Experiments in Joy by Gabrielle Civil

The Stacks received Experiments in Joy from the publisher. For more information click here.

To be perfectly honest I’d never heard of a performance memoir before I read Experiments in Joy, the second book by author and artist Gabrielle Civil. I was only nudged to pick up this book after booking Civil as a guest on The Stacks. In the case of Experiments in Joy, a performance memoir is a mix of letters, conversations, performance notes, photos, stage directions, criticism, and poetry to tell a fractured story of Civil’s life as an artist. It covers a handful of her performance pieces and gives them a fuller context than simply seeing the piece live.

I’ve never read anything like this book, and as a reader I oscillated between enjoying Civil’s process and being annoyed at having to read descriptions of things I would much rather be watching. The how of these pieces coming together was much more interesting to me than the actual what (think excerpts of scripts) that was sprinkled through out.

Civil is very honest and open with her audience, allowing us to read intimate letters from past collaborators and lovers. She shares insecurities in her own work and confronts her process head on. She also shares her joy and anxieties, her successes and reflections.You get to know her, and like her, through her process. This isn’t the kind of memoir where you hear about Civil’s childhood (at least not too much). It is more a memoir of the work itself as opposed to the person, though those things become inextricably linked when dealing with performance art.

Like in a collection of poems, some sections resonated with me and sparked interest, others were mere blips on my radar as I read toward the end of the book. I think that is ok. It doesn’t all have to land, and the sections can be read alone or in the context of the entire book.

If you’re an artist or someone who likes to grapple with the art of creation this book might spark something in you. If you’ve heard Gabrielle on The Stacks, you might likewise be intrigued to read this book. Hearing her speak about this book, and her first book Swallow the Fish, made me understand her work and the genre of Performance Memoir a lot better.

  • Paperback: 276
  • PublisherCivil Coping Mechanisms (February 15, 2019)
  • 3/5 stars
  • Buy Experiments in Joy Amazon or IndieBound

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.

The Stacks participates in affiliate programs in which we receive a small commission when products are purchased through some links on this website. This does not effect opinions on books and products. For more information click here.

Ep. 51 Satire and Creative Outlets with Niccole Thurman

Our guest today is actress and comedian, Niccole Thurman, who is best known for being a citizen journalist onThe Opposition with Jordan Klepper, among other things. Niccole talks with us today about finding a creative outlet, dating challenges, and the need for more empathy. Fans of Oprah’s Book Club get ready, you may hear some familiar titles as we dive into Niccole’s faves.

Everything we talk about on today’s episode can be found below in the show notes. The Stacks participates in affiliate programs, and shopping through the links below (mostly Amazon) helps support the show, at no cost to you.

Books

Everything Else

Connect with Niccole: Niccole’s Website | Niccole’s Twitter | Niccoles’s Instagram

Connect with The Stacks: Instagram | The Stacks Website | Facebook | Twitter | Subscribe | Patreon | Goodreads | Traci’s Instagram

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.

Sponsors

Audible– to get your FREE audiobook download and FREE 30 day trial go to audibletrial.com/thestacks.


The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. Shopping through these links helps support the show, but does not effect opinions on books and products. For more information click here.

The Stacks Book Club — April 2019 Books

April marks the one year anniversary of The Stacks podcast being out in the world. Thank you all so much for being a part of this magical and bookish journey. And to show year two we’re ready for anything, we’re tackling two types of books we’ve never done on the show. Oral History and Poetry!

On April 10th we’ll be discussing The World Only Spins Forward:The Ascent of Angels in America by Isaac Butler and Dan Kois. The book is an oral history of Tony Kushner’s groundbreaking play, Angels in America. You hear from the people who created the show, the actors who performed the roles, and the people whose lives were changed because of it.

In honor of National Poetry Month we will be reading the late Ntozake Shange’s collection of poems, Wild Beauty on April 24th. This collection is unique and unapologetic and showcases the beauty and power of women of color. Even after her passing, Shange’s words live on as a testament to her artistry.

