In a book that combines essays, poetry and visual art, Claudia Rankine has crafted an instant classic with 2014’s Citizen: An American Lyric. The book is a powerful examination of racial aggression, from the types of interactions that are easy to overlook to overt acts of violence against Black bodies. Citizen, like anti-Black racism, does not stick to one tactic or form, instead it shape shifts leaving the reader surrounded by the many insidious ways that white supremacy functions and thrives. Art, sport, police violence, and more are part of this brilliant work of social criticism.
We will be discussingCitizen: An American Lyric on the podcast on Wednesday, December 30th. You can find out who our guest will be by listening to the podcast on December 2nd. If you’d like even more discussion around the book consider joining The Stacks Pack on Patreon and participating in The Stacks’ monthly virtual book club.
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed. For more information click here.
Priya Parker, the author of The Art of Gathering: How We Meet and Why it Matters, is helping us take a deeper look at how we can create collective meaning in modern life, one gathering at a time. Not only do we discuss Priya’s amazing book, but we also talk about connecting with purpose when we cannot be physically together. She shares insight into her new podcast Together Apart which, is about gatherings in the time of Coronavirus. Then we look ahead to how we will gather after COVID-19.
Remember, The Stacks Book Club selection for April is Trust Exerciseby Susan Choi, we will discuss the book with Brandon Taylor on April 29th.
To support The Stacks and find out more from this week’s sponsors, click here.
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
We are taking on two genre’s that are totally new for The Stacks this November. The first is a satire, the second is a cookbook with substance. We’re leaving no stones unturned and hope you’ll join us in trying something new this fall.
For our first ever attempt at breaking down satire, we’re reading We Cast a Shadow by Maurice Carlos Ruffin, on November 6th. In his debut novel, Ruffin takes us into a clinic that will deliver “demelanization” for ant Black body that can afford it. And thats just where this book starts!
In anticipation of the fall and winter holidays, on November 20th, we’re exploring the world of food, food writing, cooking, and what it means to be satiated with Salt, Fat, Acid, Heat by Samin Nosrat. This isn’t just a cookbook filled with recipes, this book is a philosophy of food, and a distilled master class in the elements of cooking. And just wait until you see Wendy MacNaughton’s illustrations.
As always, we want to hear from you, so please reach out with your thoughts, questions, and things you want to hear discussed on the podcast. You can email us at thestackswithtraci@gmail.com, comment on this post, or reach out through Instagram @thestackspod.
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
Its time! Our June book announcement. This month we’ve selected two nonfiction books, one, the rediscovering a long forgotten fire, the other a memoir about facing death.
In honor of LGBTQIA+ Pride month, we’re reading Tinderbox: The Untold Story of the Up Stairs Lounge Fire and the Rise of Gay Liberation by Robert W. Fieseler, on June 5th. This book chronicles an arson fire in a gay bar, The Upstairs Lounge, in June 1973 in New Orleans. This fire took the lives of 32 people and then was largely forgotten. Tinderbox examines this painful moment in history; the fire, the victims, the police response, and the social and political attitudes of the time.
On June 19th we’re reading The Unwinding of the Miracle: A Memoir of Life, Death, and Everything That Comes After by Julie Yip-Williams. Born blind in Vietnam, Julie Yip-William and her family flee to America, where she has surgery that gives her back partial sight. As the years progress Yip-Williams becomes a lawyer, a wife, and a mother. Then at 37, she is diagnosed with terminal cancer. This book is her reckoning. It explores life through the prism of death.
As with all our TSBC books, we want to hear from you, so if you’ve got thoughts or questions send them our way, they might even get featured on the show! You can email us at thestackswithtraci@gmail.com, comment on this post, or reach out to us through our Instagram @thestackspod.
