Imani Perry is the author of seven books including her latest, the New York Times bestselling, South to America: A Journey Below the Mason-Dixon Line to Understand the Soul of a Nation. She is an American interdisciplinary scholar of race, law, literature, and African-American culture, and the Hughes-Rogers Professor of African American Studies at Princeton University. Imani shares with us today about her writing process, inspirations, and sweet tooth.
The Stacks Book Club selection for March isA Mercyby Toni Morrison. e will discuss the book on March 30th with Imani Perry.
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Brandon Hobson is a National Book Award Finalist, and the author of a brand new novel called The Removed. The book is about one family and the lasting impacts from the murder of their son at the hands of a police officer. Today we talk about how The Removed challenges stereotypes around Native Americans, creating a career from passions, and the writers who inspire Brandon. There are no spoilers on this episode.
The Stacks Book Club selection for March is Every Body Looking by Candice Iloh, we will discuss the book with Nic Stone on March 31st.
To support The Stacks and find out more from this week’s sponsors, click here.
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. If you prefer to support the show with a one time contribution go to paypal.me/thestackspod.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
Here it is, a list of my ten favorite reads of 2020. No, not every book in the list was published in 2020, but yes, every book on this list is superb. They’re presented here in alphabetical order with a few thoughts about each book. For more detailed reviews please check out The Stacks page on Instagram.
I did keep track of everything I read. Mostly because I’m a huge nerd and love a good spreadsheet, but also because I like to stay accountable to my reading goals.
Before I dive into my top 10 books, here is a little breakdown of what I read in 2020. I read a total of 95 books, which blew my goal of 36 out of the water. Though my goal was purposefully low because I didn’t know what to expect with the addition of The Mini Stacks this year.
64 were by authors of color (67%)
62 books were by women or nonbinary authors (65%)
48 books were by women/femme authors of color (50%)
45 books were published in 2020 (47%)
52 books were acquired by me in 2020 (55%)
59 books were nonfiction (62%)
15 books received five stars (16%)
1 books received one star (1%)
I love a good stat, and I could break down my reading even more, but I won’t. Instead here are my top 10 favorite reads of 2020.
A modern retelling of Anna Karenina set in current day NYC with socialite teenagers. Think “Gossip Girl” with amazing storytelling and wonderful characters.
I loved this book. Jenny Lee really creates something fun and exciting that I didn’t want to put down. I found myself so invested in the characters and their journeys. There’s a central love story that doesn’t feel corny, which is hard to do, especially with teenagers. This one comes highly recommended.
The story of one of our most important and influential leaders, Malcolm X. This book changed my life and the ways in which I see and relate to the world around me. I can credit it with helping me begin to understand racism as something systemic in America and not something only “bad” people do. This book is revolutionary.
One of the most impressive parts of this book is how Malcolm is able to stand in his truth and share that with the world and say it fully with his chest, and then learn something new and change his mind. That kind of courage is tough to imagine. His commitment to seeking justice and equality for Black folks was not to be interfered with, even if it was he who was getting in the way.
Black Futures edited by Kimberley Drew and Jenna Wortham (2020)
Easily my most immersive and unique reading experience of 2020. Black Futures is a collection of essays, art, memes, conversations, recipes, lyrics, and more that attempt to detail and encompass the experience of Blackness today. This book is a time capsule of Blackness and a dream for our future.
I loved this book so much. It is massive and rich and full of wisdom and joy and creativity and activism and defiance and beauty. It is the embodiment of the saying “Blackness is not a monolith”. The topics range from Black Indigeneity to self-care, from Ocean preservation to Colin Kaepernick. And it’s not just about each of these things the book connects the many seemingly disparate dots and exposes the multitudes we, Black folks, contain. Drew & Wortham clearly poured so much love into this collection and into telling our stories. A blessing.
A deeply personal examination of life, family, gender, race, memory, and violence Breathe is a lush and layered addition to the epistolary tradition in Black American writing.
Perry has created something that is both complex and direct. A combination that is nearly impossible to do well. She is audacious and generous in allowing the reader into her relationship with her sons. I kept asking myself where does she get off writing with this much skill and emotion? The care and love in these pages are unmistakable. I can barely scratch the surface of what I want to say about this book here.
The Stacks Book Club discussion of Breathe can be found here.
