A Lucky Man by Jamel Brinkley

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The Stacks received this book from the publisher in exchange for an honest review. For more information click here

I had heard so many amazing things about A Lucky Man from a variety of people and when I saw it long-listed for The National Book Award, I had to pick it up and start reading.

More about A Lucky Man

In the nine expansive stories ofA Lucky Man, fathers and sons attempt to salvage relationships with friends and family members and confront mistakes made in the past. An imaginative young boy from the Bronx goes swimming with his group from day camp at a backyard pool in the suburbs, and faces the effects of power and privilege in ways he can barely grasp. A pair of college boys on the prowl follow two girls home from a party and have to own the uncomfortable truth of their desires. And at a capoeira conference, two brothers grapple with how to tell the story of their family, caught in the dance of their painful, fractured history.

Jamel Brinkley’s stories, in a debut that announces the arrival of a significant new voice, reflect the tenderness and vulnerability of black men and boys whose hopes sometimes betray them, especially in a world shaped by race, gender, and class―where luck may be the greatest fiction of all.


When you encounter a writer that takes the path less traveled, sometimes the work can feel overwrought and self-important. You sense the labor that went into being clever or different, as if the author is showing off how unique their thinking is compared to everyone around them. That is not the case with Jamel Brinkley and A Lucky Man. Brinkley instead proves himself to be authentically singular with these stories. His characters and events feel fresh and effortless, as if there was no other thing in the world for him to do but write these stories.

I have not read many short story collections and I think there is certainly a muscle needed to switch ones mind quickly between stories, a muscle that allows you to move on seamlessly from one set of characters to the next. I have still yet to develop that muscle. That being said, these stories are strong on their own, they are vulnerable and rich, and tell of life as a Black man in ways I’ve never seen depicted. There are no two dimensional characters in this book, there are no stereotypes. Everyone is layered and nuanced in a way that left me wanting more from many of the stories. I could easily imagine many being turned into movies. Brinkley obviously loves his characters, at times I felt that there is no way he created these people out of thin air, they felt like his loved ones, his real life friends and family somehow turned into fiction. I have no idea if that is true or not, but either way, you could feel the deep connection Brinkley has to the people in his book.

I often struggled transitioning between stories, and sometimes felt like too little happened. I felt unfulfilled. Sometimes so little happened I have forgotten what happened at all. This book is all suspense and sometimes there wasn’t enough payoff. I felt disconnected from the emotion of some of the stories. However, for a debut collection, I am thrilled to see what will come next as I thoroughly enjoyed the process of reading this book, even if it doesn’t stick with me down the road.

My personal favorite stories were “A Family” and “Everything the Mouth Eats”. This book has received much praise from critics and readers alike, I would not hesitate to recommend this book to you.

  • Hardcover: 264 pages
  • Publisher: Graywolf Press; First Edition, First Printing edition (May 1, 2018)
  • 3/5 stars
  • Buy on A Lucky Man Amazon

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.

The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website. Shopping through these links helps support the show, but does not effect my opinions on books and products. For more information click here.

To the Bridge: A True Story of Motherhood and Murder by Nancy Rommelmann

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The Stacks received this book from the publisher in exchange for an honest review. For more information click here

A friend who recommends you books that you love is a rare and valuable friend. I am lucky to have such friends, who tell me what to read, and rarely lead me astray. I came to To The Bridge by Nancy Rommelmann through one of these friends, my book recommending savant Heather John Fogarty. Heather told me about the book months before it came out, even before I had created The Stacks. She knew it was my kind of book. So once I decided to start the podcast, it seemed obvious Heather would be a guest and we would discuss it for The Stacks Book Club. That episode is out now, and you can listen to it here.

Here is more about To The Bridge

On May 23, 2009, Amanda Stott-Smith drove to the middle of the Sellwood Bridge in Portland, Oregon, and dropped her two children into the Willamette River. Forty minutes later, rescuers found the body of four-year-old Eldon. Miraculously, his seven-year-old sister, Trinity, was saved. As the public cried out for blood, Amanda was arrested, convicted, and sentenced to thirty-five years in prison.

