Communications strategist and poet Camonghne Felix joins The Stacks to discuss her brand new memoir Dyscalculia: A Love Story of Epic Miscalculation. We talk about heartbreak as a kind of trauma, trying to understand the world, and the meaning of dyscalculia. We also get into Camonghne’s experiences as a political speechwriter, and what that entails.
The Stacks Book Club selection for February isThe Round Houseby Louise Erdrich. We will discuss the book on February 22nd with Mina Kimes.
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. If you prefer to support the show with a one time contribution go to paypal.me/thestackspod.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
This month’s Book Club pick is Danyel Smith’s Shine Bright: A Very Personal History of Black Women in Pop. Shine Bright combines music criticism, memoir and biography to give a detailed and intimate narrative of pop music’s bedrock, as built by Black women. Smith’s history as a music fan, essayist,Vibe and Billboard editor, and host of the Black Girl Songbook podcast has put her in the center of this American story since childhood. She covers everyone from the enslaved singing poet Phillis Wheatley to Dionne Warwick, Whitney Houston, Mahalia Jackson, Aretha Franklin, Mariah Carey and Gladys Knight, along with under-appreciated artists such as Deniece Williams, Jody Watley and Marilyn McCoo.
We will be discussingShine Brightby Danyel Smith on Wednesday, May 25th. You can find out who our guest will be for that discussion by listening to the podcast on May 4th. If you’d like even more discussion around the book, consider joining The Stacks Pack on Patreon and participating in The Stacks’ monthly virtual book club.
Order your copy of our May book on Bookshop.org or Amazon, or get a copy of the audiobook from Libro.FM.
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed. For more information click here.
To support The Stacks and find out more from this week’s sponsors, click here.
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. If you prefer to support the show with a one time contribution go to paypal.me/thestackspod.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
Mira Jacob is an author, illustrator, and cultural critic. Her 2019 graphic memoir, Good Talk, was a finalist for the National Book Critics Circle Award, and her writing can be found in places like The New York Times Book Review and Vogue. Today we talk with Mira about the ways optimism is a form of bravery, the alignment of form, function, and story, and the system that leads to authors writing blurbs for books.
The Stacks Book Club selection for July isThe Best We Could Do by Thi Bui. We will discuss the book with Mira Jacob on Wednesday July 28th.
To support The Stacks and find out more from this week’s sponsors, click here.
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. If you prefer to support the show with a one time contribution go to paypal.me/thestackspod.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
Here it is, a list of my ten favorite reads of 2020. No, not every book in the list was published in 2020, but yes, every book on this list is superb. They’re presented here in alphabetical order with a few thoughts about each book. For more detailed reviews please check out The Stacks page on Instagram.
I did keep track of everything I read. Mostly because I’m a huge nerd and love a good spreadsheet, but also because I like to stay accountable to my reading goals.
Before I dive into my top 10 books, here is a little breakdown of what I read in 2020. I read a total of 95 books, which blew my goal of 36 out of the water. Though my goal was purposefully low because I didn’t know what to expect with the addition of The Mini Stacks this year.
64 were by authors of color (67%)
62 books were by women or nonbinary authors (65%)
48 books were by women/femme authors of color (50%)
45 books were published in 2020 (47%)
52 books were acquired by me in 2020 (55%)
59 books were nonfiction (62%)
15 books received five stars (16%)
1 books received one star (1%)
I love a good stat, and I could break down my reading even more, but I won’t. Instead here are my top 10 favorite reads of 2020.
A modern retelling of Anna Karenina set in current day NYC with socialite teenagers. Think “Gossip Girl” with amazing storytelling and wonderful characters.
I loved this book. Jenny Lee really creates something fun and exciting that I didn’t want to put down. I found myself so invested in the characters and their journeys. There’s a central love story that doesn’t feel corny, which is hard to do, especially with teenagers. This one comes highly recommended.
The story of one of our most important and influential leaders, Malcolm X. This book changed my life and the ways in which I see and relate to the world around me. I can credit it with helping me begin to understand racism as something systemic in America and not something only “bad” people do. This book is revolutionary.
One of the most impressive parts of this book is how Malcolm is able to stand in his truth and share that with the world and say it fully with his chest, and then learn something new and change his mind. That kind of courage is tough to imagine. His commitment to seeking justice and equality for Black folks was not to be interfered with, even if it was he who was getting in the way.
