I am over here reeling, because the end of November means we’re almost at the end of the year, where has the time gone? I read seven books this month, and they were, for the most part, pretty good books. Nothing out of this world, but nothing terrible. My standout was my re-read of Tell Me How it Endsby Valeria Luiselli, if you haven’t read this one you should, you really should. Below you can see mini-reviews of everything I read in November.
November by the Numbers
Total Books Read: 7 Audiobooks: 0 Five Star Reads: 1 Unread Shelf: 0 Books Acquired: 15
By Women Authors: 6 By Authors of Color: 3 By Queer Authors: 0 Nonfiction Reads: 5 Published in 2019: 3
The Stacks received this book from the publisher in exchange for an honest review. For more information click here. (Photo: amazon.com)
A data driven look at the questions of parenting. Emily Oster uses studies to help parents answer questions about breastfedding, day care, screen time, and more. It is a rational way to think about decision making, especially the kind that can feel very emotional.
I really enjoyed reading this book. The first half was particularly interesting as the topics tackled and the data provided really showed clear benefits and risks with certain parenting behavior (co-sleeping, breastfeeding etc). I loved how Oster reminds her reader that they need to look at what works best for their life, and I found that to be applicable even for things outside of parenting. If you are a parent of small children (or expecting), this book might be really helpful to remind you that you’re in control and your happiness matters.
Three Stars | Penguin Press | April 23, 2019 | 352 Pages | Hardcover | Purchase on IndieBound
Girl Boner is a podcast, a book, a general vibe, and a guide to sexual empowerment. McLaughlin uses the pages of this book to talk about all kinds of sex and how people who identify as women can embrace their sexuality without shame or fear.
I found this book to be inclusive in the best possible ways. I loved reading stories of sex workers along side the stories of women unhappy in their marriages next to advice on sex positions. McLaughlin makes a point of embracing the many forms of gender and sexual expression including trauma and mental health. She teaches her readers a lot along the way, though the book feels long winded in some sections. Girl Boner is sex positivity at its most accessible and basic, and that kind of writing around sex is rare, even in 2019. This one is refreshing and worth your time (and all you male identifying folks, there is something in here for you too).
Three Stars | Amberjack Publishing | August 7, 2018 | 368 Pages | Hardcover | Purchase on IndieBound
Much Ado About Nothing is a romantic comedy with a darker side, as most of Shakespeare’s comedies tend to be. It is a fun play if you want it to be, but it can also be troubling. I enjoyed reading this one, though I thought the plot was a little sparse overall.
The idea of female reputation and purity is a huge theme throughout and feels relevant today. The way the women are discussed and shamed throughout the book felt like any given day on twitter. I was also shocked how little the main love interests, Beatrice and Benedick, actually interact with one another. All in all this was a fun little read though I imagine it will also be easily forgotten.
Three Stars | Pelican Shakespeare | September 1, 1999 | 98 Pages | Paperback | Purchase on IndieBound
A powerful and emotional look at unaccompanied children coming to America. The book is short and so well crafted you leave it feeling full, if not sliightly devasted for hte plight of these children.
Luiselli is brilliant in how she tells this story, weaving together the children’s experiences with her own as their interpreter. She also layers the policy and politics in The United States that have landed us in this crisis. I can not recommend this book more highly, now more than ever.
Five Stars | Coffee House Press | April 4, 2017 | 128 Pages | Paperback | Purchase on IndieBound We discussTell Me How It Endson The Stacks Book Club, you can hear that conversation by clicking HERE.
My first experience in romance, aside from Fifty Shades of Grey, and I didn’t hate it. I actually rather enjoyed reading a book that felt like an escape from all the news and terrible things that happen in the world. That is not to say this book didn’t have some pretty toxic masculinity and a glaring lack of diversity. It just didn’t feel like watching an impeachment hearing, so it was a welcome relief.
The book is fun even though the plot is very thin and the characters are tropes. The sex is not gratuitous, its also not that frequent. I enjoyed the book and would consider reading more romance, because the experience of fully checking out while reading was enjoyable, even if the content was just okay.
Three Stars | William Morrow Paperbacks | August 6, 2016 | 384 Pages | Paperback | Purchase on IndieBound
The Stacks received this book from the publisher in exchange for an honest review. For more information click here. (Photo: amazon.com)
A comedic memoir about migrating from Iraq as a child and growing up different in America. Salman explores her childhood culture clashes, finding feminism, and eventually her struggles as an adult with love and life. It’s a book about where you fit in.
