Our guest today is award winning novelist Yaa Gyasi. here to discuss her new novel Transcendent Kingdom. Our conversation touches on the challenges to writing a follow up to her critically acclaimed debut Homegoing, how she gave herself permission to write about small intimate stories this time around, and the ways research has factored into her process as a storyteller.
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A collection of short stories about drifters, drug addicts and life on the margins. Jesus’ Son is both about the falling down and the getting back up of life. Before we recognized the opioid crisis as a crisis and before we sympathized with addicts, Jesus’ Son gave a human perspective to those that suffer from addiction. The book feels ahead of its time in this way.
I really didn’t care about the characters in this book. The stories were fine and interesting, but overall, I wasn’t interested in what happened to them. Part of it is that this book feels overwhelmingly White and male. The point of view, the insights, and the issues all felt like shock and awe for White people, but missed the fact that many Black and Brown people are constantly living at the margins without as much sympathy, let alone books devoted to the quirk of their day to day lives.
I couldn’t help but see Johnson’s ability to tell this story as a part of his own privilege. He gets to tell the stories of this specific group of users, instead of having to be responsible for all people who have ever been addicted. It is a great thing for an artist to be able to do, though I wonder if a Black author’s work would have been granted that kind of singularity.
Jesus’ Son is a well crafted collection, sparse in words but big in feeling. Johnson is a fantastic writer with a unique style. He creates short sentences that pack a huge punch. While there were moments of great emotional resonance, this book wasn’t for me, in the end, I just didn’t care about the people in the stories.
I know many people consider this book to be a modern classic, and one of the greatest books of the last few decades. I am not one of those people. Author Dave Cullen (Columbine, Parkland) however is, and you can hear us discuss this book on the podcast:
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A co-authored memoir about addiction and recovery as told by mother and son, S.O.B.E.R. is one of the most unique reading experiences I’ve had. To hear the story of addiction from the standpoint of the person addicted and the family that is supporting and struggling along side him. The Devlin’s are honest and very straight forward in telling their story, and you can hear more of that story on The Short Stacks with Anita Devlin.
The writing in S.O.B.E.R. is simple and is mostly concerned with story telling, which feels 100% right for this personal memoir told by two non-writers. There are parts where they stray from the story to reference an event that is never picked back up, and there are moments that could use more intimacy and detail. The story is compelling, but the book would have benefited from an editor to guide the story in a more deliberate way.
If you or a loved one are dealing with addiction I think the story the Devlin family shares could be helpful, as is Anita’s website. It is their own story and is not concerned with universality. It is just one version of how addiction plays out. It is worth noting this book came out in 2015, and in the last four years there have been many more books, films, and TV shows to deal with the struggles of families dealing with addiction, and making S.O.B.E.R. feel like common knowledge, but at the time this book was more unique. Check out S.O.B.E.R. if you’re interested in addiction stories that involve family and recovery.
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The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. Shopping through these links helps support the show, but does not effect my opinions on books and products. For more information click here.
On today’s episode of The Short Stacks we’re joined by Anita Devlin, who co-wrote the story of her son’s addiction in a joint memoir entitledS.O.B.E.R.Anita’s journey through her son’s (and co-author) addiction and recovery inspired her not only to write this book, but also to become an advocate and support for others dealing with the reaches of addiction. We discuss her transformation from mother to activist and to author.
To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.
My Mentor Book Club – for 50% off your first month of new nonfiction from My Mentor Book Club go to mymentorbookclub.com/thestacks
The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. Shopping through these links helps support the show, but does not effect opinions on books and products. For more information click here.
The Stacks received S.O.B.E.R. from the Devlin’s for review and conversation on the podcast. For more information click here.
The Stacks received this book from the publisher in exchange for an honest review. For more information click here.
This was possibly my most anticipated read of the year. I knew of Kiese Laymon’s essays, but had never read any of his books, and many people that I trust ad respect have nothing but the highest praise for him. So, I was eager to read his “American Memoir”.
In Heavy, Laymon writes eloquently and honestly about growing up a hard-headed black son to a complicated and brilliant black mother in Jackson, Mississippi. From his early experiences of sexual violence, to his suspension from college, to his trek to New York as a young college professor, Laymon charts his complex relationship with his mother, grandmother, anorexia, obesity, sex, writing, and ultimately gambling. By attempting to name secrets and lies he and his mother spent a lifetime avoiding, Laymon asks himself, his mother, his nation, and us to confront the terrifying possibility that few in this nation actually know how to responsibly love, and even fewer want to live under the weight of actually becoming free.
Complexity and vulnerability course through the pages of Heavy. Kiese Laymon never strays from a commitment to tell the truth of his story. As we read on, we understand his truth is painful. We learn how Laymon got to be the thorough, confrontational, relentless man that is writing this memoir. He allows himself to unfold page by page, until you feel as if you might actually know this man. Of course you don’t, but his brutal honesty gives a seeming closeness or understanding.
Laymon is a beautiful writer. He captures feelings and emotions in short and specific sentences. He creates worlds and moments with his words. In Heavy Laymon shows how his mother shapes him as a man, and also as a writer, and more importantly a thinker. In all of these things, her influence is not always positive, but it is obviously formative. She is herself a Black thought leader and academic who forces Laymon to confront the need to be excellent from a young age. We also watch as people come into Laymon’s life and influence his mind and his body. Quiet literally shaping him. We learn of his deep commitment to revision. We see how that compulsion towards excellence is pathological and often times destructive.
I knew very little about Laymon when I started reading, and within a few pages I understood that what I was reading was different than other memoirs. It was at once personal and a social commentary. Laymon would expose personal secrets, and also institutional deficiences. Heavy is a deeply intimate account of one man and his relationship to his own identity, and an examination of America and her relationship to her citizens. Racism, discipline, addiction, education, beauty standards and more are unpacked in Laymon’s memoir.
I was beyond impressed with this book.. I learned a lot and felt the wind knocked out of my sails at times. I have been calling it “Coates-ian” (a reference to author and journalist Ta-Nehisi Coates), except more intimate, more vulnerable, and less of a reflection on the broader racial questions of our time, more an examination of how one experience is inclusive of the larger picture. There have been some amazing reviews of Heavy, and I highly suggest one by Saeed Jones in The New York Times, Jones beautifully expresses the struggle for excellence and what that means for Laymon and all of us. Before I unequivocally suggest to you to read this book, I want to note there are some very graphic scenes of a child abuse in this book, and while that can be triggering for many, it is an important part of Laymon’s history. I couldn’t imagine this book without those scenes. Now, here it comes, go read this book.
Hardcover: 256 pages
Publisher: Scribner; First Edition edition (October 16, 2018)
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The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. Shopping through these links helps support the show, but does not effect my opinions on books and products. For more information click here.