Tinderbox: The Untold Story of the Up Stairs Lounge Fire and the Rise of Gay Liberation by Robert W. Fieseler (Amazon | IndieBound)
The Unwinding of the Miracle: A Memoir of Life, Death, and Everything That Comes After by Julie Yip-Williams (Amazon | IndieBound)
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
March was all about the backlist. I went on an amazing vacation and took a bunch of books I had been wanting to read for a long time, and I read them! What a treat. I really enjoyed almost everything I read in March. My stand out was Assata by Assata Shakur and the low-light was Love’s Labour’s Lost by William Shakespeare. What were your favorites this month? Also worth noting, I read my first books on a Kindle, and I survived.
You can find my reading month by the numbers and short reviews of everything I read below.
March by the Numbers
Total Books Read: 10 Audiobooks: 1 E-Books: 2 Five Star Reads: 1 Unread Shelf: 6 Books Acquired: 12
By Women Authors: 6 By Authors of Color: 3 By Queer Authors: 1 Nonfiction Reads: 8 Published in 2019: 2
In the story of her life, Assata Shakur lets her reader in on her childhood, her relationship with the Black Liberation Movement, and her arrest and imprisonment. The prose are conversational and the content is enraging and devastating. Not only is this book a look back at the past, it is also a very clear indictment on the current state of affairs in The United States.
If nothing else, Assatais a reminder of the struggle for Black equality that has spanned centuries, and the lengths the American government will go to stifle that quest. Racism, abuse, torture, and human rights violations are all part of Assata’s story, and the story of this struggle. She exposes corruption in the criminal justice system and even in The Black Panther Party. She is unapologetic and easy to connect with. I thoroughly enjoyed learning about a figure I had heard of, but really knew so little about, though there were times I’d wished she was more forthcoming with her own revolutionary activities, and the reasons why she might have been targeted by the police. The fact that this book is still so relevant over 30 years after it’s publication is a reminder of how much work needs to be done. I highly suggest this book for people who love a good memoir and people interested in the history of social justice movements, though I caution there are very graphic scenes of abuse through out the book.
Five Stars | Lawrence Hill Books | November 1, 2001 | 320 Pages | Paperback | Purchase on IndieBound
The Stacks received this book from the author in exchange for an honest review. For more information click here. (Photo: amazon.com)
A book unlike anything I’ver ever read, Experiments in Joy mixes the genre of memoir with the artist’s performance notes, letters, and cultural criticism into a book that encapsulates both the artist and the art. Civil is a performance artist, professor, and poet, and this book is a reflection on some of her pieces and her way of seeing the world and her place in it. In addition to Civil’s own words, there are conversations and letters from her collaborators and reviewers to deepen the readers understanding of the work.
I didn’t always connect with the book, but I felt deeply that the context given helped me to better understand Civil as a creative and an activist. The book is truly a glimpse at how one creates. The sections in which she gave context before or after laying out the performance pieces were my favorite along with the book reviews. To understand how the artist works and why is captivating for me and brought the performance notes to life. Civil is a beautiful writer, and her letters especially show her skills. For any lover of the arts this book as a unique look into process over product.
Paul Ham uses contemporaneous documents, reflections after the fact, and critical thinking in Hiroshima Nagasakito take down the conventional thinking about the use of nuclear weapons on Japan in 1945. This book is a fantastic work of nonfiction and does a great job of analyzing and deconstructing these acts of extreme violence
For 60+ years America has pushed a narrative about the “need” to drop an atomic bomb on a civilian target in order to avenge Pearl Harbor and/or to prevent “millions” of future US casualties. This book looks deeper into that idea and debunks much of reasoning that was flawed and so easily accepted by Americans and all of history. If you love history, politics, and smart writing, I would highly recommend Hiroshima Nagasaki. Though this book can be dense at parts (especially the first 100 pages) and lacks a real introduction for those not familiar with this moment in time, Ham’s writing is extremely readable. He mixes politics with humanity and covers many facets of these bombings its not all Harry Truman, it is also very much about the victims. I learned a lot about World War II, and was able to see the political maneuvering that America took part in that led to hundreds of thousands of deaths.
