My 10 Favorite Reads of 2020

Here it is, a list of my ten favorite reads of 2020. No, not every book in the list was published in 2020, but yes, every book on this list is superb. They’re presented here in alphabetical order with a few thoughts about each book. For more detailed reviews please check out The Stacks page on Instagram.

I did keep track of everything I read. Mostly because I’m a huge nerd and love a good spreadsheet, but also because I like to stay accountable to my reading goals.

Before I dive into my top 10 books, here is a little breakdown of what I read in 2020. I read a total of 95 books, which blew my goal of 36 out of the water. Though my goal was purposefully low because I didn’t know what to expect with the addition of The Mini Stacks this year.

  • 64 were by authors of color (67%)
  • 62 books were by women or nonbinary authors (65%)
  • 48 books were by women/femme authors of color (50%)
  • 45 books were published in 2020 (47%)
  • 52 books were acquired by me in 2020 (55%)
  • 59 books were nonfiction (62%)
  • 15 books received five stars (16%)
  • 1 books received one star (1%)

I love a good stat, and I could break down my reading even more, but I won’t. Instead here are my top 10 favorite reads of 2020.


Anna K: A Love Story by Jenny Lee (2020)

A modern retelling of Anna Karenina set in current day NYC with socialite teenagers. Think “Gossip Girl” with amazing storytelling and wonderful characters.

I loved this book. Jenny Lee really creates something fun and exciting that I didn’t want to put down. I found myself so invested in the characters and their journeys. There’s a central love story that doesn’t feel corny, which is hard to do, especially with teenagers. This one comes highly recommended.


The Autobiography of Malcom X as told to Alex Haley (1965)

The story of one of our most important and influential leaders, Malcolm X. This book changed my life and the ways in which I see and relate to the world around me. I can credit it with helping me begin to understand racism as something systemic in America and not something only “bad” people do. This book is revolutionary.

One of the most impressive parts of this book is how Malcolm is able to stand in his truth and share that with the world and say it fully with his chest, and then learn something new and change his mind. That kind of courage is tough to imagine. His commitment to seeking justice and equality for Black folks was not to be interfered with, even if it was he who was getting in the way.

The Stacks Book Club discussion of The Autobiography of Malcom X can be found here.


Black Futures edited by Kimberley Drew and Jenna Wortham (2020)

Easily my most immersive and unique reading experience of 2020. Black Futures is a collection of essays, art, memes, conversations, recipes, lyrics, and more that attempt to detail and encompass the experience of Blackness today. This book is a time capsule of Blackness and a dream for our future.

I loved this book so much. It is massive and rich and full of wisdom and joy and creativity and activism and defiance and beauty. It is the embodiment of the saying “Blackness is not a monolith”. The topics range from Black Indigeneity to self-care, from Ocean preservation to Colin Kaepernick. And it’s not just about each of these things the book connects the many seemingly disparate dots and exposes the multitudes we, Black folks, contain. Drew & Wortham clearly poured so much love into this collection and into telling our stories. A blessing.


Breathe: A Letter to My Sons by Imani Perry (2019)

A deeply personal examination of life, family, gender, race, memory, and violence Breathe is a lush and layered addition to the epistolary tradition in Black American writing.

Perry has created something that is both complex and direct. A combination that is nearly impossible to do well. She is audacious and generous in allowing the reader into her relationship with her sons. I kept asking myself where does she get off writing with this much skill and emotion? The care and love in these pages are unmistakable. I can barely scratch the surface of what I want to say about this book here.

The Stacks Book Club discussion of Breathe can be found here.


Heavy: An American Memoir by Kiese Laymon (2018)

This book was on this same list in 2018, but in 2020 I reread the book before Laymon was a guest on The Stacks. This time I listened on audio. This book holds up and is maybe even better the second time around. Heavy is an emotional memoir of Laymon’s life as a young Black man in Jackson, Mississippi.

The book is brutally honest and unyieldingly vulnerable. We are told of struggles and successes, addictions and abuses. Throughout Heavy there is blank space for the reader to connect to Laymon and to connect his life to a bigger picture of being Black in America. Laymon’s dedication to the written word and to the power of revision is striking.

You can hear Kiese Laymon on The Stacks on Episode 118 and Episode 122.