This book was on this same list in 2018, but in 2020 I reread the book before Laymon was a guest on The Stacks. This time I listened on audio. This book holds up and is maybe even better the second time around. Heavyis an emotional memoir of Laymon’s life as a young Black man in Jackson, Mississippi.
The book is brutally honest and unyieldingly vulnerable. We are told of struggles and successes, addictions and abuses. Throughout Heavy there is blank space for the reader to connect to Laymon and to connect his life to a bigger picture of being Black in America. Laymon’s dedication to the written word and to the power of revision is striking.
When Natasha Trethewey was 19 her stepfather murdered her mother. Memorial Drive is the examination of that event, Trethewey’s childhood, and the ways trauma and memory are in a constant struggle.
This book is incredible. I had visceral reactions through out my reading. Tears. Gasps. Tightening of my chest. This story is painful, powerful, and beautifully told. The kind of bravery Trethewey mustered to put this story on the page is something I cannot comprehend. There are depictions of domestic violence in this book that are haunting. They are difficult to read (despite the fact that Trethewey is careful to protect her reader). These sections are necessary. They are not gratuitous. To tell this story without these details is to protect abusers and the systems that enable them.
This play is extraordinary. It might be my most favorite Shakespeare play (and at this point I’ve read almost all of them). It is smart and complex and feels timely every time I read it. Mostly because racism, sexism, and violent white boys never seem to go out of fashion. And yes, this was already on my 2018 list of favorite reads.
Iago’s rage and jealousy stuck out during this read more than anything else. He lies so convincingly and so consistently, the parallels to the party in power in America are haunting. The fearlessness with which white men take and destroy is front and center in Othello. Also Act 4 Scene 3 is a scene that I love so much as it shows the way women fight against instinct and intuition to love toxic men. It is beautiful and devastating.
This short story collection is so good. It’s funny. It’s depressing. It’s complex. It’s rich. It’s Southern. It’s sobering. It’s sexy and violent. It’s specific. It’s surprising. It’s delicious. It’s Black and free and brilliant. Philyaw snapped on each and every story. They’re short and pack a major punch. There is no apology. There is no white gaze and for that I feel entirely grateful. I don’t want to tell you more. Just read this book.
A masterful work that calls into question the dissonance of The American Dream and the reality that is The United States. Smith asks for reflection and reimagining in the aftermath of the 2016 election. Abolition, justice, reform, and redistribution are all on the table in this brutal and searing call to action.
Smith is an incredible writer. He distills the contradictions of America and Americanness down to its true, immoral, and predatory essence. I was impressed by the ways Smith kept Stakes Is Highin the current moment (the book is not afraid of confronting the here and now) and also rooted in a history that reminds us that none of this is new. The book is in conversation with the great texts on race and liberation in America, and is part of the tradition of abolition, revision, and rigorous curiosity.
The simple synopsis: the story of best friends, Sula and Nel, the town they grow up in, their families and their bond. The complicated synopsis: everything.
Sula is an incredible feat of storytelling. It’s smart. It’s funny. It’s tragic. Morrison says all she needs to say without any excess. The ways Morrison captures the joy and trauma and complexity of Blackness is what will always stick with me from this book. The humor that is an integral part of Blackness is not overlooked, it is the foundation of this story.
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
Today we’re joined by two of The Stacks’ most favorite readers, Christine Bollow (@readingismagical) and Oscar Almonte-Espinal (@booksteahenny) to share the best books of 2020. We also discuss how 2020 impacted our reading and look ahead to the books we’re most excited about in 2021.
The Stacks Book Club selection for December isCitizen: An American Lyric by Claudia Rankine, we will discuss the book with Darnell Moore on December 30th.
To support The Stacks and find out more from this week’s sponsors, click here.
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. If you prefer to support the show with a one time contribution go to paypal.me/thestackspod.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
I had a lot going on in December. If you missed the announcement, I gave birth to two adorable mini Stacks (aka twin sons), and that kept me busy between the hospital and getting settled back at home and figuring out how to make two strangers stop crying in my arms. I was able to squeeze in four books, and with all that was happening I feel very good about that. I also hit my goal of 100 books for the year in December (I eeked out 101). Reading 100 books was goal I’d had for a long time and never thought I’d accomplish, sort of like the reading equivalent of running a marathon. I feel very proud of myself.