Embarking on a seven-year quest for the truth, Rommelmann traced the roots of Amanda’s fury and desperation through thousands of pages of records, withheld documents, meetings with lawyers and convicts, and interviews with friends and family who felt shocked, confused, and emotionally swindled by a woman whose entire life was now defined by an unspeakable crime. At the heart of that crime: a tempestuous marriage, a family on the fast track to self-destruction, and a myriad of secrets and lies as dark and turbulent as the Willamette River.


Nancy Rommelmann has crafted a layered and nuanced book with To The Bridge. She never falls into the trap of trying to make the book easy or clear. She presents her investigation and trusts that we, the readers, are smart enough to draw our own conclusions. For me, the conclusions were less obvious than I would have hoped, they were complex and often times contradictory, they came out of the work Rommelmann had done.

Where this book soars is in Rommelmann’s ability to sift through all the information she’d gathered. She is our guide into the world of this toxic relationship, between Amanda Stott-Smith and her estranged husband Jason Smith, and while she is somewhat objective, she also becomes a subject of her own writing. She is a character in this book.  At first Rommelmann’s pressence in the book threw me off, I was not excited about author and subject in a non-memoir type of true crime book. However in the end it didn’t bother me at all. I maybe even liked it a little, it helped me to understand this rocky landscape more clearly.

This is one of those books that you think you know how it is going to go, and if I’m being honest nothing really surprised me. Sure, there were details I didn’t guess, but mostly the story of sociopaths follows a pattern and this book just highlights those patterns. We all know that something is wrong if a mother is killing her children. However in To The Bridge we are not forced to read a sensational account of the events that led Stott-Smith to the bridge. Instead Rommelmann affords her subjects dignity and autonomy, and ultimately asks us to hold them accountable.

There are certainly things I wished would have been presented more expressly in the book. I would have appreciated if Rommelmann gave me the answers. I would have loved to know exactly what Amanda was thinking when she dropped her kids off the Sellwood bridge that night. But, To The Bridge can not definitively answer that question for me. I don’t even know is Amanda herself could answer for certain. What I respect about this book is that Rommelmann investigates to try to find out why, and then she shows us her work. She doesn’t shy away from the messy realities of the toxicity of Amanda and Jason’s marriage and she doesn’t let those around them off the hook for their complacency. I would love final answers, but that is not how life works. Things can get complicated, and this book leans into that complexity, it doesn’t attempt to smooth ir out.

If you like investigative journalism, if you like uncovering the story beneath the story, then this is a book for you. It moves fast, and is an easy read even though the subject matter is anything but. If you are a sensitive reader or are triggered by domestic abuse and child abuse then I would suggest you prepare yourself for this book, or set it aside for another time.

Don’t forget to listen the The Stacks with Heather John Fogarty discussing To The Bridge.

  • Hardcover: 303 pages
  • Publisher: Little A (July 1, 2018)
  • 4/5 stars
  • Buy on To The Bridge Amazon

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.

The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website. Shopping through these links helps support the show, but does not effect my opinions on books and products. For more information click here.

Ep. 32 To The Bridge by Nancy Rommelmann — The Stacks Book Club (Heather John Fogarty)

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When a mother, Amanda Stott-Smith, throws her two young children off of a bridge, one journalist tries to understand why. That is the premise of Nancy Rommelmann’s true crime book, To The Bridge. This week, for The Stacks Book Club, we discuss this haunting book with journalist Heather John Fogarty. While the story of Stott-Smith and her children is true, if you’re not familiar with the events there will be some spoilers on this week’s episode.

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Everything we talk about on today’s episode can be found below in the show notes and on Bookshop.org and Amazon.

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To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.


The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website. Shopping through these links helps support the show, but does not effect my opinions on books and products. For more information click here.

