If you’ve been a fan of The Stacks podcast for a while, you know we tackle one Toni Morrison novel every year. This year we’re going with her third novel, 1977’s Song of Solomon. I have to admit, I’m very excited about this one!
Song of Solomon is a coming of age story about Milkman Dead, and his life in the rustbelt in Michigan to his family’s origins in the American South. This book is full of incredibly vivid scenes, adventure, and characters, and ultimately asks questions about what is owed to any of us.
We will be discussing Song of Solomon by Toni Morrison on Wednesday, November 27th. You can find out who our guest will be for that discussion by listening to the podcast on November 3rd. If you’d like even more discussion around the book consider joining The Stacks Pack on Patreon and participating in The Stacks’ monthly virtual book club.
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed. For more information click here.
Marcus J. Moore is a music journalist, the author of our November pick for The Stacks Book Club, The Butterfly Effect: How Kendrick Lamar Ignited the Soul of Black America, and today’s guest. Marcus shares why he felt it was important to write about Kendrick Lamar now, how this book is more than just biography, and what music he recommends we all check out. There are no spoilers on this episode.
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
This month we’re taking a look at global superstar and musical genius Kendrick Lamar in the brand new book, The Butterfly Effect: How Kendrick Lamar Ignited the Soul of Black America. Lamar is only in his early thirties, but has already won The Pulitzer Prize, 13 Grammy Awards, been chosen as one of Time Magazine’s 100 most influential people. He is also the voice of a generation and his songs have become part of the soundtrack to The Black Lives Matter movement. In The Butterfly Effect, Moore explores not only Lamar and his music, but also the ways his music speaks to a generation of Black Americans and their struggle for justice and equality.
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed. For more information click here.
I am over here reeling, because the end of November means we’re almost at the end of the year, where has the time gone? I read seven books this month, and they were, for the most part, pretty good books. Nothing out of this world, but nothing terrible. My standout was my re-read of Tell Me How it Endsby Valeria Luiselli, if you haven’t read this one you should, you really should. Below you can see mini-reviews of everything I read in November.
November by the Numbers
Total Books Read: 7 Audiobooks: 0 Five Star Reads: 1 Unread Shelf: 0 Books Acquired: 15
By Women Authors: 6 By Authors of Color: 3 By Queer Authors: 0 Nonfiction Reads: 5 Published in 2019: 3
The Stacks received this book from the publisher in exchange for an honest review. For more information click here. (Photo: amazon.com)
A data driven look at the questions of parenting. Emily Oster uses studies to help parents answer questions about breastfedding, day care, screen time, and more. It is a rational way to think about decision making, especially the kind that can feel very emotional.
I really enjoyed reading this book. The first half was particularly interesting as the topics tackled and the data provided really showed clear benefits and risks with certain parenting behavior (co-sleeping, breastfeeding etc). I loved how Oster reminds her reader that they need to look at what works best for their life, and I found that to be applicable even for things outside of parenting. If you are a parent of small children (or expecting), this book might be really helpful to remind you that you’re in control and your happiness matters.
Three Stars | Penguin Press | April 23, 2019 | 352 Pages | Hardcover | Purchase on IndieBound
Girl Boner is a podcast, a book, a general vibe, and a guide to sexual empowerment. McLaughlin uses the pages of this book to talk about all kinds of sex and how people who identify as women can embrace their sexuality without shame or fear.
I found this book to be inclusive in the best possible ways. I loved reading stories of sex workers along side the stories of women unhappy in their marriages next to advice on sex positions. McLaughlin makes a point of embracing the many forms of gender and sexual expression including trauma and mental health. She teaches her readers a lot along the way, though the book feels long winded in some sections. Girl Boner is sex positivity at its most accessible and basic, and that kind of writing around sex is rare, even in 2019. This one is refreshing and worth your time (and all you male identifying folks, there is something in here for you too).
Three Stars | Amberjack Publishing | August 7, 2018 | 368 Pages | Hardcover | Purchase on IndieBound
Much Ado About Nothing is a romantic comedy with a darker side, as most of Shakespeare’s comedies tend to be. It is a fun play if you want it to be, but it can also be troubling. I enjoyed reading this one, though I thought the plot was a little sparse overall.
