March 2019 Reading Wrap-Up

March was all about the backlist. I went on an amazing vacation and took a bunch of books I had been wanting to read for a long time, and I read them! What a treat. I really enjoyed almost everything I read in March. My stand out was Assata by Assata Shakur and the low-light was Love’s Labour’s Lost by William Shakespeare. What were your favorites this month? Also worth noting, I read my first books on a Kindle, and I survived.

You can find my reading month by the numbers and short reviews of everything I read below.


March by the Numbers

Total Books Read: 10
Audiobooks: 1
E-Books: 2
Five Star Reads: 1
Unread Shelf: 6
Books Acquired: 12

By Women Authors: 6
By Authors of Color: 3
By Queer Authors: 1
Nonfiction Reads: 6
Published in 2019: 2


Assata: An Autobiography by Asssata Shakur

(Photo: amazon.com)

In the story of her life, Assata Shakur lets her reader in on her childhood, her relationship with the Black Liberation Movement, and her arrest and imprisonment. The prose are conversational and the content is enraging and devastating. Not only is this book a look back at the past, it is also a very clear indictment on the current state of affairs in The United States.

If nothing else, Assata is a reminder of the struggle for Black equality that has spanned centuries, and the lengths the American government will go to stifle that quest. Racism, abuse, torture, and human rights violations are all part of Assata’s story, and the story of this struggle. She exposes corruption in the criminal justice system and even in The Black Panther Party. She is unapologetic and easy to connect with. I thoroughly enjoyed learning about a figure I had heard of, but really knew so little about, though there were times I’d wished she was more forthcoming with her own revolutionary activities, and the reasons why she might have been targeted by the police. The fact that this book is still so relevant over 30 years after it’s publication is a reminder of how much work needs to be done. I highly suggest this book for people who love a good memoir and people interested in the history of social justice movements, though I caution there are very graphic scenes of abuse through out the book.

Five Stars | Lawrence Hill Books | November 1, 2001 | 320 Pages | Paperback | Purchase on IndieBound


Experiments in Joy by Gabrielle Civil

The Stacks received this book from the author in exchange for an honest review. For more information click here.
(Photo: amazon.com)

A book unlike anything I’ver ever read, Experiments in Joy mixes the genre of memoir with the artist’s performance notes, letters, and cultural criticism into a book that encapsulates both the artist and the art. Civil is a performance artist, professor, and poet, and this book is a reflection on some of her pieces and her way of seeing the world and her place in it. In addition to Civil’s own words, there are conversations and letters from her collaborators and reviewers to deepen the readers understanding of the work.

I didn’t always connect with the book, but I felt deeply that the context given helped me to better understand Civil as a creative and an activist. The book is truly a glimpse at how one creates. The sections in which she gave context before or after laying out the performance pieces were my favorite along with the book reviews. To understand how the artist works and why is captivating for me and brought the performance notes to life. Civil is a beautiful writer, and her letters especially show her skills. For any lover of the arts this book as a unique look into process over product.

Three Stars | Civil Coping Mechanisms | February 15, 2019 | 276 Pages | Paperback |Purchase on IndieBound


Hiroshima Nagasaki: The Real Story of the Atomic Bombings and Their Aftermath by Paul Ham

(Photo: amazon.com)

Paul Ham uses contemporaneous documents, reflections after the fact, and critical thinking in Hiroshima Nagasakito take down the conventional thinking about the use of nuclear weapons on Japan in 1945. This book is a fantastic work of nonfiction and does a great job of analyzing and deconstructing these acts of extreme violence

For 60+ years America has pushed a narrative about the “need” to drop an atomic bomb on a civilian target in order to avenge Pearl Harbor and/or to prevent “millions” of future US casualties. This book looks deeper into that idea and debunks much of reasoning that was flawed and so easily accepted by Americans and all of history. If you love history, politics, and smart writing, I would highly recommend Hiroshima Nagasaki. Though this book can be dense at parts (especially the first 100 pages) and lacks a real introduction for those not familiar with this moment in time, Ham’s writing is extremely readable. He mixes politics with humanity and covers many facets of these bombings its not all Harry Truman, it is also very much about the victims. I learned a lot about World War II, and was able to see the political maneuvering that America took part in that led to hundreds of thousands of deaths.

Four Stars | Picador; Reprint edition | August 4, 2015 | 641 Pages | Paperback | Purchase on IndieBound


Kitchen Confidential: Adventures in the Culinary Underbelly by Anthony Bourdain

(Photo: amazon.com)

A vivid look at the culinary industry from the perspective of chef, Anthony Bourdain. This book is part memoir and part expose in which Bourdain shares what to never order from a restaurant and what the kitchen thinks of people who order a well done steak. It is an approachable book and an easy read.

Throughout Kitchen Confidential Bourdain seems hell bent on shocking his reader. He loves talking about sex, blood, and drugs. Its a little over played and can be cringeworthy at moments. There also seems to be a little self-congratulation around his relationships with his Latinx coworkers/employees. I was not familiar with Bourdain in life, and since his passing I am just barely more informed on his life and contributions. There was little sentimentality for me in reading this work and much of my criticisms come from who he presents himself as in this book, a bit of a know it all. Though I will say, his heart and passion come through loud and clear and I loved those moments of the book most.

