March 2019 Reading Wrap-Up

March was all about the backlist. I went on an amazing vacation and took a bunch of books I had been wanting to read for a long time, and I read them! What a treat. I really enjoyed almost everything I read in March. My stand out was Assata by Assata Shakur and the low-light was Love’s Labour’s Lost by William Shakespeare. What were your favorites this month? Also worth noting, I read my first books on a Kindle, and I survived.

You can find my reading month by the numbers and short reviews of everything I read below.


March by the Numbers

Total Books Read: 10
Audiobooks: 1
E-Books: 2
Five Star Reads: 1
Unread Shelf: 6
Books Acquired: 12

By Women Authors: 6
By Authors of Color: 3
By Queer Authors: 1
Nonfiction Reads: 6
Published in 2019: 2


Assata: An Autobiography by Asssata Shakur

(Photo: amazon.com)

In the story of her life, Assata Shakur lets her reader in on her childhood, her relationship with the Black Liberation Movement, and her arrest and imprisonment. The prose are conversational and the content is enraging and devastating. Not only is this book a look back at the past, it is also a very clear indictment on the current state of affairs in The United States.

If nothing else, Assata is a reminder of the struggle for Black equality that has spanned centuries, and the lengths the American government will go to stifle that quest. Racism, abuse, torture, and human rights violations are all part of Assata’s story, and the story of this struggle. She exposes corruption in the criminal justice system and even in The Black Panther Party. She is unapologetic and easy to connect with. I thoroughly enjoyed learning about a figure I had heard of, but really knew so little about, though there were times I’d wished she was more forthcoming with her own revolutionary activities, and the reasons why she might have been targeted by the police. The fact that this book is still so relevant over 30 years after it’s publication is a reminder of how much work needs to be done. I highly suggest this book for people who love a good memoir and people interested in the history of social justice movements, though I caution there are very graphic scenes of abuse through out the book.

Five Stars | Lawrence Hill Books | November 1, 2001 | 320 Pages | Paperback | Purchase on IndieBound


Experiments in Joy by Gabrielle Civil

The Stacks received this book from the author in exchange for an honest review. For more information click here.
(Photo: amazon.com)

A book unlike anything I’ver ever read, Experiments in Joy mixes the genre of memoir with the artist’s performance notes, letters, and cultural criticism into a book that encapsulates both the artist and the art. Civil is a performance artist, professor, and poet, and this book is a reflection on some of her pieces and her way of seeing the world and her place in it. In addition to Civil’s own words, there are conversations and letters from her collaborators and reviewers to deepen the readers understanding of the work.

I didn’t always connect with the book, but I felt deeply that the context given helped me to better understand Civil as a creative and an activist. The book is truly a glimpse at how one creates. The sections in which she gave context before or after laying out the performance pieces were my favorite along with the book reviews. To understand how the artist works and why is captivating for me and brought the performance notes to life. Civil is a beautiful writer, and her letters especially show her skills. For any lover of the arts this book as a unique look into process over product.

Three Stars | Civil Coping Mechanisms | February 15, 2019 | 276 Pages | Paperback |Purchase on IndieBound


Hiroshima Nagasaki: The Real Story of the Atomic Bombings and Their Aftermath by Paul Ham

(Photo: amazon.com)

Paul Ham uses contemporaneous documents, reflections after the fact, and critical thinking in Hiroshima Nagasakito take down the conventional thinking about the use of nuclear weapons on Japan in 1945. This book is a fantastic work of nonfiction and does a great job of analyzing and deconstructing these acts of extreme violence

For 60+ years America has pushed a narrative about the “need” to drop an atomic bomb on a civilian target in order to avenge Pearl Harbor and/or to prevent “millions” of future US casualties. This book looks deeper into that idea and debunks much of reasoning that was flawed and so easily accepted by Americans and all of history. If you love history, politics, and smart writing, I would highly recommend Hiroshima Nagasaki. Though this book can be dense at parts (especially the first 100 pages) and lacks a real introduction for those not familiar with this moment in time, Ham’s writing is extremely readable. He mixes politics with humanity and covers many facets of these bombings its not all Harry Truman, it is also very much about the victims. I learned a lot about World War II, and was able to see the political maneuvering that America took part in that led to hundreds of thousands of deaths.