As with all our TSBC books, we want to hear from you. Don’t be shy, send over your thoughts and questions so we can be sure to include them on the podcast. You can email us at thestackswithtraci@gmail.com, comment on this post, or reach out to us through our Instagram @thestackspod.

Order your copies of our April books on Amazon:


To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.

The Stacks received The World Only Spins Forwardfree from the publisher. For more information on our commitment to honesty and transparency click here.

The Stacks participates in affiliate programs in which we receive a small commission when products are purchased through some links on this website. This does not effect opinions on books and products. For more information click here.

February 2019 Reading Wrap-Up

Here is what I read for February. My standout by far was Lot by Bryan Washington which comes out in March. Its a collection of short stories, and I just loved it. I wasn’t a huge fan of I’m Thinking of Ending Things by Iain Reid, but I am looking forward to discussing it on The Stacks as part of The Stacks Book Club in March.

As far as diverse reading, I read a whole bunch of books by queer men, four to be exact, I guess five if you want to included William Shakespeare, but thats a conversation for another day. I didn’t do so well reading women in February, only one book by a woman, possibly an all time low since I started keeping track. Only three of the books I read were by authors of color. I have my work cut out for me in March.

You can find my reading month by the numbers and short reviews of everything I read below.


February by the Numbers

Total Books Read: 9
Audiobooks: 1
Five Star Reads: 1
DNF Books: 0
Unread Shelf: 1
Books Acquired: 21

By Women Authors: 1
By Authors of Color: 3
By Queer Authors: 4
Nonfiction Reads: 5
Published in 2019: 4


Angels in America: A Gay Fantasia on National Themes by Tony Kushner

(Photo: amazon.com)

Arguably one of the definitive plays of modern theatre, Angels in America, is a two part epic about the AIDS crisis in America in the mid 1980’s. The play has been celebrated since it was first produced in 1992, winning the Pulitzer Prize, multiple Tony Awards, and Emmy awards for the 2003 HBO adaptation of the play. The play is a behemoth of the stage and it works on the page as well.

I really enjoyed rereading part one, Millennium Approaches, and it was my first time ever reading part two, Perestroika. Kushner does an amazing job of creating a world and characters and still maintaining the magic of the theatre. The most central idea of the entire play is change over time. How do we change? Can we ever really change? What happens when we do? What happens when we don’t?

Some of the scenes and dialogue are so wild and poetic and at times nonsensical, and it all works. Even when you’re confused or annoyed it works. There is something innately human about the story Kushner tells. If you’ve not read this play, it is worth your time. Or watch the star-studded HBO film. It is a cultural cornerstone, rightfully so, learn about it. Engage with it. Enjoy it.

Four Stars | Theatre Communications Group; 20th Anniversary Edition | December 24, 2013 | 304 Pages | Paperback


Black Is the Body: Stories from My Grandmother’s Time, My Mother’s Time, and Mine by Emily Bernard

The Stacks received this book from the publisher in exchange for an honest review. For more information click here.
(Photo: amazon.com)

A collection of essays about life in her own Black body, Emily Bernard writes about a random act of violence against her, academia, adopting her children, her relationship to her ancestors, among other things. I found this book to be inconsistent, the earlier essays (especially the first two) clearly had something to say. They were thoughtful and thought provoking. As the book went on, I lost interest in much of Bernard’s writing and couldn’t quiet find the through line.

It is worth noting this is not a book about deep trauma (aside from the first essay) and that is refreshing. Sure, racism and bias play into any work of nonfiction by a Black woman, how could it not, but Bernard is creating something more subtle, explaining a Black experience that we don’t often hear. One of a Black academic in Vermont, born and raised in the South, married to a White man, raising Ethiopian daughters. Black is the Body is the story of that truth. Bernard (and to some extent Knopf) allowing us to read these essays is, in a way, a form of resistance against the tropes of Blackness and the trauma that is associated with skin color.

I would suggest this book to readers who have read many Black nonfiction narratives and who might be interested in something a little different. Though not the best essay collection I’ve read, there is a lot to witness in this writing.

Three Stars | Knopf | January 29, 2019 | 240 Pages | Hardcover


If You’re in My Office, It’s Already Too Late: A Divorce Lawyer’s Guide to Staying Together by James J. Sexton, Esq.