I enjoyed reading this book, but 20 years after its first publication, I don’t know if the tone and approach stand the test of time. If you love Bourdain or want something a little rough and tumble you might really enjoy this one.

Three Stars | Bloomsbury USA; 1 edition | December 10, 2008 | 321 Pages | E-Book |Purchase on IndieBound


Love’s Labour’s Lost by William Shakespeare

(Photo: amazon.com)

In Love’s Labour’s Lost we meet a King and his male courtiers who take a pledge to become celibate, but then, of course, they meet some women and fall in love. The show revolves around the men trying to secretly get the women to love them despite the oath. While most of Shakespeare’s comedies are trivial, this one is nonsensical. There is a lot of disguise and mix ups that are confusing to read and not particularly necessary or interesting.

The only part of this play that I found remotely intriguing is the ending, in which the women finally get some power and put their feet down. I don’t want to spoil it, but it is a twist and makes some interesting points about duty over desire and the idea of reciprocity in relationships.

I wouldn’t suggest this play to anyone, but it might be more fun to see than read. The language is confusing and the there really isn’t much action at all.

One Stars | Penguin Classics; Reprint edition | June 5, 2000 | 160 Pages | Paperback |Purchase on IndieBound


New Erotica for Feminists: Satirical Fantasies of Love, Lust, and Equal Pay by Caitlin Kunkel, Brooke Preston, Fiona Taylor, Carrie Wittmer

(Photo: amazon.com)

A book of quippy erotic fantasies of women being treated equal, or better than equal, to men. A world in which Ruth Bader Ginsburg is immortal, and Juliet tells Romeo off for being so love sick. While the idea is fun and smart, the execution left me wanting more.

The best and most effective satire calls out inequality by speaking truth to power and by forcing the audience to question their own complicity in the power structure. This book fails to do that. It seems to be content just being cute. It relies on the “erotica” to do a lot of the heavy lifting. The authors attempt to address intersectionality in the introduction, but then spend the rest of the book trivializing the aggression of men instead of addressing it head on. The book fits nicely into the White capitalist patriarchy as a piece of protest, meaning it is a safe way for women to vent without really forcing a deeper discussion at the issues at play.

If you’re looking for a light palate cleanser, this is might be a good choice, plus you can read it in about 90 minutes, but if you want something more biting I think there are other books to go to.

Two Stars | Plume | November 13, 2018 | 160 Pages | Paperback |Purchase on IndieBound


People Who Eat Darkness: The True Story of a Young Woman Who Vanished from the Streets of Tokyo–and the Evil That Swallowed Her Up by Richard Lloyd Parry

(Photo: amazon.com)

A true crime story about a White British woman who goes missing in Tokyo in 2000 and all that unfolds there after. The book looks at the crime, the family and their grief, the media and their coverage, and the police and their ability to figure out what happened.

What makes such a solid work of true crime is that the author, a journalist, is weaving many elements of this story together in an extremely readable way. The writing is no frills, but the story is full of surprises and is totally engaging. Parry is, for the most part, objective and helps the reader understand the cultural differences that makes this case unique . Plus the story itself is captivating, the book is over 400 pages but you want to read it in one sitting. I loved the commentary on race, class, culture, and gender throughout the book and would have liked even more. Getting to understand a criminal justice system that is so different than my own (that of The United States) was fascinating. Parry does a great job as our guide into a world I’d never known. If you like true crime, you’ll enjoy this book, though be warned there are trigger warnings for sexual assault and violence.

Four Stars | Farrar, Straus & Giroux; Reprint edition | May 22, 2012 | 454 Pages | Paperback |Purchase on IndieBound


White Fragility: Why It’s So Hard for White People to Talk About Racism by Robin Diangelo

(Photo: amazon.com)

To articulate the fragility and toxicity of Whiteness to White people is one the the greatest challenges of anti-racism work, and in White Fragility Robin DiAngelo does just that methodically. This book is a take down of racist ideas and the entrenched denial around White supremacy.

White Fragility is admittedly written for White people by a White woman. DiAngelo is very clear in that, though, as a Black woman I found a lot of valuable insights in both how I can do better as I work toward anti racism and how I can approach uncomfortable situations with White people. I was able to understand the socialization of White people better, and to understand the tactics used to reinforce racism in our society.

This book is a great tool in any anti-racist’s tool box, along side one of my all time favorites, Stamped from the Beginning by Ibram X. Kendi. If you’re serious about the work this book helps to explain one road block that is often encountered, White Fragility.

Four Stars | Beacon Press | June 26, 2018 | 6 Hours 12 Minutes | Audiobook |Purchase on IndieBound


Wild Beauty: New and Selected Poems by Ntozake Shange

(Photo: amazon.com)

Reading Wild Beauty, was a new experience for me. I am familiar with Shange’s play, For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf, but had never read a poetry collection until now. I enjoyed some of the poems and others I didn’t resonate with. Her style is rough and evocative and at times even felt like a call to action.