Four Stars | Picador; Reprint edition | August 4, 2015 | 641 Pages | Paperback | Purchase on IndieBound


Kitchen Confidential: Adventures in the Culinary Underbelly by Anthony Bourdain

(Photo: amazon.com)

A vivid look at the culinary industry from the perspective of chef, Anthony Bourdain. This book is part memoir and part expose in which Bourdain shares what to never order from a restaurant and what the kitchen thinks of people who order a well done steak. It is an approachable book and an easy read.

Throughout Kitchen Confidential Bourdain seems hell bent on shocking his reader. He loves talking about sex, blood, and drugs. Its a little over played and can be cringeworthy at moments. There also seems to be a little self-congratulation around his relationships with his Latinx coworkers/employees. I was not familiar with Bourdain in life, and since his passing I am just barely more informed on his life and contributions. There was little sentimentality for me in reading this work and much of my criticisms come from who he presents himself as in this book, a bit of a know it all. Though I will say, his heart and passion come through loud and clear and I loved those moments of the book most.

I enjoyed reading this book, but 20 years after its first publication, I don’t know if the tone and approach stand the test of time. If you love Bourdain or want something a little rough and tumble you might really enjoy this one.

Three Stars | Bloomsbury USA; 1 edition | December 10, 2008 | 321 Pages | E-Book |Purchase on IndieBound


Love’s Labour’s Lost by William Shakespeare

(Photo: amazon.com)

In Love’s Labour’s Lost we meet a King and his male courtiers who take a pledge to become celibate, but then, of course, they meet some women and fall in love. The show revolves around the men trying to secretly get the women to love them despite the oath. While most of Shakespeare’s comedies are trivial, this one is nonsensical. There is a lot of disguise and mix ups that are confusing to read and not particularly necessary or interesting.

The only part of this play that I found remotely intriguing is the ending, in which the women finally get some power and put their feet down. I don’t want to spoil it, but it is a twist and makes some interesting points about duty over desire and the idea of reciprocity in relationships.

I wouldn’t suggest this play to anyone, but it might be more fun to see than read. The language is confusing and the there really isn’t much action at all.

One Stars | Penguin Classics; Reprint edition | June 5, 2000 | 160 Pages | Paperback |Purchase on IndieBound


New Erotica for Feminists: Satirical Fantasies of Love, Lust, and Equal Pay by Caitlin Kunkel, Brooke Preston, Fiona Taylor, Carrie Wittmer

(Photo: amazon.com)

A book of quippy erotic fantasies of women being treated equal, or better than equal, to men. A world in which Ruth Bader Ginsburg is immortal, and Juliet tells Romeo off for being so love sick. While the idea is fun and smart, the execution left me wanting more.

The best and most effective satire calls out inequality by speaking truth to power and by forcing the audience to question their own complicity in the power structure. This book fails to do that. It seems to be content just being cute. It relies on the “erotica” to do a lot of the heavy lifting. The authors attempt to address intersectionality in the introduction, but then spend the rest of the book trivializing the aggression of men instead of addressing it head on. The book fits nicely into the White capitalist patriarchy as a piece of protest, meaning it is a safe way for women to vent without really forcing a deeper discussion at the issues at play.

If you’re looking for a light palate cleanser, this is might be a good choice, plus you can read it in about 90 minutes, but if you want something more biting I think there are other books to go to.

Two Stars | Plume | November 13, 2018 | 160 Pages | Paperback |Purchase on IndieBound


People Who Eat Darkness: The True Story of a Young Woman Who Vanished from the Streets of Tokyo–and the Evil That Swallowed Her Up by Richard Lloyd Parry

(Photo: amazon.com)

A true crime story about a White British woman who goes missing in Tokyo in 2000 and all that unfolds there after. The book looks at the crime, the family and their grief, the media and their coverage, and the police and their ability to figure out what happened.

What makes such a solid work of true crime is that the author, a journalist, is weaving many elements of this story together in an extremely readable way. The writing is no frills, but the story is full of surprises and is totally engaging. Parry is, for the most part, objective and helps the reader understand the cultural differences that makes this case unique . Plus the story itself is captivating, the book is over 400 pages but you want to read it in one sitting. I loved the commentary on race, class, culture, and gender throughout the book and would have liked even more. Getting to understand a criminal justice system that is so different than my own (that of The United States) was fascinating. Parry does a great job as our guide into a world I’d never known. If you like true crime, you’ll enjoy this book, though be warned there are trigger warnings for sexual assault and violence.

