Richard III by William Shakespeare

8853EBC9-8629-4FB1-B2FF-2C6E331176EEThis month, for the #ShaketheStacks challenge I read one of my most favorite Shakespeare plays, Richard III. It is the fourth and final part of the Henry VI tetralogy. For as much as I enjoyed Henry VI Part III Richard III is leaps and bounds better.

In this final chapter of the bloody war of the roses, the House of Plantagenet finally ascends the throne, putting our anti-hero, Richard, a stones throw from the throne. This play chronicles Richard’s assent from Richard Duke of Gloucester to King Richard III. It is full of blood and lies and fantastic wit and dialogue. Richard has all the things you want from a bad guy, he is clearly the smartest and most detestable person in the room. I won’t give anything away, but he is delightfully terrible.

I was lucky enough to be in two different productions of Richard III, and grew to learn about the text intimately. Shakespeare layers so much in each line, drawing back to the three previous plays, and verbal sparring that is thrilling to read, let alone watch. As with all his plays, Shakespeare has a point of view on what we’re watching. He centers the play around a corrupt ruler and his unchecked power and entitlement, not to mention his deep seated misogyny. Sound familiar? Richard III still holding up hundreds of years later.

My favorite scene in the play encapsulates all that is good (not morally) in Richard III, Act IV Scene 4. The scene is led by the women of the play, of which there are four insanely amazing independent and vibrant women characters, and it weaves from cursing to courting to sorrow and rage. The scene is dynamic and is the one moment when truth is spoken to power. It is powerful and exciting and smart. A total force that sucks the air out of the room, weather you’re reading or watching the play.

If you’ve yet to read this play, you should. Or better yet go see a production or watch the film. If I’m ranking Shakespeare’s plays it is in my top five (so far, but if I’m being honest I haven’t read them all yet).

Next month I leave the histories behind and read The Taming of the Shrew. I hope you’ll read it with me.

  • Paperback: 208 pages
  • Publisher: Penguin Classics; Reissue edition (June 13, 2017)
  • 5/5 stars
  • Buy Richard III on Amazon

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Eloquent Rage: A Black Feminist Discovers Her Superpower by Brittney Cooper

ADA6ECB3-A56D-4D66-BBDE-E73C105136E8I requested this audiobook from my library months ago, I forgot about it. Then I got an email saying it was on my phone, and I’m so happy that I did.

A little more about Eloquent Rage

So what if it’s true that Black women are mad as hell? They have the right to be. In the Black feminist tradition of Audre Lorde, Brittney Cooper reminds us that anger is a powerful source of energy that can give us the strength to keep on fighting.

Far too often, Black women’s anger has been caricatured into an ugly and destructive force that threatens the civility and social fabric of American democracy. But Cooper shows us that there is more to the story than that. Black women’s eloquent rage is what makes Serena Williams such a powerful tennis player. It’s what makes Beyoncé’s girl power anthems resonate so hard. It’s what makes Michelle Obama an icon.

In Brittney Cooper’s world, neither mean girls nor fuckboys ever win. But homegirls emerge as heroes. This book argues that ultimately feminism, friendship, and faith in one’s own superpowers are all we really need to turn things right side up again.


Brittney Cooper has made the case that she is the smartest (and most articulate) person in the room, especially when it comes to Black Feminism. Eloquent Rage is a force of passion, intelligence, history, and of corse, rage, and it totally works. Cooper’s points are razor sharp, and she walks us through her thinking time and time again.

Eloquent Rage is committed to Black Girl Feminism. It centers women of color. Dr. Cooper comes back to Black women over and over again in this book, even when she leaves them to discuss Hilary Clinton or Black fathers. When she strays to follow a line of thinking, she always comes back to the intersectional point of Black women. She is never distracted or dissuaded.

I am struck by how smart Cooper is. Not because she holds her intelligence over the reader, but because she is able to distill complex ideas down to a place where any reader can hear her and understand her. That is not easy, and Cooper does it with, what feels like, ease. She takes feminist theory and transcribes it over Michelle Obama’s ponytail, or Beyonce’s song “Formation”. She dissects the bible’s thoughts on sex along side her own grandmother’s thoughts on sex. Only someone with a strong hold on the theories behind Black feminism and the depth of mind to grapple with these theories could create such a complex, and yet still simple book. She hits the pains and pleasures of being a Black woman on the head. It was wonderful to see my life and struggles reflected in Cooper’s writing.