December by the Numbers
Total Books Read: 4 Audiobooks: 1 Five Star Reads: 0 Unread Shelf: 1 Books Acquired: 11
By Women Authors: 2 By Authors of Color: 1 By Queer Authors: 0 Nonfiction Reads: 2 Published in 2019: 1
Pamela Druckerman, and American ex-pat journalist living in Paris, looks into the differences in parenting from how things are done in The United States versus France. The book is mostly her observations from raising her own kids and she adds some insights from French parents and a parenting specialists.
I really liked this book as a parenting book and as a look into parenting from a cultural studies perspective. Druckerman does a good job of taking her ideas and thoughts and finding ways to explain and prove why somethings may or may not be true. She talks about eating habits, sleeping, mommy snap back, and more. The book is very specific to her experiences, and while some things could be expanded to fit many families, some of the book is extremely anecdotal. The book is also mainly focused on middle to upper class white families, simply based on who Druckerman. I wished she would have taken the time to look at how wealth changes the parenting experience in France. Just like all cultures and countries, France has issues that this book doesn’t get into. Thats ok, but I did find it misleading to leave out most (if not all) of the negative aspects of French culture which is no doubt passed on to these children. I would suggest Bringing Up Bébé to any parents or parents-to-be who want a fresh perspective on how to raise kids with a little less stress.
Three Stars | Random House Audio | February 7, 2012 | 9 Hours 8 Minutes | Audiobook | Listen on Audible
A book mostly about the ways in which to sleep train your child. I really only read this book because we were expecting. I don’t think the writing was particularly good, though it is a comprehensive look at one technique of sleep training for babies. As far as these how-to parenting books go, this one was better than many I’ve read, and isn’t nearly as repetitive. We’ll see if it works!
Three Stars | Hawksflight & Associates, Inc. | February 1, 2012 | 279 Pages | Paperback | Purchase on IndieBound
I have read Twelfth Night a few times, and was lucky enough to choreograph a production when I was still living in NYC. This play has so much going on and its a total blast to watch. The story follows Viola who dresses as a boy to woo Olivia for the Duke. There is a ton of mistaken identity and love triangle action. There are also a bunch of other sub plots that provide comic relief, and the moral center of the story.
If you’re newer to Shakespeare, I would suggest this play. It may be better to see the play, but it is a fun story with lots of language to unpack and work through. The play has amazing women characters who drive the story, deal with issues like grief and choice, and are generally wonderful to get to know. I am looking forward to carrying the #shakethestacks challenge into 2020!
Four Stars | Penguin Classics | July 5, 2016 | 144 Pages | Paperback | Purchase on IndieBound
The Stacks received this book from the publisher in exchange for an honest review. For more information click here. (Photo: amazon.com)
This book reimagines they murder of Latasha Harlins in a fictionalized look at the families of a murdered girl and the woman who killed her. The concept of this book is great. Alternating perspectives and time frames are used to examine generational trauma. Cha is a strong writer and she’s bringing up a topic, non-white anti-Blackness, that I wish was talked about more. There is a lot to appreciate in Your House Will Pay.
I’ve always been fascinated by the LA uprisings and the stories of racism and distrust between the Black and Korean communities. I liked the concept, but the execution fell short. Mostly because Cha had a strong understanding of the Park family (Korean), but missed on the Matthews family (Black). It was as if she had researched Blackness but couldn’t quiet grasp the nuance of what it means to be a Black family dealing with trauma. This left the book to feel lopsided and cliched. I was interested in what would happen, but never fully felt engaged or that I cared for the characters.
Three Stars | Ecco Books | October 15, 2019 | 320 Pages | Hardcover | Purchase on IndieBound
The Stacks participates in affiliate programs in which we receive a small commission when products are purchased through some links on this website. This does not effect my opinions on books and products. For more information click here.
April was not my best reading month as far as content. I liked a lot of what I read, but I really didn’t love anything. I reread Cheryl Strayed’s Tiny Beautiful Things and still found it excellent, but it wasn’t as thrilling as the first time around. I loved Fatimah Asghar’s poetry collection If They Come for Us, and was happy too participate in reading poems as part of National Poetry Month.I enjoyed mostly what I read all month, but was never really blown away.