Memorial Drive: A Daughter’s Memoir by Natasha Trethewey (2020)

When Natasha Trethewey was 19 her stepfather murdered her mother. Memorial Drive is the examination of that event, Trethewey’s childhood, and the ways trauma and memory are in a constant struggle.

This book is incredible. I had visceral reactions through out my reading. Tears. Gasps. Tightening of my chest. This story is painful, powerful, and beautifully told. The kind of bravery Trethewey mustered to put this story on the page is something I cannot comprehend. There are depictions of domestic violence in this book that are haunting. They are difficult to read (despite the fact that Trethewey is careful to protect her reader). These sections are necessary. They are not gratuitous. To tell this story without these details is to protect abusers and the systems that enable them.


Othello by William Shakespeare (1603)

This play is extraordinary. It might be my most favorite Shakespeare play (and at this point I’ve read almost all of them). It is smart and complex and feels timely every time I read it. Mostly because racism, sexism, and violent white boys never seem to go out of fashion. And yes, this was already on my 2018 list of favorite reads.

Iago’s rage and jealousy stuck out during this read more than anything else. He lies so convincingly and so consistently, the parallels to the party in power in America are haunting. The fearlessness with which white men take and destroy is front and center in Othello. Also Act 4 Scene 3 is a scene that I love so much as it shows the way women fight against instinct and intuition to love toxic men. It is beautiful and devastating.


The Secret Lives of Church Ladies by Deesha Philyaw (2020)

This short story collection is so good. It’s funny. It’s depressing. It’s complex. It’s rich. It’s Southern. It’s sobering. It’s sexy and violent. It’s specific. It’s surprising. It’s delicious. It’s Black and free and brilliant. Philyaw snapped on each and every story. They’re short and pack a major punch. There is no apology. There is no white gaze and for that I feel entirely grateful. I don’t want to tell you more. Just read this book.


Stakes Is High: Life After the American Dream by Mychal Denzel Smith (2020)

A masterful work that calls into question the dissonance of The American Dream and the reality that is The United States. Smith asks for reflection and reimagining in the aftermath of the 2016 election. Abolition, justice, reform, and redistribution are all on the table in this brutal and searing call to action.

Smith is an incredible writer. He distills the contradictions of America and Americanness down to its true, immoral, and predatory essence. I was impressed by the ways Smith kept Stakes Is High in the current moment (the book is not afraid of confronting the here and now) and also rooted in a history that reminds us that none of this is new. The book is in conversation with the great texts on race and liberation in America, and is part of the tradition of abolition, revision, and rigorous curiosity.


Sula by Toni Morrison (1973)

The simple synopsis: the story of best friends, Sula and Nel, the town they grow up in, their families and their bond. The complicated synopsis: everything.

Sula is an incredible feat of storytelling. It’s smart. It’s funny. It’s tragic. Morrison says all she needs to say without any excess. The ways Morrison captures the joy and trauma and complexity of Blackness is what will always stick with me from this book. The humor that is an integral part of Blackness is not overlooked, it is the foundation of this story.

Find The Stacks episode on Sula here.


To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.

The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.

My 10 Favorite Reads of 2018

First let me say, 2018 was an amazing reading year for me. I read more books than I’ve ever read in a single year. I finished 88 books. I also kept track of everything I read, partially because I love a good spread sheet, and partially to hold myself accountable.

Before I dive into my top 10 books, here is a little breakdown of what I read in 2018.

  • 44/89 books were by authors of color (49%)
  • 48/89 books were by women (54%)
  • 26/89 books were by women of color (29%)
  • 30/89 books were published in 2018 (34%)
  • 60/89 books were acquired by me in 2018 (67%)
  • 50/89 books were nonfiction (56%)

Of all the books I read here is how the star ratings shook out

  • 16/88 books received five stars (18%)
  • 25/88 books received four stars (28%)
  • 31/88 books received three stars (35%)
  • 11/88 books received two stars (13%)
  • 3/88 books received one star (3%)

I love a good stat, and I could break down my reading even more, but I won’t. Instead here are my top 10 favorite reads of 2018 (in alphabetical order), though they weren’t all published this year.


Bad Blood: Secrets and Lies in a Silicon Valley Startup by John Carreyrou

The true story of biotech company, Theranos its founder Elizabeth Holmes, and the scam they ran on the rest of the world. This book has it all, fraud, threats, billions of dollars, high profile characters, and a cute blonde. If you need a WTF kind of book, Bad Blood is your best bet.
Hear our full discussion of Bad Blood with Nancy Rommelmann on The Stacks, Episode 28 .