Four Stars | Picador; Reprint edition| August 4, 2015 | 641 Pages | Paperback | Purchase on IndieBound
A vivid look at the culinary industry from the perspective of chef, Anthony Bourdain. This book is part memoir and part expose in which Bourdain shares what to never order from a restaurant and what the kitchen thinks of people who order a well done steak. It is an approachable book and an easy read.
Throughout Kitchen ConfidentialBourdain seems hell bent on shocking his reader. He loves talking about sex, blood, and drugs. Its a little over played and can be cringeworthy at moments. There also seems to be a little self-congratulation around his relationships with his Latinx coworkers/employees. I was not familiar with Bourdain in life, and since his passing I am just barely more informed on his life and contributions. There was little sentimentality for me in reading this work and much of my criticisms come from who he presents himself as in this book, a bit of a know it all. Though I will say, his heart and passion come through loud and clear and I loved those moments of the book most.
I enjoyed reading this book, but 20 years after its first publication, I don’t know if the tone and approach stand the test of time. If you love Bourdain or want something a little rough and tumble you might really enjoy this one.
Three Stars | Bloomsbury USA; 1 edition | December 10, 2008 | 321 Pages | E-Book |Purchase on IndieBound
In Love’s Labour’s Lost we meet a King and his male courtiers who take a pledge to become celibate, but then, of course, they meet some women and fall in love. The show revolves around the men trying to secretly get the women to love them despite the oath. While most of Shakespeare’s comedies are trivial, this one is nonsensical. There is a lot of disguise and mix ups that are confusing to read and not particularly necessary or interesting.
The only part of this play that I found remotely intriguing is the ending, in which the women finally get some power and put their feet down. I don’t want to spoil it, but it is a twist and makes some interesting points about duty over desire and the idea of reciprocity in relationships.
I wouldn’t suggest this play to anyone, but it might be more fun to see than read. The language is confusing and the there really isn’t much action at all.
One Stars | Penguin Classics; Reprint edition | June 5, 2000 | 160 Pages | Paperback |Purchase on IndieBound
A book of quippy erotic fantasies of women being treated equal, or better than equal, to men. A world in which Ruth Bader Ginsburg is immortal, and Juliet tells Romeo off for being so love sick. While the idea is fun and smart, the execution left me wanting more.
The best and most effective satire calls out inequality by speaking truth to power and by forcing the audience to question their own complicity in the power structure. This book fails to do that. It seems to be content just being cute. It relies on the “erotica” to do a lot of the heavy lifting. The authors attempt to address intersectionality in the introduction, but then spend the rest of the book trivializing the aggression of men instead of addressing it head on. The book fits nicely into the White capitalist patriarchy as a piece of protest, meaning it is a safe way for women to vent without really forcing a deeper discussion at the issues at play.
If you’re looking for a light palate cleanser, this is might be a good choice, plus you can read it in about 90 minutes, but if you want something more biting I think there are other books to go to.
A true crime story about a White British woman who goes missing in Tokyo in 2000 and all that unfolds there after. The book looks at the crime, the family and their grief, the media and their coverage, and the police and their ability to figure out what happened.
What makes such a solid work of true crime is that the author, a journalist, is weaving many elements of this story together in an extremely readable way. The writing is no frills, but the story is full of surprises and is totally engaging. Parry is, for the most part, objective and helps the reader understand the cultural differences that makes this case unique . Plus the story itself is captivating, the book is over 400 pages but you want to read it in one sitting. I loved the commentary on race, class, culture, and gender throughout the book and would have liked even more. Getting to understand a criminal justice system that is so different than my own (that of The United States) was fascinating. Parry does a great job as our guide into a world I’d never known. If you like true crime, you’ll enjoy this book, though be warned there are trigger warnings for sexual assault and violence.
Four Stars | Farrar, Straus & Giroux; Reprint edition | May 22, 2012 | 454 Pages | Paperback |Purchase on IndieBound
To articulate the fragility and toxicity of Whiteness to White people is one the the greatest challenges of anti-racism work, and in White Fragility Robin DiAngelo does just that methodically. This book is a take down of racist ideas and the entrenched denial around White supremacy.