These poems are a look at the career of Shange as they span 40 years of her work. I started to notice which ones were from older collections and which were more recent. As with any collection some of the material connected with me and some didn’t. There were poems where I was stunned by the story, or moved by the language. There were also poems that I would zone out and have to read over and over and still felt like I missed the message. For someone who is new to poetry, I enjoyed this collection and I am really looking forward to discussing it on The Stacks on April 24th.

Three Stars | Atria / 37 INK; Bilingual edition | November 17, 2017 | 288 Pages | Hardcover |Purchase on IndieBound
Wild Beauty is the TSBC pick for April 24th, stay tuned for more.


Women Talking by Miriam Toews

The Stacks received this book from the publisher in exchange for an honest review. For more information click here.
(Photo: amazon.com)

One night eight Mennonite women gather to discuss their options and response to the repeated drugging and sexual assaults of themselves, their daughters, and the other women in their community. The book is written from as notes taken during these meetings and is inspired by true events.

Women Talking is a lot of just that, women talking. It is theoretical and examines the ideas of loyalty, faith, and safety. It is a feminist text in that it explores the equality of women and their rights to be alive and to have a say in their own lives. I really enjoyed the writing. I was hooked early and wanted to know what would happen in the end. I also found the use of the minutes to be irritating at times because it was a lot of back and forth interpreted by our scribe/narrator (who is a man, which added an element of conflict).

If you like fiction thats a little different, if you’re interested in religious communities and the role that women play in conservative spaces, this book is a great selection. Women Talking has been compared to Handmaid’s Tale which makes a lot of sense, but neglects the fact that Women Talking is based on true events (the assaults not the meeting) which makes it that much more devastating.

Three Stars | Bloomsbury Publishing | April 2, 2019 | 240 Pages | Hardcover |Purchase on IndieBound


To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.

The Stacks participates in affiliate programs in which we receive a small commission when products are purchased through some links on this website. This does not effect my opinions on books and products. For more information click here.

Love’s Labour’s Lost by William Shakespeare

Love’s Labour’s Lost is a strange little play, and was my read for March for the #ShakeTheStacks Challenge. It starts with a King asking for his male courtiers to join him in a vow of celibacy (because women are a distraction from enlightenment) and leads to, of course, these men (including the King himself) meeting some women and wanting to break that vow almost immediately. I didn’t enjoy reading the play and found the language and the action very confusing. Mostly because there is a lot of langue and very little action.

What I did find interesting and worthwhile in this play, is that the ending is a bit of a twist. In a normal Shakespearean comedy everyone would end up madly in love, sing a little song, and literally get married. In Love’s Labour’s Lost that is not the case. The play instead ends with the women telling the men something along the lines of “its nice that you like us and all, but we couldn’t possibly trust you after all the lying and oath breaking, and so you need to do a year of community service, then we can see about that whole love thing”. It feels extremely modern and empowering for these female characters and I loved that twist. It couldn’t redeem the play for me, but it would make for very interesting conversation.

The rest of the play is just a bunch of talk about breaking oaths and falling in love and a lot of mistaken identity and role play. I’m sure it works much better on the stage than it does on the page, which makes sense, as it is a play. I certainly understand now why more people aren’t drawn to Love’s Labour’s Lost, and why we don’t see many productions of it. There is however a movie if you’re interested in seeing this play.

If you’re working your way through all of Shakespeare’s plays like I am for #ShakeTheStacks Challenge, good luck with this one, and please tell me your thoughts. If not, I would say you could read mostly any other one of Shakespeare’s plays and enjoy it more than I did Love’s Labour’s Lost.

Next month for #ShakeTheStacks Challenge, I’ll be reading Richard II

  • Paperback: 160 pages
  • Publisher: Penguin Classics; Reprint edition (June 5, 2000)
  • 1/5 stars
  • Buy Love’s Labour’s Lost on Amazon or IndieBound

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.

The Stacks participates in affiliate programs in which we receive a small commission when products are purchased through some links on this website. This does not effect my opinions on books and products. For more information click here.

The Short Stacks 9: Isaac Butler//The World Only Spins Forward

On April 10th, we will be discussing The World Only Spins Forward by Isaac Butler and Dan Kois for The Stacks Book Club. To get you ready for that conversation, we have co-author Isaac Butler on The (not-so) Short Stacks to talk about his background in theatre, how this oral history came to be, the logistics of writing as a duo, and about Isaac’s Shakespeare podcast, Lend Me Your Ears. We cover a lot of ground today, including a detour into the world of chips.

Everything we talk about on today’s episode can be found below in the show notes. The Stacks participates in affiliate programs, and shopping through the links below (mostly Amazon) helps support the show, at no cost to you.

Connect with Isaac: Isaac’s Twitter

Connect with The Stacks: Instagram | The Stacks Website | Facebook | Twitter | Subscribe | Patreon | Goodreads | Traci’s Instagram

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.

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The Stacks received The World Only Spins Forward from the publisher. For more information click here.

The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. Shopping through these links helps support the show, but does not effect opinions on books and products. For more information click here.