This is a fun one. The tone is very sarcastic and casual, and the pages are adorned with an abundance of footnotes chiming in with jokes and asides. Though there was some serious stuff in the book as well. Overall, I would’ve liked more reflection on her growth, as the book reads as a bunch of antidotal stories versus a clear narrative of who Salman is now. It felt at times as if she was holding back or worried about saying too much, or disrupting the conventionally accepted idea of a model immigrant.
Two Stars | Skyhorse Publishing | March 5, 2019 | 288 Pages | Paperback | Purchase on IndieBound Hear our conversation with Ayser Salman on The Stacks HERE.
The Stacks received this book from the publisher in exchange for an honest review. For more information click here. (Photo: amazon.com)
A collection of essays about what its like to be alive, and young, and female, in America in 2019. This book is super specific and in that it feels extremely relevant to this exact moment in time. It is a time capsule of what it feels like to be a millennial.
Tolentino is a great writer, though some of the essays feel can read as slightly over worked and tedious, and her arguments have dexterity. She opens up conversations on difficult women, marriage, optimization, and scammers in a way only a person of this moment could. She understand the levels and layers to these nuanced topics and works her way through, bringing us along with her. I didn’t love all the essays (the first few felt particularly slow to me), but by the end I was all in on Tolentio and Trick Mirror.
Four Stars | Random House | August 6, 2019 | 320 Pages | Hardcover | Purchase on IndieBound
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
As this year has been progressing my reading has been slowing down in a major way. I only made it through seven books in July. I need to read at least eight books a month to hit my goal for 100 books in 2019, so I’ve got to pick it back up in August.
As far as what I read, I really enjoyed everything and the content was very diverse for women in business to forensic investigations. I think the two books thats really stood out were We Live for the We by Dani McClain and The Light of the World by Elizabeth Alexander. Both books were read for the podcast, and I’m very grateful to Dani McClain for bringing them into my life. I also loved Michelle Obama’s memoir, though that was to be expected. She is such an inspirational woman.
July by the Numbers
Total Books Read: 7 Audiobooks: 2 Five Star Reads: 0 Unread Shelf: 2 Books Acquired: 23
By Women Authors: 4 By Authors of Color: 3 By Queer Authors: 0 Nonfiction Reads: 6 Published in 2019: 1
There is no doubt Michelle Obama is a national treasure and getting to hear about her life in her own words was such a wonderful experience. This memoir spans her childhood through the end of her husband, Barack Obama’s, presidency. She shares the ways her mother helped to shape her into the woman she is now, and she shares the ways she is shaping her own daughters. I was especially taken with the parts of the book in which we got an inside look at moments we had only seen through the media (the killing of Osama Bin Laden or when she touched The Queen).
The one place I wanted more from this book was when it came to what Michelle has learned and seen with her inside access to America. She and her family experienced so much racism and hatred from large swaths of the country, what did those experiences say to her about America? What did her inside access to the rich and famous say about income inequality? What has she seen that the rest of us could never fully understand? I just wished Michelle Obama was more candid in her observations about America. This was minor compared with how much I loved the book and her story and how much I felt inspired by her as a Black woman.
Four Stars | Random House Audio | November 13, 2018 | 19 Hours 3 Minutes | Audiobook | Purchase on IndieBound
An inside look at how doctors approach their patients and their work. This book answers questions about why a doctor might miss a diagnosis, or opt out of administering a test. It also looks at how patients can guide their doctors in the right direction within their interactions, and how they can help them to think differently about their presenting symptoms.
Overall I liked this book, though at times, I drifted in and out of paying attention as git repetitive in sections. The earlier chapters were more enjoyable as a lot of the information was new. I wished Groopman had taken more time to look at the factors that play into our implicit biases like race and class. That could have made for a more full and nuanced book that could help change the way doctors and patients interact.
Three Stars | Tantor Audio | March 28, 2007 | 10 Hours 27 Minutes | Audiobook | Purchase on IndieBound
A deep dive into the forensics and death industry and the corruption that lives just below the surface. This book is a jaw dropper, it will make you think about the systems that are in place in America and how they play into a history of racism that has led to the imprisonment of a disproportionate number of Black and Brown men.