Black Futures edited by Kimberley Drew and Jenna Wortham (2020)
Easily my most immersive and unique reading experience of 2020. Black Futures is a collection of essays, art, memes, conversations, recipes, lyrics, and more that attempt to detail and encompass the experience of Blackness today. This book is a time capsule of Blackness and a dream for our future.
I loved this book so much. It is massive and rich and full of wisdom and joy and creativity and activism and defiance and beauty. It is the embodiment of the saying “Blackness is not a monolith”. The topics range from Black Indigeneity to self-care, from Ocean preservation to Colin Kaepernick. And it’s not just about each of these things the book connects the many seemingly disparate dots and exposes the multitudes we, Black folks, contain. Drew & Wortham clearly poured so much love into this collection and into telling our stories. A blessing.
A deeply personal examination of life, family, gender, race, memory, and violence Breathe is a lush and layered addition to the epistolary tradition in Black American writing.
Perry has created something that is both complex and direct. A combination that is nearly impossible to do well. She is audacious and generous in allowing the reader into her relationship with her sons. I kept asking myself where does she get off writing with this much skill and emotion? The care and love in these pages are unmistakable. I can barely scratch the surface of what I want to say about this book here.
The Stacks Book Club discussion of Breathe can be found here.
This book was on this same list in 2018, but in 2020 I reread the book before Laymon was a guest on The Stacks. This time I listened on audio. This book holds up and is maybe even better the second time around. Heavyis an emotional memoir of Laymon’s life as a young Black man in Jackson, Mississippi.
The book is brutally honest and unyieldingly vulnerable. We are told of struggles and successes, addictions and abuses. Throughout Heavy there is blank space for the reader to connect to Laymon and to connect his life to a bigger picture of being Black in America. Laymon’s dedication to the written word and to the power of revision is striking.
When Natasha Trethewey was 19 her stepfather murdered her mother. Memorial Drive is the examination of that event, Trethewey’s childhood, and the ways trauma and memory are in a constant struggle.
This book is incredible. I had visceral reactions through out my reading. Tears. Gasps. Tightening of my chest. This story is painful, powerful, and beautifully told. The kind of bravery Trethewey mustered to put this story on the page is something I cannot comprehend. There are depictions of domestic violence in this book that are haunting. They are difficult to read (despite the fact that Trethewey is careful to protect her reader). These sections are necessary. They are not gratuitous. To tell this story without these details is to protect abusers and the systems that enable them.
This play is extraordinary. It might be my most favorite Shakespeare play (and at this point I’ve read almost all of them). It is smart and complex and feels timely every time I read it. Mostly because racism, sexism, and violent white boys never seem to go out of fashion. And yes, this was already on my 2018 list of favorite reads.
Iago’s rage and jealousy stuck out during this read more than anything else. He lies so convincingly and so consistently, the parallels to the party in power in America are haunting. The fearlessness with which white men take and destroy is front and center in Othello. Also Act 4 Scene 3 is a scene that I love so much as it shows the way women fight against instinct and intuition to love toxic men. It is beautiful and devastating.
This short story collection is so good. It’s funny. It’s depressing. It’s complex. It’s rich. It’s Southern. It’s sobering. It’s sexy and violent. It’s specific. It’s surprising. It’s delicious. It’s Black and free and brilliant. Philyaw snapped on each and every story. They’re short and pack a major punch. There is no apology. There is no white gaze and for that I feel entirely grateful. I don’t want to tell you more. Just read this book.
A masterful work that calls into question the dissonance of The American Dream and the reality that is The United States. Smith asks for reflection and reimagining in the aftermath of the 2016 election. Abolition, justice, reform, and redistribution are all on the table in this brutal and searing call to action.
Smith is an incredible writer. He distills the contradictions of America and Americanness down to its true, immoral, and predatory essence. I was impressed by the ways Smith kept Stakes Is Highin the current moment (the book is not afraid of confronting the here and now) and also rooted in a history that reminds us that none of this is new. The book is in conversation with the great texts on race and liberation in America, and is part of the tradition of abolition, revision, and rigorous curiosity.
The simple synopsis: the story of best friends, Sula and Nel, the town they grow up in, their families and their bond. The complicated synopsis: everything.
Sula is an incredible feat of storytelling. It’s smart. It’s funny. It’s tragic. Morrison says all she needs to say without any excess. The ways Morrison captures the joy and trauma and complexity of Blackness is what will always stick with me from this book. The humor that is an integral part of Blackness is not overlooked, it is the foundation of this story.