The Stacks Book Club — April 2019 Books

April marks the one year anniversary of The Stacks podcast being out in the world. Thank you all so much for being a part of this magical and bookish journey. And to show year two we’re ready for anything, we’re tackling two types of books we’ve never done on the show. Oral History and Poetry!

On April 10th we’ll be discussing The World Only Spins Forward:The Ascent of Angels in America by Isaac Butler and Dan Kois. The book is an oral history of Tony Kushner’s groundbreaking play, Angels in America. You hear from the people who created the show, the actors who performed the roles, and the people whose lives were changed because of it.

In honor of National Poetry Month we will be reading the late Ntozake Shange’s collection of poems, Wild Beauty on April 24th. This collection is unique and unapologetic and showcases the beauty and power of women of color. Even after her passing, Shange’s words live on as a testament to her artistry.

As with all our TSBC books, we want to hear from you. Don’t be shy, send over your thoughts and questions so we can be sure to include them on the podcast. You can email us at thestackswithtraci@gmail.com, comment on this post, or reach out to us through our Instagram @thestackspod.

Order your copies of our April books on Amazon:


To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.

The Stacks received The World Only Spins Forwardfree from the publisher. For more information on our commitment to honesty and transparency click here.

The Stacks participates in affiliate programs in which we receive a small commission when products are purchased through some links on this website. This does not effect opinions on books and products. For more information click here.

The Two Gentlemen of Verona by William Shakespeare

The Two Gentlemen of Verona is one of Shakespeare earliest comedies, and was the February read for the #ShakeTheStacks Challenge. It is the story of Proteus and Valentine, two young men who are best friends and in love with two different women, Julia and Silvia. As the play goes on, things change, mostly Proteus, and the whole thing goes off the rails. There is crossdressing, a dog, some rebels, love songs, and banishments. Its a whole thing.

This play is not a great read, it is much better on stage. A lot of the humor is physical, revolving around Launce and his dog, Crab. Not to mention Proteus’ change in a allegiance makes most sense when its seen, on the page it feels manic and unfounded.

The women in this play are fiercely loyal and committed to their own happiness. They both are able to express their free will in a way that many women characters are not, even in today’s literature, especially that written by men. Both Julia and Silvia get to be a little mean, which I love. Sure, they’re also a little spoiled, but their hearts are in the right place.

The ending of the play has left scholars stumped/in debate with each other for centuries. The pay off of the complicated and morally troubling ending is really something. Seeing the play (and having been in it, as Silvia), and how each actor plays the ending is really what makes the ending so confounding.

The writing to The Two Gentlemen of Verona is very straight forward, and if you’re new to Shakespeare’s plays it is a great pick. Otherwise, I might not suggest this one. It doesn’t have a ton to say that doesn’t get said better in other plays like A Midsummers Night Dream or As You Like It. The Two Gentlemen of Verona feels like a place that Shakespeare started exploring themes like, loyalty in conflict with love, women dressing up like men, and love triangles gone wrong.

Next month for #ShakeTheStacks Challenge, I’ll be reading Love’s Labour’s Lost.


To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.

The Stacks participates in affiliate programs in which we receive a small commission when products are purchased through some links on this website. This does not effect my opinions on books and products. For more information click here.

January 2019 Reading Wrap-Up

Starting this month, I’ll be giving mini reviews for all of my reads each month. For longer reviews on each book check out The Stacks Instagram page. You can also find full length reviews for any books we feature on the show under the Reviews tab and any other reviews I just feel compelled to write. My hope is to streamline my reviews and make them easier for you all to read and enjoy.

I’ll also be giving you my month by the numbers, as a way to give you all a snapshot of what I read, and to hold myself accountable to reading diverse and inclusive books.

January by the Numbers

Total Books Read: 9
Audiobooks: 0
Five Star Reads: 1
DNF Books: 0
Unread Shelf: 9
Books Acquired: 21

By Women Authors: 5
By Authors of Color: 4
By Queer Authors: 0
Nonfiction Reads: 6
Published in 2019: 1

All You Can Ever Know by Nicole Chung

(Photo: amazon.com)

Nicole Chung’s story of her transracial adoption, searching for her birth parents, and becoming a mother come together beautifully in this her memoir, All You Can Ever Know. Chung is vulnerable and honest in a way that is rare, refreshing, and greatly appreciated as a reader. Chung shares her hopes, fears, insecurities, and expectations with her reader as if she is writing in her journal. I was deeply moved in reading this book, and found common ground with Chung when it came to identity, as I am the product of an interracial marriage.

There were pieces to the story that left me wanting more, and I feel a bit selfish to be asking for more from Chung who is so open with her reader. I would have liked more on what parts of her childhood (as a Korean raised by White parents) she is still grappling with as an adult, and how she interacts with the world because of her upbringing.

Overall, this book is very good. Chung is a writer with a gentle touch that packs a lot of power. She is unrelenting in sharing her own thoughts and experiences and for that I am grateful. Also there is Cindy, and I won’t say much, except that I felt so much love and respect for Cindy, and when you read the book, you’ll know. I would suggest this book to people who love a good emotional memoir, people interested in adoption stories, and people who enjoy the active search for identity.

