The Stacks Book Club — October 2020

On October 29, 1965 Alex Haley published The Autobiography of Malcolm, eight months and eight days after the assassination of the Muslim minister and Civil Rights activist. Fifty-five years later, almost to the day, we will discuss this iconic work of nonfiction for The Stacks Book Club.

Malcolm X is one of the most influential figures of the 20th century. His life was cut short but his message lives on and is as relevant now as it was over fifty years ago. The Autobiography of Malcolm spans Malcolm X’s life, from his youth in Michigan to his hustling days in Boston to his murder in Harlem, all in his own words. The reader follows along as Malcolm X undergoes multiple transformations to become one of the most important leaders for Black empowerment.

We will be discussing The Autobiography of Malcolm on the podcast on Wednesday, October 28th. You can find out who our guest will be by listening to the podcast on September 7th. If you’d like even more discussion around the book consider joining The Stacks Pack on Patreon and participating in The Stacks’ monthly virtual book club.

Order your copy of our July book on Bookshop.org or Amazon.


To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.

The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed. For more information click here.

The Stacks Book Club — August 2020

Its time for a favorite annual tradition around these parts. Every year we read a Toni Morrison novel for The Stacks Book Club, and this year we’re reading Sula.

Sula, written in 1973, is the story of a relationship between two girls, Nel Wright and Sula Peace, and the ways their friendship evolves and complicates as they grow up. The book asks questions about betrayal and loyalty, and how these ideas are often more complex than they appear. Sula is not only about the relationships between the two women, but also the family trauma they come from, the community they are raised in, and the societal expectations of Black femininity.

We will be discussing Sula on the podcast on Wednesday, August 26th, and you can find out who our guest will be buy listening to the podcast on August 5th. If you’d like even more discussion around the book consider joining The Stacks Pack on Patreon and participating in The Stacks’ monthly virtual book club.

As always, we want to hear from you, so please reach out with your thoughts, questions, and things you want to hear discussed on the podcast. You can email us at thestackswithtraci@gmail.com, comment on this post, or reach out through Instagram @thestackspod.

Order your copy of our July book on Bookshop.org or Amazon.


To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.

The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed. For more information click here.

Ep. 122 Breathe by Imani Perry — The Stacks Book Club (Kiese Laymon)

We are thrilled to welcome Kiese Laymon (Heavy, Long Division) back to The Stacks for our July book club discussion of Breathe: A Letter to My Sons by Imani Perry. This deeply personal and evocative book brings up many questions that we grapple with around Black identity and family. We also talk about the ways revision is a powerful tool in education and the tradition of the epistolary form.
There are no spoilers on this episode.

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Everything we talk about on today’s episode can be found below in the show notes. You can also find everything we talked about on Amazon.

Connect with Kiese: Twitter | Instagram | Website

Connect with The Stacks: Instagram | Twitter | Facebook | Apple Podcasts |The Stacks on PodcastOne | Goodreads | Patreon

Support The Stacks

Libro.FM – get three audiobooks for the price of one when you use code THESTACKS at checkout.

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.


The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.

Ep. 90 Red at the Bone by Jacqueline Woodson — The Stacks Book Club (Jason Reynolds)

Jason Reynolds is back this week for The Stacks Book Club discussion of Red at the Bone by Jacqueline Woodson. The novel tells the story of three generations of one family in Brooklyn, NY and the struggles and successes of life. We talk about the taboo of not loving motherhood, doubling down on disappointment, and sensitivity readers.
There are spoilers this week.

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Everything we talk about on today’s episode can be found below in the show notes. If you’d like to support your local indie, you can shop through IndieBound.

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Connect with Jason: Twitter | Instagram | Website

Connect with The Stacks: Instagram | Twitter | Facebook |Apple Podcasts |The Stacks on PodcastOne | Goodreads | Patreon

Support The Stacks

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.

Audible– to get your FREE audiobook download and FREE 30 day trial go to audibletrial.com/thestacks.


The Stacks received Red at the Bone from the publisher. For more information click here.

The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.

The Short Stacks 28: Jacqueline Woodson//Red at the Bone

We are thrilled to have best selling novelist and poet Jacqueline Woodson on The Short Stacks to discuss Red at the Bone, her newest book, and our book club pick for this week (tune in on Wednesday)! We talk with Jacqueline about how she turned a childhood habit of lying into a career, crafting authentic characters, and giving a TED Talk.
There are no spoilers on this episode.

