 Pages | Hardcover | Purchase on IndieBound
We don’t normally read and review cookbooks around here, but we also are willing to try anything once, and I’m so glad we did. Salt, Fat, Acid, Heatis a cookbook about the elements that make up everything we eat. Nosrat breaks it all down in the first 200 pages of the book, explaining each element and how to use it, and then give us 200+ pages of basic recipes to practice our skills.
This book is simply fantastic! I like to cook, but often feel I don’t know how to without detailed instructions. I find myself glued to my recipes and in a mild state of anxiety when trying something new. This book gives anyone the tools to make choices about how to cook and how to improvise. Its empowering. I would be remiss not to mentions the gorgeous illustrations from Wendy McNaughton. I can honestly say this is one of the most beautiful books I’ve ever owned.
Three Stars | Houghton Mifflin Harcourt | October 22, 2019 | 480 Pages | Hardcover | Purchase on IndieBound We discussSalt, Fat, Acid, Heaton The Stacks Book Club, you can hear that conversation by clicking HERE.
A look at why humans are so bad at understanding and engaging with “strangers”. This book is deeply flawed and highly problematic. I found the arguments made to be harmful and irresponsible. In the past I’ve considered myself a Gladwell fan (I’ve read all his books and listened to his podcast) but this book feels like he’s reached his own tipping point, it is Gladwell for Gladwell’s sake.
One glaring is that there is no clear definition of the word “stranger”. We’re led through stories of people meeting for the first time and then of colleagues who’ve worked together for decades, and both are treated the same, we’re told they’re strangers. That can’t be.
Gladwell is a gifted storyteller (which is made all the more clear through his fantastic narration of the audiobook) and is known for making compelling arguments. Our understanding of who he is helps as he shifts from interesting scientific studies to unsubstantiated claims without batting an eye. He is riding on intellectual credit, but the arguments are weak at best when we look at them more deeply.
The most offensive piece of this book is his unwillingness to take power, sexism, and racism into account when discussing people and events like Larry Nassar, The Stanford Rape Case, and Sandra Bland. Instead of discussing racism and race he opts to discuss “misunderstanding”. Instead of discussing the power dynamics of sexual assault he expounds the harms of binge drinking, but nothing of misogyny. It’s a big mess, and he should’ve done better.
The book feels like an attempt to be both relevant and placate people who are tired of “identity politics”. He moves from one hot button issue to the next without any subtlety or nuance. He is name dropping iconic incidents to insure buzz for the book, instead of crafting compelling arguments that stand up to scrutiny. This book was enraging and irresponsible.
Two Stars | Hachette Audio | September 10, 2019 | 8 Hours 42 Minutes | Hardcover | Purchase on IndieBound
This satirical novel takes place in the near-future American South where Black people are caged in ghettos, and there are experimental treatments that will “demelanize” the black out of people (if you can afford it). It is in this world, where we find our narrator, a Black man, his White wife, and his mixed son.
More than anything else, while reading this book I kept thinking to myself, “Maurice Carlos Ruffin” is a smart person. His writing left me feeling taken care of, and I trusted that he had put thought into this world. That’s not to say that I always felt connected, or that I liked everything in this book, or that I didn’t think it could be cut down by at least 70 pages. I felt those things, and that I was reading the words of a smart and thoughtful author. My biggest issue with the book is that I wanted more world building. I wanted to know how America got to where it was when the reader shows up. I felt there were details missing that I wanted to know. Overall the book is thought provoking and examines race in a way that we so rarely see in literature these days.
Three Stars | One World | January 29, 2019 | 336 Pages | Hardcover | Purchase on IndieBound We discussWe Cast a Shadowon The Stacks Book Club, you can hear that conversation by clicking HERE.You can also hear author, Maurice Carlos Ruffin on The Short Stacks HERE.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
April was not my best reading month as far as content. I liked a lot of what I read, but I really didn’t love anything. I reread Cheryl Strayed’s Tiny Beautiful Things and still found it excellent, but it wasn’t as thrilling as the first time around. I loved Fatimah Asghar’s poetry collection If They Come for Us, and was happy too participate in reading poems as part of National Poetry Month.I enjoyed mostly what I read all month, but was never really blown away.
You can find my reading month by the numbers and short reviews of everything I read below, and check out reviews of all of these books over on The Stacks Instagram
April by the Numbers
Total Books Read: 10 Audiobooks: 1 Five Star Reads: 2 Unread Shelf: 1 Books Acquired: 37
By Women Authors: 6 By Authors of Color: 6 By Queer Authors: 2 Nonfiction Reads: 7 Published in 2019: 4
The Stacks received this book from the author in exchange for an honest review. For more information click here. (Photo: amazon.com)
In her collection of poetry that covers the history of incarceration of Black women in America, DaMaris Hill crafts poems that highlight the pain of being a Black woman and the undeniable strength that comes along with it. She tells of some of the most famous women of the Diaspora as well as many women whose stories were nearly lost to history.
