Ep. 43 Life as an Actor with Josh Segarra

Josh Segarra is an actor of both the stage (On Your Feet) and screen (ArrowOrange is the New BlackSirens), and today he is our guest on The Stacks. Josh talks with us about acting, how reading fits into his life as a dad, and we go off on a tangent into sports biographies. Get ready for some good book recommendations and a lot a laughs.

Everything we talk about on today’s episode can be found below in the show notes. The Stacks participates in affiliate programs, and shopping through the links below (mostly Amazon) helps support the show, at no cost to you.

Books

Everything Else

Connect with Josh: Josh’s Instagram

Connect with The Stacks: Instagram | The Stacks Website | Facebook | Twitter | Subscribe | Patreon | Goodreads | Traci’s Instagram

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.

Sponsors

Audible– to get your FREE audiobook download and FREE 30 day trial go to audibletrial.com/thestacks.

My Mentor Book Club – for 50% off your first month of new nonfiction from My Mentor Book Club go to mymentorbookclub.com/thestacks


The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. Shopping through these links helps support the show, but does not effect opinions on books and products. For more information click here.

The Short Stacks 4: Juan Vidal//Rap Dad

On January 30th, we’re discussing Rap Dad by Juan Vidal as part of The Stacks Book Club, and to get you ready for that chat, I talked with Juan about his process in writing Rap Dad, how he finds time to write with four children, and about his favorite rappers. And with all The Short Stacks, there are no spoilers today, enjoy.

Everything we talk about on today’s episode can be found below in the show notes. The Stacks participates in affiliate programs, and shopping through the links below (mostly Amazon) helps support the show, at no cost to you.

Connect with Juan: Juan’s Instagram | Juan’s Twitter 

Connect with The Stacks: Instagram | The Stacks Website | Facebook | Twitter | Subscribe | Patreon | Goodreads | Traci’s Instagram

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.

Sponsors

Audible– to get your FREE audiobook download and FREE 30 day trial go to audibletrial.com/thestacks.

My Mentor Book Club – for 50% off your first month of new nonfiction from My Mentor Book Club go to mymentorbookclub.com/thestacks


The Stacks received Rap Dad from the publisher in exchange for an honest review. For more information click here.

The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. Shopping through these links helps support the show, but does not effect opinions on books and products. For more information click here.

All Day: A Year of Love and Survival Teaching Incarcerated Kids at Rikers Island by Liza Jessie Peterson

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I picked this book up as part of a buddy read on #bookstagram. A buddy read is basically a one off book club, you all read the book and then discuss it (through video chat). All Day was the third book I’ve read with this group, and was our first miss, but it led to some great conversations. Before I dive in here is a little more about All Day.

 

Told with equal parts raw honesty and unbridled compassion, ALL DAY recounts a year in Liza Jessie Peterson’s classroom at Island Academy, the high school for inmates detained at New York City’s Rikers Island. A poet and actress who had done occasional workshops at the correctional facility, Peterson was ill-prepared for a full-time stint teaching in the GED program for the incarcerated youths. For the first time faced with full days teaching the rambunctious, hyper, and fragile adolescent inmates, “Ms. P” comes to understand the essence of her predominantly Black and Latino students as she attempts not only to educate them, but to instill them with a sense of self-worth long stripped from their lives.

All Day was a total miss. A book about incarcerated juveniles at Rikers Island and their teacher sounds like it would be a gripping and compelling narrative, Peterson, however, does not deliver. The book is mostly focused on Peterson and her thoughts and struggles, though she never gets vulnerable enough for us to fully see her. She puts up the front of a tough woman, but we never get to see her softer side. She barely shares with us information about her students and their lives and how they got to Rikers (however the few moments she does are great). Peterson mistakes the readers interest in what it is like to be a teacher at a jail, for what its like to be her. I did not care about her as the star of this story, I wanted to know about the boys, their lives, their struggles, and the battles they fight daily to survive. I felt most connected to the book when the boys were centered.

