Professor and Ride or Die author Shanita Hubbard returns to discuss the 2014 book of essays Bad Feminist by Roxane Gay for The Stacks Book Club. We look back at the collection and ask, how did the book hold up? Its mix of personal memoir, political commentary and pop culture references have us examining our relationship to the text from a new perspective in this spoiler-free episode.
Be sure to listen to the end of today’s episode to find out what our book club pick will be for April 2023.
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Our March selection for The Stacks Book Club is Bad Feministby Roxane Gay. Released in 2014, it’s a New York Times bestselling essay collection offering sharp cultural critique, insight and humor in every piece. Gay explores what it means to be a feminist while also loving things that are decidedly at odds with that ideology. She uses a variety of pop culture references to help tent-post her stories and reflections on being an evolving Black woman in America, countering all of the associated societal strongholds and offering a call-to-arms to readers. An instant classic, Bad Feminist was named Best Book of the Year by NPR, Newsweek, the Boston Globe, Oprah.com, Time Out New York and Book Riot, among others.
We will discussBad Feministby Roxane Gay on Wednesday, March 29th with our guest Shanita Hubbard. If you’d like even more discussion around the book, consider joining The Stacks Pack on Patreon and participating in The Stacks’ monthly virtual book club.
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed. For more information click here.
It’s The Stacks Book Club Day, and we’re joined again by Mina Kimes of ESPN, to discuss Louise Erdrich’s novel The Round House. This page-turning coming-of-age story is set in 1988 North Dakota and follows a boy and his friends seeking justice for a horrific crime. Today we talk about the merits of vengeance, the relationship between coming into ones sexuality and understanding consent, and the flaws in the criminal legal system especially in regard to American tribal lands. There are spoilers in this episode.
Be sure to listen to the end of today’s episode to find out what our book club pick will be in March 2023.
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. If you prefer to support the show with a one time contribution go to paypal.me/thestackspod.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
Our February selection for The Stacks Book Club is The Round House by Louise Erdrich. The thrilling coming-of-age novel set in 1988 centers on a 13 year-old boy named Joe living with his parents on a reservation in North Dakota. After a brutal attack traumatizes his mother into silence and seclusion, and when the authorities fail to take action, Joe is thrust into a complex mystery that sends him on a justice-seeking mission with a trio of friends. Their adventure truly begins when they’re led to the sacred Ojibwe space of The Round House. Released in 2012, The Round House won the National Book Award and was a New York Times Best Book of the Year.
We will discussThe Round Houseby Louise Erdrich on Wednesday, February 22nd. You can find out who our guest will be by listening to today’s episode. If you’d like even more discussion around the book, consider joining The Stacks Pack on Patreon and participating in The Stacks’ monthly virtual book club.
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed. For more information click here.
This episode we hear from cultural critic David Dennis, Jr – Senior Writer at ESPN’s Andscape and author of the new book The Movement Made Us: A Father, a Son, and the Legacy of a Freedom Ride. We talk about the similarities and differences between Black Lives Matter and the Civil Rights Movement, the book that inspired David’s storytelling, and what it means to survive when you’re planning to die.
To support The Stacks and find out more from this week’s sponsors, click here.
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. If you prefer to support the show with a one time contribution go to paypal.me/thestackspod.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
In her debut novel, A Woman is No Man, Etaf Rum tells the story of three generations of Palestinian women who are struggling to be their own person and still be deemed respectable in their culture. The book tackles issues like abuse, gender roles, obedience, and freedom. We watch as the characters grapple with their place in life and the future they see for themselves.
What worked for me in this book was the ambition that Rum displays in taking on this story. She is not afraid to show her audience the bleak reality that so many women who deal with domestic violence confront daily. She shows how the abuse of women is systemic inside a family and how cultural expectation can exasperate that. A Woman is No Man is not representative of all women of Palestinian descent, just as no story about a White man is true for all men who identify as White (something I feel compelled to say, and yet at the same time annoyed for feeling like that isn’t self evident). Rum has created a version of the world that is true based on her experiences and her imagination.