Four Stars | Farrar, Straus & Giroux; Reprint edition | May 22, 2012 | 454 Pages | Paperback |Purchase on IndieBound


White Fragility: Why It’s So Hard for White People to Talk About Racism by Robin Diangelo

(Photo: amazon.com)

To articulate the fragility and toxicity of Whiteness to White people is one the the greatest challenges of anti-racism work, and in White Fragility Robin DiAngelo does just that methodically. This book is a take down of racist ideas and the entrenched denial around White supremacy.

White Fragility is admittedly written for White people by a White woman. DiAngelo is very clear in that, though, as a Black woman I found a lot of valuable insights in both how I can do better as I work toward anti racism and how I can approach uncomfortable situations with White people. I was able to understand the socialization of White people better, and to understand the tactics used to reinforce racism in our society.

This book is a great tool in any anti-racist’s tool box, along side one of my all time favorites, Stamped from the Beginning by Ibram X. Kendi. If you’re serious about the work this book helps to explain one road block that is often encountered, White Fragility.

Four Stars | Beacon Press | June 26, 2018 | 6 Hours 12 Minutes | Audiobook |Purchase on IndieBound


Wild Beauty: New and Selected Poems by Ntozake Shange

(Photo: amazon.com)

Reading Wild Beauty, was a new experience for me. I am familiar with Shange’s play, For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf, but had never read a poetry collection until now. I enjoyed some of the poems and others I didn’t resonate with. Her style is rough and evocative and at times even felt like a call to action.

These poems are a look at the career of Shange as they span 40 years of her work. I started to notice which ones were from older collections and which were more recent. As with any collection some of the material connected with me and some didn’t. There were poems where I was stunned by the story, or moved by the language. There were also poems that I would zone out and have to read over and over and still felt like I missed the message. For someone who is new to poetry, I enjoyed this collection and I am really looking forward to discussing it on The Stacks on April 24th.

Three Stars | Atria / 37 INK; Bilingual edition | November 17, 2017 | 288 Pages | Hardcover |Purchase on IndieBound
Wild Beauty is the TSBC pick for April 24th, stay tuned for more.


Women Talking by Miriam Toews

The Stacks received this book from the publisher in exchange for an honest review. For more information click here.
(Photo: amazon.com)

One night eight Mennonite women gather to discuss their options and response to the repeated drugging and sexual assaults of themselves, their daughters, and the other women in their community. The book is written from as notes taken during these meetings and is inspired by true events.

Women Talking is a lot of just that, women talking. It is theoretical and examines the ideas of loyalty, faith, and safety. It is a feminist text in that it explores the equality of women and their rights to be alive and to have a say in their own lives. I really enjoyed the writing. I was hooked early and wanted to know what would happen in the end. I also found the use of the minutes to be irritating at times because it was a lot of back and forth interpreted by our scribe/narrator (who is a man, which added an element of conflict).

If you like fiction thats a little different, if you’re interested in religious communities and the role that women play in conservative spaces, this book is a great selection. Women Talking has been compared to Handmaid’s Tale which makes a lot of sense, but neglects the fact that Women Talking is based on true events (the assaults not the meeting) which makes it that much more devastating.

Three Stars | Bloomsbury Publishing | April 2, 2019 | 240 Pages | Hardcover |Purchase on IndieBound


To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.

The Stacks participates in affiliate programs in which we receive a small commission when products are purchased through some links on this website. This does not effect my opinions on books and products. For more information click here.

Friday Black by Nana Kwame Adjei-Brenyah

The Stacks received Friday Black from the publisher in exchange for an honest review. For more information click here.

In his debut book, Nana Kwame Adjei-Brenyah has crafted an ambitious and exciting short story collection with, Friday Black. The stories meet at the intersection of race, politics, and capitalism. And just like the range of topics and ideas Adjei-Brenyah addresses with these stories, the genre is likewise ranging and evolving as the collection goes on. The stories of Friday Black are genre-bending and contain elements of surrealism, science fiction, satire, and afrofuturism. Nothing about this collection is easy to define, which of course, is part of the magic.

We discussed Friday Black for The Stacks Book Club with Wade Allain-Marcus, and the conversation is as ranging as the book itself, so please go give it a listen. You can also hear author Adjei-Brenyah as a guest on The Short Stacks talk about how the book came into the world. I found that both of these conversations helped me to form my opinions on this book.

The use of race and violence in this book is genius. We are asked to confront what happens to our society if White capitalist patriarchy is our guiding value. If Black life continues to be made expendable, and if we continue to think that our goodness is tied up in the things we own, where does that path take us?. Friday Black forces us to look at one set of answers to these questions. It is bleak and grotesque in all together terrifying.