LISTEN NOW

Apple Podcasts | Spotify | PodcastOne | Google | Android

Everything we talk about on today’s episode can be found below in the show notes. If you’d like to support your local indie, you can shop through IndieBound.

Connect with Jacqueline: Twitter | Instagram | Facebook | Website

Connect with The Stacks: Instagram | Twitter | Facebook |Apple Podcasts |The Stacks on PodcastOne | Goodreads | Patreon

Support The Stacks

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.

Audible– to get your FREE audiobook download and FREE 30 day trial go to audibletrial.com/thestacks.


The Stacks received Red at the Bone from the publisher. For more information click here.

The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.

Ep. 89 Staying True to Yourself with Jason Reynolds

Jason Reynolds is a New York Times best selling author and a National Book Award finalist. He writes novels and poetry for young people, and they’ll all tell you Jason just “gets it”. We sit down with Jason to discuss his new book Look Both Ways, how his love of music led to a career as an author, and what book he would assign in high school.

LISTEN NOW

Apple Podcasts | Spotify | PodcastOne | Google | Android

Everything we talk about on today’s episode can be found below in the show notes. If you’d like to support your local indie, you can shop through IndieBound.

Books

Everything Else

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Connect with Jason: Twitter | Instagram | Website

Connect with The Stacks: Instagram | Twitter | Facebook |Apple Podcasts |The Stacks on PodcastOne | Goodreads | Patreon

Support The Stacks

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.

Audible– to get your FREE audiobook download and FREE 30 day trial go to audibletrial.com/thestacks.


The Stacks received Look Both Ways from the publisher. For more information click here.

The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.

Beloved by Toni Morrison

Beloved is perhaps the most critically acclaimed book written by one of the most prolific and celebrated authors. It is the story of a woman, Sethe, who escaped slavery, only to be haunted by her past life both on and off the plantation. The book is parts historical fiction and part surreal ghost story. The book has been turned into a film, won a Pulitzer Prize, and continues to be assigned in schools across the country. When we talk about the “great American novel” Beloved makes the list.

There is something funny that happens to books when they’re proceeded with superlatives, they become untouchable and intimidating. A fear creeps in, that the reader won’t understand or appreciate the book, and often that can start long before the reader ever starts reading. That was the case for me when I picked up Beloved for the first time as part of The Stacks Book Club. I was so nervous and intimidated by the book and what I might think of it. Would I “get” it? Would I like it? Would I be moved as so many others had been?

The truth is, my answer was mostly, no. I didn’t really “get” it, I didn’t really like it, and while I was moved by specific scenes and passages, I wasn’t over come by this book. And the more I think about that, the more I think thats allowed.

As I read Beloved I appreciated the skill and mastery of Ms. Morrison. I was impressed by her ability to create layer after layer of meaning in her story. Her ability to write nuance is unmatched in my reading, she understanding of how pain manifests itself in people is art in itself. I read Beloved and understood what makes both Ms. Morrison and the book so great, though I personally was never personally overcome. What I’m learning, especially when it comes to great work, is that both things can be true and live together. There are both technical and emotional components to any good piece of art, and you can appreciate one even if the other doesn’t resonate. These things are not mutually exclusive.

Of all the themes in Beloved, the idea of generational trauma, is what spoke to me most. Morrison connects the years of suffering under chattel slavery to the everyday manifestations of trauma on her characters. She creates characters that are complete with confidence and crazy, which is so very human. Your heart aches for the women in this story, their fear, pain, and rage is deserved, and Morrison never lets you forget that. Weather she is recounting events from years ago or writing dialogue, the trauma in this story is never far from view. It haunts the world of the book.

The book moves between points of view and events without much set up, the years skip around, and sometimes its hard to know exactly where you are in the story. This was challenging for me to connect with, though on a second or third reading, I think this complexity would add so much to my enjoyment of the book. Like in a good scary movie or thriller, Morrison is leaving us Easter eggs to pick up on, only when we’re revisit her novel.