A Woman is No Man has the makings of something powerful, though the execution fell flat for me. I wasn’t moved by the characters. They all blended together. Their pain was collective, and thus they functioned as a chorus instead of three distinct protagonists. Of all the female leads, Fareeda was the most complex and in turn the most interesting to read about. Overall, the men and women in the story felt more like vessels to make a point rather than fully developed humans. While I loved the structure (multiple points of view through generations) I found that the plot was lacking, which led to repetitive dialogue throughout. The ending came as no surprise to me, though the book seemed to be headed toward a big reveal.
Simply put, this book wasn’t for me. I appreciate the story that Rum is telling, even if I didn’t like the execution. I wished for more complexity and depth. A Woman is No Man felt safe, even though it was telling the story of immense pain and inner conflict. It is worth noting, while I didn’t love this book, it has had much success including making it on the New York Times Best Seller list, and being chosen by Jenna Bush Hager for the her book club on The Today Show.
If you have read this book, I would love to hear your thoughts in the comments, and if you’re looking for more about A Woman is No Man check out Etaf Rum on The Short Stacks.
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
Here is what I read for February. My standout by far was Lot by Bryan Washington which comes out in March. Its a collection of short stories, and I just loved it. I wasn’t a huge fan of I’m Thinking of Ending Things by Iain Reid, but I am looking forward to discussing it on The Stacks as part of The Stacks Book Club in March.
As far as diverse reading, I read a whole bunch of books by queer men, four to be exact, I guess five if you want to included William Shakespeare, but thats a conversation for another day. I didn’t do so well reading women in February, only one book by a woman, possibly an all time low since I started keeping track. Only three of the books I read were by authors of color. I have my work cut out for me in March.
You can find my reading month by the numbers and short reviews of everything I read below.
February by the Numbers
Total Books Read: 9 Audiobooks: 1 Five Star Reads: 1 DNF Books: 0 Unread Shelf: 1 Books Acquired: 21
By Women Authors: 1 By Authors of Color: 3 By Queer Authors: 4 Nonfiction Reads: 5 Published in 2019: 4
Arguably one of the definitive plays of modern theatre, Angels in America, is a two part epic about the AIDS crisis in America in the mid 1980’s. The play has been celebrated since it was first produced in 1992, winning the Pulitzer Prize, multiple Tony Awards, and Emmy awards for the 2003 HBO adaptation of the play. The play is a behemoth of the stage and it works on the page as well.
I really enjoyed rereading part one, Millennium Approaches, and it was my first time ever reading part two, Perestroika. Kushner does an amazing job of creating a world and characters and still maintaining the magic of the theatre. The most central idea of the entire play is change over time. How do we change? Can we ever really change? What happens when we do? What happens when we don’t?
Some of the scenes and dialogue are so wild and poetic and at times nonsensical, and it all works. Even when you’re confused or annoyed it works. There is something innately human about the story Kushner tells. If you’ve not read this play, it is worth your time. Or watch the star-studded HBO film. It is a cultural cornerstone, rightfully so, learn about it. Engage with it. Enjoy it.
Four Stars | Theatre Communications Group; 20th Anniversary Edition | December 24, 2013 | 304 Pages | Paperback
The Stacks received this book from the publisher in exchange for an honest review. For more information click here. (Photo: amazon.com)
A collection of essays about life in her own Black body, Emily Bernard writes about a random act of violence against her, academia, adopting her children, her relationship to her ancestors, among other things. I found this book to be inconsistent, the earlier essays (especially the first two) clearly had something to say. They were thoughtful and thought provoking. As the book went on, I lost interest in much of Bernard’s writing and couldn’t quiet find the through line.
It is worth noting this is not a book about deep trauma (aside from the first essay) and that is refreshing. Sure, racism and bias play into any work of nonfiction by a Black woman, how could it not, but Bernard is creating something more subtle, explaining a Black experience that we don’t often hear. One of a Black academic in Vermont, born and raised in the South, married to a White man, raising Ethiopian daughters. Black is the Body is the story of that truth. Bernard (and to some extent Knopf) allowing us to read these essays is, in a way, a form of resistance against the tropes of Blackness and the trauma that is associated with skin color.