I really enjoyed learning about this small part of the criminal justice system. The book is extremely well researched and reported and the stories in it are nearly unbelievable. I wished the authors had been more clear in linking the history of death investigation to the story they tell of one coroner and one forensic “expert”. There are missing links in this book that could round out the story telling. Overall it is interesting and opens the readers eyes to so much corruption. It almost feels like a gateway book into deeper dives into how forensics play a role in wrongful convictions and more.
Three Stars | PublicAffairs: 1st edition | February 27, 2018 | 416 Pages | Hardcover | Purchase on IndieBound Listen to Radley Balko on The Short Stacks now, click HERE.We also discuss The Cadaver King and the Country Dentist in detail for The Stacks Book Club, click HERE to listen.
The sudden death of her husband leads Elizabeth Alexander to reflect on life and love in this gorgeous memoir. Full of the kinds of observations about what it means to truly live a full life and what it means to be a part of a community, and a family.
I was shocked by how much I enjoyed this book. It is just beautiful. Alexander is a skilled poet and she seamlessly transitions her writing from verse to prose in this memoir. The book has a sense of deep pain but also extreme lightness. For anyone who has experienced the death of a loved one this book speaks to the magic that is inherent in that pain.
Four Stars | Grand Central Publishing; Reprint edition | September 6, 2016 | 240 Pages | Paperback | Purchase on IndieBound We discuss Light of the Worldon The Stacks Book Club, you can hear that conversation by clicking HERE.
The Merchant of Venice is one of William Shakespeare’s more famous plays and is best known for being the play about “the Jew” but little more is said about this extremely complex and nuanced play. I was so glad to actually get a chance to reread it and attempt to examine the layers in this story.
In The Merchant of Venice, Shylock, the Jew, lends out money and it isn’t repaid per the terms of the loan, and Shylock is ready to collect on the debt he is owed (pound of flesh anyone?). However once it turns out that he plans to fully collect everyone becomes incredulous and begs him to show a little mercy and compassion. This is an extremely common narrative in today’s society. After the murder of nine Black people at a church in Charleston, SC there was an immediate cry for the Black community to forgive the White Supremacist who murder these innocent people. We even saw the Black President of The United States, Barack Obama, sing “Amazing Grace” in his eulogy. This cry for mercy and forgiveness is often asked of “the other”.
There is a lot more that could be said about The Merchant of Venice, so far in my journey through Shakespeare’s cannon (#ShakeTheStacks Challenge) it feels like the most layered play. It feels urgent and painful and unfortunately more timely than I would like.
Four Stars | Penguin Classics | August 1, 2008 | 103 Pages | Paperback | Purchase on IndieBound
The Stacks received this book from the publisher in exchange for an honest review. For more information click here. (Photo: amazon.com)
A book that looks at the many elements of mothering for Black women. The book moves between McClain’s personal doubts and questions and her reporting on how other mothers are doing the work to raise their children in progressive and engaged ways.
I didn’t think I would connect with this book as someone who isn’t a mother, and yet, I was moved deeply by it. We Live for the We is a great reminder that the work of parenting and mothering is not only for those who have birthed or adopted children, but also to the friends and relatives who help shape those young lives. The book takes on a variety of topics that intersect and build off one another, things like pregnancy, children’s bodies, education, and activism. There is a lot in this book that is important for those who parent of all races, but especially for Black mothers.
Four Stars | Bold Type Books | April 2, 2019 | 272 Pages | Hardcover | Purchase on IndieBound Hear our conversation with Dani McClain on The Stacks HERE
The Stacks received this book from the publisher in exchange for an honest review. For more information click here. (Photo: amazon.com)
Jaclyn Johnson (of Create & Cultivate fame) knows her stuff. She is a smart woman with a lot of insight and a very clear voice and point of view. I didn’t always like her writing style (a little too casual and filled with hashtags and pop culture references), and wonder if it will age well over time, but I appreciated much of what she had to say. She has great advice, like be a pleasure to work with, we are our reputations, and much more. She’s not rewriting the business world, but she is making it more approachable and accessible for young female entrepreneurs.
