Black No More by George S. Schuyler


54CDB2F3-2C1C-4FB6-A29C-9B96A70731DEI picked up Black No More as part of a book club read with my all Black online book club. I wasn’t familiar with the book, and had only barely even heard of the the title, but was excited to read a satire written by a Black man from the 1930’s.

More information on Black No More

It’s New Year’s Day 1933 in New York City, and Max Disher, a young black man, has just found out that a certain Dr. Junius Crookman has discovered a mysterious process that allows people to bleach their skin white—a new way to “solve the American race problem.” Max leaps at the opportunity, and after a brief stay at the Crookman Sanitarium, he becomes Matthew Fisher, a white man who is able to attain everything he has ever wanted: money, power, good liquor, and the white woman who rejected him when he was black.

Lampooning myths of white supremacy and racial purity and caricaturing prominent African American leaders like W. E. B. Du Bois, Madam C. J. Walker, and Marcus Garvey, Black No More is a masterwork of speculative fiction and a hilarious satire of America’s obsession with race.


This book, like so many classic books that discuss the Black experience in The United States, feels relevant today. Schuyler uses Black No More to eviscerate Black and White people, intellectuals and hate leaders alike. He doesn’t hold back on bringing everyone to task. Depending on your own perspective on the world, this book could be interpreted in many different ways.

What I appreciated most about this book was that Schuyler seemed to have no fear about how the book would be received. If he did, he didn’t let that stop him. He created characters that mocked well known Black thought leaders (W.E.B. Du Bois, Marcus Garvey and more) and reduced the KKK to a complete scam. He minimized Black identity to something akin to crabs climbing out of a barrel, and showed that White people just need someone to kick around. He showed the American propensity toward violence, and the shame that so many people carry around due to their family’s history.

What I didn’t like about the book was the tone. It felt old-timey. It read like something from days gone by, and that took me out of the story. The jokes didn’t land. The writing felt dated. I never laughed out loud, and mostly felt detached from the work itself. I wondered if that had to do with the era, or with the genre, as I do not read satire often.

When I read classics, I save the introduction for after I’ve completed the text. In the case of Black No More, the introduction is by author Danzy Senna (Caucasia, New People), a mixed race woman who is very fair and often presumed white. She does an excellent job with the forward, and helped me put the book in context. It was worth it to go back and read her words.

In the end, I am glad I read this book. I haven’t read much from the 1930’s and Schuyler paints a searing picture of race in America that is prescient beyond belief. The book is a great work of speculative fiction, even if the satire didn’t work for me. I would love to see this book turned into a film, does anyone have Ava DuVernay’s number?

  • Paperback: 208 pages
  • Publisher:Penguin Classics (January 16, 2018)
  • 3/5 stars
  • Buy on Black No More Amazon

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.

The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. Shopping through these links helps support the show, but does not effect my opinions on books and products. For more information click here.

The Ensemble by Aja Gabel

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The Stacks received this book from the publisher in exchange for an honest review. For more information click here

This is not the kind of book I normally pick up. It is character driven literary fiction, about a topic I have little to no interest in, classical music. But, because the author Aja Gabel was going to be a guest on the podcast (listen to our conversation here), I read The Ensemble and it is proof that I know nothing about my own reading taste.

Here is more information on The Ensemble

Brit is the second violinist, a beautiful and quiet orphan; on the viola is Henry, a prodigy who’s always had it easy; the cellist is Daniel, the oldest and an angry skeptic who sleeps around; and on first violin is Jana, their flinty, resilient leader. Together, they are the Van Ness Quartet. After the group’s youthful, rocky start, they experience devastating failure and wild success, heartbreak and marriage, triumph and loss, betrayal and enduring loyalty. They are always tied to each other – by career, by the intensity of their art, by the secrets they carry, by choosing each other over and over again.


The Ensemble isn’t real life, its stylized life, life the way you wish it played out. Gabel’s characters say all the things you wish you’d thought to say in a fight, or right before a kiss, or in the throws of grief. They say what you wish you’d thought to say if you weren’t so overwhelmed. Jana, Brit, Henry, and Daniel aren’t common they’re normal with a splash of special. They are precise and piercing. Even their missteps are admirable and attractive. The Ensemble is reality plus. I couldn’t help but think what a great TV show this book would make, filled with gorgeous musicians, emotional outbursts, and a soundtrack that mixes Beethoven with acoustic Prince covers. Shonda Rhymes wishes she wrote this book, it is Grey’s Anatomy but with a string quartet. I mean all of this with such high praise. Sometimes reality isn’t enough. Sometimes you want to be around the beautiful people and watch them be sort of perfect, in failure and success.