There were moments in this book where Cooper lost me. Not because I couldn’t understand what she was saying, but more because I couldn’t always follow how she got there. And to be fair, I listened to this book as an audiobook, so some of the lack of comprehension could be blamed on focus and not flow. Dr. Cooper narrates the book, and she does a wonderful job. Its not too familiar and not too academic. Again, she strikes the perfect balance.

I can not suggest this book more to anyone interested in intersectional feminism. I can not suggest this book more to anyone interested in feminism, period. You’ll walk away feeling like you have a new and deep understanding of what life for Black women is like, even if you already are a Black woman.

  • Audiobook: 6 hours and 57 minutes
  • Publisher: Macmillan Audio (February 19, 2018)
  • Hardcover: 288 pages
  • Publisher: St. Martin’s Press (February 20, 2018)
  • 5/5 stars
  • Buy on Eloquent Rage Amazon

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.

The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website. Shopping through these links helps support the show, but does not effect my opinions on books and products. For more information click here.

There There by Tommy Orange

17FDFE76-5F92-4255-8527-79ED037331A5Last week the National Book Award longlists came out, and There There made the cut. I already owned the book and had heard good things, but hadn’t actually taken the time prioritize it on my reading schedule. Then the list came out, and just like with Oscar nominees I felt like I just had to read the book so I could weigh in on all the conversations.

Here is more about this book

As we learn the reasons that each person is attending the Big Oakland Powwow—some generous, some fearful, some joyful, some violent—momentum builds toward a shocking yet inevitable conclusion that changes everything. Jacquie Red Feather is newly sober and trying to make it back to the family she left behind in shame. Dene Oxendene is pulling his life back together after his uncle’s death and has come to work at the powwow to honor his uncle’s memory. Opal Viola Victoria Bear Shield has come to watch her nephew Orvil, who has taught himself traditional Indian dance through YouTube videos and will to perform in public for the very first time. There will be glorious communion, and a spectacle of sacred tradition and pageantry. And there will be sacrifice, and heroism, and loss.


This book is a fantastic work of storytelling, which makes sense because so much of the book is centered on the power of sharing one’s story. This theme of storytelling is woven throughout the book beautifully. In There There we meet characters who tell us their stories, and each character is different and well written and important to the narrative. So often in books that weave many perspectives together, there are characters that are flushed out and imperative to the action, and then other people who exists more for function (i.e. to have a different point of view or progress the plot), not here. Orange does a fantastic job of giving each character autonomy and purpose. His characters are not pure. They are full people both good and bad, pathetic and proud, complex and relatable. Human.

There There centers on Native voices. Not just Native Americans, but modern Native Americans living in a major urban landscape. This is not a story of a reservation or the wild wild west. The setting, Oakland, California gives the book a strong place and identity but also allows for movement and isolation and independence for the characters. We get to see the connectedness of the community, and how the characters cross paths in ways that feel both organic and truthful. I’m from Oakland, and I loved the way Orange talks about the neighborhoods and landmarks, it made me appreciate where I’m from a little more.

I’ve never read a book about Natives in a major cosmopolitan city and that alone made the book fell fresh and exciting and special. I can’t speak much to the authenticity of Orange’s depictions, I can say that I appreciated what I learned about the Native experience in Oakland. The characters in There There are dynamic and delightful, deeply pained and wildly hopeful. You’ll have your favorites for your own reasons. You won’t be able to help yourself. Orange never settles into any one feeling or moment for too long, giving his humans room to evolve as the book progresses.

I really loved this book. The pacing, the plot, and the suspense, are all so well done. Orange is able to tap into so much humanity while still driving a plot forward. I often find books are either all about characters or all about plot, and this book melds the two beautifully. I think this is a wonderful (and quick) read. It is Orange’s debut, I am so looking forward to see what comes next from this creative talent.

  • Hardcover: 304 pages
  • Publisher: Knopf; First Edition edition (June 5, 2018)
  • 5/5 stars
  • Buy There There on Amazon

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.