White Fragility is admittedly written for White people by a White woman. DiAngelo is very clear in that, though, as a Black woman I found a lot of valuable insights in both how I can do better as I work toward anti racism and how I can approach uncomfortable situations with White people. I was able to understand the socialization of White people better, and to understand the tactics used to reinforce racism in our society.
This book is a great tool in any anti-racist’s tool box, along side one of my all time favorites, Stamped from the Beginning by Ibram X. Kendi. If you’re serious about the work this book helps to explain one road block that is often encountered, White Fragility.
Four Stars | Beacon Press | June 26, 2018 | 6 Hours 12 Minutes | Audiobook |Purchase on IndieBound
Reading Wild Beauty, was a new experience for me. I am familiar with Shange’s play, For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf, but had never read a poetry collection until now. I enjoyed some of the poems and others I didn’t resonate with. Her style is rough and evocative and at times even felt like a call to action.
These poems are a look at the career of Shange as they span 40 years of her work. I started to notice which ones were from older collections and which were more recent. As with any collection some of the material connected with me and some didn’t. There were poems where I was stunned by the story, or moved by the language. There were also poems that I would zone out and have to read over and over and still felt like I missed the message. For someone who is new to poetry, I enjoyed this collection and I am really looking forward to discussing it on The Stacks on April 24th.
Three Stars | Atria / 37 INK; Bilingual edition | November 17, 2017 | 288 Pages | Hardcover |Purchase on IndieBound Wild Beautyis TSBC pick for April 24. You can hear the TSBC episode with Gabrielle Civil HERE. Read a full review ofWild BeautyHERE.
The Stacks received this book from the publisher in exchange for an honest review. For more information click here. (Photo: amazon.com)
One night eight Mennonite women gather to discuss their options and response to the repeated drugging and sexual assaults of themselves, their daughters, and the other women in their community. The book is written from as notes taken during these meetings and is inspired by true events.
Women Talking is a lot of just that, women talking. It is theoretical and examines the ideas of loyalty, faith, and safety. It is a feminist text in that it explores the equality of women and their rights to be alive and to have a say in their own lives. I really enjoyed the writing. I was hooked early and wanted to know what would happen in the end. I also found the use of the minutes to be irritating at times because it was a lot of back and forth interpreted by our scribe/narrator (who is a man, which added an element of conflict).
If you like fiction thats a little different, if you’re interested in religious communities and the role that women play in conservative spaces, this book is a great selection. Women Talking has been compared to Handmaid’s Tale which makes a lot of sense, but neglects the fact that Women Talking is based on true events (the assaults not the meeting) which makes it that much more devastating.
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
In a book that navigates feminism and the many facets of being a woman, Men Explain Things to Me runs the gamut from snarky to scathing, from an indictment of society to a reflection on it. Rebecca Solnit has thought a lot about feminism and women’s rights, and her essays clearly indicate that.
Men Explain Things to Me came out in 2014 (my edition has added content and come our in 2015), and in the years since, the women’s movement, the 2016 election, the #metoo era, and so much more has propelled the conversation about feminism and the abuse of women in a way that Solnit couldn’t predict. In this way, the book feels more dated than perhaps it should. Solnit feels like a tame observer compared to the books and essays that have come out in the last 2 or so years. So while I found these essays smart and well done (though some were a little disjointed), they felt redundant as a reader in 2019.
I know that Solnit was an early advocate, and this critique comes with all the powers of hindsight, but in my reading, the book doesn’t hold up so much against time. It does serve as a reminder that we’ve been having these discussions for decades. In these debates around feminism, Solnit has been on the front lines and we have her to thank for many of the conversations we’re having today. One essay in this book, #yesallwomen, feels like connective tissue from this book, to the current conversations and debates we’re having today.