There is a lot to unpack and look into when talking about Beloved it is not an easy read, and the subject matter is not comfortable. This book requires a commitment of the reader. The expectation of greatness from her reader is partly what makes her books so good. Toni Morrison demands you bring your full self to her work, and that you take your time, and if you do, you might just be rewarded with a story that will stay with you for life. This book is worth you time. I can’t promise you’ll like it, but if you read it with an open mind, I think there is much to appreciate about this story.

For a more in depth conversation on Beloved, check out The Stacks Book Club episode with DaMaris B. Hill where we discuss the themes, characters, and social implications of this story.

  • Paperack: 275
  • PublisherPlume (October 1 , 1998)
  • 3/5 stars
  • Buy Beloved Amazon or IndieBound

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.

The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.

April 2019 Reading Wrap Up

April was not my best reading month as far as content. I liked a lot of what I read, but I really didn’t love anything. I reread Cheryl Strayed’s Tiny Beautiful Things and still found it excellent, but it wasn’t as thrilling as the first time around. I loved Fatimah Asghar’s poetry collection If They Come for Us, and was happy too participate in reading poems as part of National Poetry Month.I enjoyed mostly what I read all month, but was never really blown away.

You can find my reading month by the numbers and short reviews of everything I read below, and check out reviews of all of these books over on The Stacks Instagram


April by the Numbers

Total Books Read: 10
Audiobooks: 1
Five Star Reads: 2
Unread Shelf: 1
Books Acquired: 37

By Women Authors: 6
By Authors of Color: 6
By Queer Authors: 2
Nonfiction Reads: 7
Published in 2019: 4


A Bound Woman Is a Dangerous Thing: The Incarceration of African American Women from Harriet Tubman to Sandra Bland by DaMaris B. Hill

The Stacks received this book from the author in exchange for an honest review. For more information click here.
(Photo: amazon.com)

In her collection of poetry that covers the history of incarceration of Black women in America, DaMaris Hill crafts poems that highlight the pain of being a Black woman and the undeniable strength that comes along with it. She tells of some of the most famous women of the Diaspora as well as many women whose stories were nearly lost to history.

The collection is both poems and small bits of historical context that allow the reader to get a deeper understanding of the poetry. I really enjoyed the contextual bits of this book. Not all of the poems resonated with me, some were too fare removed from the context given. I also found some to be extremely powerful. The section on Assata Shakur was my favorite.

Three Stars | Bloomsbury Publishing | January 15, 2019 | 192 Pages | Hardcover | Purchase on IndieBound
DaMaris Hill is our guest on The Stacks, hear that conversation now, by clicking HERE.


Beloved by Toni Morrison

(Photo: amazon.com)

Every once in a while I will read a book that I can appreicate for its artistic beauty and masterful use of themes, language, and characters. I will be impressed by the dialogue and wowed by the sheer craft of the thing. And despite all of the beauty and skill, I won’t really like the book. That was the case for me with Beloved, Toni Morrison’s most famous and well regarded book. Its not that I didn’t think the book was spectacular, its just that it wasn’t for me. When I say a book is “too fiction-y” this book is a prime example.

If you’re not familiar with the book, it is the story of a runaway slave woman, Sethe, and her life as she lives free in Ohio mixed with the haunting of her past on the plantation and the early days of freedom. It is supernatural and haunting, and contains so many layers. I didn’t love the book, but I look forward to talking about it on The Stacks Book Club on May 22. I have a hunch that every time I discuss and dissect the book I will like it more and more. Toni Morrison’s works have a funny way of always having more to give.

Three Stars | Plume; Reprint edition | October 1, 1998 |275 Pages | Paperback | Purchase on IndieBound
We discuss Beloved in depth on The Stacks Book Club, you can hear that episode HERE


If They Come for Us by Fatimah Asghar

(Photo: amazon.com)

A collection of poetry about violence, race, gender, and mortality both in a cultural sense and in the more intimate context of what it means to be alive and human. These poems are so smart and tough and vibrant and some are funny and snarky in the best ways.

What I appreciate in these poems beyond the craft itself is that the content ties in the historical and deeply personal. Asghar talks about being an orphan along side the fracturing of India and Pakistan. She takes the many parts of her identity and reflects them back to her audience. She reminds us all of the pain and joy in the world to which we must bear witness.