The writing is not great. The style is very casual, using a lot of slang. Peterson is making a point to her reader, that she is in fact a Black woman. Something that no one questions. She has insecurities around her own control and status, and they come across through out the book, both expressly and through inference. The book goes on too long and Peterson loses focus, drifting from subject to subject without any real points to be made. She retells the same stories over and over and tries to turn this book into a sort of comedy, relaying jokes and quippy interchanges between her and her students. Most of this is not funny, and makes little sense in the context of the book.

Peterson herself traffics in prejudices throughout the book. While she doesn’t say it expressly, the way she talks about the boys who come from single parent homes, how she dismisses their learning disabilities, and the words she uses to describe them are problematic and damaging. There is very little empathy toward them and their situation. She perpetuates stereotypes about Black and Latino youths, and even allows her own intuitions to be bases for condemnation. All Day was published by a very conservative publisher (Center Street), and this anti-Black lean allowed the publisher to get credit for a Black narrative by a Black female author, and still push forward damaging ideas about Black and Brown youth to their audiences.

I would not recommend you read this book. There is much better content (books, films, and TV) that captures the experiences of life as an incarcerated youth, and that of the people who work with them. All Day is self serving and has a conservative lean that is troubling and damaging.

  • Hardcover: 256 pages
  • Publisher: Center Street (April 18, 2017)
  • 1/5 stars
  • Buy All Day on Amazon

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.

The Stacks participates in affiliate programs in which we receive a small commission when products are purchased through some links on this website. This does not effect my opinions on books and products. For more information click here.

The Devils Highway: A True Story by Luis Alberto Urrea

2912C833-EC19-4E44-A72B-70B58A50E35BA friend gave me her copy of The Devil’s Highway, and told me I had to read it. This was back in February, and I just wasn’t into it. I couldn’t motivate myself to pick it up. However, in the last few weeks with all thats going on with family separation at the US border I felt compelled to finally pick up this book.

Here is a little about this book.

In May 2001, a group of men attempted to cross the Mexican border into the desert of southern Arizona, through the deadliest region of the continent, the “Devil’s Highway.” Three years later, Luis Alberto Urrea wrote about what happened to them. The result was a national bestseller, a Pulitzer Prize finalist, a “book of the year” in multiple newspapers, and a work proclaimed as a modern American classic.

This book is so well crafted. It is a heartbreaking story, however there is still strength in its telling.  Urrea uses beautiful yet uncomplicated prose to describe the story of the US-Mexico border and all those who are caught navigating it’s terrain.

The Devil’s Highway is the story of one group that is representative of a greater population. Those people who feel that life has gotten too hard where ever they are, that it is better to leave home and try to find something better. Even if that means going through hell.

I think it trivializes the magnitude of this book to say it is “timely”. It does speak to this current political moment, but it was written over 15 years ago, and it spoke to that moment as well. It speaks to any moment where one group of people is trying to keep out another group. It speaks to humanity. It speaks to human nature. That is what makes this book powerful. It is about how we treat one another, when the option is, to be kind or to be cruel.

Urrea makes a point to include the narratives not only of the men walking through the desert, but also that of the coyotes, and the border agents, and the US law enforcement. He includes consulate workers from Mexico, and families of those men who left home. He is inclusive in his work, and yet he is clear in his point of view. Its a challenging balancing act, that Urrea executes perfectly. It is what gives this book credence and authenticity.

This book is graphic, and there are moments where I wanted to turn away from the story, because it was overwhelming and bleak. This book is wonderful. It is powerful. It made me feel things. It allowed me space to think about immigration and compassion. It has allowed me more perspective as I think about what it means to be American, and who has to stay out, so I can stay in.

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.

The Stacks participates in affiliate programs in which we receive a small commission when products are purchased through some links on this website. This does not effect my opinions on books and products. For more information click here.