One place Johnson could have elevated WorkParty was by choosing to be more intersectional in her approach. She has centered her own story so much she doesn’t leave room to discuss Black and Brown women, people who are gender non-conforming, women who have disabilities, women who come from lower socio-economic groups and all the hurdles that these communities have to overcome just to get a seat at the table.
Overall I was surprised in the best ways by this book. There is certainly advice I will take with me as I grow as a business woman running The Stacks.
Three Stars | Gallery Books: Reprint Edition | March 5, 2019 | 256 Pages | Paperback | Purchase on IndieBound We discuss WorkPartyon The Stacks Book Club, you can hear that conversation by clicking HERE.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
The Merchant of Venice is one of William Shakespeare’s more famous plays and is best known for being the play about “the Jew” but little more is said about this extremely complex and nuanced play. I was so glad to actually get a chance to reread it and attempt to examine the layers in this story.
What is always so powerful to me in the reading and rereading of Shakespeare’s plays is what these stories from hundreds of years ago say about the world we’re living in now. I couldn’t help but draw many connections between the anti-semitism in the play and racism and othering of Black and Brown bodies, and those that practice Judaism and Islam, that has been on full display in The United States in the last few years.
In The Merchant of Venice, Shylock, the Jew, lends out money and it isn’t repaid per the terms of the loan, and Shylock is ready to collect on the debt he is owed (pound of flesh anyone?). However once it turns out that he plans to fully collect everyone becomes incredulous and begs him to show a little mercy and compassion. This is an extremely common narrative in today’s society. After the murder of nine Black people at a church in Charleston, SC there was an immediate cry for the Black community to forgive the White Supremacist who murder these innocent people. We even saw the Black President of The United States, Barack Obama, sing “Amazing Grace” in his eulogy. This cry for mercy and forgiveness is often asked of “the other”.
Shakespeare is essentially asking his audience if it is fair to ask more of the aggrieved if they are outside the systems of power of the given society, weather it be Whiteness, Christian, or male?
He compounds all of this when the person who comes to defend the White Christian patriarchy in The Merchant of Venice is Portia disguised as a young male lawyer. She is the only person clever and even tempered enough to see a way around Shylock’s contract and save the day. Of course its very complicated because her actions essentially lead to humiliation for Shylock, who, while maybe a little rigid (or vidictive), is only following a contract he and his debtor agreed to.
When we talk about the power of the arts to change the world, I think, without sounding too hyperbolic, this play certainly has that ability. It asks the viewer (or reader) to look around and see the hypocrisy that we allow into our everyday life. To see that we are only willing to cling to the rule of law when it serves those in power. When the laws favor the marginalized we see the calls for mercy and forgiveness. We see the vitriolic language of hatred that leads to violence, embarrassment, and more internalized othering of those who are our most vulnerable.
There is a lot more that could be said about The Merchant of Venice, so far in my journey through Shakespeare’s cannon (#ShakeTheStacks Challenge) it feels like the most layered play. It feels urgent and painful and unfortunately more timely than I would like.
If you’ve seen or read this play I would love to hear you thoughts in the comments below.
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
This month for #ShakeTheStacks Challenge I was excited to read one of William Shakespeare’s romantic comedies, A Midsummer Night’s Dream. A Midsummer Night’s Dream is one of Shakespeare’s most famous comedies, which makes sense because it is easy to understand and full of fun characters who aren’t afraid to go after what they want, even if it gets a little out of hand. The play has three casts of characters that cross paths through out the show. There are the lovers, the fairies, and the mechanicals (an acting troop). There isn’t much of a plot, mostly a lot of people running around in a forest.
My favorite part of this play are the two female lovers, Helena and Hermia. They are smart and sassy and really fun characters who drive the action of the play, without them, the plot wouldn’t exist. They’re part of a love rectangle, with shifting allegiances which makes for great fun. The young ladies are so emotional you never know what they’ll say next. In the scenes with the lovers you get a sense Shakespeare knows what its like to be a teenager in love, because the characters are so unpredictable and well written.
When it comes to the plot of A Midsummer Night’s Dream there isn’t much there. Some spells and mistaken identity, and then a wedding at the end, of course. If you don’t see the play and just read the text, it feels sort of silly. Which, I’m discovering on my journey through Shakespeare’s work, is the case with a lot of his comedies, since they are plays and are meant to be seen. In this play there is a whole section revolving around the fairy queen, Titania, falling in love with an actor, Bottom, despite the fact that he has a donkey’s head. Its really silly, but without the representation on stage you miss the whole fun of it. Reading these comedies requires more focus from the reader and a lot more imagination.