The stories that landed most with me were “The Finkelstein 5”, “Zimmerland”, and “Friday Black”. Each one was shocking and smart and violent and thought provoking. They engaged with politics and race as well as engaging with genres and imagery. They felt like anchors for me on my journey through Friday Black.

Friday Black is the kind of story collection that keeps you thinking and working to decipher the many hidden gems and references. I can’t tell you that I “got” all the stories. Some things made little sense to me in the moment, and still remain unclear. However some of the stories have come more into focus as I have time away from the book, and have talked to others about their understandings. The stories feel a little ahead of their time and I wonder how I might feel about Friday Black in 10 or 15 years. I hold out hope that the stories I didn’t quite understand (“The Hospital Where”) will become more clear and more resonant with time.

Adjei-Brenyah uses a lot of satire in this book, and that can often be challenging to decipher, especially in the written word. If you miss the subtleties in the stories, you might just miss the whole point. That rings especially true in the story “Lark Street”, where a young man comes face to face with the twin fetuses that his girlfriend has recently terminated through the use of a morning after pill. If you look at this story out of context, it can feel like a pro-life fable about the autonomy of any form of life. However, in conversation with the other stories, we see a cautionary tale that mocks the idea of embryos being anything other than a collection of cells. That is how these stories work together as a true collection. The topics may vary wildly, but the through line is the tone and the controversial nature of the topics. They all play to the same themes but engage with them on many fronts.

While not every story in the book landed for me, the overall ambition and scope of the project is thrilling. Adjei-Brenyah is debut author with a lot to say, and after reading Friday Black I look forward to whatever is next for him. I hope this project will get produced, as I would love to see the world of Friday Black on the screen.

We have so much more on Friday Blackon the podcast, listen to the episodes below.

  • Paperback: 208
  • PublisherMariner Books; First Edition edition (October 23, 2018)
  • 4/5 stars
  • Buy Friday Black on Amazon

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.

The Stacks participates in affiliate programs in which we receive a small commission when products are purchased through some links on this website. This does not effect opinions on books and products. For more information click here.

Ep. 41 Comedy, Race, Travel and Books with Tawny Newsome

We are joined by Tawny Newsome, a modern day renaissance woman. Tawny is known for her work as an actress, comedian, and podcaster. She is the co-host of the Yo, is this Racist? podcast, and The Super Group podcast. Tawny talks with us about racism through her lens as a comedian, reading all the travel memoirs (even the bad ones), and what Leonardo Dicaprio movie is also one of her most beloved books. Plus all the book lady comedian memoir recommendations you can handle, so get your TBRs ready.

Everything we talk about on today’s episode can be found below in the show notes. The Stacks participates in affiliate programs, and shopping through the links below (mostly Amazon) helps support the show, at no cost to you.

Books

Everything Else

Connect with Tawny: Tawny’s Instagram | Tawny’s Twitter | Tawny’s Website

Connect with The Stacks: Instagram | The Stacks Website | Facebook | Twitter | Subscribe | Patreon | Goodreads | Traci’s Instagram

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.

Sponsors

Audible– to get your FREE audiobook download and FREE 30 day trial go to audibletrial.com/thestacks.

My Mentor Book Club – for 50% off your first month of new nonfiction from My Mentor Book Club go to mymentorbookclub.com/thestacks


The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. Shopping through these links helps support the show, but does not effect opinions on books and products. For more information click here.

The Stacks Book Club — February 2019 Books

Its time to announce our February books for The Stacks Book Club. We’re talking about two of the most buzzed about books from debut authors in 2018, one memoir and one short story collection.

Our first book in February is All You Can Ever Know by Nicole Chung. All You Can Ever Know is a memoir that explores the experience of adoption for one Korean woman. Chung shares about growing up Korean in a white family and town, discovering the truth about her adoption, and her journey to find belonging. We will discuss this book on February 13th.

Then on February 27th, we will discuss Nana Kwame Adjei-Brenyah’s short story collection, Friday Black. The stories in Friday Black are a commentary on race and the absurd and unjust circumstances that Black men and women find themselves in in the United States.

As with all our TSBC books, we want to hear from you. Don’t be shy, send over your thoughts and questions so we can be sure to include them on the podcast. You can email us at thestackswithtraci@gmail.com, comment on this post, or reach out to us through our Instagram @thestackspod.

