Putting together a list of favorite reads is always so fun and so tough for me. I read over 100 books this year, so narrowing it all down is a great way to reflect on what I learned and how I’ve changed in the last 365 days.
I did keep track of everything I read. Mostly because I’m a huge nerd and love a good spreadsheet, but also because I like to stay accountable to my reading goals.
Before I dive into my top 10 books, here is a little breakdown of what I read in 2018. I read a total of 101 books, exactly ONE book over my goal.
- 49 were by authors of color (49%)
- 54 books were by women (54%)
- 31 books were by women of color (31%)
- 40 books were published in 2019 (40%)
- 62 books were acquired by me in 2019 (62%)
- 61 books were nonfiction (61%)
Of the 101 books I read here is how the star ratings shook out
- 17 books received five stars (17%)
- 23 books received four stars (23%)
- 45 books received three stars (45%)
- 14 books received two stars (14%)
- 2 books received one star (2%)
I love a good stat, and I could break down my reading even more, but I won’t. Instead here are my top 10 favorite reads of 2019 (in alphabetical order), though they weren’t all published this year.
The story of August, a twelve year old Black girl navigating a new life in Brooklyn. She moves north, with her father and brother, after her mother’s death. It’s the story of August growing up, finding new friends, and creating space her own space in the world.
This is one of the best coming of age stories I’ve ever read. The characters as vibrant and live in the space of confidence and insecurity that is so common for teenagers. She understands what it means to be lost and then found. She captures so much in this book, and does it all in less than 200 pages. That kind of brevity is rare, and a sign of true mastery.
In the story of her life, Assata Shakur lets her reader in on her childhood, her relationship with the Black Liberation Movement, and her arrest and imprisonment. The prose are conversational and the content is enraging and devastating. Not only is this book a look back at the past, it is also a very clear indictment on the current state of affairs in The United States.
I loved that Shakur wasn’t presenting an objective history, but rather a deeply personal and emotionally charged retelling of her life. You can feel her passion and her rage in every sentence, and it is beautiful.
The books is part memoir and part guide to identifying and combatting racist ideas in ourselves and in our culture. Kendi’s main premise is that there is no such thing as a “not racist” person, instead there are only racists thoughts and actions, and antiracist thoughts and actions, and these two things can live simultaneously in any human, even Kendi himself.
This was one of my most anticipated books for 2019, and it did not disappoint. Kendi is able to make combatting racism approachable. Most Americans can read this book and find ways to reflect on their own contributions to racism and their own role in changing the system. I also loved getting to see a more personal side of Kendi, a man I admire greatly.
A stunning memoir about finding ones self at the intersection of sexuality and race. Saeed Jones shares his coming of age and his questioning of his identity and belonging and it is incredible to read. Jones’ use of prose and poetry is effortless and serves the story and creates a piece that is as enjoyable to read as it is painful.
I learned a lot about the ways we get in the way of young queer people’s, especially of color, exploration of their identities. In How We Fight for Our Lives I was able to understand the types of violence both physical and emotional, that often accompany the shame and fear about living as one’s true self. I loved this book. Saeed Jones is a force.
A collection of short stories of middle school kids walking home from school. The stories are all unique and individual, but they intersect with the other stories in one way or another. It is a beautiful book about the few minutes a day kids are left unsupervised and get to experience the world on their own.
This book was the biggest surprise for me this year. Admittedly middle grade short stories isn’t a genre I’d think I’d like, and yet here we are. Something that Jason Reynolds is able to do with Look Both Ways is see the humanity in his characters. These kids have all had experiences that have shaped them, some more traumatic than others, but he finds a way to present this without making the kids into their trauma. The characters are full of life and joy and they are impossible to forget. Its also worth noting, Reynolds can write!
Lot by Bryan Washington
A collection of short stories about Black and Brown life in a neighborhood in Houston, told all in the first person with differing narrators, this book is a work of creativity and true craft. Unlike most short story collections where there is no sense of progress or growth over time, in Lot, Washington uses one family as our anchor and we get to watch as their lives unfold through alternating stories. That is supplemented with a cast of characters from the”lot” and their lives.
Washington’s perspective on life and sex and family and gentrification are subtle and smart and really beautiful. The stories are small and intimate. He centers queerness and cultural homophobia in a way that is honest and not preachy. Some standout stories for me were “Lot”, “Waugh”, and “Congress”, but I would say each story enhances the next.
A collection of essays on things that are difficult to say. This book is not what it seems. Corrigan wrote Tell Me More after the passing of her father and dear friend, Lisa. The book ends up being more a response to the loss of her loved ones, an understanding of her own grief, and way to help her (and the reader) move on when things feel devastating.
I loved this book. I got so much out of it and wept openly in sections. While the grief is ever present through out, there are also conversations about knowing your own worth, finding ways to be truly empathetic, and seeking out true love and joy that were valuable.
Historical fiction at its best. The Nickel Boys is inspired by a real life nightmare of a reform school, and follows two fictional characters who grapple with the horrors they experience, the friendships they create, and the prejudice they face as young Black men in Jim Crow Florida.
Colson Whitehead is a professional writer of the finest caliber. He is exacting and precise. There is not a word wasted in this book. You get to know the characters and feel for them deeply. The way this story unfolds is near perfection.
A beautifully told oral history of the events of September 11, 2001 as told by the people who lived the day. The accounts range from employees who went to work in the World Trade Center to the Vice President tucked away in a bunker, to a mother who gave birth on that fateful day, to worried family members whose loved ones were aboard hijacked planes. This book encapsulates the emotions and voices of a nation in fear, and without any answers.
What this book does best is connect the reader to the anxiety of that day. It is an extremely emotional book and there were times in my reading where I could feel my heart rate quicken as I turned each page. More than any event this book is about the feelings. We all know what happened that day, but this book will live on as a document of what it felt like to live through this historic event.
A collection of essays that are at once smart, funny, and truly thought provoking. Cottom is one of the most critical and nuanced thinkers on race and gender, and she centers the experience of Black women consistently in her work. Thick is effortless in its ability to move between ideas of intersectionality, the art of “the turn” is perfected in these pages.
I loved how I felt challenged in reading this book. I didn’t always understand what Cottom was saying on the first read, and was forced to go back and grapple with the work. I applaud Cottom for not making her work small to accommodate her reader. Her writing is too important for that. Go read Thick. You will learn things, you will connect dots you never knew you could. It is powerful and empowering.
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It is time to announce the next books we will be reading for The Stacks Book Club. I can’t believe the year is almost over, and these will be the final books read in 2018. For the month of December we’re reading two fiction books that center identity, home, belonging, and dislocation.