The Stacks received this book from the publisher in exchange for an honest review. For more information click here.
(Photo: amazon.com)

A divorce lawyers how-not-to be married. This book is full of advice, and whatever the opposite of advice is, for a happy marriage. Sexton is funny and charming, if not a little focused on gender roles and heteronormative ideas. In his defense (sort of), he deals in the legality of marriage, and until 2015, same sex relationships wasn’t something that he litigating.

I enjoyed If You’re in My Office, It’s Already Too Late, it isn’t ground breaking, but it is exactly what it claims to be, and that is refreshing. It had some interesting and unique advice, like splitting custody of your kids even when you’re married. He also suggests speaking up when you’re unhappy and a lot of other common sense things, that many couples forget to do. Nothing life changing, but certainly helpful. I appreciate that Sexton doesn’t try to be a guru, he just shares what he’s seen, and as far as I can tell from this book, he has seen it all. The book does run a little longer than needed, and gets repetitive by the end.

If you’re looking for ideas on how to be a better partner or spouse, or are considering getting married, I would suggest you check out this book. It is a little different than the normal relationship advice, and goes down pretty easy.

Three Stars | Henry Holt and Co. | April 10, 2018 | 288 Pages | Hardcover
Hear James Sexton on The Stacks discussing his book (Ep. 49) and Good and Mad by Rebecca Traister(Ep. 50), and find a full review of If You’re in My Office, It’s Already Too Late HERE.


I’m Thinking of Ending Things by Iain Reid

(Photo: amazon.com)

A psychological thriller about a relationship and theories on life and interaction. I don’t want to say much about this book for three reasons: first, we’re doing the book on podcast and we’ll be discussing it in detail, two, its a thriller so I don’t want to spoil anything, three, and most importantly, I’m not sure I understood what happened in this book.

What I will say, is there wasn’t much there for me in this book. I wasn’t wild about the depiction of the female lead, she was passive and demure in a way that was irritating. She continually deferred to the male lead (which is part of the plot) in the face of her own instincts, it wasn’t believable, it was clearly a male fantasy about a “good” woman. While the book is generally tense and a little scary, there wasn’t enough there there, and the ending fell flat for me.

I’ve seen a lot of mixed reviews on this book, and it is entirely possible I missed it. If you do read this book tell me your thoughts, and be sure to tune into the episode where we talk about I’m Thinking of Ending Things, on March 27th.

Two Stars | Gallery/Scout Press; Reprint edition | March 21, 2017 | 240 Pages | Paperback
I’m Thinking of Ending Things is TSBC pick for March 27. You can hear the TSBC episode with Niccole Thurman HERE. Read a full review of I’m Thinking of Ending Things HERE.


I’ve Been Meaning to Tell You: A Letter To My Daughter by David Chariandy

The Stacks received this book from the publisher in exchange for an honest review. For more information click here.
(Photo: amazon.com)

In this letter to his teenaged daughter, David Chariandy attempts explain the politics of race as he has experienced them. He discusses his own identity, Black and South Asian from Trinidad, and that of his ancestors in relationship to the world of his daughter. The role of family. What it means to be a person of color in Canada, and what it means to be alive in brown skin.

I most appreciated the conversation between father and daughter which is often overlooked, especially in stories from people of color. While Chariandy doesn’t really delve into gender politics in this book, there is something tender and special about him making the choice to address his daughter (and yes, he has a son, he chose to write to his daughter). Mostly he focuses on what it means to be seen as Black and to have come from so many cultures. Chariandy’s daughter is mixed, as is he, and engaging with the complexity of these truths was where the book was at its best.

While sections of the book were captivating, there were also sections where Chariandy was unable to hold my attention. I appreciated the idea behind the book, but I don’t know that I understood why it needed to be written, or that it has a particularly strong point of view.