Four Stars | Catapult | October 4, 2018 | 240 Pages | Hardcover
All You Can Ever Know is TSBC pick for February 13. You can hear The Short Stacks with author Nicole Chung HERE, and TSBC episode with Vanessa McGrady HERE.Read a full review of All You Can Ever Know, HERE.


Friday Black by Nana Kwame Adjei-Brenyah

The Stacks received this book from the publisher in exchange for an honest review. For more information click here.
(Photo: amazon.com)

A collection of unique and imaginative short stories that provide a commentary on race, violence, consumerism, and survival in America. The writing is at times snarky and smart and then can flip in an instant to be poignant. Some of the stories in Friday Black were pitch perfect and found a great balance between reflection and experience. Some of the other stories never quiet landed with me. The two stories that stand out most (“Zimmer Land” and “Finklestein 5”) deal with the fragility of Black pain and the violence that Black people endure just to live. They comment on events and realities that are part of the American cultural zeitgeist.

I suggest Friday Black to lovers of short stories, racial politics, and people interested in thinking about capitalism in a different way. Warning, there is a lot of (stylized) violence in this book.

Three Stars | Mariner Books | October 23, 2018 | 208 Pages | Paperback
Friday Black is TSBC pick for February 27. Stay tuned for more content around this book. You can hear The Short Stacks with author Nana Kwame Adjei-Brenyah HERE, and TSBC episode with Wade Allain-Marcus HERE.Read a full review ofFriday Black, HERE.


Leaving Atlanta by Tayari Jones

(Photo: amazon.com)

A fictionalized look at life in Atlanta during the Atlanta Child Murders as told from the perspective of three fifth graders. In her debut novel, Tayari Jones examines the changing responsibilities for Black children as the move toward adulthood. She engages with the unfortunate truth that Black children are forced to grow up too early, and that they are vulnerable to the world around them. Her characters have to come to terms with their Blackness and what that means to the rest of the world. Jones loves her characters and knows them well, she speaks for them without feeling corny or contrived, and develops them into complex characters. Their youth becomes a filter on which we, the readers, see injustices in their world.

Leaving Atlanta is mostly a character study and a coming of age story. If you love plot and action, and are looking for true crime, this book isn’t that (which is where it missed for me). However, if you love spending time with characters and thinking about the world from different perspectives, check it out. If you’re more interested in the Atlanta Child Murders you might like the Atlanta Monster podcast.

Three Stars | Grand Central Publishing (Reprint Edition) | August 1, 2003 | 272 Pages | Paperback


Men Explain Things to Me by Rebecca Solnit

(Photo: amazon.com)

An essay collection on feminism and the relationship of women to male entitlement. Rebecca Solnit’s essays are an indictment on how women are seen and treated in The United States. Solnit ranges from snarky to measured, and shows her self as a thought leader in the conversation around certain types of feminism, which is evidenced in my favorite essay “#yesallwomen”. Men Explain Things to Me misses the mark on intersectional feminism completely and makes no space for women of color and queer women. The book was originally published in 2014, and just over four years later it feels dated. I don’t doubt this book was forward thinking at the time of publication, and that Solnit’s own views have evolved in the last five years (this is my first time reading her work). Men Explain Things to Me is a reminder of the kind of feminism that centers White women and that we are, thankfully, moving away from.

While Men Explain Things to Me is a good collection, I wouldn’t suggest reading it, simply because it isn’t speaking to the current moment in the women’s movement. I would confidently recommend Eloquent Rage by Brittney Cooper (full review here) and Good and Mad by Rebecca Traister (full review here) as better looks at intersectional feminism today.

 Three Stars | Haymarket Books | September 1, 2015 | 176 Pages | Paperback
See my full review of Men Explain Things to Me which you can read HERE.


Rap Dad: A Story of Family and the Subculture That Shaped a Generation by Juan Vidal

The Stacks received this book from the publisher in exchange for an honest review. For more information click here.
(Photo: amazon.com)

Juan Vidal shares his own story of growing up, finding his way, and becoming a family man in his memoir Rap Dad. The book is a mix of stories from Vidal’s past, meditations on fatherhood, breaking down the importance of hip-hop culture, and conversations of folks in the Rap world about their own thoughts on fatherhood. The book didn’t always feel cohesive or flow, and I often couldn’t relate to his experiences, but Vidal’s willingness to write and discover in that process is refreshing. He is asking the questions of what it means to be a good parent in this hip-hop generation.

Rap Dad is worth your time. The content is different from most anything I’ve read. Vidal is a unique thinker, a fluid writer, and his lack of pretense is beyond refreshing. He is talking about a subculture, hip-hop heads, we so often ignore, especially in the context of parenting.

Three Stars | Atria | September 25, 2018 | 256 Pages | Hardcover
Rap Dad is TSBC pick for January 30. You can hear The Short Stacks with author Juan Vidal HERE, and TSBC episode with Josh Segarra HERE.Read a full review of Rap Dad, HERE.


