Today we’re joined by poet, writer and educator José Olivarez to discuss his new book Promises of Gold, a collection of poems exploring all forms of love, including friendship, romantic and cultural. We find out why José had someone else translate his collection into Spanish when Spanish is his first language. We also discuss how he thinks about organizing his poems on the page and in the book, and why balance in a collection is so important.
The Stacks Book Club selection for March is Bad Feministby Roxane Gay. We will discuss the book on March 29th with Shanita Hubbard.
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Today we speak with Saeed Jones – award-winning author of the new poetry collection Alive at the End of the World. Our conversation covers the art of embracing chaos and finding humor, and how Saeed considers his poems in relation to the reading and the performance of poetry. Saeed also explains why he thinks of all his poems as traps.
The Stacks Book Club selection for September isThe Treesby Percival Everett.We will discuss the book on September 28th with Lisa Lucas.
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To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. If you prefer to support the show with a one time contribution go to paypal.me/thestackspod.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
We welcome back Nate Marshall today to discuss Cortney Lamar Charleston’s poetry collection Doppelgangbanger, which grapples with the tensions that impact a Black boy’s struggle through self-destructive definitions of manhood. We discuss the narratives around coming of age in the suburbs and the city, and ask ourselves, is there really such a thing as an objectively good poem?
Be sure to listen to the end of today’s episode to find out what our May book club pick will be!
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To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. If you prefer to support the show with a one time contribution go to paypal.me/thestackspod.
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In this episode we speak with the lauded writer, educator and MC Nate Marshall, whose latest poetry collection Finna was named one of NPR’s best books of 2020. We discuss poetry’s early-2000s pop culture heyday, its evolving cultural voice and our first introductions to the oft-intimidating, wonder-evoking art form.
The Stacks Book Club selection for April isDoppelgangbangerby Cortney Lamar Charleston. We will discuss the book on April 27th with Nate Marshall.
To support The Stacks and find out more from this week’s sponsors, click here.
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. If you prefer to support the show with a one time contribution go to paypal.me/thestackspod.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
April is National Poetry Month! To celebrate, we’re reading Cortney Lamar Charleston’s Doppelgangbanger for The Stacks Book Club. The author’s second poetry collection unpacks American Black masculinity and its intersection with love, community and family. Charleston’s voice and sensibility are informed by his upbringing in 90s Southside Chicago during hip hop’s heyday. His playful but vulnerable writing explores a Black boy’s struggle to authentically redefine his own manhood amid traditional, self-destructive influences.
We will be discussingDoppelgangbangerby Cortney Lamar Charleston on Wednesday, April 27th. You can find out who our guest will be for that discussion by listening to the podcast on April 6th. If you’d like even more discussion around the book, consider joining The Stacks Pack on Patreon and participating in The Stacks’ monthly virtual book club.
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed. For more information click here.
April is National Poetry Month so we’re going all in with an award winning poetry collection.
The Tradition by Jericho Brown won the 2020 Pulitzer Prize for poetry and is our book club pick for April. This collection examines the many intersections of life, safety, ancestry, and Blackness. Brown’s collection has range and moves between the power of the past, the intimacy of the personal, and the strength of the collective. In under 100 pages, Brown is able to ask questions around queerness, Blackness, fatherhood, trauma, legacy, and so much more. It is also worth nothing that this collection shows diversity not only in the content of the poems but in the style choices and form each poem takes one. The Traditionis not to be missed.
We will be discussingThe Tradition on Wednesday, April 28th. You can find out who our guest will be by listening to the podcast on April 6th. If you’d like even more discussion around the book consider joining The Stacks Pack on Patreon and participating in The Stacks’ monthly virtual book club.
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed. For more information click here.
In her collection of poetry that covers the history of incarceration of Black women in America, DaMaris Hill crafts poems that highlight the pain of being a Black woman and the undeniable strength that comes along with it. She tells of some of the most famous women of the Diaspora as well as many women whose stories were nearly lost to history.
Throughout the book, Hill connects her poems to the history of the women’s lives through prose. I found these introductions to be extremely helpful in contextualizing her poetry. While I didn’t always connect with the poems, I was able to understand the stories being told which enhanced my experience. Poetry can be so personal, having the historical details allowed me to have thoughts about the work even if the poem didn’t speak to me.