The Stacks participates in affiliate programs in which we receive a small commission when products are purchased through some links on this website. This does not effect my opinions on books and products. For more information click here.

If Beale Street Could Talk by James Baldwin

78BB304E-DA7D-4F9A-BB17-42DF210C020EHere is yet another book I decided to read right away, because the movie is coming. I have read a little James Baldwin here and there and never been disappointed, but to be honest I was in no hurry to read this book, until I saw the trailer for the If Beale Street Could Talk.

If you’re not familiar with the this novel, here is a brief synopsis for you.

Told through the eyes of Tish, a nineteen-year-old girl, in love with Fonny, a young sculptor who is the father of her child, Baldwin’s story mixes the sweet and the sad. Tish and Fonny have pledged to get married, but Fonny is falsely accused of a terrible crime and imprisoned. Their families set out to clear his name, and as they face an uncertain future, the young lovers experience a kaleidoscope of emotions–affection, despair, and hope. In a love story that evokes the blues, where passion and sadness are inevitably intertwined, Baldwin has created two characters so alive and profoundly realized that they are unforgettably ingrained in the American psyche.

This book seamlessly marries a fictional story with very clear and searing commentary on injustice in America. Baldwin never wavers in this convictions about racism and the corruptness of the criminal justice system, however these ideas don’t come at the expense of believable characters or dialogue. The people found in this book embody the spirit of Baldwin’s thoughts and they live effortlessly in his words. The interactions feel authentic and the characters all have agency. They are not puppets for Baldwin’s believes, nor are they just there to move the story along.

If Beale Street Could Talk moves between present day and flashbacks, and is told through the eyes of Tish. Baldwin’s economy of words is beyond impressive, with a less skilled writer this book could easily be over 400 pages, but Bladwin keeps the book short and the emotion charged through out. He knows what he is trying to do an he executes. There are scenes in this book that are so tense that I shrieked out loud and had drop the book and walk away for a few moments to get my heart rate down. That kind of writing is not common, it is extraordinary.

While I enjoyed both the main character Fonny and Tish, the supporting characters were the real stars of this book for me. From both of Fonny and Tish’s family to the waiters at a small Spanish restaurant. The world is made vivid through the thoughts and actions of those who live in and around our young lovers.

The only thing I can say that I didn’t love about this book, is that I thought it got off to a slow start. I wasn’t fully invested in the book until about 50 pages in, and in a book thats less that 200 pages, thats a good chunk. However, once I got in, I was hooked.

You should read this book before you see the movie. I would say you should read this book even if you have no intention to see this movie at all. James Baldwin is considered one of the greats for a reason, his work is great. It is that simple.

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.

The Stacks participates in affiliate programs in which we receive a small commission when products are purchased through some links on this website. This does not effect my opinions on books and products. For more information click here.

Between the World and Me by Ta-Nehisi Coates

IMG_7803This week on The Stacks Podcast, we discussed Between the World and Me by Ta-Nehisi Coates, for The Stacks Book Club. I was joined by Jay Connor, a writer, and the creator and co-host of The Extraordinary Negroes podcast. You can listen to our conversation about the themes in this book right here.

If you’re not familiar with this book, which came out in 2015, here is a small description.

In a profound work that pivots from the biggest questions about American history and ideals to the most intimate concerns of a father for his son, Ta-Nehisi Coates offers a powerful new framework for understanding our nation’s history and current crisis. Americans have built an empire on the idea of “race,” a falsehood that damages us all but falls most heavily on the bodies of black women and men—bodies exploited through slavery and segregation, and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden?

Between the World and Me is Ta-Nehisi Coates’s attempt to answer these questions in a letter to his adolescent son. Coates shares with his son—and readers—the story of his awakening to the truth about his place in the world through a series of revelatory experiences, from Howard University to Civil War battlefields, from the South Side of Chicago to Paris, from his childhood home to the living rooms of mothers whose children’s lives were taken as American plunder. Beautifully woven from personal narrative, reimagined history, and fresh, emotionally charged reportage, Between the World and Me clearly illuminates the past, bracingly confronts our present, and offers a transcendent vision for a way forward.