If you’re new to reading Shakespeare, I highly suggest this one. It has some really stunning writing (Titania and Oberon), both rhyming verse and prose, it has a lot of fun characters, and it has been made into a movie, so if you want to test your understanding you can watch it as well.
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
William Shakespeare wrote ten of plays that are fictionalized accounts of real events and people, they are called the “History Plays” and are similar to how we today would watch a biopic. The story is based on truth, but dramatizes and imagines the story in a new (and hopefully) entertaining way. Richard IIis one of those History Plays and is the first part in the eight play series that includes Richard II, HenryIV (both parts), Henry V, Henry VI(all three parts), and Richard III.
My expectations were very low for Richard II. I had seen a production years ago in New York City and found it to be very boring, however in reading the play I was thoroughly entertained. To be fair, it is a play about politics and legitimacy of governance. It is a dramatization of a theoretical conversation around who can and should rule the people. Which is to say, it is a lot of talk and not so much action, though the opening scene and the final two acts are pretty engaging. The middle of the play does drag a little, but overall I was engaged.
The language in Richard II is readable, even if Shakespeare is challenging for you, this one is pretty approachable. The characters are straight forward and tell you what they are thinking and planning. The plot is very linear, without the interruption of comedic scenes. Shakespeare utilizes language as a way to differentiate the characters. Richard, speeches are long and languid, he is eloquent and paints pictures of his one psyche through his verse. Bolingbroke is direct in his language, almost polished, and very direct.
If you like reading Shakespeare, I think this is a solid play that leaves the reader with a lot to think about. Its not the greatest ever, but after reading it, I think it is overlooked without reason. Richard II, was a reminder of why I started my #ShakeTheStacks Challenge, so that I could revisit old favorites and find new ones.
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
March was all about the backlist. I went on an amazing vacation and took a bunch of books I had been wanting to read for a long time, and I read them! What a treat. I really enjoyed almost everything I read in March. My stand out was Assata by Assata Shakur and the low-light was Love’s Labour’s Lost by William Shakespeare. What were your favorites this month? Also worth noting, I read my first books on a Kindle, and I survived.
You can find my reading month by the numbers and short reviews of everything I read below.
March by the Numbers
Total Books Read: 10 Audiobooks: 1 E-Books: 2 Five Star Reads: 1 Unread Shelf: 6 Books Acquired: 12
By Women Authors: 6 By Authors of Color: 3 By Queer Authors: 1 Nonfiction Reads: 8 Published in 2019: 2
In the story of her life, Assata Shakur lets her reader in on her childhood, her relationship with the Black Liberation Movement, and her arrest and imprisonment. The prose are conversational and the content is enraging and devastating. Not only is this book a look back at the past, it is also a very clear indictment on the current state of affairs in The United States.
If nothing else, Assatais a reminder of the struggle for Black equality that has spanned centuries, and the lengths the American government will go to stifle that quest. Racism, abuse, torture, and human rights violations are all part of Assata’s story, and the story of this struggle. She exposes corruption in the criminal justice system and even in The Black Panther Party. She is unapologetic and easy to connect with. I thoroughly enjoyed learning about a figure I had heard of, but really knew so little about, though there were times I’d wished she was more forthcoming with her own revolutionary activities, and the reasons why she might have been targeted by the police. The fact that this book is still so relevant over 30 years after it’s publication is a reminder of how much work needs to be done. I highly suggest this book for people who love a good memoir and people interested in the history of social justice movements, though I caution there are very graphic scenes of abuse through out the book.
Five Stars | Lawrence Hill Books | November 1, 2001 | 320 Pages | Paperback | Purchase on IndieBound
The Stacks received this book from the author in exchange for an honest review. For more information click here. (Photo: amazon.com)
A book unlike anything I’ver ever read, Experiments in Joy mixes the genre of memoir with the artist’s performance notes, letters, and cultural criticism into a book that encapsulates both the artist and the art. Civil is a performance artist, professor, and poet, and this book is a reflection on some of her pieces and her way of seeing the world and her place in it. In addition to Civil’s own words, there are conversations and letters from her collaborators and reviewers to deepen the readers understanding of the work.