Order your copies of our February books on Amazon:


The Stacks received Friday Black  free from the publisher. For more information on our commitment to honesty and transparency click here.

The Stacks participates in affiliate programs in which we receive a small commission when products are purchased through some links on this website. This does not effect opinions on books and products. For more information click here.

The Reckonings by Lacy M. Johnson

The Stacks received this book from the publisher in exchange for an honest review. For more information click here.

After reading Lacy M. Johnson’s memoir, The Other Side I couldn’t wait to dive into this essay collection, that was positioned as a sort of response to her kidnapping and rape that was documented in her memoir. The Reckonings is that response, and it is much more than that as well.

More on The Reckonings

In 2014, Lacy Johnson was giving a reading from The Other Sideher memoir of kidnapping and rape, when a woman asked her what she would like to happen to her rapist. This collection, a meditative extension of that answer, draws from philosophy, art, literature, mythology, anthropology, film, and other fields, as well as Johnson’s personal experience, to consider how our ideas about justice might be expanded beyond vengeance and retribution to include acts of compassion, patience, mercy, and grace.

She grapples with justice and retribution, truth and fairness, and sexual assault and workplace harassment, as well as the broadest societal wrongs: the BP Oil Spill, government malfeasance, police killings. The Reckonings is a powerful and necessary work, ambitious in its scope, which strikes at the heart of our national conversation about the justness of society.


The Reckonings is one of the most powerful books I’ve read. A well crafted meditation on justice and the roles that each of us, as humans and citizens, has in the greater picture and good of society. Johnson is a great thinker, who is subtle with her own intellect. She is wise. She is thoughtful. She is accessible. She sees the world in a more compassionate and realistic way than many. However she never forces her depth on her reader, instead she allows to understand her own processing, peppering her discoveries with “I think”. This isn’t done out of self doubt, but as a way to remember Johnson is trying to figure it all out, and figure out her role in it all.

This book is profound. It has something to say, about joy and health, and access, and vindication, and mercy, and grace, and privilege, and art, and the most base human desires. Johnson leans into the complex nature of sacrifice and healing. Honest and vulnerable each essay is willing to engage with the complexities of society, and in doing so, Johnson has to confront herself. Her biases and what they say about her ability to be compassionate or an ally, or whatever it is that comes up. The Reckonings has so much to say, that when I got to the end of the book, I went ahead and read all of the notes, in full, and then went back and re-read the first two essays. I couldn’t get enough of the words and what they had to say.

There are essays in The Reckonings that range from the Nigerian Girls captured by Boko Haram to Hurricane Harvey, from the justness of the death penalty to the cost of the BP oil spill. The essays seem like they wouldn’t belong in a book together, but somehow as you’re reading them, each one feels like it is in its perfect place. They all build on one another until we come to some resolution. I won’t tell you where that is, but know that it was fulfilling and bleak. The only way this book could have ended.

I think there is something to learn from this book for just about everyone. The writing is beautiful and the content matches. Johnson is a professional writer, something that we often times over look, but The Reckonings reminded me why people dedicate their life to the arts, so that they can create artwork that reminds the rest of us what it means to be alive.

  • Hardcover: 336 pages
  • PublisherScribner (October 9, 2018)
  • 5/5 stars
  • Buy onThe Reckonings Amazon

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.

The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. Shopping through these links helps support the show, but does not effect my opinions on books and products. For more information click here.

Open City by Teju Cole

Open City was The Stacks Book Club pick this week on the podcast. We discussed the book with actor Behzad Dabu (How to Get Away with Murder, The Chi). If you want to hear that full episode, click here, but be warned there are spoilers (though I don’t think there is much to spoil in this book).

For more on Open City read here: 

A haunting novel about identity, dislocation, and history, Teju Cole’s Open City is a profound work by an important new author who has much to say about our country and our world.

Along the streets of Manhattan, a young Nigerian doctor named Julius wanders, reflecting on his relationships, his recent breakup with his girlfriend, his present, his past. He encounters people from different cultures and classes who will provide insight on his journey—which takes him to Brussels, to the Nigeria of his youth, and into the most unrecognizable facets of his own soul.


In Open City we are paired with a protagonist, Julius, that is our guide, though we never get to know him well enough to care for him. He feels a little unreliable, but mostly, just aloof. He is constantly musing about the world around him, his place in it, what all of that means. He examines art and trauma and humanity and more, through out the course of this book, and because of his thinking, we too are asked to go reflect along with Julius. There is no real plot in the book. It starts, things happen to Julius, he goes on a trip, he meets new people, but mostly life happens and Julius moves forward, and then the book ends.  