To say that this is a good book, is almost trivializing all this book says and does. This is one of those books that changed the way I saw the world fundamentally. It changed how I interacted with the world as a Black woman, and also changed the way I saw other Black bodies. I all of a sudden felt as though I was part of something bigger, and also less a part of a something else.

The Dream is what Coates refers to when he talks about this notion of White exceptionalism or supremacy at the cost of the marginalized (and in this book more specifically Black folks). The Dream is the force that fights against Blackness. It is exclusionary, violent, and forgives all sins that are perpetrated in its name. To Coates, The Dream is how we can exist in a world with racists, but no white folks know any racists. The Dream is how we can excuse the horrors of slavery to the point that we have stripped the slaves of their humanity, even in the history books hundreds of years later. The Dream is what protects and defends Whiteness, and Coates calls this all to task. This book is not to make you comfortable, it is to make you think and understand how America functions.

Coates asks the reader to think and analyze ideas we often take for granted. To deeply question convention. One of his most controversial points is leveled around 9/11. Coates discusses why he is conflicted about the hero worship that came during and after September 11, 2001. He notes that this same neighborhood, Lower Manhattan, was home to the site of slave auctions and much plunder perpetrated against the Black Body. Its thoughts like this, really unpopular to many, that elevate this book. Coates is not sentimental, he is not afraid to speak his truth. And this is not the only moment that he confronts the reader on their beliefs.

Coates expertly weaves his own thoughts and feelings with the greater context of violence, racism, and hatred. However that is not all this book is, it is also a celebration of Blackness. Coates just as carefully reflects on the power of his time at Howard University, and how that time showed him the vastness of the Black cultural landscape. The diversity in the Black community, and the influence that had over him. This book is a master class in writing a thoughtful cultural critique. It blends the scholarly with the personal in both nostalgic and objective prose.

Most people could benefit from reading this book. Especially those people who live in The United States. What he is discussing and presenting the reader is a valuable perspective on race, violence, and Black bodies throughout the history of America. Read this book, please.

Don’t forget to listen the The Stacks with Jay Connor discussing Between the World and Me.

  • Hardcover: 176 pages
  • Publisher: Spiegel & Grau; 1 edition (July 14, 2015)
  • 5/5 stars
  • Buy Between the World and Me on Amazon

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.

The Stacks participates in affiliate programs in which we receive a small commission when products are purchased through some links on this website. This does not effect my opinions on books and products. For more information click here.

Bad BloodBad Blood: Secrets and Lies in a Silicon Valley Startup by John Carreyrou

D4FF632C-4321-43F0-BA48-93A26BFEF576The story of Elizabeth Holmes and Theranos, was first brought to my attention when the Bad Blood review was released for the New York Times. I didn’t read the full review, I don’t like to read reviews before I read the book, but the first few lines caught my attention that I immediately added the book to my TBR (to be read) list and couldn’t stop thinking about it. The story sounded so interesting and totally in my wheel-house, a start-up fraud of epic proportions.

If you’ve not heard of Theranos or Bad Blood here is a little background for you.

In 2014, Theranos founder and CEO Elizabeth Holmes was widely seen as the female Steve Jobs: a brilliant Stanford dropout whose startup “unicorn” promised to revolutionize the medical industry with a machine that would make blood testing significantly faster and easier. Backed by investors such as Larry Ellison and Tim Draper, Theranos sold shares in a fundraising round that valued the company at more than $9 billion, putting Holmes’s worth at an estimated $4.7 billion. There was just one problem: The technology didn’t work.

A riveting story of the biggest corporate fraud since Enron, a tale of ambition and hubris set amid the bold promises of Silicon Valley.

I really loved this book. It is a wild story whose veracity baffled me. If it was a movie, it would be written off as too unbelievable, but the fact that it is true makes it utterly consumable. The writing is quick, deliberate, and to the point. John Carreyrou, the author and the journalist who brought the Theranos fraud to light for The Wall Street Journal, does a phenomenal job of presenting the characters without interpretation. He allows Elizabeth Holmes’ behavior to speak for itself. I appreciate Carreyrou trusting that his reader is smart enough to draw their own conclusions.