The collection is both poems and small bits of historical context that allow the reader to get a deeper understanding of the poetry. I really enjoyed the contextual bits of this book. Not all of the poems resonated with me, some were too fare removed from the context given. I also found some to be extremely powerful. The section on Assata Shakur was my favorite.
Three Stars | Bloomsbury Publishing | January 15, 2019 | 192 Pages | Hardcover | Purchase on IndieBound DaMaris Hill is our guest on The Stacks, hear that conversation now, by clicking HERE.
Every once in a while I will read a book that I can appreicate for its artistic beauty and masterful use of themes, language, and characters. I will be impressed by the dialogue and wowed by the sheer craft of the thing. And despite all of the beauty and skill, I won’t really like the book. That was the case for me with Beloved, Toni Morrison’s most famous and well regarded book. Its not that I didn’t think the book was spectacular, its just that it wasn’t for me. When I say a book is “too fiction-y” this book is a prime example.
If you’re not familiar with the book, it is the story of a runaway slave woman, Sethe, and her life as she lives free in Ohio mixed with the haunting of her past on the plantation and the early days of freedom. It is supernatural and haunting, and contains so many layers. I didn’t love the book, but I look forward to talking about it on The Stacks Book Club on May 22. I have a hunch that every time I discuss and dissect the book I will like it more and more. Toni Morrison’s works have a funny way of always having more to give.
A collection of poetry about violence, race, gender, and mortality both in a cultural sense and in the more intimate context of what it means to be alive and human. These poems are so smart and tough and vibrant and some are funny and snarky in the best ways.
What I appreciate in these poems beyond the craft itself is that the content ties in the historical and deeply personal. Asghar talks about being an orphan along side the fracturing of India and Pakistan. She takes the many parts of her identity and reflects them back to her audience. She reminds us all of the pain and joy in the world to which we must bear witness.
Five Stars | One World Books | August 7, 2018 | 128 Pages | Paperback | Purchase on IndieBound
A collection of short stories about drifters, drug addicts and life on the margins. It is both about the falling down and the getting back up of life. Before we recognized the opioid crisis as a crisis and before we sympathized with addicts, Jesus’ Son gave a human perspective to those that suffer from addiction. The book feels ahead of its time in this way. I couldn’t help but see Johnson’s ability to tell this story as a part of his own privilege. He gets to tell the stories of this specific group of users, instead of having to be responsible for all people who have ever been addicted. It is a great thing for an artist to be able to do, though I wonder if a Black author’s work would have been granted that kind of specificity.
Jesus’ Son is a well crafted collection, sparse in words but big in feeling. Johnson is fantastic at all the twists and the short sentences that pack a huge punch. While there were moments of great emotional resonance, this one wasn’t for me, in the end, I just didn’t care about the people in the stories.
This month for the #ShakeTheStacks Challenge I read Richard II. It looks at the reign and fall of King Richard II, and is a glimpse into the fragility of power and the necessity of legitimacy. This play has the potential to be boring, however Shakespeare crafts dynamic characters who use their speech as a way to influence and persuade. I was particularly struck by the diversity in oratory style between Bolingbroke and Richard. Both men attempt to convince those around them to follow their lead, and both do it in drastically different ways. I found a couple of Richard’s speeches to be some of Shakespeare’s most beautiful. On top of the beauty, the play is easy to read and understand, which isn’t always the case for The Bard.
Richard II is an engaging and thrilling read. It is a play about politics and legitimacy. It feels especially relevant in today’s climate. What does it take to overthrow the leader? It is a dramatization of a theoretical question of who has the will of the people. The play is more cerebral than action packed, but it works beautifully and leaves the reader with much to think about.
Three Stars | Penguin Classics; reprint edition | December 1, 2000 | 160 Pages | Paperback | Purchase on IndieBound
The Stacks received this book from the author in exchange for an honest review. For more information click here. (Photo: amazon.com)
A collection of essays that are at once smart, funny, and truly thought provoking. Cottom is one of the most critical and nuanced thinkers on race and gender in this moment in The United States.Thick is effortless in its ability to move between ideas of intersectionality, the art of “the turn” is perfected in these pages. As the collection goes on the essays build on each other and deepen the readers understanding of Cottom and the work she has dedicated her life to. It is because of this depth that the second half of the book really stood out for me.