What I appreciated most about this book was the variety of issues that Cole asks his readers to engage with. We reflect on the Holocaust, and classical music, on 9/11 and shoe shining. There is a variety of consciousness that Cole presents and that is refreshing. He doesn’t do any deep dives into any one thing, instead, like many people, he scratches the surface of what is in the zeitgeist. In presenting this variety of topics for reflection, Cole brings up some of the most controversial and provocative issues, but right as the thinking gets good and complex he changes the subject. It can feel frustrating, but it also allows the reader to do some reflecting on their own. I also think, Cole is grappling with many of these ideas himself. 

There were times the book felt disjointed. The chapter breaks made no sense. The dialogue was presented without punctuation or paragraph breaks. As soon as a character would start discussing a topic, like Israel and its relationship to Palestine, the subject would abruptly change. The book left me wanting more. It also left me with a lot to think about.

Open City felt like Cole’s musings on life and the futility of life. Things happen and we try to engage and then at some point we carry on. It is simple really, but leads to a sort of frustrating book with beautiful prose. Something that is lovely and also boring and then ugly and then interesting, and then its all over. Perhaps a metaphor for life?

I enjoyed reading this book overall. There were moments I was bored. There were also moments that filled me with energy as I allowed myself to consider things that I had previously taken for granted, for example the role of political parties in The United States. If you’re someone who likes philosophical conversations about hot button issues, this might be a nice pick for you. But be warned, very little happens.

Don’t forget to listen to the The Stacks with Behzad Dabu discussing Open City

  • Paperback: 259 pages
  • PublisherRandom House Trade Paperbacks; 1 edition (January 17, 2012)
  • 3/5 stars
  • Buy onOpen City Amazon

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.

The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. Shopping through these links helps support the show, but does not effect my opinions on books and products. For more information click here

Ep. 38 Open City by Teju Cole — The Stacks Book Club (Behzad Dabu)

This week actor Behzad Dabu (How to Get Away with Murder, The Chi) joins us again to discuss Teju Cole’s novel, Open City. The book is a meditation on borders, terror, and belonging set against the back drop of a post 9/11 New York City, and centers a Nigerian immigrant as our guide. This week we discuss the book in detail, there are spoilers, however this book is less about plot and more about big ideas. Listen at your own discretion.

Everything we talk about on today’s episode can be found below in the show notes. The Stacks participates in affiliate programs, and shopping through the links below (mostly Amazon) helps support the show, at no cost to you.

Connect with Behzad: Behzad’s Website|Behzad’s Instagram|Behzad’s Twitter|Behzad’s Facebook

Connect with The Stacks: Instagram|The Stacks Website|Facebook|Twitter|Subscribe|Patreon|Goodreads|Traci’s Instagram

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.

Sponsors

Audible– to get your FREE audiobook download and FREE 30 day trial go to audibletrial.com/thestacks.

My Mentor Book Club – for 50% off your first month of new nonfiction from My Mentor Book Club go to mymentorbookclub.com/thestacks


The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. Shopping through these links helps support the show, but does not effect opinions on books and products. For more information click here.

When They Call You a Terrorist: A Black Lives Matter Memoir by Patrisse Khan-Cullors and asha bandele

When They Call You a Terrorist was much more than I expected. It isn’t only about the creation of the Black Lives Matter movement. It is also a deeply personal memoir of family, survival, incarceration, mental health, feminism, community and more. It is a beautifully told story, that is as inspiring as it is disheartening. 

For more on When They Call You a Terrorist

Raised by a single mother in an impoverished neighborhood in Los Angeles, Patrisse Khan-Cullors experienced firsthand the prejudice and persecution Black Americans endure at the hands of law enforcement. For Patrisse, the most vulnerable people in the country are Black people. Deliberately and ruthlessly targeted by a criminal justice system serving a white privilege agenda, Black people are subjected to unjustifiable racial profiling and police brutality. In 2013, when Trayvon Martin’s killer went free, Patrisse’s outrage led her to co-found Black Lives Matter with Alicia Garza and Opal Tometi.

Condemned as terrorists and as a threat to America, these loving women founded a hashtag that birthed the movement to demand accountability from the authorities who continually turn a blind eye to the injustices inflicted upon people of Black and Brown skin.