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
Today we’re joined by two of The Stacks’ most favorite readers, Christine Bollow (@readingismagical) and Oscar Almonte-Espinal (@booksteahenny) to share the best books of 2020. We also discuss how 2020 impacted our reading and look ahead to the books we’re most excited about in 2021.
The Stacks Book Club selection for December isCitizen: An American Lyric by Claudia Rankine, we will discuss the book with Darnell Moore on December 30th.
To support The Stacks and find out more from this week’s sponsors, click here.
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. If you prefer to support the show with a one time contribution go to paypal.me/thestackspod.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
Karla Cornejo Villavicencio is the author of The Stacks Book Club selection for September, The Undocumented Americans. On today’s episode we get a deeper (and spoiler free) look at the book, and why Karla felt compelled to tell these stories now. We also discuss the audience Karla had in mind while writing, her ideal writing set up, and why describing women of color as “strong” is a form of erasure.
The Stacks Book Club selection for September isThe Undocumented Americans by Karla Cornejo Villavicencio, we will discuss the book with Lupita Aquino on September 30th.
To support The Stacks and find out more from this week’s sponsors, click here.
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
October was my best reading month so far in 2019. Not only did I read the most books I’ve read in a month (eleven), but I also had the most five star reads (three). I did have a few two star reads, which is never fun, but you can’t win them all. The stand outs this month were Look Both Ways by Jason Reynolds, Another Brooklyn by Jacqueline Woodson, and Salt, Fat, Acid, Heat by Samin Nosrat. Read below for mini-reviews of everything I read in October.
October by the Numbers
Total Books Read: 11 Audiobooks: 2 Five Star Reads: 3 Unread Shelf: 1 Books Acquired: 26
By Women Authors: 5 By Authors of Color: 10 By Queer Authors: 2 Nonfiction Reads: 3 Published in 2019: 6
The story of August, a twelve year old Black girl navigating a new life in Brooklyn. She moves north, with her father and brother, after her mother’s death. It’s the story of August growing up, finding new friends, and creating space her own space in the world.
This book is the best coming of age story I’ve ever read. She nails what it feels like to be Black and young and fearless and terrified and longing and female and free. Woodson understands what it means to be searching and to be found. The complexities of getting older are handled with care but without any sense of preciousness. And she does all of this in less than 200 pages. That kind of brevity is rare, and a sign of true mastery.
The love between August and her three friends speaks powerfully to beauty of Black female friendships. At times it took my breath away. There is an ease to Woodson’s writing that makes these young women come to life wholly and authentically. She doesn’t attempt to smooth over the traumas or stifle the triumphs Instead there is a reality filled with pain and heartbreak, and with so much joy.
The Stacks received this book from the publisher in exchange for an honest review. For more information click here. (Photo: amazon.com)
Two pregnant women living in a secret maternity home in Los Angeles decide to escape north to San Francisco and raise their children free of constraint and expectation of their Chinese families in this novel.
First off, Hua is a really beautiful writer, she balances her sentences between art and information in a way that is enjoyable to read. The truth is, I just couldn’t connect with the story. I liked the lead characters and the plot moved, but nothing grabbed me. I didn’t feel that I had a stake in what happened to the people in this story one way or the other. I did listen to this book on audio, and its possible that the narrator was what didn’t work for me. All of this is to say, if you like novels about unconventional women who blaze their own trails, this might be a book for you.
Two Stars | Random House Audio | August 14, 2018 | 10 Hours 54 Minutes | Paperback | Purchase on IndieBound
In this lightly satirical novel we follow our narrator as tries to get back his Black card, that’s been revoked. If you’re looking for comparison, this book felt like the mixed kids version of the TV show Atlanta. It’s funny, a little surreal, and sometimes felt smarter/more clever than me.
Overall I liked it. Terry is clearly a creative thinker and grappling with what it is to be mixed, and how that relates to both Blackness and Whiteness, and why that matters. I love seeing stories told about being more than one thing when it comes to race and ethnicity, because there are so many of us mixed kids out there (not just Black and White, but all sorts of combinations).
Three Stars | Catapult | August 13, 2019 |272 Pages | Hardcover | Purchase on IndieBound Hear our conversation with Chris L. Terry on The Stacks HERE.
Henry V, a play you might not know, but you’ve probably heard a few famous lines from. “Once more into the breach, dear friends, once more” “We few, we happy few, we band of brothers” The play follows Henry, the new king, as he grapples with the responsibility of going to war, and what that says about him as a leader and as a man.