The idea of female reputation and purity is a huge theme throughout and feels relevant today. The way the women are discussed and shamed throughout the book felt like any given day on twitter. I was also shocked how little the main love interests, Beatrice and Benedick, actually interact with one another. All in all this was a fun little read though I imagine it will also be easily forgotten.
Three Stars | Pelican Shakespeare | September 1, 1999 | 98 Pages | Paperback | Purchase on IndieBound
A powerful and emotional look at unaccompanied children coming to America. The book is short and so well crafted you leave it feeling full, if not sliightly devasted for hte plight of these children.
Luiselli is brilliant in how she tells this story, weaving together the children’s experiences with her own as their interpreter. She also layers the policy and politics in The United States that have landed us in this crisis. I can not recommend this book more highly, now more than ever.
Five Stars | Coffee House Press | April 4, 2017 | 128 Pages | Paperback | Purchase on IndieBound We discussTell Me How It Endson The Stacks Book Club, you can hear that conversation by clicking HERE.
My first experience in romance, aside from Fifty Shades of Grey, and I didn’t hate it. I actually rather enjoyed reading a book that felt like an escape from all the news and terrible things that happen in the world. That is not to say this book didn’t have some pretty toxic masculinity and a glaring lack of diversity. It just didn’t feel like watching an impeachment hearing, so it was a welcome relief.
The book is fun even though the plot is very thin and the characters are tropes. The sex is not gratuitous, its also not that frequent. I enjoyed the book and would consider reading more romance, because the experience of fully checking out while reading was enjoyable, even if the content was just okay.
Three Stars | William Morrow Paperbacks | August 6, 2016 | 384 Pages | Paperback | Purchase on IndieBound
The Stacks received this book from the publisher in exchange for an honest review. For more information click here. (Photo: amazon.com)
A comedic memoir about migrating from Iraq as a child and growing up different in America. Salman explores her childhood culture clashes, finding feminism, and eventually her struggles as an adult with love and life. It’s a book about where you fit in.
This is a fun one. The tone is very sarcastic and casual, and the pages are adorned with an abundance of footnotes chiming in with jokes and asides. Though there was some serious stuff in the book as well. Overall, I would’ve liked more reflection on her growth, as the book reads as a bunch of antidotal stories versus a clear narrative of who Salman is now. It felt at times as if she was holding back or worried about saying too much, or disrupting the conventionally accepted idea of a model immigrant.
Two Stars | Skyhorse Publishing | March 5, 2019 | 288 Pages | Paperback | Purchase on IndieBound Hear our conversation with Ayser Salman on The Stacks HERE.
The Stacks received this book from the publisher in exchange for an honest review. For more information click here. (Photo: amazon.com)
A collection of essays about what its like to be alive, and young, and female, in America in 2019. This book is super specific and in that it feels extremely relevant to this exact moment in time. It is a time capsule of what it feels like to be a millennial.
Tolentino is a great writer, though some of the essays feel can read as slightly over worked and tedious, and her arguments have dexterity. She opens up conversations on difficult women, marriage, optimization, and scammers in a way only a person of this moment could. She understand the levels and layers to these nuanced topics and works her way through, bringing us along with her. I didn’t love all the essays (the first few felt particularly slow to me), but by the end I was all in on Tolentio and Trick Mirror.
Four Stars | Random House | August 6, 2019 | 320 Pages | Hardcover | Purchase on IndieBound
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
We’re taking on our first ever cookbook as part of The Stacks Book Club with the help of food writer and executive editor at Sunset Magazine, Hugh Garvey. As we gear up for the holiday season we are diving into Salt, Fat, Acid, Heatby Samin Nosrat, and breaking down the key elements of cooking. We talk about freeing ourselves from recipes, cooking anxiety, and the communal act of sharing a meal. Hugh then challenges Traci to use what she’s learned to build a salad. Its a delicious episode! There are no spoilers in this episode.