The central message and biggest take away from this book, is the power of community. Not only to activate, but also to heal, to inspire, to respond, and to nourish. Khan-Cullor’s community, one that she actively cultivates through out the book, shows us the power of marginalized people to stare down oppression and systematic abuses. To enact change, to create safety when there is none. When They Call You a Terrorist has no happy ending. Which is true for America’s Black folks. But the ending isn’t important in this book, it is about the journey of one woman, fortifying her life with like minded people and fighting like hell for her their voices to be heard, and listened to.

Championing human rights in the face of violent racism, Khan-Cullors is a survivor. She transformed her personal pain into political power, giving voice to people suffering inequality and a movement fueled by her strength and love to tell the country―and the world―that Black Lives Matter

Kahn-Cullors (along with bandele) lets us into her life. She uses her own unique experiences to contextualize a more general Black American narrative. Her own father’s incarceration is an avatar for the hundreds of thousands of Black men who were imprisoned along side him. The abuses her brother suffers as mentally ill man in prison, become a glimpse into the many men who are abused when proper medical help would have sufficed. She combines deeply personal experiences into something relatable. In the doing, she puts a face on mental illness,  mass incarceration, drug abuse, racism, and police brutality. She humanizes Blackness. 

Something that is often overlooked in society is the role of Black and Brown women, especially queer women, in the progress of society. This book calls out this erasure, and correctly credits them with much of the social progress we have all benefited from. Khan-Cullors, demands we acknowledge the contributions, both in her own life (her mother, her friends, her lovers) and in the bigger picture (the activists she works with, and the victims of police brutality #sayhername). Bravo, for calling out women who very much are and very much have been the center of the movements toward justice and equality.

The one part of When They Call You a Terrorist that I wanted more from, was the discussion of life inside the Black Lives Matter movement. Yes, of course we hear about BLM and its formation, from Trayvon Martin to Sandra Bland, but it comes late in the book. There are moments in Ferguson, MO, as she helps organize around BLM, but there is not much about what life as a leader of such a powerful movement is like. I would have enjoyed more on that. 

I listened to this book, and Khan-Cullors reads it. She does a great job. Her voice is calming and direct. She tells her own story beautifully. It made me want to meet her. It made me want to fight alongside her. 

There is no doubt this memoir is moving. It is one woman’s story, and a slice of history. The book speaks to a bigger picture and moment, and I think we will look back on this book as one of the important texts of the decade. 

  • Audiobook: 6 hours and 29 minutes
  • Publisher: Macmillan Audio
  • Hardcover: 272 pages
  • Publisher: St. Martin’s Press; Reprint edition (January 16, 2018)
  • 4/5 stars
  • Buy on When They Call You a Terrorist Amazon

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.

The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. Shopping through these links helps support the show, but does not effect my opinions on books and products. For more information click here.

Heavy: An American Memoir by Kiese Laymon

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The Stacks received this book from the publisher in exchange for an honest review. For more information click here

This was possibly my most anticipated read of the year. I knew of Kiese Laymon’s essays, but had never read any of his books, and many people that I trust ad respect have nothing but the highest praise for him. So, I was eager to read his “American Memoir”.

Here is more about Heavy

In Heavy, Laymon writes eloquently and honestly about growing up a hard-headed black son to a complicated and brilliant black mother in Jackson, Mississippi. From his early experiences of sexual violence, to his suspension from college, to his trek to New York as a young college professor, Laymon charts his complex relationship with his mother, grandmother, anorexia, obesity, sex, writing, and ultimately gambling. By attempting to name secrets and lies he and his mother spent a lifetime avoiding, Laymon asks himself, his mother, his nation, and us to confront the terrifying possibility that few in this nation actually know how to responsibly love, and even fewer want to live under the weight of actually becoming free.


Complexity and vulnerability course through the pages of Heavy. Kiese Laymon never strays from a commitment to tell the truth of his story. As we read on, we understand his truth is painful. We learn how Laymon got to be the thorough, confrontational, relentless man that is writing this memoir. He allows himself to unfold page by page, until you feel as if you might actually know this man. Of course you don’t, but his brutal honesty gives a seeming closeness or understanding.

Laymon is a beautiful writer. He captures feelings and emotions in short and specific sentences. He creates worlds and moments with his words. In Heavy Laymon shows how his mother shapes him as a man, and also as a writer, and more importantly a thinker. In all of these things, her influence is not always positive, but it is obviously formative. She is herself a Black thought leader and academic who forces Laymon to confront the need to be excellent from a young age. We also watch as people come into Laymon’s life and influence his mind and his body. Quiet literally shaping him. We learn of his deep commitment to revision. We see how that compulsion towards excellence is pathological and often times destructive.