The Stacks Book Club — December Books

0D8B9819-6A6B-4EA8-85F0-D9C5D9931088It is time to announce the next books we will be reading for The Stacks Book Club. I can’t believe the year is almost over, and these will be the final books read in 2018. For the month of December we’re reading two fiction books that center identity, home, belonging, and dislocation.

We will discuss these books on the podcast, and also online in our virtual book club. It is an awesome way to get to dissect the books even further with other readers in our community. To join The Stacks virtual book club become a member of The Stacks Pack by clicking here. Join the fun .

The first book of December will be If You Leave Me by Crystal Hana Kim. This book is the saga of two ill-fated lovers in Korea and the heartbreaking choices they’re forced to make in the years surrounding the civil war that still haunts us today. We will read If You Leave Me on December 5th.

Then on December 19th we will read Teju Cole’s novel Open City, which follows a Nigerian doctor in Manhattan. He encounters people from different cultures and classes and ultimately ends up on his own journey of exploration.

As with all our TSBC books, we want to hear from you. If you’re reading along, send over your thoughts or questions so we can have the conversations you want to hear. You can email us at thestackswithtraci@gmail.com, comment on this post, or reach out to us through our Instagram @thestackspod.

Order your copies of our November books on Amazon:


The Stacks participates in affiliate programs in which we receive a small commission when products are purchased through some links on this website. This does not effect opinions on books and products. For more information click here.

Richard III by William Shakespeare

8853EBC9-8629-4FB1-B2FF-2C6E331176EEThis month, for the #ShaketheStacks challenge I read one of my most favorite Shakespeare plays, Richard III. It is the fourth and final part of the Henry VI tetralogy. For as much as I enjoyed Henry VI Part III Richard III is leaps and bounds better.

In this final chapter of the bloody war of the roses, the House of Plantagenet finally ascends the throne, putting our anti-hero, Richard, a stones throw from the throne. This play chronicles Richard’s assent from Richard Duke of Gloucester to King Richard III. It is full of blood and lies and fantastic wit and dialogue. Richard has all the things you want from a bad guy, he is clearly the smartest and most detestable person in the room. I won’t give anything away, but he is delightfully terrible.

I was lucky enough to be in two different productions of Richard III, and grew to learn about the text intimately. Shakespeare layers so much in each line, drawing back to the three previous plays, and verbal sparring that is thrilling to read, let alone watch. As with all his plays, Shakespeare has a point of view on what we’re watching. He centers the play around a corrupt ruler and his unchecked power and entitlement, not to mention his deep seated misogyny. Sound familiar? Richard III still holding up hundreds of years later.

My favorite scene in the play encapsulates all that is good (not morally) in Richard III, Act IV Scene 4. The scene is led by the women of the play, of which there are four insanely amazing independent and vibrant women characters, and it weaves from cursing to courting to sorrow and rage. The scene is dynamic and is the one moment when truth is spoken to power. It is powerful and exciting and smart. A total force that sucks the air out of the room, weather you’re reading or watching the play.

If you’ve yet to read this play, you should. Or better yet go see a production or watch the film. If I’m ranking Shakespeare’s plays it is in my top five (so far, but if I’m being honest I haven’t read them all yet).

Next month I leave the histories behind and read The Taming of the Shrew. I hope you’ll read it with me.

  • Paperback: 208 pages
  • Publisher: Penguin Classics; Reissue edition (June 13, 2017)
  • 5/5 stars
  • Buy Richard III on Amazon

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.

The Stacks participates in affiliate programs in which we receive a small commission when products are purchased through some links on this website. This does not effect my opinions on books and products. For more information click here.

The Executioner’s Song by Norman Mailer

5DF10CBB-A65E-4C65-B6E5-F119B079DA59.JPGI have been fascinated with murders and murderers for as long as I can remember. I’ve also always been a big reader, and when you put those two things together, true crime and reading, you invariably get to The Executioner’s Song. It is an eleven hundred page true crime classic. And so after ten years, I finally decided to check this off the big book bucket list.