I didn’t always connect with the book, but I felt deeply that the context given helped me to better understand Civil as a creative and an activist. The book is truly a glimpse at how one creates. The sections in which she gave context before or after laying out the performance pieces were my favorite along with the book reviews. To understand how the artist works and why is captivating for me and brought the performance notes to life. Civil is a beautiful writer, and her letters especially show her skills. For any lover of the arts this book as a unique look into process over product.
Paul Ham uses contemporaneous documents, reflections after the fact, and critical thinking in Hiroshima Nagasakito take down the conventional thinking about the use of nuclear weapons on Japan in 1945. This book is a fantastic work of nonfiction and does a great job of analyzing and deconstructing these acts of extreme violence
For 60+ years America has pushed a narrative about the “need” to drop an atomic bomb on a civilian target in order to avenge Pearl Harbor and/or to prevent “millions” of future US casualties. This book looks deeper into that idea and debunks much of reasoning that was flawed and so easily accepted by Americans and all of history. If you love history, politics, and smart writing, I would highly recommend Hiroshima Nagasaki. Though this book can be dense at parts (especially the first 100 pages) and lacks a real introduction for those not familiar with this moment in time, Ham’s writing is extremely readable. He mixes politics with humanity and covers many facets of these bombings its not all Harry Truman, it is also very much about the victims. I learned a lot about World War II, and was able to see the political maneuvering that America took part in that led to hundreds of thousands of deaths.
Four Stars | Picador; Reprint edition| August 4, 2015 | 641 Pages | Paperback | Purchase on IndieBound
A vivid look at the culinary industry from the perspective of chef, Anthony Bourdain. This book is part memoir and part expose in which Bourdain shares what to never order from a restaurant and what the kitchen thinks of people who order a well done steak. It is an approachable book and an easy read.
Throughout Kitchen ConfidentialBourdain seems hell bent on shocking his reader. He loves talking about sex, blood, and drugs. Its a little over played and can be cringeworthy at moments. There also seems to be a little self-congratulation around his relationships with his Latinx coworkers/employees. I was not familiar with Bourdain in life, and since his passing I am just barely more informed on his life and contributions. There was little sentimentality for me in reading this work and much of my criticisms come from who he presents himself as in this book, a bit of a know it all. Though I will say, his heart and passion come through loud and clear and I loved those moments of the book most.
I enjoyed reading this book, but 20 years after its first publication, I don’t know if the tone and approach stand the test of time. If you love Bourdain or want something a little rough and tumble you might really enjoy this one.
Three Stars | Bloomsbury USA; 1 edition | December 10, 2008 | 321 Pages | E-Book |Purchase on IndieBound
In Love’s Labour’s Lost we meet a King and his male courtiers who take a pledge to become celibate, but then, of course, they meet some women and fall in love. The show revolves around the men trying to secretly get the women to love them despite the oath. While most of Shakespeare’s comedies are trivial, this one is nonsensical. There is a lot of disguise and mix ups that are confusing to read and not particularly necessary or interesting.
The only part of this play that I found remotely intriguing is the ending, in which the women finally get some power and put their feet down. I don’t want to spoil it, but it is a twist and makes some interesting points about duty over desire and the idea of reciprocity in relationships.
I wouldn’t suggest this play to anyone, but it might be more fun to see than read. The language is confusing and the there really isn’t much action at all.
One Stars | Penguin Classics; Reprint edition | June 5, 2000 | 160 Pages | Paperback |Purchase on IndieBound
A book of quippy erotic fantasies of women being treated equal, or better than equal, to men. A world in which Ruth Bader Ginsburg is immortal, and Juliet tells Romeo off for being so love sick. While the idea is fun and smart, the execution left me wanting more.
The best and most effective satire calls out inequality by speaking truth to power and by forcing the audience to question their own complicity in the power structure. This book fails to do that. It seems to be content just being cute. It relies on the “erotica” to do a lot of the heavy lifting. The authors attempt to address intersectionality in the introduction, but then spend the rest of the book trivializing the aggression of men instead of addressing it head on. The book fits nicely into the White capitalist patriarchy as a piece of protest, meaning it is a safe way for women to vent without really forcing a deeper discussion at the issues at play.