Three Stars | Bloomsbury | March 5, 2019 | 96 Pages | Hardcover


Lot by Bryan Washington

The Stacks received this book from the publisher in exchange for an honest review. For more information click here.
(Photo: amazon.com)

A collection of short stories about Black and Brown life in a neighborhood in Houston, told all in the first person with differing narrators, this book is a work of creativity and true craft. Unlike most short story collections where there is no sense of progress or growth over time, in Lot, Washington uses one family as our anchor and we get to watch as their lives unfold through alternating stories. That is supplemented with other stories of people from the “lot”.

Washington’s perspective on life and sex and family and gentrification are subtle and smart and really beautiful. The stories are small and intimate. He centers queerness and cultural homophobia in a way that is honest and not preachy. I would find myself smirking at the humor and then feeling gutted a few pages later by the harsh realities of these character’s world. A well rounded collection that really illustrates a time, place, and people.

Some standout stories for me were “Lot”, “Waugh”, and “Congress”, but I would say each story enhances the next. This is a great collection, and its a debut by a 25-year-old. I can not wait for more from Bryan Washington.

Five Stars | Riverhead | March 19, 2019 | 240 Pages | Hardcover


Parkland: Birth of a Movement by Dave Cullen

The Stacks received this book from the publisher in exchange for an honest review. For more information click here.
(Photo: amazon.com)

One of my most anticipated reads of 2019, Parkland was not what I was expecting, but it was so well done, it didn’t matter. It should be said, if you’re expecting to read Columbine 2.0 you might feel a little let down. Parkland is about the children who survived the shooting at Marjory Douglas Stoneman High School in February 2018, and the activism work they took on, as leaders of the March for Our Lives Movement.

Cullen is an expert storyteller. His empathy drips off the page and allows you to really see the humanity in people. I have to imagine, as one of his subjects, that empathy is palpable in person as well, I think thats how he gets such in depth looks at people. To think that this book was written and published in less than a year from the date of the shooting is incredible. Cullen chronicles all that the teens went through and accomplished without being too self serious or important. He lends the correct amount of gravity to events and still maintains an air of hope and possibility.

If you’re looking for a book about the mass murder and shooter, Parkland is not your book. There hasn’t been enough time for the comprehensive story on the tragedy in Parkland to come to light, let alone be written (it wasn’t until ten years after the Columbine shooting that Cullen’s book, Columbine came out). If you’re interested in the fight for gun safety laws and the kids that have started to make a difference. Then this book is perfect for you.

Four Stars | Harper | February 12, 2019 | 400 Pages | Hardcover


The Two Gentlemen of Verona by William Shakespeare

(Photo: amazon.com)

One of Shakespeare’s early comedies, The Two Gentlemen of Verona tells the story of two men who love two women, and then that all changes. It is about the conflict between friendship and love and the crazy things people in love will do.

This play is just fine. It is fun to see and pretty boring to read. Neither the plot nor language is particularly exciting. Though this play is a great example of characters changing their minds, which when performed, can be pretty funny. Proteus, one of our gentlemen, falls in and out of love so quickly its hard to keep up. Something that is absolutely thrilling and deeply troubling when you see it on stage, but in writing feels a little manic. There are also two women characters who are smart and loyal and capable, which I always love seeing, especially in classic literature. Without spoiling, I will say the final scene of the play is worth the wait. It brings up ideas of female autonomy, forgiveness, and platonic male love, in a way that leaves the reader with a lot to think about. The ending of this play has been debated by scholars for decades, and there is still so much left undecided.

The Two Gentelmen of Verona is not a great play, its fine. I would say its better on the stage than the page, but if you’re working on reading Shakespeare, its a good place to start as it is an easy read and very digestible.

Three Stars | Penguin Classics; New edition | February 1, 2000 | 92 Pages | Paperback
For a complete review of The Two Gentelmen of Verona click HERE.


When We Rise: My Life in the Movement by Cleve Jones

(Photo: amazon.com)

A memoir of a life committed to fighting for equality, When We Rise is a true ode to the power of resistance and an ode to the Gay Community. The story of San Francisco queer culture is told beautifully by Cleve Jones, a man who was there for so much of it. Jones guides us through the people and places that were pivotal in the movement, like Harvey Milk and Anne Kronenberg and the people that were footnotes of the time like Jim Jones and Anita Bryant. The book is a who’s who of San Francisco and the Gay Community.