The Girl Who Smiled Beads: A Story of War and What Comes After by Clemantine Wamariya and Elizabeth Weil

A unique memoir, of women refugees, set during the Rwandan Genocide that follows Wamariya and her sister Claire as they travel through Africa looking for a way out. Poetic, and with a sense of calm, this book engages with the trauma that was endured and the perspective that it brought.


Heavy: An American Memoir by Kiese Laymon

An emotional memoir of life as a young Black man in Jackson, Mississippi. Laymon is brutally honest and completely vulnerable as he tells of his own struggles and successes, and he connects his life with a much bigger picture of being Black in America. Laymon’s dedication to the written word and to the power of revision is striking.


Home Fire by Kamila Shamsie

A beautiful work of fiction and a modern day retelling of Antigone set against the backdrop of ISIS in Great Britain. This book is an emotional ride with plenty of plot to keep things moving, but still a real strong commitment to developed and complex characters. This book asks the question “who is the bad guy”?
Stay tuned for our conversation of Home Fire on The Stacks Book Club in January.


Men We Reaped by Jesmyn Ward

The story of Ward’s early years told through the deaths of five young Black men in her life over the course of four years. This book is a Black Lives Matter memoir, before we ever had the language of the movement. Ward crafts a story of pain, grief, womanhood, and Blackness, all with in her signature beautiful writing.
Hear The Stacks discussion of Men We Reaped on episode 4, with guest Sarah Fong.


Othello by William Shakespeare

I revisited this play in anticipation of our episode on New Boy by Tracy Chevalier, and was blown away by how good it is. Othello holds up. This is story of racism, jealousy, entitlement, and sexism. Aside from the language the play, it easily could have been written today. There are scenes in Othello where I found my self in tears simply reading the words. I know Shakespeare is intimidating but I found this to be more accessible than I thought, and it was the spark for my #ShakeTheStacks Challenge.


The Reckonings by Lacy M. Johnson

A collection of beautifully written and incredibly thought provoking essays on justice, revenge, mercy, and responsibility. These essays discuss the most complex and challenging topics of the current moment, from Whiteness to the environment, from terrorism to rape culture. Though they seem like they shouldn’t be placed next to each other, yet it works perfectly. Johnson is a force when it comes to the written word. A true artist, asking questions and leaving room for her reader to find the answers.


Stamped from the Beginning: The Definitive History of Racist Ideas in America by Ibram X. Kendi

If you want to learn about racism and racist ideas and the history of those traditions in America, this is your book. Kendi writes accessibly and in great detail about the power struggle between racists and anti-racists and those in between (assimilationists). He chronicles racist thinking in American life and doesn’t let racism off the hook as simply being ignorant. I still find myself thinking about this book as I watch the world unfold around me.


There There by Tommy Orange

A fantastic novel centered around a big powwow in Oakland, CA. This book is told from many perspectives, and has a cast of dynamic characters. Orange does an amazing job of sharing some of the experiences of urban Native American life, without being preachy or leaning into cliches. The writing is great and the characters are diverse and engaging, plus the plot is suspenseful and keeps you tuned in until the very end.


Tiny Beautiful Things: Advice on Love and Life from Dear Sugar by Cheryl Strayed

I never thought I would love an advice book so much, but Tiny Beautiful Things is more than just advice. Strayed is the perfect mix of compassionate and curt. She tells it like it is, and weaves her own stories into her sage words. Sometimes she delivers a warm embrace, sometimes she takes you down a peg, but mostly she does both, and it is perfect. I know this is the kind of book I will return to when I just want someone to tell me about myself.


Thats all from me, but please share your favorite books you read in 2018 in the comments below, and I look forward to reading more great books with all of you in 2019.


To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.

The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. Shopping through these links helps support the show, but does not effect my opinions on books and products. For more information click here

New Boy by Tracy Chevalier

IMG_6194 2Have you ever picked up a book thinking, this is “my kind of book”? Before you read it, before you even hear other people’s opinion of it, you know this is a book for you? Well, thats how I felt about New Boy by Tracy Chevalier, a modern adaptation of Shakespeare’s Othello. It is part of the Hogarth Shakespeare project, a group of novels written based on Shakespeare plays.  I knew it was going to be a hit with me, I love Shakespeare, so I even made it a pick for The Stacks Book Club. The only problem is, I ended up not liking the book at all.