Here is more about The Executioner’s Song:

Arguably the greatest book from America’s most heroically ambitious writer,The Executioner’s Song follows the short, blighted life of Gary Gilmore who became famous after he robbed two men in 1976 and killed them in cold blood. After being tried and convicted, he immediately insisted on being executed for his crime. To do so, he fought a system that seemed intent on keeping him alive long after it had sentenced him to death. And that fight for the right to die is what made him famous.

Mailer tells not only Gilmore’s story, but those of the men and women caught in the web of his life and drawn into his procession toward the firing squad. All with implacable authority, steely compassion, and a restraint that evokes the parched landscape and stern theology of Gilmore’s Utah.The Executioner’s Song is a trip down the wrong side of the tracks to the deepest source of American loneliness and violence. It is a towering achievement-impossible to put down, impossible to forget.


Normally when I read a book, I feel pretty confident in my review. I sit down to write it, and out comes my thoughts. I may stop and start a little, but with The Executioner’s Song I am about 4-5 attempts in and still feeling unsure of where I stand. Part of my struggle is coming from the fact that there is just so much book, so many ideas to unpack and feelings to sort through. Another part is because I do not want to spoil anything, even though you could easily spoil so much by looking up Gary Gilmore on wikipedia. So here goes my attempt to explain my thoughts without out giving away too much…

This is the kind of book that haunts you, not because of what happens in it, but because of how it all unravels. I didn’t love the book. It never fully hooked me, but I have found myself thinking about the people involved in Gilmore’s life and death a lot since I finished it. There were moments of suspense that I thoroughly enjoyed, and then sections that felt endless. There were people I loved in one section of the book, and then was hoping they’d be leaving the story a hundred pages later. While I never fully understood why so many people rave about this book, I suspect it has to do with the way Mailer is able to give his characters room to transform in front of the readers eyes. These people feel full and complete, no one is without dimension. Mailer’s writing style is impressive and specific and lacks any frills. It is direct, like the people you find in the book.

A tale of White toxic masculinity told by a toxic White man, The Executioner’s Song can be rage inducing. I felt myself feeling sorry for a murderer and domestic abuser in one moment and then feeling furious at the author for presenting the story in that way. Giving Gilmore so much room to garner sympathies when he really behaves disgustingly through out. Despite his deep flaws, Mailer does find humanity in Gilmore. He also finds the humanity in the kind of world where a Gary Gilmore could be created. I don’t disagree with Mailer that part of Gilmore was cultivated during his time in prison, however the compassion that Mailer asks us to show to Gilmore was often times more than I could bear.

There are no answers in this book. I am okay with that. Conversations around incarceration and murder and class and relationships are seldom clear cut. Mailer throws all his research your way, and more or less asks you to sift through it. He may guide you, or allow his characters to sway you, but in the end you’ll take from this book whatever you need.

One of the big topics of debate revolves around capital punishment, not only if its a good idea or not, but how someone is sentenced for death and how that process progresses. Forty-plus years later, this part of the book feels more current than it should. We get a view of the death penalty debate from many sides. We see how death row works, how the appeals process functions, we even get a good look at the media frenzy behind high profile criminal cases. In the end, I found myself asking over and over, what is the point? Is the world really any better off with Gilmore dead?

In the end I am glad I read this book. I didn’t love it, but I appreciated it, not only as a piece of writing but as a glimpse into a moment in time. After spending the better part of a month reading through this book, it was not the greatest thing that ever happened to me, but I did have major moments of shock and awe. It is an incredible feat of journalism and story telling, and it is an exceptional commentary on the death penalty and the humanity of criminals. I can recognize the greatness in The Executioner’s Song theoretically, but I could never fully feel the power that many others have experienced in reading the book.

  • Hardcover: 1136 pages
  • Publisher: Grand Central Publishing; Reprint edition (May 8, 2012)
  • 3/5 stars
  • Buy on The Executioner’s Song Amazon

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.

The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website. Shopping through these links helps support the show, but does not effect my opinions on books and products. For more information click here.