Five Stars | One World Books | August 7, 2018 | 128 Pages | Paperback | Purchase on IndieBound


Jesus’ Son by Denis Johnson

(Photo: amazon.com)

A collection of short stories about drifters, drug addicts and life on the margins. It is both about the falling down and the getting back up of life. Before we recognized the opioid crisis as a crisis and before we sympathized with addicts, Jesus’ Son gave a human perspective to those that suffer from addiction. The book feels ahead of its time in this way. I couldn’t help but see Johnson’s ability to tell this story as a part of his own privilege. He gets to tell the stories of this specific group of users, instead of having to be responsible for all people who have ever been addicted. It is a great thing for an artist to be able to do, though I wonder if a Black author’s work would have been granted that kind of specificity.

Jesus’ Son is a well crafted collection, sparse in words but big in feeling. Johnson is fantastic at all the twists and the short sentences that pack a huge punch. While there were moments of great emotional resonance, this one wasn’t for me, in the end, I just didn’t care about the people in the stories.

Two Stars | Picador | Febbruary 17, 2009 | 133 Pages | Paperback | Purchase on IndieBound
We discuss Jesus’ Son in depth on The Stacks Book Club, you can hear that episode HERE


Richard II by William Shakespeare

(Photo: amazon.com)

This month for the #ShakeTheStacks Challenge I read Richard II. It looks at the reign and fall of King Richard II, and is a glimpse into the fragility of power and the necessity of legitimacy. This play has the potential to be boring, however Shakespeare crafts dynamic characters who use their speech as a way to influence and persuade. I was particularly struck by the diversity in oratory style between Bolingbroke and Richard. Both men attempt to convince those around them to follow their lead, and both do it in drastically different ways. I found a couple of Richard’s speeches to be some of Shakespeare’s most beautiful. On top of the beauty, the play is easy to read and understand, which isn’t always the case for The Bard.

Richard II is an engaging and thrilling read. It is a play about politics and legitimacy. It feels especially relevant in today’s climate. What does it take to overthrow the leader? It is a dramatization of a theoretical question of who has the will of the people. The play is more cerebral than action packed, but it works beautifully and leaves the reader with much to think about.

Three Stars | Penguin Classics; reprint edition | December 1, 2000 | 160 Pages | Paperback | Purchase on IndieBound


Thick: And Other Essays by Tressie McMillan Cottom

The Stacks received this book from the author in exchange for an honest review. For more information click here.
(Photo: amazon.com)

A collection of essays that are at once smart, funny, and truly thought provoking. Cottom is one of the most critical and nuanced thinkers on race and gender in this moment in The United States.Thick is effortless in its ability to move between ideas of intersectionality, the art of “the turn” is perfected in these pages. As the collection goes on the essays build on each other and deepen the readers understanding of Cottom and the work she has dedicated her life to. It is because of this depth that the second half of the book really stood out for me.

Some of Thick was challenging to read. I often had to go back and reread sentences and passages because I found myself lost in her arguments. That is less a criticism and more an observation about the style of the book. I applaud Cottom for not making her work small to accommodate her reader. Her writing is too important for that. Go read Thick. You will learn things, you will connect dots you never knew you could. It is powerful and empowering.

Five Stars | The New Press | January 8, 2019 | 224 Pages | Hardcover | Purchase on IndieBound


Tinderbox: The Untold Story of the Up Stairs Lounge Fire and the Rise of Gay Liberation by Robert W. Fieseler

(Photo: amazon.com)

In June 1973, there was a fire at the Up Stairs Lounge, a gay bar in New Orleans that left 32 people dead. This tragedy was barely acknowledged when it happened and has since, been largely lost to history. In his book, Tinderbox, Robert Fieseler attempts to shed light on the events of June 24, 1973, and the connect those events with the early days of the Gay Liberation Movement.

Tinderbox functions on two levels, one the story of the fire and the people and city directly involved, and two the story of the movement that was connected to it. The true crime part of this book is fantastic. In particular, the pages where Fieseler describes the fire itself were vivid and horrifying. The history of the movement falls a little flatter, the connection feels forced. I thoroughly enjoyed this book, and if you like true crime, you will too, even if some sections are not as good as the rest.

Three Stars | Liveright | June 5, 2018 | 384 Pages | Hardcover | Purchase on IndieBound
Hear Robert W. Fieseler on The Short Stacks HERE, and hear our in depth discussion of Tinderbox on The Stacks HERE.