Rock Needs River: A Memoir About a Very Open Adoption by Vanessa McGrady

The Stacks received this book from the publisher in exchange for an honest review. For more information click here.
(Photo: amazon.com)

In Rock Needs River, Vanessa McGrady shares her journey from deciding she wants to be a mother, to adopting her daughter Grace, to eventually taking in Grace’s homeless birth parents. McGrady navigates the sometimes murky boundaries of open adoption in this book.

What worked in Rock Needs River is that McGrady is clearly only speaking for herself. He triumphs and blunders are clearly her own. She finds a way to be relatable so that you’re rooting for her for get whatever it is she wants and needs, even when she does some pretty questionable things (thinking of a chat room sequence that is painfully cringe worthy). I struggled with McGrady’s sense of privilege when it came to Grace’s birth parents. She wanted them to do what she would do, and those parts feel very entitled and narrow minded. Don’t get me wrong, McGrady is beyond generous with them, but that gets lost in the feeling that McGrady wants her good deed to play out the way she wants it to (with thank you notes). She spends a good chunk of the book projecting her value system on them, and it rubbed me the wrong way.

Overall I enjoyed the book, and I really learned a lot about adoption. If you like a lighter approach to more serious topics this might be a good book for you. If you’re interested in adoption and the ways that life doesn’t always go according to plan, I’d check out Rock Needs River.

Three Stars | Little A | January 1, 2019 | 204 Pages | Hardcover
Hear Vanessa McGrady on The Stacks discussing her book (Ep. 45) and All You Can Ever Know(Ep. 46), and find a full review of Rock Needs River HERE.


Romeo and Juliet by William Shakespeare

(Photo: amazon.com)

This month for the #ShakeTheStacks challenge I read Romeo and Juliet. The play is the story of two teenaged, star crossed lovers who find each other despite their families’ rivalry.The story is a total cliche now, but of course then you remember Romeo and Juliet was one of the originals.

I loved rereading this play. Shakespeare is interested in the ideas of loyalty and vengeance, individual desire versus communal stability. The play is dealing with these massive ideas and somehow still taking them on with a kind of urgent poetry that is just begging to be said and heard. In reading the play I couldn’t help but fall in love with Juliet. Her speeches are rich and full of so much emotion. I found myself reading them over and over (mostly out loud).

If you like strong characters with a driving plot, don’t be intimidated by Romeo and Juliet. It is a great play, which I’m sure you’ve heard.

Five Stars | Penguin Classics | February 1, 2000 | 128 Pages | Paperback
You can read my full review of  Romeo and Juliet HERE.



Tell Me More: Stories About the 12 Hardest Things I’m Learning to Say by Kelly Corrigan

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A collection of essays on things that are difficult to say. This book is not what it seems. Corrigan wrote Tell Me More after the passing of her father and dear friend, Lisa. The book ends up being more a response to the loss of her loved ones, an understanding of her own grief, and way to help her (and the reader) move on when things feel devastating. I got so much out of this book, it really connected with me emotionally. While the grief is ever present through out, there are also conversations about knowing your own worth, finding ways to be truly empathetic, and seeking out true love and joy that were valuable. There were times I thought Corrigan got a little cutesy, and didn’t need to, and some of her phrases seem beyond obvious (“Yes” and “No” come to mind), but I don’t think it hurt the book overall. The power of “Onward” was enough for an entire book to ride on.

While it is certainly not “required reading” it is a book that I could see being meaningful to anyone. I would check it out. I am certainly glad I did.

Four Stars | Random House | January 9, 2018 | 240 Pages | Hardcover


The World Only Spins Forward: The Ascent of Angels in America by Isaac Butler and Dan Kois

The Stacks received this book from the publisher in exchange for an honest review. For more information click here.
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TAn oral history of Tony Kushner’s iconic play Angels in America, The World Only Spins Forward was a surprising delight. For a person who loves the theatre this book was more than I could have imagined. I loved hearing from actors, directors, production teams, and theatre critics as they unpack the significance of one of the great American plays. Hearing thespians expound on the nuances of characters and the importance of lines, or how to an angel should fly, was fulfilling. Using the tradition of oral history as a way for the theatre community to talk about this depiction of HIV and gay experience felt completely spot on. The LGBTQIA+ community kept the memories of their own alive through telling stories, writing plays, and creating the art that lives on and is celebrated today. This book is a little bit of art imitating life (on a few levels). Also, the cover. It is absolutely perfect.

The only thing that was hard for me as a reader was that a lot of references weren’t explained. I spent time googling people and events that I would have loved to hear more about from the people who were telling this story, the interviewees.

I don’t know that this book is for everyone. I think you’d have to be interested in Angels in America or the theatre at the very least. The World Only Spins Forward is total theatre nerd stuff, and as a proud member of that community, it was everything I wanted and more. If you love the theater, and acting, and how plays get made, you must read this one.

Four Stars | Bloomsbury | February 13, 2018 | 448 Pages | Hardcover


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Romeo and Juliet by William Shakespeare

When I started my #ShakeTheStacks challenge, I have to admit, I was most looking forward to rereading the plays I already knew and love, chief among them, Romeo and Juliet. The play is one of, if not the, most well known of all the Shakespeare plays, and is certainly one of the first people are introduced to.