This book isn’t all history, it is also hugely about humanity. Jones is known for creating the AIDS Quilt as a way of seeing and acknowledging those who died and making sure they were never forgotten. It is that kind of humanity that is throughout the entire book. Jones celebrates the beauty, power, creativity, and strength of the Gay community throughout this memoir. The love he has for his people is palpable in the book. He doesn’t shy away from talking about the drag queens and the sex and the freedom of the time. There is no shame, only a truthful story of what life was like, once upon a time.

I listened to this book and Jones narrates, and I loved hearing his inflections as he walked us through his life in the movement. I was especially moved as he recounted the utter devastation that AIDS had on his life and his community. If you’re interested in a story of Gay Rights, both history and humanity, told from the perspective of a man who was there, I highly recommend you check out When We Rise.

Four Stars | Hachette Audio | November 29, 2016 | 9 Hours 31 Minutes | Audiobook


To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.

The Stacks participates in affiliate programs in which we receive a small commission when products are purchased through some links on this website. This does not effect my opinions on books and products. For more information click here.

The Short Stacks 7: Nana Kwame Adjei-Brenyah//Friday Black

Today on The Short Stacks we’re honored to welcome author of this week’s The Stacks Book Club pick, Friday Black, Nana Kwame Adjei-Brenyah. We talk about his genre-bending short story collection, how the title and cover came to be, and what its like being part of this current moment of exciting and diverse fiction writing. There are no spoilers today.

Everything we talk about on today’s episode can be found below in the show notes. The Stacks participates in affiliate programs, and shopping through the links below (mostly Amazon) helps support the show, at no cost to you.

Connect with Nana: Nana’s Website | Nana’s Twitter | Nana’s Instagram

Connect with The Stacks: Instagram | The Stacks Website | Facebook | Twitter | Subscribe | Patreon | Goodreads | Traci’s Instagram

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.

Sponsors

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The Stacks received Friday Black from the publisher. For more information click here.

The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. Shopping through these links helps support the show, but does not effect opinions on books and products. For more information click here.

When They Call You a Terrorist: A Black Lives Matter Memoir by Patrisse Khan-Cullors and asha bandele

When They Call You a Terrorist was much more than I expected. It isn’t only about the creation of the Black Lives Matter movement. It is also a deeply personal memoir of family, survival, incarceration, mental health, feminism, community and more. It is a beautifully told story, that is as inspiring as it is disheartening. 

For more on When They Call You a Terrorist

Raised by a single mother in an impoverished neighborhood in Los Angeles, Patrisse Khan-Cullors experienced firsthand the prejudice and persecution Black Americans endure at the hands of law enforcement. For Patrisse, the most vulnerable people in the country are Black people. Deliberately and ruthlessly targeted by a criminal justice system serving a white privilege agenda, Black people are subjected to unjustifiable racial profiling and police brutality. In 2013, when Trayvon Martin’s killer went free, Patrisse’s outrage led her to co-found Black Lives Matter with Alicia Garza and Opal Tometi.

Condemned as terrorists and as a threat to America, these loving women founded a hashtag that birthed the movement to demand accountability from the authorities who continually turn a blind eye to the injustices inflicted upon people of Black and Brown skin.


The central message and biggest take away from this book, is the power of community. Not only to activate, but also to heal, to inspire, to respond, and to nourish. Khan-Cullor’s community, one that she actively cultivates through out the book, shows us the power of marginalized people to stare down oppression and systematic abuses. To enact change, to create safety when there is none. When They Call You a Terrorist has no happy ending. Which is true for America’s Black folks. But the ending isn’t important in this book, it is about the journey of one woman, fortifying her life with like minded people and fighting like hell for her their voices to be heard, and listened to.