The thing about this book is that it should be boring. Its a book about medical equipment and lab testing procedures that never worked. Its about science and business and startups, and normally that kind of stuff would bore me, except that the scam was so big and those involved so powerful, the story is fascinating. It is written like a true crime book with riveting characters, threats, intimidation, billionaires, blackmail, and more. You’re immersed in the story of Theranos and I couldn’t put the book down, I needed to know how this all could happen and then how it all fell apart.

There is one strange moment in the book, when the story goes from a third person recounting of the rise of Theranos (the first 2/3 of the book), to introducing Carreyrou himself as a player in the story of Theranos. Its a total revelation and it feels very staged. I don’t know if I have a solution for how Carreyrou could announce himself as a player in the fall of Theranos, but how its pulled off feels a little melodramatic.

I highly recommend this book, especially if you enjoy non-fiction. This is top of its class non-fiction. This is an insane story broken down and detailed. There is a commitment to truth telling and it explaining what happened and what went wrong. You leave this book feeling like you understand Theranos so much better, but then again, I have a ton more questions. I plan to follow this story as it continues to develop in the news.

  • Hard Cover: 352 pages
  • Publisher: Knopf; 1 edition (May 21, 2018)
  • 5/5 stars
  • BuyBad Blood on Amazon

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.

The Stacks participates in affiliate programs in which we receive a small commission when products are purchased through some links on this website. This does not effect my opinions on books and products. For more information click here.

 

The Devils Highway: A True Story by Luis Alberto Urrea

2912C833-EC19-4E44-A72B-70B58A50E35BA friend gave me her copy of The Devil’s Highway, and told me I had to read it. This was back in February, and I just wasn’t into it. I couldn’t motivate myself to pick it up. However, in the last few weeks with all thats going on with family separation at the US border I felt compelled to finally pick up this book.

Here is a little about this book.

In May 2001, a group of men attempted to cross the Mexican border into the desert of southern Arizona, through the deadliest region of the continent, the “Devil’s Highway.” Three years later, Luis Alberto Urrea wrote about what happened to them. The result was a national bestseller, a Pulitzer Prize finalist, a “book of the year” in multiple newspapers, and a work proclaimed as a modern American classic.

This book is so well crafted. It is a heartbreaking story, however there is still strength in its telling.  Urrea uses beautiful yet uncomplicated prose to describe the story of the US-Mexico border and all those who are caught navigating it’s terrain.

The Devil’s Highway is the story of one group that is representative of a greater population. Those people who feel that life has gotten too hard where ever they are, that it is better to leave home and try to find something better. Even if that means going through hell.

I think it trivializes the magnitude of this book to say it is “timely”. It does speak to this current political moment, but it was written over 15 years ago, and it spoke to that moment as well. It speaks to any moment where one group of people is trying to keep out another group. It speaks to humanity. It speaks to human nature. That is what makes this book powerful. It is about how we treat one another, when the option is, to be kind or to be cruel.

Urrea makes a point to include the narratives not only of the men walking through the desert, but also that of the coyotes, and the border agents, and the US law enforcement. He includes consulate workers from Mexico, and families of those men who left home. He is inclusive in his work, and yet he is clear in his point of view. Its a challenging balancing act, that Urrea executes perfectly. It is what gives this book credence and authenticity.

This book is graphic, and there are moments where I wanted to turn away from the story, because it was overwhelming and bleak. This book is wonderful. It is powerful. It made me feel things. It allowed me space to think about immigration and compassion. It has allowed me more perspective as I think about what it means to be American, and who has to stay out, so I can stay in.

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.

The Stacks participates in affiliate programs in which we receive a small commission when products are purchased through some links on this website. This does not effect my opinions on books and products. For more information click here.

Tiny Beautiful Things: Advice on Love and Life from Dear Sugar by Cheryl Strayed

7E239298-DBDB-4CD3-80C7-7FDFF44C5003.JPG

I have never read an advice column in my life. It is not something I seek out, or something that I have any interest in. Well, now that I’ve read Tiny Beautiful Things, that has all changed. Now, I love advice columns, but only if Cheryl Strayed is giving the advice.