I would suggest this book to readers who have read many Black nonfiction narratives and who might be interested in something a little different. Though not the best essay collection I’ve read, there is a lot to witness in this writing.
Three Stars | Knopf | January 29, 2019 | 240 Pages | Hardcover
The Stacks received this book from the publisher in exchange for an honest review. For more information click here. (Photo: amazon.com)
A divorce lawyers how-not-to be married. This book is full of advice, and whatever the opposite of advice is, for a happy marriage. Sexton is funny and charming, if not a little focused on gender roles and heteronormative ideas. In his defense (sort of), he deals in the legality of marriage, and until 2015, same sex relationships wasn’t something that he litigating.
I enjoyed If You’re in My Office, It’s Already Too Late, it isn’t ground breaking, but it is exactly what it claims to be, and that is refreshing. It had some interesting and unique advice, like splitting custody of your kids even when you’re married. He also suggests speaking up when you’re unhappy and a lot of other common sense things, that many couples forget to do. Nothing life changing, but certainly helpful. I appreciate that Sexton doesn’t try to be a guru, he just shares what he’s seen, and as far as I can tell from this book, he has seen it all. The book does run a little longer than needed, and gets repetitive by the end.
If you’re looking for ideas on how to be a better partner or spouse, or are considering getting married, I would suggest you check out this book. It is a little different than the normal relationship advice, and goes down pretty easy.
A psychological thriller about a relationship and theories on life and interaction. I don’t want to say much about this book for three reasons: first, we’re doing the book on podcast and we’ll be discussing it in detail, two, its a thriller so I don’t want to spoil anything, three, and most importantly, I’m not sure I understood what happened in this book.
What I will say, is there wasn’t much there for me in this book. I wasn’t wild about the depiction of the female lead, she was passive and demure in a way that was irritating. She continually deferred to the male lead (which is part of the plot) in the face of her own instincts, it wasn’t believable, it was clearly a male fantasy about a “good” woman. While the book is generally tense and a little scary, there wasn’t enough there there, and the ending fell flat for me.
I’ve seen a lot of mixed reviews on this book, and it is entirely possible I missed it. If you do read this book tell me your thoughts, and be sure to tune into the episode where we talk about I’m Thinking of Ending Things, on March 27th.
The Stacks received this book from the publisher in exchange for an honest review. For more information click here. (Photo: amazon.com)
In this letter to his teenaged daughter, David Chariandy attempts explain the politics of race as he has experienced them. He discusses his own identity, Black and South Asian from Trinidad, and that of his ancestors in relationship to the world of his daughter. The role of family. What it means to be a person of color in Canada, and what it means to be alive in brown skin.
I most appreciated the conversation between father and daughter which is often overlooked, especially in stories from people of color. While Chariandy doesn’t really delve into gender politics in this book, there is something tender and special about him making the choice to address his daughter (and yes, he has a son, he chose to write to his daughter). Mostly he focuses on what it means to be seen as Black and to have come from so many cultures. Chariandy’s daughter is mixed, as is he, and engaging with the complexity of these truths was where the book was at its best.
While sections of the book were captivating, there were also sections where Chariandy was unable to hold my attention. I appreciated the idea behind the book, but I don’t know that I understood why it needed to be written, or that it has a particularly strong point of view.
Three Stars | Bloomsbury | March 5, 2019 | 96 Pages | Hardcover
The Stacks received this book from the publisher in exchange for an honest review. For more information click here. (Photo: amazon.com)
A collection of short stories about Black and Brown life in a neighborhood in Houston, told all in the first person with differing narrators, this book is a work of creativity and true craft. Unlike most short story collections where there is no sense of progress or growth over time, in Lot, Washington uses one family as our anchor and we get to watch as their lives unfold through alternating stories. That is supplemented with other stories of people from the “lot”.
Washington’s perspective on life and sex and family and gentrification are subtle and smart and really beautiful. The stories are small and intimate. He centers queerness and cultural homophobia in a way that is honest and not preachy. I would find myself smirking at the humor and then feeling gutted a few pages later by the harsh realities of these character’s world. A well rounded collection that really illustrates a time, place, and people.