Championing human rights in the face of violent racism, Khan-Cullors is a survivor. She transformed her personal pain into political power, giving voice to people suffering inequality and a movement fueled by her strength and love to tell the country―and the world―that Black Lives Matter

Kahn-Cullors (along with bandele) lets us into her life. She uses her own unique experiences to contextualize a more general Black American narrative. Her own father’s incarceration is an avatar for the hundreds of thousands of Black men who were imprisoned along side him. The abuses her brother suffers as mentally ill man in prison, become a glimpse into the many men who are abused when proper medical help would have sufficed. She combines deeply personal experiences into something relatable. In the doing, she puts a face on mental illness,  mass incarceration, drug abuse, racism, and police brutality. She humanizes Blackness. 

Something that is often overlooked in society is the role of Black and Brown women, especially queer women, in the progress of society. This book calls out this erasure, and correctly credits them with much of the social progress we have all benefited from. Khan-Cullors, demands we acknowledge the contributions, both in her own life (her mother, her friends, her lovers) and in the bigger picture (the activists she works with, and the victims of police brutality #sayhername). Bravo, for calling out women who very much are and very much have been the center of the movements toward justice and equality.

The one part of When They Call You a Terrorist that I wanted more from, was the discussion of life inside the Black Lives Matter movement. Yes, of course we hear about BLM and its formation, from Trayvon Martin to Sandra Bland, but it comes late in the book. There are moments in Ferguson, MO, as she helps organize around BLM, but there is not much about what life as a leader of such a powerful movement is like. I would have enjoyed more on that. 

I listened to this book, and Khan-Cullors reads it. She does a great job. Her voice is calming and direct. She tells her own story beautifully. It made me want to meet her. It made me want to fight alongside her. 

There is no doubt this memoir is moving. It is one woman’s story, and a slice of history. The book speaks to a bigger picture and moment, and I think we will look back on this book as one of the important texts of the decade. 

  • Audiobook: 6 hours and 29 minutes
  • Publisher: Macmillan Audio
  • Hardcover: 272 pages
  • Publisher: St. Martin’s Press; Reprint edition (January 16, 2018)
  • 4/5 stars
  • Buy on When They Call You a Terrorist Amazon

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.

The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. Shopping through these links helps support the show, but does not effect my opinions on books and products. For more information click here.

Heavy: An American Memoir by Kiese Laymon

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The Stacks received this book from the publisher in exchange for an honest review. For more information click here

This was possibly my most anticipated read of the year. I knew of Kiese Laymon’s essays, but had never read any of his books, and many people that I trust ad respect have nothing but the highest praise for him. So, I was eager to read his “American Memoir”.

Here is more about Heavy

In Heavy, Laymon writes eloquently and honestly about growing up a hard-headed black son to a complicated and brilliant black mother in Jackson, Mississippi. From his early experiences of sexual violence, to his suspension from college, to his trek to New York as a young college professor, Laymon charts his complex relationship with his mother, grandmother, anorexia, obesity, sex, writing, and ultimately gambling. By attempting to name secrets and lies he and his mother spent a lifetime avoiding, Laymon asks himself, his mother, his nation, and us to confront the terrifying possibility that few in this nation actually know how to responsibly love, and even fewer want to live under the weight of actually becoming free.


Complexity and vulnerability course through the pages of Heavy. Kiese Laymon never strays from a commitment to tell the truth of his story. As we read on, we understand his truth is painful. We learn how Laymon got to be the thorough, confrontational, relentless man that is writing this memoir. He allows himself to unfold page by page, until you feel as if you might actually know this man. Of course you don’t, but his brutal honesty gives a seeming closeness or understanding.

Laymon is a beautiful writer. He captures feelings and emotions in short and specific sentences. He creates worlds and moments with his words. In Heavy Laymon shows how his mother shapes him as a man, and also as a writer, and more importantly a thinker. In all of these things, her influence is not always positive, but it is obviously formative. She is herself a Black thought leader and academic who forces Laymon to confront the need to be excellent from a young age. We also watch as people come into Laymon’s life and influence his mind and his body. Quiet literally shaping him. We learn of his deep commitment to revision. We see how that compulsion towards excellence is pathological and often times destructive.

I knew very little about Laymon when I started reading, and within a few pages I understood that what I was reading was different than other memoirs. It was at once personal and a social commentary. Laymon would expose personal secrets, and also institutional deficiences. Heavy is a deeply intimate account of one man and his relationship to his own identity, and an examination of America and her relationship to her citizens. Racism, discipline, addiction, education, beauty standards and more are unpacked in Laymon’s memoir.