Tiny Beautiful Things: Advice on Love and Life from Dear Sugar by Cheryl Strayed

(Photo: amazon.com)

A reread of one of my favorite books from last year (you can find my first review here). Cheryl Strayed’s advice column from her days at The Rumpus strikes all the right chords. I love this book. I don’t know how else to say it. It is full of reminders and suggestions on how to live life a little better. Its not polite or even precious, its more in your face. Its the kind of book that opens you up a little bit. Thats what makes it so great. Strayed even says, most of the time you know what you must do, this book, like her advice, is just a nudge in the right direction.

Five Stars | Vintage; Original edition | July 10, 2012 | 368 Pages | Paperback | Purchase on IndieBound
Tune into the The Stacks Book Club conversation of Tiny Beautiful Things HERE .


The Truths We Hold: An American Journey by Kamala Harris

(Photo: amazon.com)

The Truths We Hold is part of a tradition of books for future presidential candidates, they almost all have them. One part memoir, one part policy platform, and one part resume. These books aren’t particularly insightful, though they are a glimpse into the candidate on their very best days (even the bad ones are good or have packaged lessons to take away). Barack Obama famously wrote The Audacity of Hope on the eve of his candidacy, and that book gave America a glimpse into the changes Obama wanted to make in this country. Likewise Harris lays out the things she has achieved as prosecutor and attorney general, and the direction she thinks America should go. It is all well written and readable, but it is all so safe. I understand why, but I wish there was another way. I will wait and read her tell all after she is president.

The final section of the book are the truths she lives by, and aside from learning about her courtship with her husband, this is the best part of the book. Its a little insight into how she ticks. It should also be said, she reads her book and does a fantastic job. Her charisma shines through, and if nothing else, you finish the book and really like the woman.

Three Stars | Penguin Audio | January 8, 2019 | 9 hours and 26 minutes | Audiobook | Listen Through Libro.Fm


What Doesn’t Kill You Makes You Blacker: A Memoir in Essays by Damon Young

The Stacks received this book from the author in exchange for an honest review. For more information click here.
(Photo: amazon.com)

What Doesn’t Kill You Makes You Blacker is the exact book you might expect from Damon Young, of Very Smart Brothas. It is smart and funny, and yet it still makes you think. The book is dynamic and covers a range of topics from what is a “good dude” to Black anxiety, to gentrification, homophobia, to name a few. The book is good, though some of the essays are stronger than others, and sometimes thats frustrating.

There are four essays that really stand out, and whats interesting is they all have a common thread: Women. Each one of these essays (about his controversial piece on rape on VSB, his wife, his mother, and his daughter) is vulnerable but still maintains the style that Young is known for. There is an ease to his voice though saying the hard things, admitting fault, calling out his own privilege, and taking others to task must have been extremely challenging. There is a humility to these essays that allows them to soar above the rest. The book is worth a read, even if at times I found Young to be reaching for a laugh when he didn’t need one. His story is enough.

Three Stars | Ecco | March 26, 2019 | 320 Pages | Hardcover | Purchase on IndieBound
Hear our conversation with Damon Young on the Short Stacks HERE


To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.

The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.

Wild Beauty: New and Selected Poems by Ntozke Shange

Wild Beauty is a compilation of poetry from one of America’s most iconic poets, Ntozake Shange. These poems span decades of her work, from her first choreopoem For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf through to previously unpublished poems that deal with modern events like The Pulse Nightclub Shooting. Shange’s themes of beauty, home, pain, empowerment, joy, and the African Diaspora are all present throughout the book.

Wild Beauty is one of my first attempts at reading a collection of poetry, and I’m glad that I was able to read this book in conjunction with The Stacks Book Club with author, poet and performance artist, Gabrielle Civil. We talk about the anxieties around reading poetry and what makes a poem “good” and what it means to “get it”. All of which I found truly helpful in my own journey into reading poetry.

My biggest take away from our conversation and this book, is that I like poems that are referential to events and people. I like to know the context of the poem. I respond to poems that tell stories and engage with history and the world as I have seen it. Those poems exist in this book, poems like “Crack Annie”, “Dressing Our Wounds in Warm Clothes”, and “Ode to Orlando” all stuck with me because I was able to find common experience and understanding with Shange.