Some standout stories for me were “Lot”, “Waugh”, and “Congress”, but I would say each story enhances the next. This is a great collection, and its a debut by a 25-year-old. I can not wait for more from Bryan Washington.
Five Stars | Riverhead | March 19, 2019 | 240 Pages | Hardcover
The Stacks received this book from the publisher in exchange for an honest review. For more information click here. (Photo: amazon.com)
One of my most anticipated reads of 2019, Parkland was not what I was expecting, but it was so well done, it didn’t matter. It should be said, if you’re expecting to read Columbine 2.0 you might feel a little let down. Parkland is about the children who survived the shooting at Marjory Douglas Stoneman High School in February 2018, and the activism work they took on, as leaders of the March for Our Lives Movement.
Cullen is an expert storyteller. His empathy drips off the page and allows you to really see the humanity in people. I have to imagine, as one of his subjects, that empathy is palpable in person as well, I think thats how he gets such in depth looks at people. To think that this book was written and published in less than a year from the date of the shooting is incredible. Cullen chronicles all that the teens went through and accomplished without being too self serious or important. He lends the correct amount of gravity to events and still maintains an air of hope and possibility.
If you’re looking for a book about the mass murder and shooter, Parklandis not your book. There hasn’t been enough time for the comprehensive story on the tragedy in Parkland to come to light, let alone be written (it wasn’t until ten years after the Columbine shooting that Cullen’s book, Columbine came out). If you’re interested in the fight for gun safety laws and the kids that have started to make a difference. Then this book is perfect for you.
Four Stars | Harper | February 12, 2019 | 400 Pages | Hardcover
One of Shakespeare’s early comedies, The Two Gentlemen of Verona tells the story of two men who love two women, and then that all changes. It is about the conflict between friendship and love and the crazy things people in love will do.
This play is just fine. It is fun to see and pretty boring to read. Neither the plot nor language is particularly exciting. Though this play is a great example of characters changing their minds, which when performed, can be pretty funny. Proteus, one of our gentlemen, falls in and out of love so quickly its hard to keep up. Something that is absolutely thrilling and deeply troubling when you see it on stage, but in writing feels a little manic. There are also two women characters who are smart and loyal and capable, which I always love seeing, especially in classic literature. Without spoiling, I will say the final scene of the play is worth the wait. It brings up ideas of female autonomy, forgiveness, and platonic male love, in a way that leaves the reader with a lot to think about. The ending of this play has been debated by scholars for decades, and there is still so much left undecided.
The Two Gentelmen of Verona is not a great play, its fine. I would say its better on the stage than the page, but if you’re working on reading Shakespeare, its a good place to start as it is an easy read and very digestible.
Three Stars | Penguin Classics; New edition | February 1, 2000 | 92 Pages | Paperback For a complete review of The Two Gentelmen of Verona click HERE.
A memoir of a life committed to fighting for equality, When We Rise is a true ode to the power of resistance and an ode to the Gay Community. The story of San Francisco queer culture is told beautifully by Cleve Jones, a man who was there for so much of it. Jones guides us through the people and places that were pivotal in the movement, like Harvey Milk and Anne Kronenberg and the people that were footnotes of the time like Jim Jones and Anita Bryant. The book is a who’s who of San Francisco and the Gay Community.
This book isn’t all history, it is also hugely about humanity. Jones is known for creating the AIDS Quilt as a way of seeing and acknowledging those who died and making sure they were never forgotten. It is that kind of humanity that is throughout the entire book. Jones celebrates the beauty, power, creativity, and strength of the Gay community throughout this memoir. The love he has for his people is palpable in the book. He doesn’t shy away from talking about the drag queens and the sex and the freedom of the time. There is no shame, only a truthful story of what life was like, once upon a time.
I listened to this book and Jones narrates, and I loved hearing his inflections as he walked us through his life in the movement. I was especially moved as he recounted the utter devastation that AIDS had on his life and his community. If you’re interested in a story of Gay Rights, both history and humanity, told from the perspective of a man who was there, I highly recommend you check out When We Rise.
Four Stars | Hachette Audio | November 29, 2016 | 9 Hours 31 Minutes | Audiobook
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