I was beyond impressed with this book.. I learned a lot and felt the wind knocked out of my sails at times. I have been calling it “Coates-ian” (a reference to author and journalist Ta-Nehisi Coates), except more intimate, more vulnerable, and less of a reflection on the broader racial questions of our time, more an examination of how one experience is inclusive of the larger picture. There have been some amazing reviews of Heavy, and I highly suggest one by Saeed Jones in The New York Times, Jones beautifully expresses the struggle for excellence and what that means for Laymon and all of us. Before I unequivocally suggest to you to read this book, I want to note there are some very graphic scenes of a child abuse in this book, and while that can be triggering for many, it is an important part of Laymon’s history. I couldn’t imagine this book without those scenes. Now, here it comes, go read this book.

  • Hardcover: 256 pages
  • PublisherScribner; First Edition edition (October 16, 2018)
  • 5/5 stars
  • Buy on Heavy Amazon

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.

The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. Shopping through these links helps support the show, but does not effect my opinions on books and products. For more information click here.

Black No More by George S. Schuyler


54CDB2F3-2C1C-4FB6-A29C-9B96A70731DEI picked up Black No More as part of a book club read with my all Black online book club. I wasn’t familiar with the book, and had only barely even heard of the the title, but was excited to read a satire written by a Black man from the 1930’s.

More information on Black No More

It’s New Year’s Day 1933 in New York City, and Max Disher, a young black man, has just found out that a certain Dr. Junius Crookman has discovered a mysterious process that allows people to bleach their skin white—a new way to “solve the American race problem.” Max leaps at the opportunity, and after a brief stay at the Crookman Sanitarium, he becomes Matthew Fisher, a white man who is able to attain everything he has ever wanted: money, power, good liquor, and the white woman who rejected him when he was black.

Lampooning myths of white supremacy and racial purity and caricaturing prominent African American leaders like W. E. B. Du Bois, Madam C. J. Walker, and Marcus Garvey, Black No More is a masterwork of speculative fiction and a hilarious satire of America’s obsession with race.


This book, like so many classic books that discuss the Black experience in The United States, feels relevant today. Schuyler uses Black No More to eviscerate Black and White people, intellectuals and hate leaders alike. He doesn’t hold back on bringing everyone to task. Depending on your own perspective on the world, this book could be interpreted in many different ways.

What I appreciated most about this book was that Schuyler seemed to have no fear about how the book would be received. If he did, he didn’t let that stop him. He created characters that mocked well known Black thought leaders (W.E.B. Du Bois, Marcus Garvey and more) and reduced the KKK to a complete scam. He minimized Black identity to something akin to crabs climbing out of a barrel, and showed that White people just need someone to kick around. He showed the American propensity toward violence, and the shame that so many people carry around due to their family’s history.

What I didn’t like about the book was the tone. It felt old-timey. It read like something from days gone by, and that took me out of the story. The jokes didn’t land. The writing felt dated. I never laughed out loud, and mostly felt detached from the work itself. I wondered if that had to do with the era, or with the genre, as I do not read satire often.

When I read classics, I save the introduction for after I’ve completed the text. In the case of Black No More, the introduction is by author Danzy Senna (Caucasia, New People), a mixed race woman who is very fair and often presumed white. She does an excellent job with the forward, and helped me put the book in context. It was worth it to go back and read her words.

In the end, I am glad I read this book. I haven’t read much from the 1930’s and Schuyler paints a searing picture of race in America that is prescient beyond belief. The book is a great work of speculative fiction, even if the satire didn’t work for me. I would love to see this book turned into a film, does anyone have Ava DuVernay’s number?

  • Paperback: 208 pages
  • Publisher:Penguin Classics (January 16, 2018)
  • 3/5 stars
  • Buy on Black No More Amazon

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.

The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. Shopping through these links helps support the show, but does not effect my opinions on books and products. For more information click here.