Gabel knows her characters. She writes their relationships with a confidence you only gain from knowledge. She understands everyones weaknesses and motivations, who they are, and why. The dialogue and inner monologues are fantastic. She knows how to push their buttons how to turn them on, what makes them tick. As moments unfold, they feel right, I never once thought “Jana would never say that”, because of course she would say that. That is just so Jana.

The plot, which is minimal, doesn’t have its own life. It is the character I am missing in the book. I don’t know that Gabel cares to give us much plot, instead we get glimpses of our quartet. It could be any moment, and Gabel picked this one, and here we are. Sure some are major life moments, but some others feel small and benign. The plot feels a little but like an afterthought in this book. It wasn’t the focus and it wasn’t complex. The book doesn’t really have a start or a finish, we just stop getting invited back. This is the kind of book that many people love, character driven, a study of relationships. And for that, it is done extremely well. I would have loved more events. More action. More.

Oh, and then there is the music. Exactly as it should be. In the background, and sometimes loud and mostly soft and just right.

The Ensemble is simultaneously intimate and vast, with rich writing and complex characters. This book centers the realities of life, but with style. I’m glad I read this book. I never felt Gabel was trying to teach me anything, she didn’t attempt to change the way I see the world. Instead she wrote a beautiful small book about relationships and humanity, and gave them the best words to say, and let me do my thing.

If characters and life and small moments excite you. This is your book. Even if they don’t you still might enjoy this book. It has a magic to it, mostly its simple. What a refreshing thing to be in 2018.

To learn more about Aja and hear her on The Stacks click here.

  • Hardcover: 352 pages
  • PublisherRiverhead Books; First Edition, First Printing edition (May 15, 2018)
  • 3/5 stars
  • Buy on The Ensemble Amazon

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.

The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. Shopping through these links helps support the show, but does not effect my opinions on books and products. For more information click here.

Ep. 35 Prodigies, Time Machines, and Beautiful Writing with Aja Gabel

cropped-TheStacks_logo_final.jpgThis week on The Stacks our guest is author Aja Gabel. Aja’s debut novel, The Ensemble, came out in 2018, and she talks with us about writing her book, cover design, which writers inspire her, and why she got a PhD in creative writing. We also talk music prodigies and time machines, which is to say, we talk about a little of everything.

You can find everything we talk about this week in the show notes below. By shopping through the links you help support The Stacks, at no cost to you. Shop on Amazon and iTunes.

BOOKS

EVERYTHING ELSE

Connect with Aja: Aja’s Website|Aja’s Instagram|Aja’s Twitter

Connect with The Stacks: Instagram|The Stacks Website|Facebook|Twitter|Subscribe|Patreon|Goodreads|Traci’s Instagram

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.

Sponsors

Audible– to get your FREE audiobook download and FREE 30 day trial go to audibletrial.com/thestacks.

My Mentor Book Club – for 50% off your first month of new nonfiction from My Mentor Book Club go to mymentorbookclub.com/thestacks


The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. Shopping through these links helps support the show, but does not effect my opinions on books and products. For more information click here.

Hear Traci on The SSR Podcast

Guess what? I was invited on someone else’s podcast. That’s right, you can hear me on The SSR (Sh*t She Read) Podcast, hosted by Alli Hoff Kosik. The show is all about adults reading and discussing favorite books from their tween and teen years, mostly to see if they hold up and what they notice from their new (older) perspective. I’m on as part of “New Reads November” to talk about the modern classic, The Hate U Give by Angie Thomas.

The book follows 16-year-old Starr Carter, a Black girl, as she navigates life after her friend, an unarmed Black boy, is murdered at the hands of a police officer, and she is the sole witness. The book engages with many topics that surround the Black Lives Matter Movement, code switching, racism, anxiety, and more.

We discuss the book in detail (yes, spoilers) and I give my honest critiques of why I liked, but didn’t love, this book that has become a “must read” for many. I THUG this book back in February of this year, and you can read my full review here.