You can find my reading month by the numbers and short reviews of everything I read below, and check out reviews of all of these books over on The Stacks Instagram
April by the Numbers
Total Books Read: 10 Audiobooks: 1 Five Star Reads: 2 Unread Shelf: 1 Books Acquired: 37
By Women Authors: 6 By Authors of Color: 6 By Queer Authors: 2 Nonfiction Reads: 7 Published in 2019: 4
The Stacks received this book from the author in exchange for an honest review. For more information click here. (Photo: amazon.com)
In her collection of poetry that covers the history of incarceration of Black women in America, DaMaris Hill crafts poems that highlight the pain of being a Black woman and the undeniable strength that comes along with it. She tells of some of the most famous women of the Diaspora as well as many women whose stories were nearly lost to history.
The collection is both poems and small bits of historical context that allow the reader to get a deeper understanding of the poetry. I really enjoyed the contextual bits of this book. Not all of the poems resonated with me, some were too fare removed from the context given. I also found some to be extremely powerful. The section on Assata Shakur was my favorite.
Three Stars | Bloomsbury Publishing | January 15, 2019 | 192 Pages | Hardcover | Purchase on IndieBound DaMaris Hill is our guest on The Stacks, hear that conversation now, by clicking HERE.
Every once in a while I will read a book that I can appreicate for its artistic beauty and masterful use of themes, language, and characters. I will be impressed by the dialogue and wowed by the sheer craft of the thing. And despite all of the beauty and skill, I won’t really like the book. That was the case for me with Beloved, Toni Morrison’s most famous and well regarded book. Its not that I didn’t think the book was spectacular, its just that it wasn’t for me. When I say a book is “too fiction-y” this book is a prime example.
If you’re not familiar with the book, it is the story of a runaway slave woman, Sethe, and her life as she lives free in Ohio mixed with the haunting of her past on the plantation and the early days of freedom. It is supernatural and haunting, and contains so many layers. I didn’t love the book, but I look forward to talking about it on The Stacks Book Club on May 22. I have a hunch that every time I discuss and dissect the book I will like it more and more. Toni Morrison’s works have a funny way of always having more to give.
A collection of poetry about violence, race, gender, and mortality both in a cultural sense and in the more intimate context of what it means to be alive and human. These poems are so smart and tough and vibrant and some are funny and snarky in the best ways.
What I appreciate in these poems beyond the craft itself is that the content ties in the historical and deeply personal. Asghar talks about being an orphan along side the fracturing of India and Pakistan. She takes the many parts of her identity and reflects them back to her audience. She reminds us all of the pain and joy in the world to which we must bear witness.
Five Stars | One World Books | August 7, 2018 | 128 Pages | Paperback | Purchase on IndieBound
A collection of short stories about drifters, drug addicts and life on the margins. It is both about the falling down and the getting back up of life. Before we recognized the opioid crisis as a crisis and before we sympathized with addicts, Jesus’ Son gave a human perspective to those that suffer from addiction. The book feels ahead of its time in this way. I couldn’t help but see Johnson’s ability to tell this story as a part of his own privilege. He gets to tell the stories of this specific group of users, instead of having to be responsible for all people who have ever been addicted. It is a great thing for an artist to be able to do, though I wonder if a Black author’s work would have been granted that kind of specificity.
Jesus’ Son is a well crafted collection, sparse in words but big in feeling. Johnson is fantastic at all the twists and the short sentences that pack a huge punch. While there were moments of great emotional resonance, this one wasn’t for me, in the end, I just didn’t care about the people in the stories.
This month for the #ShakeTheStacks Challenge I read Richard II. It looks at the reign and fall of King Richard II, and is a glimpse into the fragility of power and the necessity of legitimacy. This play has the potential to be boring, however Shakespeare crafts dynamic characters who use their speech as a way to influence and persuade. I was particularly struck by the diversity in oratory style between Bolingbroke and Richard. Both men attempt to convince those around them to follow their lead, and both do it in drastically different ways. I found a couple of Richard’s speeches to be some of Shakespeare’s most beautiful. On top of the beauty, the play is easy to read and understand, which isn’t always the case for The Bard.
Richard II is an engaging and thrilling read. It is a play about politics and legitimacy. It feels especially relevant in today’s climate. What does it take to overthrow the leader? It is a dramatization of a theoretical question of who has the will of the people. The play is more cerebral than action packed, but it works beautifully and leaves the reader with much to think about.