If you’re looking for a light palate cleanser, this is might be a good choice, plus you can read it in about 90 minutes, but if you want something more biting I think there are other books to go to.
A true crime story about a White British woman who goes missing in Tokyo in 2000 and all that unfolds there after. The book looks at the crime, the family and their grief, the media and their coverage, and the police and their ability to figure out what happened.
What makes such a solid work of true crime is that the author, a journalist, is weaving many elements of this story together in an extremely readable way. The writing is no frills, but the story is full of surprises and is totally engaging. Parry is, for the most part, objective and helps the reader understand the cultural differences that makes this case unique . Plus the story itself is captivating, the book is over 400 pages but you want to read it in one sitting. I loved the commentary on race, class, culture, and gender throughout the book and would have liked even more. Getting to understand a criminal justice system that is so different than my own (that of The United States) was fascinating. Parry does a great job as our guide into a world I’d never known. If you like true crime, you’ll enjoy this book, though be warned there are trigger warnings for sexual assault and violence.
Four Stars | Farrar, Straus & Giroux; Reprint edition | May 22, 2012 | 454 Pages | Paperback |Purchase on IndieBound
To articulate the fragility and toxicity of Whiteness to White people is one the the greatest challenges of anti-racism work, and in White Fragility Robin DiAngelo does just that methodically. This book is a take down of racist ideas and the entrenched denial around White supremacy.
White Fragility is admittedly written for White people by a White woman. DiAngelo is very clear in that, though, as a Black woman I found a lot of valuable insights in both how I can do better as I work toward anti racism and how I can approach uncomfortable situations with White people. I was able to understand the socialization of White people better, and to understand the tactics used to reinforce racism in our society.
This book is a great tool in any anti-racist’s tool box, along side one of my all time favorites, Stamped from the Beginning by Ibram X. Kendi. If you’re serious about the work this book helps to explain one road block that is often encountered, White Fragility.
Four Stars | Beacon Press | June 26, 2018 | 6 Hours 12 Minutes | Audiobook |Purchase on IndieBound
Reading Wild Beauty, was a new experience for me. I am familiar with Shange’s play, For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf, but had never read a poetry collection until now. I enjoyed some of the poems and others I didn’t resonate with. Her style is rough and evocative and at times even felt like a call to action.
These poems are a look at the career of Shange as they span 40 years of her work. I started to notice which ones were from older collections and which were more recent. As with any collection some of the material connected with me and some didn’t. There were poems where I was stunned by the story, or moved by the language. There were also poems that I would zone out and have to read over and over and still felt like I missed the message. For someone who is new to poetry, I enjoyed this collection and I am really looking forward to discussing it on The Stacks on April 24th.
Three Stars | Atria / 37 INK; Bilingual edition | November 17, 2017 | 288 Pages | Hardcover |Purchase on IndieBound Wild Beautyis TSBC pick for April 24. You can hear the TSBC episode with Gabrielle Civil HERE. Read a full review ofWild BeautyHERE.
The Stacks received this book from the publisher in exchange for an honest review. For more information click here. (Photo: amazon.com)
One night eight Mennonite women gather to discuss their options and response to the repeated drugging and sexual assaults of themselves, their daughters, and the other women in their community. The book is written from as notes taken during these meetings and is inspired by true events.
Women Talking is a lot of just that, women talking. It is theoretical and examines the ideas of loyalty, faith, and safety. It is a feminist text in that it explores the equality of women and their rights to be alive and to have a say in their own lives. I really enjoyed the writing. I was hooked early and wanted to know what would happen in the end. I also found the use of the minutes to be irritating at times because it was a lot of back and forth interpreted by our scribe/narrator (who is a man, which added an element of conflict).
If you like fiction thats a little different, if you’re interested in religious communities and the role that women play in conservative spaces, this book is a great selection. Women Talking has been compared to Handmaid’s Tale which makes a lot of sense, but neglects the fact that Women Talking is based on true events (the assaults not the meeting) which makes it that much more devastating.
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Love’s Labour’s Lost is a strange little play, and was my read for March for the #ShakeTheStacks Challenge. It starts with a King asking for his male courtiers to join him in a vow of celibacy (because women are a distraction from enlightenment) and leads to, of course, these men (including the King himself) meeting some women and wanting to break that vow almost immediately. I didn’t enjoy reading the play and found the language and the action very confusing. Mostly because there is a lot of langue and very little action.