Not all the women in the book are famous women. One section of A Bound Woman is a Dangerous Thing focuses on women from another book, Colored Amazons by Kali N. Gross. These women, have also been incarcerated, victimized, abused and in some cases killed, like their more famous counterparts in this book. They serve as a reminder that not only Harriet Tubman or Assata Shakur have had their humanity stolen away, but rather that their more notorious incarcerations are part of a long line of locking away Black women.
If the struggle and power of Black women interests you, this is a book for you. If you are working on reading more poetry, this is a great place to start, especially because the context Hill gives her readers allows for more understanding. Certainly parts of this book are a challenge to read, don’t shy away from that. The emotional responses are intentionally evoked by Hill. The discomfort is part of the story.
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
April was not my best reading month as far as content. I liked a lot of what I read, but I really didn’t love anything. I reread Cheryl Strayed’s Tiny Beautiful Things and still found it excellent, but it wasn’t as thrilling as the first time around. I loved Fatimah Asghar’s poetry collection If They Come for Us, and was happy too participate in reading poems as part of National Poetry Month.I enjoyed mostly what I read all month, but was never really blown away.
You can find my reading month by the numbers and short reviews of everything I read below, and check out reviews of all of these books over on The Stacks Instagram
April by the Numbers
Total Books Read: 10 Audiobooks: 1 Five Star Reads: 2 Unread Shelf: 1 Books Acquired: 37
By Women Authors: 6 By Authors of Color: 6 By Queer Authors: 2 Nonfiction Reads: 7 Published in 2019: 4
The Stacks received this book from the author in exchange for an honest review. For more information click here. (Photo: amazon.com)
In her collection of poetry that covers the history of incarceration of Black women in America, DaMaris Hill crafts poems that highlight the pain of being a Black woman and the undeniable strength that comes along with it. She tells of some of the most famous women of the Diaspora as well as many women whose stories were nearly lost to history.
The collection is both poems and small bits of historical context that allow the reader to get a deeper understanding of the poetry. I really enjoyed the contextual bits of this book. Not all of the poems resonated with me, some were too fare removed from the context given. I also found some to be extremely powerful. The section on Assata Shakur was my favorite.
Three Stars | Bloomsbury Publishing | January 15, 2019 | 192 Pages | Hardcover | Purchase on IndieBound DaMaris Hill is our guest on The Stacks, hear that conversation now, by clicking HERE.
Every once in a while I will read a book that I can appreicate for its artistic beauty and masterful use of themes, language, and characters. I will be impressed by the dialogue and wowed by the sheer craft of the thing. And despite all of the beauty and skill, I won’t really like the book. That was the case for me with Beloved, Toni Morrison’s most famous and well regarded book. Its not that I didn’t think the book was spectacular, its just that it wasn’t for me. When I say a book is “too fiction-y” this book is a prime example.
If you’re not familiar with the book, it is the story of a runaway slave woman, Sethe, and her life as she lives free in Ohio mixed with the haunting of her past on the plantation and the early days of freedom. It is supernatural and haunting, and contains so many layers. I didn’t love the book, but I look forward to talking about it on The Stacks Book Club on May 22. I have a hunch that every time I discuss and dissect the book I will like it more and more. Toni Morrison’s works have a funny way of always having more to give.
A collection of poetry about violence, race, gender, and mortality both in a cultural sense and in the more intimate context of what it means to be alive and human. These poems are so smart and tough and vibrant and some are funny and snarky in the best ways.
What I appreciate in these poems beyond the craft itself is that the content ties in the historical and deeply personal. Asghar talks about being an orphan along side the fracturing of India and Pakistan. She takes the many parts of her identity and reflects them back to her audience. She reminds us all of the pain and joy in the world to which we must bear witness.
Five Stars | One World Books | August 7, 2018 | 128 Pages | Paperback | Purchase on IndieBound
A collection of short stories about drifters, drug addicts and life on the margins. It is both about the falling down and the getting back up of life. Before we recognized the opioid crisis as a crisis and before we sympathized with addicts, Jesus’ Son gave a human perspective to those that suffer from addiction. The book feels ahead of its time in this way. I couldn’t help but see Johnson’s ability to tell this story as a part of his own privilege. He gets to tell the stories of this specific group of users, instead of having to be responsible for all people who have ever been addicted. It is a great thing for an artist to be able to do, though I wonder if a Black author’s work would have been granted that kind of specificity.