While I’m pretty over stories about Kings contemplating and ultimately going to war, I did get a lot out of this play. Henry has some wonderful speeches and meditates on some pretty heady stuff. This play got me thinking a lot about the responsibility of our leaders to the people versus the well being of the nation versus their own lust for power and legacy. It asks questions of who has blood on their hands? Is it the soldiers or the king that sends them to war? It all feels topical given what is going on in the world.
As a reader I loved reading the monologues from King Henry, but other parts fell flat, like the comedic bar scenes. There’s also a pretty spectacular courting scene in the play’s final act that shows how lacking in humanity our king is when he’s faced with courting (or conquering) a woman.
Three Stars | Pelican Shakespeare | September 1, 1999 | 121 Pages | Paperback | Purchase on IndieBound
The Stacks received this book from the publisher in exchange for an honest review. For more information click here. (Photo: amazon.com)
A collection of short stories of middle school kids walking home from school. The stories are all unique and individual, but they intersect with the other stories in one way or another. It is a beautiful book about the few minutes a day kids are left unsupervised and get to experience the world on their own.
Something that Jason Reynolds is able to do with Look Both Ways is see the humanity in his characters. These kids have all had experiences that have shaped them, some more traumatic than others, but he finds a way to present this without making the kids their trauma. The characters are full of life and joy and they are impossible to forget. Its also worth noting, Reynolds can write! His prose are rich without being over worked. He doesn’t preach to his audience, he sees his reader and shares with them. As someone who doesn’t read YA or middle grade books, Look Both Ways was a welcome surprise that brought me to life as a reader and reminded me of goodness. It is a favorite read of 2019 for sure!
Five Stars | Atheneum/Caitlyn Dlouhy Books | October 8, 2019 | 208 Pages | Hardcover | Purchase on IndieBound
Shea Serrano is hilarious and so smart. In his book Movies (and Other Things) he asks questions about movies and then answers them. It sounds like a pretty straight forward concept, but the genius in Shea Serrano is that he finds new and exciting ways to look at movies and the world. He opens up the conversation around movies so that you feel like you’re debating with your friend, and challenging yourself to see movies differently.
This book is laugh out loud funny. Not just the ideas behind it, but there are sentences that are so accurate you can’t help but laugh. Its not all funny (mostly it is) there is a little more going on in this one, for instance, the chapter on Selena talks about what it means to be Mexican American and the struggles of being two things at once. Of course, Serrano infuses his signature voice and his humor, but its more than that, trust me.
The only complaint I have about this book is that if you don’t know the movies or the genre, it can be a little harder to engage with certain chapters. Gangster movies aren’t my thing, so I felt a little lost when looking at the quintessential gangster movie scenes. Overall, if you like movies, you’ll get a kick out of this book.
Four Stars | Twelve Books | October 8, 2019 | 256 Pages | Hardcover | Purchase on IndieBound
The story of the Han family and their Chinese restaurant, The Beijing Duck House. When there is a fire that sets the restaurant a blaze the world of the Han family and their employees is shaken up and we’re left to sort the pieces.
This one wasn’t for me. It was too long and felt repetitive. I wasn’t excited by the characters or the plot, but rather felt like I was just going through the motions to get to the end of the book. There were some cute moments, and one scene at the end that was wonderful, but overall this wasn’t something that I enjoyed reading. I do think, however, this books would make a fantastic movie, in fact the whole time I was reading it I was wishing the movie already existed. The nuances of family drama might translate better to the screen, and certainly the food would be more appetizing that way.
The Stacks received this book from the publisher in exchange for an honest review. For more information click here. (Photo: amazon.com)
The story of one Black family through time and place. We start in 2001 at 16 year old Melody’s coming of age ceremony and then unwrap the layers that make her family fragmented, strong, unique, and whole.
Woodson understands and articulates what it means to be Black and female in America, and this book puts her ability on display. She captures the delicious subtleties of life. In Red at the Bone we see class and race and gender norms and sexuality and so much humanity, and we get to see it all through the beautiful prose of Woodson. Woodson who is a master of brevity that lands a punch. I’m not sure this specific story will stick with me in five years, but I know that the feeling of reading Jacqueline Woodson will never fade.