If you’re not familiar with the Rumpus magazine’s Dear Sugar column here is a little of what you can expect from this book.

This bestselling book from the author of Wild collects the best of The Rumpus’s Dear Sugar advice columns plus never-before-published pieces. Rich with humor, insight, compassion—and absolute honesty—this book is a balm for everything life throws our way.

This books is special. It is full of advice. That at once seems obvious and still unique and is specific and still universal. Strayed does a thorough and compassionate job of answering the letters. She is never condescending and seems to always come from a place of working it out the best you can. Which is often harder than it sounds. She reminds people they know the answer, or she guides them toward what she thinks is right, or she shuts them down, or she builds them up. She seems to know how much of each ingredient her response needs and takes her time to doll it out.

If you don’t know Strayed, which at the time of writing to “Sugar” these people in need of advice didn’t. You assume the woman answering the questions has her whole life together, and always has. But if you do know Strayed, you know thats not true. I won’t spoil her life for you (you can read it all about it in Wild or watch Reese Witherspoon in the movie), but she has lived a big life. Its what makes her advice so precise and potent.

I don’t think I related to a lot of the letters, but some of them might as well have been written by me. I would imagine everyone who reads this book feels that at some point. Some, perhaps the best ones, are questions you’d never think to ask, but you’re so glad someone did because you needed to hear the answer.

I’m grateful to this book, I have suggested it to a lot of people. I have even mentioned it on The Stacks podcast (Ep.9 at the 39:30 mark). Everyone who has read it has enjoyed it, found it interesting at the very least and some have found it life changing. I’m grateful to this book for helping me, and those I love to see life in a new and special way.

I listened to this book, and Strayed reads it. I fell in love with her voice and her cadence and if you’re so inclined this is a fantastic audiobook. I went back a few times to listen to my favorite ones again and again. Hearing Strayed say “sweet pea” is better than I could’ve imagined.

The best news is, I just found out (and I realize this makes me very late to this party) that there is a Dear Sugars podcast, with Cheryl Strayed and the Sugar before her, Steve Almond. So once you’ve read the book go listen to the podcast. More Sugar to go around.

Read this book. Share it with a loved one. Chances are they will take something meaningful away from this book, and thats a tiny beautiful ting indeed.

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.

The Stacks participates in affiliate programs in which we receive a small commission when products are purchased through some links on this website. This does not effect my opinions on books and products. For more information click here.

Othello by William Shakespeare

AF5A379C-606C-48A1-AF83-92754A187CF9I have to admit up front, I am a total Shakespeare nerd. I love his plays and I actually enjoy reading the verse. I also feel that these stories are plays, and should be heard and seen. However, for an upcoming episode of The Stacks, we are discussing New Boy by Tracy Chevalier, which is a retelling of Othello, so I thought I should brush up on the original text.

Here is an introduction to Othello if you’re not familiar with this great tragedy.

In Othello, Shakespeare creates powerful drama from a marriage between the exotic Moor Othello and the Venetian lady Desdemona that begins with elopement and mutual devotion and ends with jealous rage and death. Shakespeare builds many differences into his hero and heroine, including race, age, and cultural background. Yet most readers and audiences believe the couple’s strong love would overcome these differences were it not for Iago, who sets out to destroy Othello. Iago’s false insinuations about Desdemona’s infidelity draw Othello into his schemes, and Desdemona is subjected to Othello’s horrifying verbal and physical assaults.

I find Othello to be one of Shakespeare’s most relatable and easy to read plays. The story is very straight forward, there are not a lot of characters or subplots, even the language is relatively simple (for a Shakespeare play). If you’re a little intimidated by reading Shakespeare, this is a great place to start.

What makes Shakespeare masterful is how he was able to weave together so many themes and ideas into a short play. In Othello we are looking at the themes of, fear of the outsider, entitlement, sexism, love, trust, truth, rage, racism, and jealousy, and thats just to name a few. Shakespeare employs his characters to engage in debate over these issues, weather it be a conversation about jealousy, or a monologue on faithfulness. He uses the words to speak directly to the audience and drive home his points. You’re being asked to think as you read (or watch).