What I did find interesting and worthwhile in this play, is that the ending is a bit of a twist. In a normal Shakespearean comedy everyone would end up madly in love, sing a little song, and literally get married. In Love’s Labour’s Lost that is not the case. The play instead ends with the women telling the men something along the lines of “its nice that you like us and all, but we couldn’t possibly trust you after all the lying and oath breaking, and so you need to do a year of community service, then we can see about that whole love thing”. It feels extremely modern and empowering for these female characters and I loved that twist. It couldn’t redeem the play for me, but it would make for very interesting conversation.
The rest of the play is just a bunch of talk about breaking oaths and falling in love and a lot of mistaken identity and role play. I’m sure it works much better on the stage than it does on the page, which makes sense, as it is a play. I certainly understand now why more people aren’t drawn to Love’s Labour’s Lost, and why we don’t see many productions of it. There is however a movie if you’re interested in seeing this play.
If you’re working your way through all of Shakespeare’s plays like I am for #ShakeTheStacks Challenge, good luck with this one, and please tell me your thoughts. If not, I would say you could read mostly any other one of Shakespeare’s plays and enjoy it more than I did Love’s Labour’s Lost.
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On April 10th, we will be discussing The World Only Spins Forward by Isaac Butler and Dan Kois for The Stacks Book Club. To get you ready for that conversation, we have co-author Isaac Butler on The (not-so) Short Stacks to talk about his background in theatre, how this oral history came to be, the logistics of writing as a duo, and about Isaac’s Shakespeare podcast, Lend Me Your Ears. We cover a lot of ground today, including a detour into the world of chips.
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The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
April marks the one year anniversary of The Stacks podcast being out in the world. Thank you all so much for being a part of this magical and bookish journey. And to show year two we’re ready for anything, we’re tackling two types of books we’ve never done on the show. Oral History and Poetry!
On April 10th we’ll be discussing The World Only Spins Forward:The Ascent of Angels in America by Isaac Butler and Dan Kois. The book is an oral history of Tony Kushner’s groundbreaking play, Angels in America. You hear from the people who created the show, the actors who performed the roles, and the people whose lives were changed because of it.
In honor of National Poetry Month we will be reading the late Ntozake Shange’s collection of poems, Wild Beauty on April 24th. This collection is unique and unapologetic and showcases the beauty and power of women of color. Even after her passing, Shange’s words live on as a testament to her artistry.
As with all our TSBC books, we want to hear from you. Don’t be shy, send over your thoughts and questions so we can be sure to include them on the podcast. You can email us at thestackswithtraci@gmail.com, comment on this post, or reach out to us through our Instagram @thestackspod.
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
The Two Gentlemen of Verona is one of Shakespeare earliest comedies, and was the February read for the #ShakeTheStacks Challenge. It is the story of Proteus and Valentine, two young men who are best friends and in love with two different women, Julia and Silvia. As the play goes on, things change, mostly Proteus, and the whole thing goes off the rails. There is crossdressing, a dog, some rebels, love songs, and banishments. Its a whole thing.
This play is not a great read, it is much better on stage. A lot of the humor is physical, revolving around Launce and his dog, Crab. Not to mention Proteus’ change in a allegiance makes most sense when its seen, on the page it feels manic and unfounded.
The women in this play are fiercely loyal and committed to their own happiness. They both are able to express their free will in a way that many women characters are not, even in today’s literature, especially that written by men. Both Julia and Silvia get to be a little mean, which I love. Sure, they’re also a little spoiled, but their hearts are in the right place.
The ending of the play has left scholars stumped/in debate with each other for centuries. The pay off of the complicated and morally troubling ending is really something. Seeing the play (and having been in it, as Silvia), and how each actor plays the ending is really what makes the ending so confounding.
The writing to The Two Gentlemen of Verona is very straight forward, and if you’re new to Shakespeare’s plays it is a great pick. Otherwise, I might not suggest this one. It doesn’t have a ton to say that doesn’t get said better in other plays like A Midsummers Night Dream or As You Like It. The Two Gentlemen of Verona feels like a place that Shakespeare started exploring themes like, loyalty in conflict with love, women dressing up like men, and love triangles gone wrong.
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