Three Stars | Penguin Classics; reprint edition | December 1, 2000 | 160 Pages | Paperback | Purchase on IndieBound
The Stacks received this book from the author in exchange for an honest review. For more information click here. (Photo: amazon.com)
A collection of essays that are at once smart, funny, and truly thought provoking. Cottom is one of the most critical and nuanced thinkers on race and gender in this moment in The United States.Thick is effortless in its ability to move between ideas of intersectionality, the art of “the turn” is perfected in these pages. As the collection goes on the essays build on each other and deepen the readers understanding of Cottom and the work she has dedicated her life to. It is because of this depth that the second half of the book really stood out for me.
Some of Thick was challenging to read. I often had to go back and reread sentences and passages because I found myself lost in her arguments. That is less a criticism and more an observation about the style of the book. I applaud Cottom for not making her work small to accommodate her reader. Her writing is too important for that. Go read Thick. You will learn things, you will connect dots you never knew you could. It is powerful and empowering.
Five Stars | The New Press | January 8, 2019 | 224 Pages | Hardcover | Purchase on IndieBound
In June 1973, there was a fire at the Up Stairs Lounge, a gay bar in New Orleans that left 32 people dead. This tragedy was barely acknowledged when it happened and has since, been largely lost to history. In his book, Tinderbox, Robert Fieseler attempts to shed light on the events of June 24, 1973, and the connect those events with the early days of the Gay Liberation Movement.
Tinderbox functions on two levels, one the story of the fire and the people and city directly involved, and two the story of the movement that was connected to it. The true crime part of this book is fantastic. In particular, the pages where Fieseler describes the fire itself were vivid and horrifying. The history of the movement falls a little flatter, the connection feels forced. I thoroughly enjoyed this book, and if you like true crime, you will too, even if some sections are not as good as the rest.
Three Stars | Liveright | June 5, 2018 | 384 Pages | Hardcover | Purchase on IndieBound Hear Robert W. Fieseler on The Short Stacks HERE, and hear our in depth discussion of Tinderbox on The Stacks HERE.
A reread of one of my favorite books from last year (you can find my first review here). Cheryl Strayed’s advice column from her days at The Rumpus strikes all the right chords. I love this book. I don’t know how else to say it. It is full of reminders and suggestions on how to live life a little better. Its not polite or even precious, its more in your face. Its the kind of book that opens you up a little bit. Thats what makes it so great. Strayed even says, most of the time you know what you must do, this book, like her advice, is just a nudge in the right direction.
The Truths We Hold is part of a tradition of books for future presidential candidates, they almost all have them. One part memoir, one part policy platform, and one part resume. These books aren’t particularly insightful, though they are a glimpse into the candidate on their very best days (even the bad ones are good or have packaged lessons to take away). Barack Obama famously wrote The Audacity of Hope on the eve of his candidacy, and that book gave America a glimpse into the changes Obama wanted to make in this country. Likewise Harris lays out the things she has achieved as prosecutor and attorney general, and the direction she thinks America should go. It is all well written and readable, but it is all so safe. I understand why, but I wish there was another way. I will wait and read her tell all after she is president.
The final section of the book are the truths she lives by, and aside from learning about her courtship with her husband, this is the best part of the book. Its a little insight into how she ticks. It should also be said, she reads her book and does a fantastic job. Her charisma shines through, and if nothing else, you finish the book and really like the woman.
Three Stars | Penguin Audio | January 8, 2019 | 9 hours and 26 minutes | Audiobook | Listen Through Libro.Fm
The Stacks received this book from the author in exchange for an honest review. For more information click here. (Photo: amazon.com)
What Doesn’t Kill You Makes You Blacker is the exact book you might expect from Damon Young, of Very Smart Brothas. It is smart and funny, and yet it still makes you think. The book is dynamic and covers a range of topics from what is a “good dude” to Black anxiety, to gentrification, homophobia, to name a few. The book is good, though some of the essays are stronger than others, and sometimes thats frustrating.
There are four essays that really stand out, and whats interesting is they all have a common thread: Women. Each one of these essays (about his controversial piece on rape on VSB, his wife, his mother, and his daughter) is vulnerable but still maintains the style that Young is known for. There is an ease to his voice though saying the hard things, admitting fault, calling out his own privilege, and taking others to task must have been extremely challenging. There is a humility to these essays that allows them to soar above the rest. The book is worth a read, even if at times I found Young to be reaching for a laugh when he didn’t need one. His story is enough.
Three Stars | Ecco | March 26, 2019 | 320 Pages | Hardcover | Purchase on IndieBound Hear our conversation with Damon Young on the Short Stacks HERE
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.