Four Stars | Riverhead Books | September 17, 2019 | 208 Pages | Hardcover | Purchase on IndieBound
We don’t normally read and review cookbooks around here, but we also are willing to try anything once, and I’m so glad we did. Salt, Fat, Acid, Heatis a cookbook about the elements that make up everything we eat. Nosrat breaks it all down in the first 200 pages of the book, explaining each element and how to use it, and then give us 200+ pages of basic recipes to practice our skills.
This book is simply fantastic! I like to cook, but often feel I don’t know how to without detailed instructions. I find myself glued to my recipes and in a mild state of anxiety when trying something new. This book gives anyone the tools to make choices about how to cook and how to improvise. Its empowering. I would be remiss not to mentions the gorgeous illustrations from Wendy McNaughton. I can honestly say this is one of the most beautiful books I’ve ever owned.
Three Stars | Houghton Mifflin Harcourt | October 22, 2019 | 480 Pages | Hardcover | Purchase on IndieBound We discussSalt, Fat, Acid, Heaton The Stacks Book Club, you can hear that conversation by clicking HERE.
A look at why humans are so bad at understanding and engaging with “strangers”. This book is deeply flawed and highly problematic. I found the arguments made to be harmful and irresponsible. In the past I’ve considered myself a Gladwell fan (I’ve read all his books and listened to his podcast) but this book feels like he’s reached his own tipping point, it is Gladwell for Gladwell’s sake.
One glaring is that there is no clear definition of the word “stranger”. We’re led through stories of people meeting for the first time and then of colleagues who’ve worked together for decades, and both are treated the same, we’re told they’re strangers. That can’t be.
Gladwell is a gifted storyteller (which is made all the more clear through his fantastic narration of the audiobook) and is known for making compelling arguments. Our understanding of who he is helps as he shifts from interesting scientific studies to unsubstantiated claims without batting an eye. He is riding on intellectual credit, but the arguments are weak at best when we look at them more deeply.
The most offensive piece of this book is his unwillingness to take power, sexism, and racism into account when discussing people and events like Larry Nassar, The Stanford Rape Case, and Sandra Bland. Instead of discussing racism and race he opts to discuss “misunderstanding”. Instead of discussing the power dynamics of sexual assault he expounds the harms of binge drinking, but nothing of misogyny. It’s a big mess, and he should’ve done better.
The book feels like an attempt to be both relevant and placate people who are tired of “identity politics”. He moves from one hot button issue to the next without any subtlety or nuance. He is name dropping iconic incidents to insure buzz for the book, instead of crafting compelling arguments that stand up to scrutiny. This book was enraging and irresponsible.
Two Stars | Hachette Audio | September 10, 2019 | 8 Hours 42 Minutes | Hardcover | Purchase on IndieBound
This satirical novel takes place in the near-future American South where Black people are caged in ghettos, and there are experimental treatments that will “demelanize” the black out of people (if you can afford it). It is in this world, where we find our narrator, a Black man, his White wife, and his mixed son.
More than anything else, while reading this book I kept thinking to myself, “Maurice Carlos Ruffin” is a smart person. His writing left me feeling taken care of, and I trusted that he had put thought into this world. That’s not to say that I always felt connected, or that I liked everything in this book, or that I didn’t think it could be cut down by at least 70 pages. I felt those things, and that I was reading the words of a smart and thoughtful author. My biggest issue with the book is that I wanted more world building. I wanted to know how America got to where it was when the reader shows up. I felt there were details missing that I wanted to know. Overall the book is thought provoking and examines race in a way that we so rarely see in literature these days.
Three Stars | One World | January 29, 2019 | 336 Pages | Hardcover | Purchase on IndieBound We discussWe Cast a Shadowon The Stacks Book Club, you can hear that conversation by clicking HERE.You can also hear author, Maurice Carlos Ruffin on The Short Stacks HERE.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
The Stacks Book Club is tackling a post-post racial satirical novel this week in our reading of We Cast a Shadowby Maurice Carlos Ruffin. To help us discuss what that even means, and what makes a satire work, and so much more is author Chris L. Terry (Black Card). There are minor spoilers on this episode.
To support The Stacks and find out more from this week’s sponsors, click here.
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
Maurice Carlos Ruffin is the author of We Cast a Shadow, and joins The Short Stacks to tell us about his process in writing this satirical, speculative fiction novel. We get to talk about what music fueled this novel, how his hometown of New Orleans figures into his work, and how he finds balance between being a writer and lawyer. There are no spoilers in this episode.
To support The Stacks and find out more from this week’s sponsors, click here.
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