Listen Now

Apple Podcasts|SSR Podcast Website

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The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website, and this comes at no cost to you. Shopping through these links helps support the show, but does not effect my opinions on books and products. For more information click here.

The Bluest Eye by Toni Morrison

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Reading The Bluest Eye for The Stacks Book Club was my first time ever reading the work of Toni Morrison. I knew it would be great, simply because so many people told me so, but getting a chance to read her words for myself, I now understand. You can listen to my conversation with Renée Hicks (founder of Book Girl Magic) about The Bluest Eye right here on The Stacks.

Here is more about The Bluest Eye

Pecola Breedlove, a young black girl, prays every day for beauty. Mocked by other children for the dark skin, curly hair, and brown eyes that set her apart, she yearns for normalcy, for the blond hair and blue eyes that she believes will allow her to finally fit in.Yet as her dream grows more fervent, her life slowly starts to disintegrate in the face of adversity and strife. A powerful examination of our obsession with beauty and conformity, Toni Morrison’s virtuosic first novel asks powerful questions about race, class, and gender with the subtlety and grace that have always characterized her writing.


Morrison does an expert job of writing about the darkest parts of our humanity. The book is haunting. Her characters are real and simple and purely themselves, for better or worse. She uses her words to make sure we never look away, that we examine the humanity of these characters. She finds our own vulnerabilities and uses them, forcing the reader to confront pain and trauma in a three dimensional way. To extend our sympathy to the abusers and the abused. Even when it feels impossible.

As we follow the life of our protagonist, a young dark-skinned Black girl named Pecola Breedlove, we see the world she sees, and we flashback to how her 1940s Ohio world was created. Morrison is brilliant in setting the scene as we think it should be, and then showing how it really is, how we got here, and why it is more complicated than we could have imagined.

The Bluest Eye takes on much that ails our society. The book confronts racism, colorism, beauty, sexism, sexuality, sexual abuse, trauma, rage, toxic masculinity, and more. Instead of looking at each idea as an isolated problem, she folds everything together and dares us to unpack the mess. To see that none of these isms or societal failures works on its own, but rather that they are entangled. While the story itself is painful and bleak, Morrison’s writing makes it palatable, something her readers are willing to stick with and sift through.

I could have read more of this book, but Morrison says what she needs to say in about 200 pages. She is specific and direct. There is no extra fluff. She doesn’t give us time to wallow. That directness enhances the book. She shows us the evils of humanity, the tender moments of kindness and never allows one to take on more weight than the other. Never allows us to pick sides. We just have to keep moving forward.

This is Morrison’s first novel, she wrote it at age 39, which is hard to believe, but then again seems right. This book is a force of a debut and while I did sometimes find myself confused, especially during the ending, I was engrossed with her language and her characters. You can feel that there is room for growth in The Bluest Eye, which says more about Morrison’s potential to be one of the greats than anything else. For many authors, this would be their top, this would be the best they could do. I look forward to reading more Toni Morrison, and I am so glad I finally got started reading her at all.

Don’t forget to listen the The Stacks with Renée Hicks discussing The Bluest Eye

  • Paperback: 224 pages
  • Publisher: Vintage; Reprint edition (May 8, 2007)
  • 4/5 stars
  • Buy on The Bluest Eye Amazon

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.

The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website. Shopping through these links helps support the show, but does not effect my opinions on books and products. For more information click here.

 

Ep. 34 The Bluest Eye by Toni Morrison — The Stacks Book Club (Renée Hicks)

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The Bluest Eye is the first novel of Nobel Laureate, Toni Morrison, it is also The Stacks Book Club pick this week. We dissect this American classic and discuss its many themes including race, beauty, love and abuse with Renée Hicks, founder of Book Girl Magic. Our conversation covers the entire book, which means there are a lot of spoilers. Go read the book and then come back and listen.

You can find everything we talk about this week in the show notes below. By shopping through the links you help support The Stacks, at no cost to you. Shop on Amazon and iTunes.

Connect with Renee and Book Girl Magic: Book Girl Magic Website|Book Girl Magic Instagram|Book Girl Magic Facebook|Book Girl Magic Twitter

Connect with The Stacks: Instagram|The Stacks Website|Facebook|Twitter|Subscribe|Patreon|Goodreads|Traci’s Instagram

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.