Men Explain Things to Me is a certain kind of feminism that centers White women. In 2019, that feels life a gapping omission. It is a reminder that 53% of White women voted for Trump. Which is of course, part of the problem when we come to the coalition that fights on behalf of women. Sure, these essays are good, but they lack in inclusion and perspective that now, just four years later, feels unacceptable.
If you’re looking for a book that is intersectional and feels very of this moment, Men Explain Things to Me might not be for you (I would suggest Good and Mad by Rebecca Traister, or Eloquent Rage by Brittney Cooper). If you’re looking for a book that might remind you of how we got here, Men Explain Things to Me, might be a good place to start.
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. Shopping through these links helps support the show, but does not effect my opinions on books and products. For more information click here.
Its the last day of 2018, and we’re celebrating with our very own wrap up, New Year’s Eve show. We brought back friend of the pod, Lauren Fanella (who you might remember from episodes 15 and 16, where we talked about Reincarnation Blues by Michael Poore). Lauren joins me to talk about each of our top five books from 2018, and the five books we’re most looking forward to in 2019. Get your TBR ready!
To support The Stacks and find out more from this week’s sponsors, click here.
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. Shopping through these links helps support the show, but does not effect opinions on books and products. For more information click here.
The Stacks received this book from the publisher in exchange for an honest review. For more information click here.
After reading Lacy M. Johnson’s memoir, The Other Side I couldn’t wait to dive into this essay collection, that was positioned as a sort of response to her kidnapping and rape that was documented in her memoir. The Reckonings is that response, and it is much more than that as well.
In 2014, Lacy Johnson was giving a reading from The Other Side, her memoir of kidnapping and rape, when a woman asked her what she would like to happen to her rapist. This collection, a meditative extension of that answer, draws from philosophy, art, literature, mythology, anthropology, film, and other fields, as well as Johnson’s personal experience, to consider how our ideas about justice might be expanded beyond vengeance and retribution to include acts of compassion, patience, mercy, and grace.
She grapples with justice and retribution, truth and fairness, and sexual assault and workplace harassment, as well as the broadest societal wrongs: the BP Oil Spill, government malfeasance, police killings. The Reckoningsis a powerful and necessary work, ambitious in its scope, which strikes at the heart of our national conversation about the justness of society.
The Reckonings is one of the most powerful books I’ve read. A well crafted meditation on justice and the roles that each of us, as humans and citizens, has in the greater picture and good of society. Johnson is a great thinker, who is subtle with her own intellect. She is wise. She is thoughtful. She is accessible. She sees the world in a more compassionate and realistic way than many. However she never forces her depth on her reader, instead she allows to understand her own processing, peppering her discoveries with “I think”. This isn’t done out of self doubt, but as a way to remember Johnson is trying to figure it all out, and figure out her role in it all.
This book is profound. It has something to say, about joy and health, and access, and vindication, and mercy, and grace, and privilege, and art, and the most base human desires. Johnson leans into the complex nature of sacrifice and healing. Honest and vulnerable each essay is willing to engage with the complexities of society, and in doing so, Johnson has to confront herself. Her biases and what they say about her ability to be compassionate or an ally, or whatever it is that comes up. The Reckonings has so much to say, that when I got to the end of the book, I went ahead and read all of the notes, in full, and then went back and re-read the first two essays. I couldn’t get enough of the words and what they had to say.
There are essays in The Reckonings that range from the Nigerian Girls captured by Boko Haram to Hurricane Harvey, from the justness of the death penalty to the cost of the BP oil spill. The essays seem like they wouldn’t belong in a book together, but somehow as you’re reading them, each one feels like it is in its perfect place. They all build on one another until we come to some resolution. I won’t tell you where that is, but know that it was fulfilling and bleak. The only way this book could have ended.
I think there is something to learn from this book for just about everyone. The writing is beautiful and the content matches. Johnson is a professional writer, something that we often times over look, but The Reckonings reminded me why people dedicate their life to the arts, so that they can create artwork that reminds the rest of us what it means to be alive.