Jesus’ Son is a well crafted collection, sparse in words but big in feeling. Johnson is fantastic at all the twists and the short sentences that pack a huge punch. While there were moments of great emotional resonance, this one wasn’t for me, in the end, I just didn’t care about the people in the stories.
This month for the #ShakeTheStacks Challenge I read Richard II. It looks at the reign and fall of King Richard II, and is a glimpse into the fragility of power and the necessity of legitimacy. This play has the potential to be boring, however Shakespeare crafts dynamic characters who use their speech as a way to influence and persuade. I was particularly struck by the diversity in oratory style between Bolingbroke and Richard. Both men attempt to convince those around them to follow their lead, and both do it in drastically different ways. I found a couple of Richard’s speeches to be some of Shakespeare’s most beautiful. On top of the beauty, the play is easy to read and understand, which isn’t always the case for The Bard.
Richard II is an engaging and thrilling read. It is a play about politics and legitimacy. It feels especially relevant in today’s climate. What does it take to overthrow the leader? It is a dramatization of a theoretical question of who has the will of the people. The play is more cerebral than action packed, but it works beautifully and leaves the reader with much to think about.
Three Stars | Penguin Classics; reprint edition | December 1, 2000 | 160 Pages | Paperback | Purchase on IndieBound
The Stacks received this book from the author in exchange for an honest review. For more information click here. (Photo: amazon.com)
A collection of essays that are at once smart, funny, and truly thought provoking. Cottom is one of the most critical and nuanced thinkers on race and gender in this moment in The United States.Thick is effortless in its ability to move between ideas of intersectionality, the art of “the turn” is perfected in these pages. As the collection goes on the essays build on each other and deepen the readers understanding of Cottom and the work she has dedicated her life to. It is because of this depth that the second half of the book really stood out for me.
Some of Thick was challenging to read. I often had to go back and reread sentences and passages because I found myself lost in her arguments. That is less a criticism and more an observation about the style of the book. I applaud Cottom for not making her work small to accommodate her reader. Her writing is too important for that. Go read Thick. You will learn things, you will connect dots you never knew you could. It is powerful and empowering.
Five Stars | The New Press | January 8, 2019 | 224 Pages | Hardcover | Purchase on IndieBound
In June 1973, there was a fire at the Up Stairs Lounge, a gay bar in New Orleans that left 32 people dead. This tragedy was barely acknowledged when it happened and has since, been largely lost to history. In his book, Tinderbox, Robert Fieseler attempts to shed light on the events of June 24, 1973, and the connect those events with the early days of the Gay Liberation Movement.
Tinderbox functions on two levels, one the story of the fire and the people and city directly involved, and two the story of the movement that was connected to it. The true crime part of this book is fantastic. In particular, the pages where Fieseler describes the fire itself were vivid and horrifying. The history of the movement falls a little flatter, the connection feels forced. I thoroughly enjoyed this book, and if you like true crime, you will too, even if some sections are not as good as the rest.
Three Stars | Liveright | June 5, 2018 | 384 Pages | Hardcover | Purchase on IndieBound Hear Robert W. Fieseler on The Short Stacks HERE, and hear our in depth discussion of Tinderbox on The Stacks HERE.
A reread of one of my favorite books from last year (you can find my first review here). Cheryl Strayed’s advice column from her days at The Rumpus strikes all the right chords. I love this book. I don’t know how else to say it. It is full of reminders and suggestions on how to live life a little better. Its not polite or even precious, its more in your face. Its the kind of book that opens you up a little bit. Thats what makes it so great. Strayed even says, most of the time you know what you must do, this book, like her advice, is just a nudge in the right direction.