Some of Thick was challenging to read. I often had to go back and reread sentences and passages because I found myself lost in her arguments. That is less a criticism and more an observation about the style of the book. I applaud Cottom for not making her work small to accommodate her reader. Her writing is too important for that. Go read Thick. You will learn things, you will connect dots you never knew you could. It is powerful and empowering.
Five Stars | The New Press | January 8, 2019 | 224 Pages | Hardcover | Purchase on IndieBound
In June 1973, there was a fire at the Up Stairs Lounge, a gay bar in New Orleans that left 32 people dead. This tragedy was barely acknowledged when it happened and has since, been largely lost to history. In his book, Tinderbox, Robert Fieseler attempts to shed light on the events of June 24, 1973, and the connect those events with the early days of the Gay Liberation Movement.
Tinderbox functions on two levels, one the story of the fire and the people and city directly involved, and two the story of the movement that was connected to it. The true crime part of this book is fantastic. In particular, the pages where Fieseler describes the fire itself were vivid and horrifying. The history of the movement falls a little flatter, the connection feels forced. I thoroughly enjoyed this book, and if you like true crime, you will too, even if some sections are not as good as the rest.
Three Stars | Liveright | June 5, 2018 | 384 Pages | Hardcover | Purchase on IndieBound Hear Robert W. Fieseler on The Short Stacks HERE, and hear our in depth discussion of Tinderbox on The Stacks HERE.
A reread of one of my favorite books from last year (you can find my first review here). Cheryl Strayed’s advice column from her days at The Rumpus strikes all the right chords. I love this book. I don’t know how else to say it. It is full of reminders and suggestions on how to live life a little better. Its not polite or even precious, its more in your face. Its the kind of book that opens you up a little bit. Thats what makes it so great. Strayed even says, most of the time you know what you must do, this book, like her advice, is just a nudge in the right direction.
The Truths We Hold is part of a tradition of books for future presidential candidates, they almost all have them. One part memoir, one part policy platform, and one part resume. These books aren’t particularly insightful, though they are a glimpse into the candidate on their very best days (even the bad ones are good or have packaged lessons to take away). Barack Obama famously wrote The Audacity of Hope on the eve of his candidacy, and that book gave America a glimpse into the changes Obama wanted to make in this country. Likewise Harris lays out the things she has achieved as prosecutor and attorney general, and the direction she thinks America should go. It is all well written and readable, but it is all so safe. I understand why, but I wish there was another way. I will wait and read her tell all after she is president.
The final section of the book are the truths she lives by, and aside from learning about her courtship with her husband, this is the best part of the book. Its a little insight into how she ticks. It should also be said, she reads her book and does a fantastic job. Her charisma shines through, and if nothing else, you finish the book and really like the woman.
Three Stars | Penguin Audio | January 8, 2019 | 9 hours and 26 minutes | Audiobook | Listen Through Libro.Fm
The Stacks received this book from the author in exchange for an honest review. For more information click here. (Photo: amazon.com)
What Doesn’t Kill You Makes You Blacker is the exact book you might expect from Damon Young, of Very Smart Brothas. It is smart and funny, and yet it still makes you think. The book is dynamic and covers a range of topics from what is a “good dude” to Black anxiety, to gentrification, homophobia, to name a few. The book is good, though some of the essays are stronger than others, and sometimes thats frustrating.
There are four essays that really stand out, and whats interesting is they all have a common thread: Women. Each one of these essays (about his controversial piece on rape on VSB, his wife, his mother, and his daughter) is vulnerable but still maintains the style that Young is known for. There is an ease to his voice though saying the hard things, admitting fault, calling out his own privilege, and taking others to task must have been extremely challenging. There is a humility to these essays that allows them to soar above the rest. The book is worth a read, even if at times I found Young to be reaching for a laugh when he didn’t need one. His story is enough.
Three Stars | Ecco | March 26, 2019 | 320 Pages | Hardcover | Purchase on IndieBound Hear our conversation with Damon Young on the Short Stacks HERE
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
The Stacks received this book from the publisher in exchange for an honest review. For more information click here.
I was lucky enough to be invited to the Library of Virginia Literary Awards this year. It is a wonderful night that celebrates authors from Virginia, and books that are set in the state. This year, their honored guest was Susan Orlean, and so I read her newest book The Library Bookin anticipation of meeting Ms. Orlean. I can say both the book and the woman were a delight.
On the morning of April 29, 1986, a fire alarm sounded in the Los Angeles Public Library. As the moments passed, the patrons and staff who had been cleared out of the building realized this was not the usual fire alarm. As one fireman recounted, “Once that first stack got going, it was ‘Goodbye, Charlie.’” The fire was disastrous: it reached 2000 degrees and burned for more than seven hours. By the time it was extinguished, it had consumed four hundred thousand books and damaged seven hundred thousand more. Investigators descended on the scene, but more than thirty years later, the mystery remains: Did someone purposefully set fire to the library—and if so, who?