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To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
The Stacks Book Club is tackling a post-post racial satirical novel this week in our reading of We Cast a Shadowby Maurice Carlos Ruffin. To help us discuss what that even means, and what makes a satire work, and so much more is author Chris L. Terry (Black Card). There are minor spoilers on this episode.
To support The Stacks and find out more from this week’s sponsors, click here.
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
The Stacks received this book from the publisher in exchange for an honest review. For more information click here.
This was possibly my most anticipated read of the year. I knew of Kiese Laymon’s essays, but had never read any of his books, and many people that I trust ad respect have nothing but the highest praise for him. So, I was eager to read his “American Memoir”.
In Heavy, Laymon writes eloquently and honestly about growing up a hard-headed black son to a complicated and brilliant black mother in Jackson, Mississippi. From his early experiences of sexual violence, to his suspension from college, to his trek to New York as a young college professor, Laymon charts his complex relationship with his mother, grandmother, anorexia, obesity, sex, writing, and ultimately gambling. By attempting to name secrets and lies he and his mother spent a lifetime avoiding, Laymon asks himself, his mother, his nation, and us to confront the terrifying possibility that few in this nation actually know how to responsibly love, and even fewer want to live under the weight of actually becoming free.
Complexity and vulnerability course through the pages of Heavy. Kiese Laymon never strays from a commitment to tell the truth of his story. As we read on, we understand his truth is painful. We learn how Laymon got to be the thorough, confrontational, relentless man that is writing this memoir. He allows himself to unfold page by page, until you feel as if you might actually know this man. Of course you don’t, but his brutal honesty gives a seeming closeness or understanding.
Laymon is a beautiful writer. He captures feelings and emotions in short and specific sentences. He creates worlds and moments with his words. In Heavy Laymon shows how his mother shapes him as a man, and also as a writer, and more importantly a thinker. In all of these things, her influence is not always positive, but it is obviously formative. She is herself a Black thought leader and academic who forces Laymon to confront the need to be excellent from a young age. We also watch as people come into Laymon’s life and influence his mind and his body. Quiet literally shaping him. We learn of his deep commitment to revision. We see how that compulsion towards excellence is pathological and often times destructive.
I knew very little about Laymon when I started reading, and within a few pages I understood that what I was reading was different than other memoirs. It was at once personal and a social commentary. Laymon would expose personal secrets, and also institutional deficiences. Heavy is a deeply intimate account of one man and his relationship to his own identity, and an examination of America and her relationship to her citizens. Racism, discipline, addiction, education, beauty standards and more are unpacked in Laymon’s memoir.
I was beyond impressed with this book.. I learned a lot and felt the wind knocked out of my sails at times. I have been calling it “Coates-ian” (a reference to author and journalist Ta-Nehisi Coates), except more intimate, more vulnerable, and less of a reflection on the broader racial questions of our time, more an examination of how one experience is inclusive of the larger picture. There have been some amazing reviews of Heavy, and I highly suggest one by Saeed Jones in The New York Times, Jones beautifully expresses the struggle for excellence and what that means for Laymon and all of us. Before I unequivocally suggest to you to read this book, I want to note there are some very graphic scenes of a child abuse in this book, and while that can be triggering for many, it is an important part of Laymon’s history. I couldn’t imagine this book without those scenes. Now, here it comes, go read this book.
Hardcover: 256 pages
Publisher: Scribner; First Edition edition (October 16, 2018)
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. Shopping through these links helps support the show, but does not effect my opinions on books and products. For more information click here.
I picked up Black No More as part of a book club read with my all Black online book club. I wasn’t familiar with the book, and had only barely even heard of the the title, but was excited to read a satire written by a Black man from the 1930’s.
It’s New Year’s Day 1933 in New York City, and Max Disher, a young black man, has just found out that a certain Dr. Junius Crookman has discovered a mysterious process that allows people to bleach their skin white—a new way to “solve the American race problem.” Max leaps at the opportunity, and after a brief stay at the Crookman Sanitarium, he becomes Matthew Fisher, a white man who is able to attain everything he has ever wanted: money, power, good liquor, and the white woman who rejected him when he was black.