I didn’t like every poem in this book. Many were hard to get through or engage with. Sometimes that was because the phonetic spelling Shange uses through out her work, was distracting at times, though at other times it was powerful. (I should also note each poem in this collection was translated into Spanish as well). Sometimes I couldn’t figure out where Shange was coming from. I’ve learned, that that is totally ok. I’ve learned that just because a poem doesn’t work for me in the moment doesn’t mean it won’t work for me in a year. I also learned, that just because I don’t like a poem doesn’t mean there is anything wrong with me or the poem. We’re just in two different places.

I don’t know that I can recommend any book of poetry to anyone. It seems to me to be very personal. Though, I do know I recommend you check out my conversation with Gabrielle, as it is useful to anyone who loves poetry, or anyone who is hoping to add poetry to their reading life.

Hear Gabrielle Civil on The Stacks and then hear Gabrielle discussing poetry and Wild Beauty for The Stacks Book Club

  • Hardcover: 288
  • Publisher37 Ink; Bilingual edition (November 14, 2017)
  • 3/5 stars
  • Buy Wild Beauty Amazon or IndieBound

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.

The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. This in no way effects opinions on books and products reviewed here. For more information click here.

Friday Black by Nana Kwame Adjei-Brenyah

The Stacks received Friday Black from the publisher in exchange for an honest review. For more information click here.

In his debut book, Nana Kwame Adjei-Brenyah has crafted an ambitious and exciting short story collection with, Friday Black. The stories meet at the intersection of race, politics, and capitalism. And just like the range of topics and ideas Adjei-Brenyah addresses with these stories, the genre is likewise ranging and evolving as the collection goes on. The stories of Friday Black are genre-bending and contain elements of surrealism, science fiction, satire, and afrofuturism. Nothing about this collection is easy to define, which of course, is part of the magic.

We discussed Friday Black for The Stacks Book Club with Wade Allain-Marcus, and the conversation is as ranging as the book itself, so please go give it a listen. You can also hear author Adjei-Brenyah as a guest on The Short Stacks talk about how the book came into the world. I found that both of these conversations helped me to form my opinions on this book.

The use of race and violence in this book is genius. We are asked to confront what happens to our society if White capitalist patriarchy is our guiding value. If Black life continues to be made expendable, and if we continue to think that our goodness is tied up in the things we own, where does that path take us?. Friday Black forces us to look at one set of answers to these questions. It is bleak and grotesque in all together terrifying.

The stories that landed most with me were “The Finkelstein 5”, “Zimmerland”, and “Friday Black”. Each one was shocking and smart and violent and thought provoking. They engaged with politics and race as well as engaging with genres and imagery. They felt like anchors for me on my journey through Friday Black.

Friday Black is the kind of story collection that keeps you thinking and working to decipher the many hidden gems and references. I can’t tell you that I “got” all the stories. Some things made little sense to me in the moment, and still remain unclear. However some of the stories have come more into focus as I have time away from the book, and have talked to others about their understandings. The stories feel a little ahead of their time and I wonder how I might feel about Friday Black in 10 or 15 years. I hold out hope that the stories I didn’t quite understand (“The Hospital Where”) will become more clear and more resonant with time.

Adjei-Brenyah uses a lot of satire in this book, and that can often be challenging to decipher, especially in the written word. If you miss the subtleties in the stories, you might just miss the whole point. That rings especially true in the story “Lark Street”, where a young man comes face to face with the twin fetuses that his girlfriend has recently terminated through the use of a morning after pill. If you look at this story out of context, it can feel like a pro-life fable about the autonomy of any form of life. However, in conversation with the other stories, we see a cautionary tale that mocks the idea of embryos being anything other than a collection of cells. That is how these stories work together as a true collection. The topics may vary wildly, but the through line is the tone and the controversial nature of the topics. They all play to the same themes but engage with them on many fronts.

While not every story in the book landed for me, the overall ambition and scope of the project is thrilling. Adjei-Brenyah is debut author with a lot to say, and after reading Friday Black I look forward to whatever is next for him. I hope this project will get produced, as I would love to see the world of Friday Black on the screen.

We have so much more on Friday Blackon the podcast, listen to the episodes below.

  • Paperback: 208
  • PublisherMariner Books; First Edition edition (October 23, 2018)
  • 4/5 stars
  • Buy Friday Black on Amazon

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