In The Library Book, Orlean chronicles the LAPL fire and its aftermath to showcase the larger, crucial role that libraries play in our lives; delves into the evolution of libraries across the country and around the world, from their humble beginnings as a metropolitan charitable initiative to their current status as a cornerstone of national identity; brings each department of the library to vivid life through on-the-ground reporting; studies arson and attempts to burn a copy of a book herself; reflects on her own experiences in libraries; and reexamines the case of Harry Peak, the blond-haired actor long suspected of setting fire to the LAPL more than thirty years ago.
If I’m being honest, I’ll admit I had no idea there was a massive fire in the Los Angeles Public Library’s central branch in 1986. Just hearing about it made me nervous and intrigued. I still remember my childhood library and how cozy it was and hearing about this fire sent chills up my spine. The thought of hundreds of thousands of books burning, and the destruction and closing of a city resource made my stomach feel uneasy. Before I read the book, I’m not sure I understood intellectually what my body reacted to when hearing about this fire. Susan Orlean helps to explain that and so much more with The Library Book.
If you love books you’ll appreciate this one, it is a total treat. It reminds the reader what it is they love about books and libraries, and then it does a whole lot more. The Library Bookis part true crime investigation, part how libraries work, part deep dive into Los Angeles history, and part conversation about the changing role of books and libraries in our lives. Again, if you’re a book lover, you’ll love this book.
Susan Orlean does a fantastic job of moving the book along and around, never dwelling for too long in any one moment or on any one person. This book is about the greater institution and concept of libraries, and she probes the idea of libraries from many different angles. I loved hearing about the little details of the library, like how long a book stays in circulation and the kinds of inquiries the library info desk fields. I also, predictably, loved the investigation of the 1986 fire in Los Angeles, you know, the true crime part.
There were certainly parts of this book that drifted into areas I was less interested in, however in these cases that says more about me than the book or Ms. Orlean’s writing. For the most part I was captivated by the story Orlean was expertly weaving. I didn’t know you could make a book about libraries and librarians seem exciting and fresh, but she does.
If you’re reading this blog, you most likely like books, so I would think you would appreciate if not swoon over this one. The Library Bookfeels like being in a hug of bookish nostalgia. If nothing else, it will remind you how important libraries are to the fabric of society, and maybe it will make you want to flaunt your library card.
Hardcover: 336 pages
Publisher: Simon & Schuster; 1st Edition edition (October 16, 2018)
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The Stacks participates in affiliate programs in which we receive a small commission when products are purchased through some links on this website. This does not effect my opinions on books and products. For more information click here.
As a San Francisco Bay Area native, I’m a little embarrassed to say I’d never heard of this book. However once it was brought to my attention it moved to the top of my TBR list immediately. If you’re unfamiliar with this book, here’s a little blurb for you,
In a kaleidoscopic narrative, bestselling David Talbot recounts the gripping story of San Francisco in the turbulent years between 1967 & 1982—& of the extraordinary persons who led to the city’s ultimate rebirth & triumph.
This book attempts to discuss and explain some of San Francisco’s (and the country’s) most important people and well known incidents. While Talbot does manage to cover a lot of ground, from Janis Joplin to Jonestown, from Patty Hearst to Harvey Milk and beyond, he is unable to dive into the complexity and nuance that is required to chronicle such important figures and moments.
A lot of the sections of this book fall short. Not only because Talbot doesn’t have enough time or space to give detailed and analytic explanations, that moments like the start of the AIDS epidemic deserves, but more so because his tone is glib and condescending and he often misses the point. When discussing the AIDS crisis at the end of the book, he uses it as a catalyst for The City’s deliverance from the rocky decade preceding. This is dumb. This is also truly offensive considering how many people died.
Talbot has his opinions, and his puns, and his glibness that carry him through this book. His best decision was picking this era filled with interest and intrigue to carry the reader through. I found a lot of Talbot’s point of view and word choice to be off-putting. It was almost as if he was joking around with a pal, instead of documenting a major U.S. city during a tumultuous era.
The part of this book that is most enjoyable is chronicling all of the events and iconic moments that took place in such a short period of time in one city. San Francisco has lived many lives, and if you’re not familiar with late 1960’s to the early 1980’s, this is a great book for you. You will have to ignore some of Talbot’s bad behavior. Which is actually easier than you would think given the subject matter.
The Stacks participates in affiliate programs in which we receive a small commission when products are purchased through some links on this website. This does not effect my opinions on books and products. For more information click here.