The story of two teenagers from feuding families who fall in love and make a bunch ill advised decisions that eventually lead to their deaths (thats not a spoiler, its in the prologue, I double checked). The story seems almost cliche, because even if you’ve never read or seen Romeo and Juliet you’re familiar with its components even on the most basic of levels. This is the play responsible for some incredibly famous lines; “parting is such sweet sorrow” and “a plague a both your houses”. Even with all of that, hundreds of years of quoting and adapting and parodying, Romeo and Juliet is profoundly emotional and resonant.

I loved reading this play. I loved saying the words out loud (sometimes acting to myself alone in my bedroom, in the interest of full disclosure). The poetry is vibrant and raw, many of the speeches are begging to be said and heard. The way the speeches and characters are crafted show that Shakespeare too was fascinated by these declarations of love and loyalty and rage and vengeance. The most palpable energy in this play is fear, the unknown. Shakespeare taps into this over and over again as the play unravels. What comes next? Romeo and Juliet reads like a thriller even when the reader (or watcher) knows what comes next.

The characters in this play are all so well written from the Lady Capulet to Paris to Mercutio and even the Prince. Each are unique with strong points of view on their world, they’re never confused for one another. This is the first play in my #ShakeTheStacks challenge where I can say thats true. They have their own speaking patterns, and their own thoughts on life and love. They are also all (except a serving man here or there), crucial to the progress of the play.

My most favorite character is Juliet. She is the moral center of this play. She drives the action and is our guide through Acts 2-4. She constantly asks the question “what is right here?”. She delivers fantastic speeches and grapples with a variety of emotions, allowing the reader (or audience) to see her evolution and her resolve. My favorite of all her monologues comes in Act III, Scene 2: “Shall I speak ill of him that is my husband?” (if you’ve never encountered this text, I suggest you check it out).

I so loved rereading this play. While it isn’t totally faithful to the play, the Romeo + Juliet film by Baz Luhrmann is so good. Claire Danes is an explosive Juliet, and Leonardo DiCaprio is perfect as our aloof and emotional Romeo. And for the most part, the movie stays true to the text, though it does omit a lot. If you have the time read the play and then watch the movie. Neither disappoints.

Next month for #ShakeTheStacks, I’ll be reading The Two Gentlemen of Verona.

  • Paperback: 128 pages
  • Publisher: Penguin Classics; Revised ed. edition (February 1, 2000)
  • 5/5 stars
  • Buy Romeo and Juliet on Amazon

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.

The Stacks participates in affiliate programs in which we receive a small commission when products are purchased through some links on this website. This does not effect my opinions on books and products. For more information click here.

Titus Andronicus by William Shakespeare

For the month of December, my Shakespeare read for The #ShakeTheStacks Challenge was, Titus Andronicus, Shakespeare’s first attempt at a tragedy.

Titus Andronicus is a revenge play centered around Titus Andronicus, a Roman General, who is locked in a cycle of personal revenges with Tamora, Queen of the Goths. The play is bloody and brutal, to the point that the first scene includes a handful of murders, one of which is Titus killing his own son. Shakespeare was not going for subtle with this play.

By far the most interesting part of Titus Andronicus centers on the character of Lavinia, Titus’ daughter. I don’t want to give too much away, but the scenes involving Lavinia, are some of the most fantastic scenes. She does not speak, instead the men around her speak at her and for her, and are given a voice when she is not. They must interpret her thoughts and her pain, and it is excruciating to read.While I’m not sure what Shakespeare was sayingabout women in his own time, Lavinia struck a chord with me now, at the end of 2018. I kept thinking of an essay, by Lacy M. Johnson, called “Speak Truth to Power” (which can be found in her amazing book of essays, The Reckonings).

Aaron, the Moor, is another fascinating character to read in modern times. He is Black and is a complete and total villain. He is given little in the way of redemption, and reaffirms his own villainy until the end of the play. I think so much about how this role would have been seen throughout history, this angry, violent, remorseless Black man as the epitome of evil. What kind of actor plays Aaron? Is he a brute? Is he cerebral? Is he ever played by a charming man? Or a light skinned Black man? Or is he always a stereotype of the angry dark Black man? How does this role evolve over time? I could reflect on Aaron (and Lavinia) and how the character functions in this play for a long time.

Titus Andronicus is shockingly easy to understand. While the character’s names are hard to remember, the text itself is accessible (for Shakespeare) in a way previous plays have not been. Its simple really, a play predicated on revenge. The ending of the play is too short, the fallout is too quick. I think thats partially because this is Shakespeare’s first tragedy. I know he gets better at elongating the pain and suffering at the end of his plays.

I really enjoyed Titus Andronicus more than I thought I would. It touches on mercy and justice in a way that I was not expecting, and gave me a lot to think about when it comes to Blackness and the representation of women on stage.


In case you’re reading along with me for The #ShakeTheStacks Challenge, I wanted to give you a heads up to what I’ll be reading in 2019. You don’t have to read along in the same order as me, and you can feel free to join me for one or all. However you decide to do it, my plan is below.


  • Paperback: 107 pages
  • Publisher: Penguin Books Australia; Pelican Shakespeare edition (January 1, 2000)
  • 4/5 stars
  • Buy Titus Andronicus on Amazon

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.