Here is a little more about the book, before I dive into my thoughts.

The tragedy of Othello is transposed to a 1970s suburban Washington schoolyard, where kids fall in and out of love with each other before lunchtime, and practice a casual racism picked up from their parents and teachers. Peeking over the shoulders of four 11 year olds – Osei, Dee, Ian, and his reluctant ‘girlfriend’ Mimi – Tracy Chevalier’s powerful drama of friends torn apart by jealousy, bullying and betrayal will leave you reeling.

Even re-reading that blurb of the book, makes me excited about all its potential. However, Chevalier does not deliver. The racism and bigotry in this book is handled as if it is no big deal. Its a lazy and inaccurate depiction of how prejudice works in America and on the school yard. The teachers, refer to Osei as the “bla— new boy” as if they are caught in the urge to say black, but must be PC. Considering how overtly racist these characters are, these seems like a unrealistic, false modesty. Its contrived at best. The book would be better off being more direct, the title should be Black Boy. The teachers should call Osei “colored” (as they would have in the 1970’s) and the current political correctness should be done away with.

This is the root problem with this book, there is no punch. There is no edge. There is no hurt. Its all a little too clean, and kind. If you’re talking about racism, lets talk about it. Its too big of a deal to get polite and shy away. Shakespeare certainly didn’t. IMG_6171

There is another major flaw in the story telling. There is no where for Osei to fall. In all of Shakespeare’s tragedies, those who end up as the tragic characters (Hamlet, MacBeth, Romeo and Juliet etc.) start off high and end in utter disrepair. The plays start off as near comedies, and then there is the fall. Othello, is leading ranks in the army, beloved by his troops, newly married, and off on another great battle. In New Boy, Osei is hated from the moment he walks on the school yard. Students notice him and shun him right away. He is nothing and therefore has nothing to lose. There are no stakes. The same is true of the Iago character, Ian. Ian is hated by all the kids, everyone is terrified of him, and he is known as a bully. Why would anyone ever listen to or trust him? In Othello, Iago is constantly called “honest Iago” and people love and trust him. This is what makes his betrayal and lies so devastating. We don’t see any of this in New Boy.

The book takes place over the course of a school day, this also diminishes any chance of building real emotions and consequences. How could any one of these children want to destroy one another after just a day? Chevalier really belittles her efforts by narrowing the time frame and the characters in this way.

This book minimizes the many characters and their motivations. It also neglects to embrace the complexity of racism and the feelings of entitlement that are clear in Shakespeare’s original. Chevalier has successfully stripped away much of what makes Othello great, and leaves us with the most simple and trivial version of what was once a complex and nuanced narrative.

I would not recommend this book to anyone, unless you’re planning to read through all of the Hogarth Shakespeare collection to compare the work of many contemporary artists, and to see how they each dive into Shakespeare’s source material. The good thing is that New Boy is very short, and an easy read. Its too bad the content isn’t any good. There are so many books on race, alienation, betrayal, and entitlement, that I can not suggest you spend time on this one. Honestly, you’re much better off reading the original (you can find my full review of that here).

  • Paperback: 224 pages
  • Publisher: Hogarth; Reprint edition (February 13, 2018)
  • 1/5 stars
  • Buy New Boy on Amazon

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Ep. 10 New Boy by Tracy Chevalier — The Stacks Book Club (Vella Lovell)

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This week, actress Vella Lovell (Crazy Ex- Girlfriend, The Big Sick) is back on The Stacks. This week we’re talking about New Boy by Tracy Chevalier. New Boy is part of the Hogarth Shakespeare series, in which modern day authors retell Shakespeare’s classic works. New Boy is an adaptation of William Shakespeare’s Othello, set in a 1970’s elementary school in Washington D.C. We talk about this book in comparison to its source material, where Chevalier’s book wins and where it misses, and what makes a good adaptation of Shakespeare?

While we do discuss New Boy in detail, we don’t really spoil the book if you’re familiar with OthelloIf you don’t know Othello then there may be spoilers for you. Listen at your own risk.

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Everything we talk about on today’s episode can be found below in the show notes and on Bookshop.org and Amazon.