Lampooning myths of white supremacy and racial purity and caricaturing prominent African American leaders like W. E. B. Du Bois, Madam C. J. Walker, and Marcus Garvey, Black No More is a masterwork of speculative fiction and a hilarious satire of America’s obsession with race.
This book, like so many classic books that discuss the Black experience in The United States, feels relevant today. Schuyler uses Black No More to eviscerate Black and White people, intellectuals and hate leaders alike. He doesn’t hold back on bringing everyone to task. Depending on your own perspective on the world, this book could be interpreted in many different ways.
What I appreciated most about this book was that Schuyler seemed to have no fear about how the book would be received. If he did, he didn’t let that stop him. He created characters that mocked well known Black thought leaders (W.E.B. Du Bois, Marcus Garvey and more) and reduced the KKK to a complete scam. He minimized Black identity to something akin to crabs climbing out of a barrel, and showed that White people just need someone to kick around. He showed the American propensity toward violence, and the shame that so many people carry around due to their family’s history.
What I didn’t like about the book was the tone. It felt old-timey. It read like something from days gone by, and that took me out of the story. The jokes didn’t land. The writing felt dated. I never laughed out loud, and mostly felt detached from the work itself. I wondered if that had to do with the era, or with the genre, as I do not read satire often.
When I read classics, I save the introduction for after I’ve completed the text. In the case of Black No More, the introduction is by author Danzy Senna (Caucasia, New People), a mixed race woman who is very fair and often presumed white. She does an excellent job with the forward, and helped me put the book in context. It was worth it to go back and read her words.
In the end, I am glad I read this book. I haven’t read much from the 1930’s and Schuyler paints a searing picture of race in America that is prescient beyond belief. The book is a great work of speculative fiction, even if the satire didn’t work for me. I would love to see this book turned into a film, does anyone have Ava DuVernay’s number?
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. Shopping through these links helps support the show, but does not effect my opinions on books and products. For more information click here.
The Stacks received this book from the publisher in exchange for an honest review. For more information click here.
This is not the kind of book I normally pick up. It is character driven literary fiction, about a topic I have little to no interest in, classical music. But, because the author Aja Gabel was going to be a guest on the podcast (listen to our conversation here), I read The Ensemble and it is proof that I know nothing about my own reading taste.
Brit is the second violinist, a beautiful and quiet orphan; on the viola is Henry, a prodigy who’s always had it easy; the cellist is Daniel, the oldest and an angry skeptic who sleeps around; and on first violin is Jana, their flinty, resilient leader. Together, they are the Van Ness Quartet. After the group’s youthful, rocky start, they experience devastating failure and wild success, heartbreak and marriage, triumph and loss, betrayal and enduring loyalty. They are always tied to each other – by career, by the intensity of their art, by the secrets they carry, by choosing each other over and over again.
The Ensembleisn’t real life, its stylized life, life the way you wish it played out. Gabel’s characters say all the things you wish you’d thought to say in a fight, or right before a kiss, or in the throws of grief. They say what you wish you’d thought to say if you weren’t so overwhelmed. Jana, Brit, Henry, and Daniel aren’t common they’re normal with a splash of special. They are precise and piercing. Even their missteps are admirable and attractive. The Ensemble is reality plus. I couldn’t help but think what a great TV show this book would make, filled with gorgeous musicians, emotional outbursts, and a soundtrack that mixes Beethoven with acoustic Prince covers. Shonda Rhymes wishes she wrote this book, it is Grey’s Anatomy but with a string quartet. I mean all of this with such high praise. Sometimes reality isn’t enough. Sometimes you want to be around the beautiful people and watch them be sort of perfect, in failure and success.
Gabel knows her characters. She writes their relationships with a confidence you only gain from knowledge. She understands everyones weaknesses and motivations, who they are, and why. The dialogue and inner monologues are fantastic. She knows how to push their buttons how to turn them on, what makes them tick. As moments unfold, they feel right, I never once thought “Jana would never say that”, because of course she would say that. That is just so Jana.