The Stacks participates in affiliate programs in which we receive a small commission when products are purchased through some links on this website. This does not effect my opinions on books and products. For more information click here.

The Taming of the Shrew by William Shakespeare

696DE5D5-9E54-4A03-BA88-36EE192E3792The next play up in the #ShakeTheStacks challenge is a relatively well known play The Taming of  the Shrew. While most people might not even know they known The Taming of the Shrew, you might be familiar with the plot as it is been adapted into famous movies and musicals (Kiss Me KateTen Things I Hate About You, and Deliver Us From Eva are all adaptations of this play). There is also a famous version of the play with Elizabeth Taylor and Richard Burton (Taming of the Shrew film)

If you’re not familiar with the adaptations or the play itself, the general premise is that a father won’t allow his younger, prettier, more sought after daughter Bianca to get married until her older sister, Katherine (Kate) is married off first. However, Kate is a strong willed woman who intimidates mostly everyone. I won’t give away much more. The play is presented as a comedy and has a lot of mistaken identity and subplots that Shakespeare plays are known for, but its actually pretty dark.

I was in a production of this play in 2007, and I liked it fine when I was in it. I feel similarly about the play over a decade later. The show is fine, its not particularly funny, more silly, but there are some great verbal sparring scenes between the clowns in the show. In this rereading of The Taming of the Shrew I found there to be a nuanced conversation about what it means to be a wife and a bystander in the face of domestic abuse.

Many people have said this play is sexist. Even the title implies that Kate is a wild woman (shrew) who needs to be tamed. Sure, that is sexist. I found in reading the play, Kate was not the villain, her suitor Petruchio was. He manipulates Kate into submission. He is both physically and emotionally abusive, using starvation, exhaustion and embarrassment to control her.

I would love to see a production of this play that doesn’t settle into the comedy and absurdity of the play, but really presents a man who uses torture techniques to control his wife. And more than that, the people around him allow it to happen, from his servants to his new father-in-law. We  all watch as a man destroys the spirit and will of his wife, for no other reason than his own ego and own control. That is the play that Shakespeare wrote, or at least how I read it.

If you’ve not read this play, it is just fine. There are some great scenes and speeches and then there is a lot of fluff. The Taming of the Shrew isn’t all together anything special, but it is searching around a much bigger question of women and control, something I know Shakespeare deals with in his future plays. Plays I’m ver excited to get to as I continue to #ShakeTheStacks. Next Up, Titus Andronicus, I hope you’ll be reading along with me.

  • Paperback: 113 pages
  • Publisher: Penguin Classics; Reissue edition (December 1, 2000)
  • 3/5 stars
  • Buy The Taming of the Shrew on Amazon

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.

The Stacks participates in affiliate programs in which we receive a small commission when products are purchased through some links on this website. This does not effect my opinions on books and products. For more information click here.

 

Richard III by William Shakespeare

8853EBC9-8629-4FB1-B2FF-2C6E331176EEThis month, for the #ShaketheStacks challenge I read one of my most favorite Shakespeare plays, Richard III. It is the fourth and final part of the Henry VI tetralogy. For as much as I enjoyed Henry VI Part III Richard III is leaps and bounds better.

In this final chapter of the bloody war of the roses, the House of Plantagenet finally ascends the throne, putting our anti-hero, Richard, a stones throw from the throne. This play chronicles Richard’s assent from Richard Duke of Gloucester to King Richard III. It is full of blood and lies and fantastic wit and dialogue. Richard has all the things you want from a bad guy, he is clearly the smartest and most detestable person in the room. I won’t give anything away, but he is delightfully terrible.

I was lucky enough to be in two different productions of Richard III, and grew to learn about the text intimately. Shakespeare layers so much in each line, drawing back to the three previous plays, and verbal sparring that is thrilling to read, let alone watch. As with all his plays, Shakespeare has a point of view on what we’re watching. He centers the play around a corrupt ruler and his unchecked power and entitlement, not to mention his deep seated misogyny. Sound familiar? Richard III still holding up hundreds of years later.

My favorite scene in the play encapsulates all that is good (not morally) in Richard III, Act IV Scene 4. The scene is led by the women of the play, of which there are four insanely amazing independent and vibrant women characters, and it weaves from cursing to courting to sorrow and rage. The scene is dynamic and is the one moment when truth is spoken to power. It is powerful and exciting and smart. A total force that sucks the air out of the room, weather you’re reading or watching the play.

If you’ve yet to read this play, you should. Or better yet go see a production or watch the film. If I’m ranking Shakespeare’s plays it is in my top five (so far, but if I’m being honest I haven’t read them all yet).

Next month I leave the histories behind and read The Taming of the Shrew. I hope you’ll read it with me.

  • Paperback: 208 pages
  • Publisher: Penguin Classics; Reissue edition (June 13, 2017)
  • 5/5 stars
  • Buy Richard III on Amazon

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.

The Stacks participates in affiliate programs in which we receive a small commission when products are purchased through some links on this website. This does not effect my opinions on books and products. For more information click here.