I knew very little about Laymon when I started reading, and within a few pages I understood that what I was reading was different than other memoirs. It was at once personal and a social commentary. Laymon would expose personal secrets, and also institutional deficiences. Heavy is a deeply intimate account of one man and his relationship to his own identity, and an examination of America and her relationship to her citizens. Racism, discipline, addiction, education, beauty standards and more are unpacked in Laymon’s memoir.

I was beyond impressed with this book.. I learned a lot and felt the wind knocked out of my sails at times. I have been calling it “Coates-ian” (a reference to author and journalist Ta-Nehisi Coates), except more intimate, more vulnerable, and less of a reflection on the broader racial questions of our time, more an examination of how one experience is inclusive of the larger picture. There have been some amazing reviews of Heavy, and I highly suggest one by Saeed Jones in The New York Times, Jones beautifully expresses the struggle for excellence and what that means for Laymon and all of us. Before I unequivocally suggest to you to read this book, I want to note there are some very graphic scenes of a child abuse in this book, and while that can be triggering for many, it is an important part of Laymon’s history. I couldn’t imagine this book without those scenes. Now, here it comes, go read this book.

  • Hardcover: 256 pages
  • PublisherScribner; First Edition edition (October 16, 2018)
  • 5/5 stars
  • Buy on Heavy Amazon

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.

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Black No More by George S. Schuyler


54CDB2F3-2C1C-4FB6-A29C-9B96A70731DEI picked up Black No More as part of a book club read with my all Black online book club. I wasn’t familiar with the book, and had only barely even heard of the the title, but was excited to read a satire written by a Black man from the 1930’s.

More information on Black No More

It’s New Year’s Day 1933 in New York City, and Max Disher, a young black man, has just found out that a certain Dr. Junius Crookman has discovered a mysterious process that allows people to bleach their skin white—a new way to “solve the American race problem.” Max leaps at the opportunity, and after a brief stay at the Crookman Sanitarium, he becomes Matthew Fisher, a white man who is able to attain everything he has ever wanted: money, power, good liquor, and the white woman who rejected him when he was black.

Lampooning myths of white supremacy and racial purity and caricaturing prominent African American leaders like W. E. B. Du Bois, Madam C. J. Walker, and Marcus Garvey, Black No More is a masterwork of speculative fiction and a hilarious satire of America’s obsession with race.


This book, like so many classic books that discuss the Black experience in The United States, feels relevant today. Schuyler uses Black No More to eviscerate Black and White people, intellectuals and hate leaders alike. He doesn’t hold back on bringing everyone to task. Depending on your own perspective on the world, this book could be interpreted in many different ways.

What I appreciated most about this book was that Schuyler seemed to have no fear about how the book would be received. If he did, he didn’t let that stop him. He created characters that mocked well known Black thought leaders (W.E.B. Du Bois, Marcus Garvey and more) and reduced the KKK to a complete scam. He minimized Black identity to something akin to crabs climbing out of a barrel, and showed that White people just need someone to kick around. He showed the American propensity toward violence, and the shame that so many people carry around due to their family’s history.

What I didn’t like about the book was the tone. It felt old-timey. It read like something from days gone by, and that took me out of the story. The jokes didn’t land. The writing felt dated. I never laughed out loud, and mostly felt detached from the work itself. I wondered if that had to do with the era, or with the genre, as I do not read satire often.

When I read classics, I save the introduction for after I’ve completed the text. In the case of Black No More, the introduction is by author Danzy Senna (Caucasia, New People), a mixed race woman who is very fair and often presumed white. She does an excellent job with the forward, and helped me put the book in context. It was worth it to go back and read her words.

In the end, I am glad I read this book. I haven’t read much from the 1930’s and Schuyler paints a searing picture of race in America that is prescient beyond belief. The book is a great work of speculative fiction, even if the satire didn’t work for me. I would love to see this book turned into a film, does anyone have Ava DuVernay’s number?

  • Paperback: 208 pages
  • Publisher:Penguin Classics (January 16, 2018)
  • 3/5 stars
  • Buy on Black No More Amazon

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.

The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. Shopping through these links helps support the show, but does not effect my opinions on books and products. For more information click here.