The plot, which is minimal, doesn’t have its own life. It is the character I am missing in the book. I don’t know that Gabel cares to give us much plot, instead we get glimpses of our quartet. It could be any moment, and Gabel picked this one, and here we are. Sure some are major life moments, but some others feel small and benign. The plot feels a little but like an afterthought in this book. It wasn’t the focus and it wasn’t complex. The book doesn’t really have a start or a finish, we just stop getting invited back. This is the kind of book that many people love, character driven, a study of relationships. And for that, it is done extremely well. I would have loved more events. More action. More.
Oh, and then there is the music. Exactly as it should be. In the background, and sometimes loud and mostly soft and just right.
The Ensemble is simultaneously intimate and vast, with rich writing and complex characters. This book centers the realities of life, but with style. I’m glad I read this book. I never felt Gabel was trying to teach me anything, she didn’t attempt to change the way I see the world. Instead she wrote a beautiful small book about relationships and humanity, and gave them the best words to say, and let me do my thing.
If characters and life and small moments excite you. This is your book. Even if they don’t you still might enjoy this book. It has a magic to it, mostly its simple. What a refreshing thing to be in 2018.
To learn more about Aja and hear her on The Stacks click here.
Hardcover: 352 pages
Publisher: Riverhead Books; First Edition, First Printing edition (May 15, 2018)
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. Shopping through these links helps support the show, but does not effect my opinions on books and products. For more information click here.
Reading The Bluest Eyefor The Stacks Book Club was my first time ever reading the work of Toni Morrison. I knew it would be great, simply because so many people told me so, but getting a chance to read her words for myself, I now understand. You can listen to my conversation with Renée Hicks (founder of Book Girl Magic) about The Bluest Eye right here on The Stacks.
Pecola Breedlove, a young black girl, prays every day for beauty. Mocked by other children for the dark skin, curly hair, and brown eyes that set her apart, she yearns for normalcy, for the blond hair and blue eyes that she believes will allow her to finally fit in.Yet as her dream grows more fervent, her life slowly starts to disintegrate in the face of adversity and strife. A powerful examination of our obsession with beauty and conformity, Toni Morrison’s virtuosic first novel asks powerful questions about race, class, and gender with the subtlety and grace that have always characterized her writing.
Morrison does an expert job of writing about the darkest parts of our humanity. The book is haunting. Her characters are real and simple and purely themselves, for better or worse. She uses her words to make sure we never look away, that we examine the humanity of these characters. She finds our own vulnerabilities and uses them, forcing the reader to confront pain and trauma in a three dimensional way. To extend our sympathy to the abusers and the abused. Even when it feels impossible.
As we follow the life of our protagonist, a young dark-skinned Black girl named Pecola Breedlove, we see the world she sees, and we flashback to how her 1940s Ohio world was created. Morrison is brilliant in setting the scene as we think it should be, and then showing how it really is, how we got here, and why it is more complicated than we could have imagined.
The Bluest Eye takes on much that ails our society. The book confronts racism, colorism, beauty, sexism, sexuality, sexual abuse, trauma, rage, toxic masculinity, and more. Instead of looking at each idea as an isolated problem, she folds everything together and dares us to unpack the mess. To see that none of these isms or societal failures works on its own, but rather that they are entangled. While the story itself is painful and bleak, Morrison’s writing makes it palatable, something her readers are willing to stick with and sift through.
I could have read more of this book, but Morrison says what she needs to say in about 200 pages. She is specific and direct. There is no extra fluff. She doesn’t give us time to wallow. That directness enhances the book. She shows us the evils of humanity, the tender moments of kindness and never allows one to take on more weight than the other. Never allows us to pick sides. We just have to keep moving forward.
This is Morrison’s first novel, she wrote it at age 39, which is hard to believe, but then again seems right. This book is a force of a debut and while I did sometimes find myself confused, especially during the ending, I was engrossed with her language and her characters. You can feel that there is room for growth in The Bluest Eye, which says more about Morrison’s potential to be one of the greats than anything else. For many authors, this would be their top, this would be the best they could do. I look forward to reading more Toni Morrison, and I am so glad I finally got started reading her at all.
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website. Shopping through these links helps support the show, but does not effect my opinions on books and products. For more information click here.
I picked up 