The Truths We Hold is part of a tradition of books for future presidential candidates, they almost all have them. One part memoir, one part policy platform, and one part resume. These books aren’t particularly insightful, though they are a glimpse into the candidate on their very best days (even the bad ones are good or have packaged lessons to take away). Barack Obama famously wrote The Audacity of Hope on the eve of his candidacy, and that book gave America a glimpse into the changes Obama wanted to make in this country. Likewise Harris lays out the things she has achieved as prosecutor and attorney general, and the direction she thinks America should go. It is all well written and readable, but it is all so safe. I understand why, but I wish there was another way. I will wait and read her tell all after she is president.
The final section of the book are the truths she lives by, and aside from learning about her courtship with her husband, this is the best part of the book. Its a little insight into how she ticks. It should also be said, she reads her book and does a fantastic job. Her charisma shines through, and if nothing else, you finish the book and really like the woman.
Three Stars | Penguin Audio | January 8, 2019 | 9 hours and 26 minutes | Audiobook | Listen Through Libro.Fm
The Stacks received this book from the author in exchange for an honest review. For more information click here. (Photo: amazon.com)
What Doesn’t Kill You Makes You Blacker is the exact book you might expect from Damon Young, of Very Smart Brothas. It is smart and funny, and yet it still makes you think. The book is dynamic and covers a range of topics from what is a “good dude” to Black anxiety, to gentrification, homophobia, to name a few. The book is good, though some of the essays are stronger than others, and sometimes thats frustrating.
There are four essays that really stand out, and whats interesting is they all have a common thread: Women. Each one of these essays (about his controversial piece on rape on VSB, his wife, his mother, and his daughter) is vulnerable but still maintains the style that Young is known for. There is an ease to his voice though saying the hard things, admitting fault, calling out his own privilege, and taking others to task must have been extremely challenging. There is a humility to these essays that allows them to soar above the rest. The book is worth a read, even if at times I found Young to be reaching for a laugh when he didn’t need one. His story is enough.
Three Stars | Ecco | March 26, 2019 | 320 Pages | Hardcover | Purchase on IndieBound Hear our conversation with Damon Young on the Short Stacks HERE
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
Wild Beauty is a compilation of poetry from one of America’s most iconic poets, Ntozake Shange. These poems span decades of her work, from her first choreopoem For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf through to previously unpublished poems that deal with modern events like The Pulse Nightclub Shooting. Shange’s themes of beauty, home, pain, empowerment, joy, and the African Diaspora are all present throughout the book.
Wild Beauty is one of my first attempts at reading a collection of poetry, and I’m glad that I was able to read this book in conjunction with The Stacks Book Club with author, poet and performance artist, Gabrielle Civil. We talk about the anxieties around reading poetry and what makes a poem “good” and what it means to “get it”. All of which I found truly helpful in my own journey into reading poetry.
My biggest take away from our conversation and this book, is that I like poems that are referential to events and people. I like to know the context of the poem. I respond to poems that tell stories and engage with history and the world as I have seen it. Those poems exist in this book, poems like “Crack Annie”, “Dressing Our Wounds in Warm Clothes”, and “Ode to Orlando” all stuck with me because I was able to find common experience and understanding with Shange.
I didn’t like every poem in this book. Many were hard to get through or engage with. Sometimes that was because the phonetic spelling Shange uses through out her work, was distracting at times, though at other times it was powerful. (I should also note each poem in this collection was translated into Spanish as well). Sometimes I couldn’t figure out where Shange was coming from. I’ve learned, that that is totally ok. I’ve learned that just because a poem doesn’t work for me in the moment doesn’t mean it won’t work for me in a year. I also learned, that just because I don’t like a poem doesn’t mean there is anything wrong with me or the poem. We’re just in two different places.
I don’t know that I can recommend any book of poetry to anyone. It seems to me to be very personal. Though, I do know I recommend you check out my conversation with Gabrielle, as it is useful to anyone who loves poetry, or anyone who is hoping to add poetry to their reading life.
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
In honor of National Poetry Month, we’re talking all things poetry for The Stacks Book Club. We’re joined again by author, performance artist, and poet Gabrielle Civil, and we’re discussing Ntozake Shange’s poetry collection, Wild Beauty. If you’re intimidated by poetry, you’ll love today’s episode. We talk about how to approach poetry, where to start, and if there is such thing as a “good” poem (or if that even matters). Plus a whole lot more. There a no spoilers today.
To support The Stacks and find out more from this week’s sponsors, click here.
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