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To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.

The Stacks participates in affiliate programs in which we receive a small commission when products are purchased through some links on this website. This does not effect my opinions on books and products. For more information click here

Othello by William Shakespeare

AF5A379C-606C-48A1-AF83-92754A187CF9I have to admit up front, I am a total Shakespeare nerd. I love his plays and I actually enjoy reading the verse. I also feel that these stories are plays, and should be heard and seen. However, for an upcoming episode of The Stacks, we are discussing New Boy by Tracy Chevalier, which is a retelling of Othello, so I thought I should brush up on the original text.

Here is an introduction to Othello if you’re not familiar with this great tragedy.

In Othello, Shakespeare creates powerful drama from a marriage between the exotic Moor Othello and the Venetian lady Desdemona that begins with elopement and mutual devotion and ends with jealous rage and death. Shakespeare builds many differences into his hero and heroine, including race, age, and cultural background. Yet most readers and audiences believe the couple’s strong love would overcome these differences were it not for Iago, who sets out to destroy Othello. Iago’s false insinuations about Desdemona’s infidelity draw Othello into his schemes, and Desdemona is subjected to Othello’s horrifying verbal and physical assaults.

I find Othello to be one of Shakespeare’s most relatable and easy to read plays. The story is very straight forward, there are not a lot of characters or subplots, even the language is relatively simple (for a Shakespeare play). If you’re a little intimidated by reading Shakespeare, this is a great place to start.

What makes Shakespeare masterful is how he was able to weave together so many themes and ideas into a short play. In Othello we are looking at the themes of, fear of the outsider, entitlement, sexism, love, trust, truth, rage, racism, and jealousy, and thats just to name a few. Shakespeare employs his characters to engage in debate over these issues, weather it be a conversation about jealousy, or a monologue on faithfulness. He uses the words to speak directly to the audience and drive home his points. You’re being asked to think as you read (or watch).

One of the things that stuck out to me upon re-reading Othello, is just how current the story feels. Iago might as well be the “Trump Supporter” we have heard so much about in the last few years. The white man who feels he is owed some standing in the world, and can not handle life not being what he thinks he is entitled to. He is racist, misogynistic, and thinks if he didn’t earn it he can just take it. His reality doesn’t meet his expectations of where he thinks his life should be, so he acts out instead. He throws the whole tragedy in motion, because of his fragile ego.

The last two acts of this play are fantastic. They move at the perfect speed and deliver a gut-wrenching finale. Each scene tops the one before, until you’re left with a feeling of what just happened here, and a pile of dead bodies, a staple of a Shakespearean tragedy.

If you’ve never read this play, I think its worth a read. If you read it years ago, it might be time for a re-read. It is that good. Its short and powerful. It is current. I would love to hear from you, so add your comments below.

  • Hardcover: 208 pages
  • Publisher: Penguin Publishing Group (July 3, 2001)
  • 5/5 stars
  • Buy Othello on Amazon

The Stacks participates in affiliate programs in which we receive a small commission when products are purchased through some links on this website. This does not effect my opinions on books and products. For more information click here

The Stacks Book Club June Picks

790DB80A-4D74-426E-B8D9-052C6E9265FA.JPGHere are the next picks for The Stacks Book Club. These books will be covered in the month of June on The Stacks Podcast. Make sure you read the books and then join us for our in depth conversations.

June 6th, I’ll be joined by actress, Vella Lovell and  we will discuss Tracy Chevalier’s  New Boy. This book is part of the Hogarth Shakespeare Project, in which contemporary author’s reimagine Shakespeare’s plays. New Boy, is a retelling of Othello, set in a 1970’s suburban Washington School yard.

On June 20th join founder of Black Arrow FC, Aaron Dolores, will join the show to discuss How Soccer Explains the World by Franklin Foer. This book uses soccer as a lens to reexamine the most pressing issues of our day, from globalization to racial and cultural dynamics. We’re reading this book at the start of the World Cup, to help contextualize the most popular sport and sporting event on the planet.

Once you’ve read the books, don’t be shy. Please send over your thoughts and questions so we can incorporate them into the podcast. You can leave a comment here, or find us on our Instagram @thestackspod.

The Stacks participates in affiliate programs in which we receive a small commission when products are purchased through some links on this website. This does not effect my opinions on books and products. For more information click here.