One of the things that stuck out to me upon re-reading Othello, is just how current the story feels. Iago might as well be the “Trump Supporter” we have heard so much about in the last few years. The white man who feels he is owed some standing in the world, and can not handle life not being what he thinks he is entitled to. He is racist, misogynistic, and thinks if he didn’t earn it he can just take it. His reality doesn’t meet his expectations of where he thinks his life should be, so he acts out instead. He throws the whole tragedy in motion, because of his fragile ego.

The last two acts of this play are fantastic. They move at the perfect speed and deliver a gut-wrenching finale. Each scene tops the one before, until you’re left with a feeling of what just happened here, and a pile of dead bodies, a staple of a Shakespearean tragedy.

If you’ve never read this play, I think its worth a read. If you read it years ago, it might be time for a re-read. It is that good. Its short and powerful. It is current. I would love to hear from you, so add your comments below.

  • Hardcover: 208 pages
  • Publisher: Penguin Publishing Group (July 3, 2001)
  • 5/5 stars
  • Buy Othello on Amazon

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The Girl Who Smiled Beads: A Story of War and What Comes After by Clemantine Wamariya and Elizabeth Weil

E6521C99-1A52-4616-B658-92150D28E59B.JPGThis book is a true gift. I am very grateful that Wamariya chose to share her story with the world. I think we, as readers and consumers, can often feel entitled to read great stories. I think we feel we deserve to be educated and entertained. The Girl Who Smiled beads is an ever present reminder, that every book, every story, is the work of someone else. It is their labor of love and struggle, and that they are making a choice to share that with us. We should be humbled to be in the presence of someone else’s journey, and we should be grateful. This book made me grateful.

If you are not familiar with this book, here is more information for you.

Clemantine Wamariya was six years old when her mother and father began to speak in whispers, when neighbors began to disappear, and when she heard the loud, ugly sounds her brother said were thunder. In 1994, she and her fifteen-year-old sister, Claire, fled the Rwandan massacre and spent the next six years migrating through seven African countries, searching for safety—perpetually hungry, imprisoned and abused, enduring and escaping refugee camps, finding unexpected kindness, witnessing inhuman cruelty. They did not know whether their parents were dead or alive. 
 
In The Girl Who Smiled Beads, Clemantine provokes us to look beyond the label of “victim” and recognize the power of the imagination to transcend even the most profound injuries and aftershocks. Devastating yet beautiful, and bracingly original, it is a powerful testament to her commitment to constructing a life on her own terms.

Clemantine and her sister Claire go on extraordinary journey, except its not extraordinary. It is all too common. It is the story of civil war. It is the story of death and violence. It is the story of becoming a refugee. It is one telling of this story, that too many know too well. Wamariya makes the point of reminding us that it is us, that are inadequate, we can not take in all the unique stories of suffering. So instead, we find ways to make certain ones the special ones. The ones we are willing to see.

The story as told by Wamariya to Weil is fantastic. The poetry in the language is beautiful and it brings so much depth and emotion. Wamariya is willing to get vulnerable. She is willing to be flawed for us. The structure of the book is not linear, we jump from event to event, year to year, we are sorting through Wamariya’s life with her. Looking for clues as to who she is and how she grew into her self. She is angry and bitter, she is distrustful, she is also a caretaker and a witness to so many. She will not let us see her, or her sister, as only victims.

While there are parts of the book I would have loved to hear more about (her relationship to Black Americans, the conflicts in Africa she experiences, her day to day acclimation in Chicago), this book is full. It is rich with thoughtful analysis of ones own journey, which is so hard to do. To be truly examines one self is no easy task.

The Girl Who Smiled Beads is in line with other books about children who grow up in war torn African countries and find their way to America. Two that I am particularly fond of, What is the What by Dave Eggers, and A Long Way Gone by Ishmael Beah. While the other two books are more concerned with historical context and the telling of a cohesive story, I found this book to be more thoughtful, more introspective, and more concerned with the greater narrative of suffering that we inflict upon one another.

While there are parts of this book that are disturbing and emotional, I would suggest you read it. I would suggest you bear witness to Wamariya and her journey.

The Stacks participates in affiliate programs in which we receive a small commission when products are purchased through some links on this website. This does not effect my opinions on books and products. For more information click here