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. Shopping through these links helps support the show, but does not effect my opinions on books and products. For more information click here.
I am thrilled to be a guest no this week’s episdoe of the What Should I Read Next podcast, hosted by Anne Bogel aka Modern Mrs. Darcy. Each week Anne helps her guests answer the question, “what should I read next?” by talking with them about their tastes and goals for their reading life.
On today’s episode we discuss some of my most favorite books, my love of nonfiction and true crime, a book I really did not like. And as usually I throw out a ton of other book recommendations to make sure your TBR never gets too short. Then Anne works her magic on me, suggesting some books she thinks I should read next. Tell me in the comments what you think I should read next.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. Shopping through these links helps support the show, but does not effect my opinions on books and products. For more information click here.
The Stacks received this book from the publisher in exchange for an honest review. For more information click here.
This was possibly my most anticipated read of the year. I knew of Kiese Laymon’s essays, but had never read any of his books, and many people that I trust ad respect have nothing but the highest praise for him. So, I was eager to read his “American Memoir”.
In Heavy, Laymon writes eloquently and honestly about growing up a hard-headed black son to a complicated and brilliant black mother in Jackson, Mississippi. From his early experiences of sexual violence, to his suspension from college, to his trek to New York as a young college professor, Laymon charts his complex relationship with his mother, grandmother, anorexia, obesity, sex, writing, and ultimately gambling. By attempting to name secrets and lies he and his mother spent a lifetime avoiding, Laymon asks himself, his mother, his nation, and us to confront the terrifying possibility that few in this nation actually know how to responsibly love, and even fewer want to live under the weight of actually becoming free.
Complexity and vulnerability course through the pages of Heavy. Kiese Laymon never strays from a commitment to tell the truth of his story. As we read on, we understand his truth is painful. We learn how Laymon got to be the thorough, confrontational, relentless man that is writing this memoir. He allows himself to unfold page by page, until you feel as if you might actually know this man. Of course you don’t, but his brutal honesty gives a seeming closeness or understanding.
Laymon is a beautiful writer. He captures feelings and emotions in short and specific sentences. He creates worlds and moments with his words. In Heavy Laymon shows how his mother shapes him as a man, and also as a writer, and more importantly a thinker. In all of these things, her influence is not always positive, but it is obviously formative. She is herself a Black thought leader and academic who forces Laymon to confront the need to be excellent from a young age. We also watch as people come into Laymon’s life and influence his mind and his body. Quiet literally shaping him. We learn of his deep commitment to revision. We see how that compulsion towards excellence is pathological and often times destructive.
I knew very little about Laymon when I started reading, and within a few pages I understood that what I was reading was different than other memoirs. It was at once personal and a social commentary. Laymon would expose personal secrets, and also institutional deficiences. Heavy is a deeply intimate account of one man and his relationship to his own identity, and an examination of America and her relationship to her citizens. Racism, discipline, addiction, education, beauty standards and more are unpacked in Laymon’s memoir.
I was beyond impressed with this book.. I learned a lot and felt the wind knocked out of my sails at times. I have been calling it “Coates-ian” (a reference to author and journalist Ta-Nehisi Coates), except more intimate, more vulnerable, and less of a reflection on the broader racial questions of our time, more an examination of how one experience is inclusive of the larger picture. There have been some amazing reviews of Heavy, and I highly suggest one by Saeed Jones in The New York Times, Jones beautifully expresses the struggle for excellence and what that means for Laymon and all of us. Before I unequivocally suggest to you to read this book, I want to note there are some very graphic scenes of a child abuse in this book, and while that can be triggering for many, it is an important part of Laymon’s history. I couldn’t imagine this book without those scenes. Now, here it comes, go read this book.
Hardcover: 256 pages
Publisher: Scribner; First Edition edition (October 16, 2018)
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. Shopping through these links helps support the show, but does not effect my opinions on books and products. For more information click here.
I am thrilled to be a guest no this week’s episdoe of the 