The Bluest Eye by Toni Morrison

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Reading The Bluest Eye for The Stacks Book Club was my first time ever reading the work of Toni Morrison. I knew it would be great, simply because so many people told me so, but getting a chance to read her words for myself, I now understand. You can listen to my conversation with Renée Hicks (founder of Book Girl Magic) about The Bluest Eye right here on The Stacks.

Here is more about The Bluest Eye

Pecola Breedlove, a young black girl, prays every day for beauty. Mocked by other children for the dark skin, curly hair, and brown eyes that set her apart, she yearns for normalcy, for the blond hair and blue eyes that she believes will allow her to finally fit in.Yet as her dream grows more fervent, her life slowly starts to disintegrate in the face of adversity and strife. A powerful examination of our obsession with beauty and conformity, Toni Morrison’s virtuosic first novel asks powerful questions about race, class, and gender with the subtlety and grace that have always characterized her writing.


Morrison does an expert job of writing about the darkest parts of our humanity. The book is haunting. Her characters are real and simple and purely themselves, for better or worse. She uses her words to make sure we never look away, that we examine the humanity of these characters. She finds our own vulnerabilities and uses them, forcing the reader to confront pain and trauma in a three dimensional way. To extend our sympathy to the abusers and the abused. Even when it feels impossible.

As we follow the life of our protagonist, a young dark-skinned Black girl named Pecola Breedlove, we see the world she sees, and we flashback to how her 1940s Ohio world was created. Morrison is brilliant in setting the scene as we think it should be, and then showing how it really is, how we got here, and why it is more complicated than we could have imagined.

The Bluest Eye takes on much that ails our society. The book confronts racism, colorism, beauty, sexism, sexuality, sexual abuse, trauma, rage, toxic masculinity, and more. Instead of looking at each idea as an isolated problem, she folds everything together and dares us to unpack the mess. To see that none of these isms or societal failures works on its own, but rather that they are entangled. While the story itself is painful and bleak, Morrison’s writing makes it palatable, something her readers are willing to stick with and sift through.

I could have read more of this book, but Morrison says what she needs to say in about 200 pages. She is specific and direct. There is no extra fluff. She doesn’t give us time to wallow. That directness enhances the book. She shows us the evils of humanity, the tender moments of kindness and never allows one to take on more weight than the other. Never allows us to pick sides. We just have to keep moving forward.

This is Morrison’s first novel, she wrote it at age 39, which is hard to believe, but then again seems right. This book is a force of a debut and while I did sometimes find myself confused, especially during the ending, I was engrossed with her language and her characters. You can feel that there is room for growth in The Bluest Eye, which says more about Morrison’s potential to be one of the greats than anything else. For many authors, this would be their top, this would be the best they could do. I look forward to reading more Toni Morrison, and I am so glad I finally got started reading her at all.

Don’t forget to listen the The Stacks with Renée Hicks discussing The Bluest Eye

  • Paperback: 224 pages
  • Publisher: Vintage; Reprint edition (May 8, 2007)
  • 4/5 stars
  • Buy on The Bluest Eye Amazon

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.

The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website. Shopping through these links helps support the show, but does not effect my opinions on books and products. For more information click here.

 

Ep. 34 The Bluest Eye by Toni Morrison — The Stacks Book Club (Renée Hicks)

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The Bluest Eye is the first novel of Nobel Laureate, Toni Morrison, it is also The Stacks Book Club pick this week. We dissect this American classic and discuss its many themes including race, beauty, love and abuse with Renée Hicks, founder of Book Girl Magic. Our conversation covers the entire book, which means there are a lot of spoilers. Go read the book and then come back and listen.

You can find everything we talk about this week in the show notes below. By shopping through the links you help support The Stacks, at no cost to you. Shop on Amazon and iTunes.

Connect with Renee and Book Girl Magic: Book Girl Magic Website|Book Girl Magic Instagram|Book Girl Magic Facebook|Book Girl Magic Twitter

Connect with The Stacks: Instagram|The Stacks Website|Facebook|Twitter|Subscribe|Patreon|Goodreads|Traci’s Instagram

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.

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The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website. Shopping through these links helps support the show, but does not effect my opinions on books and products. For more information click here.