Sponsors

Audible– to get your FREE audiobook download and FREE 30 day trial go to audibletrial.com/thestacks.

My Mentor Book Club – for 50% off your first month of new nonfiction from My Mentor Book Club go to mymentorbookclub.com/thestacks


The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website. Shopping through these links helps support the show, but does not effect my opinions on books and products. For more information click here.

The Taming of the Shrew by William Shakespeare

696DE5D5-9E54-4A03-BA88-36EE192E3792The next play up in the #ShakeTheStacks challenge is a relatively well known play The Taming of  the Shrew. While most people might not even know they known The Taming of the Shrew, you might be familiar with the plot as it is been adapted into famous movies and musicals (Kiss Me KateTen Things I Hate About You, and Deliver Us From Eva are all adaptations of this play). There is also a famous version of the play with Elizabeth Taylor and Richard Burton (Taming of the Shrew film)

If you’re not familiar with the adaptations or the play itself, the general premise is that a father won’t allow his younger, prettier, more sought after daughter Bianca to get married until her older sister, Katherine (Kate) is married off first. However, Kate is a strong willed woman who intimidates mostly everyone. I won’t give away much more. The play is presented as a comedy and has a lot of mistaken identity and subplots that Shakespeare plays are known for, but its actually pretty dark.

I was in a production of this play in 2007, and I liked it fine when I was in it. I feel similarly about the play over a decade later. The show is fine, its not particularly funny, more silly, but there are some great verbal sparring scenes between the clowns in the show. In this rereading of The Taming of the Shrew I found there to be a nuanced conversation about what it means to be a wife and a bystander in the face of domestic abuse.

Many people have said this play is sexist. Even the title implies that Kate is a wild woman (shrew) who needs to be tamed. Sure, that is sexist. I found in reading the play, Kate was not the villain, her suitor Petruchio was. He manipulates Kate into submission. He is both physically and emotionally abusive, using starvation, exhaustion and embarrassment to control her.

I would love to see a production of this play that doesn’t settle into the comedy and absurdity of the play, but really presents a man who uses torture techniques to control his wife. And more than that, the people around him allow it to happen, from his servants to his new father-in-law. We  all watch as a man destroys the spirit and will of his wife, for no other reason than his own ego and own control. That is the play that Shakespeare wrote, or at least how I read it.

If you’ve not read this play, it is just fine. There are some great scenes and speeches and then there is a lot of fluff. The Taming of the Shrew isn’t all together anything special, but it is searching around a much bigger question of women and control, something I know Shakespeare deals with in his future plays. Plays I’m ver excited to get to as I continue to #ShakeTheStacks. Next Up, Titus Andronicus, I hope you’ll be reading along with me.

  • Paperback: 113 pages
  • Publisher: Penguin Classics; Reissue edition (December 1, 2000)
  • 3/5 stars
  • Buy The Taming of the Shrew on Amazon

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page (https://www.patreon.com/thestacks). We are beyond grateful for anything you’re able to give to support the production of The Stacks.

The Stacks participates in affiliate programs in which we receive a small commission when products are purchased through some links on this website. This does not effect my opinions on books and products. For more information click here.

 

The Other Side: A Memoir by Lacy M. Johnson

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The Stacks received this book directly from the author in exchange for an honest review. For more information click here

I picked up this book, The Other Side, so I could read the semi-prequel of The Reckonings. I wanted to get a sense of Lacy M. Johnson before I read her newest book. It wasn’t quiet accidental, but it was certainly not planned. This book turned out to be one of the best surprises of my year.

Here is more about The Other Side

Lacy Johnson bangs on the glass doors of a sleepy local police station in the middle of the night. Her feet are bare; her body is bruised and bloody; U-bolts dangle from her wrists. She has escaped, but not unscathed. The Other Side is the haunting account of a first passionate and then abusive relationship; the events leading to Johnson’s kidnapping, rape, and imprisonment; her dramatic escape; and her hard-fought struggle to recover. At once thrilling, terrifying, harrowing, and hopeful, The Other Side offers more than just a true crime record. In language both stark and poetic, Johnson weaves together a richly personal narrative with police and FBI reports, psychological records, and neurological experiments, delivering a raw and unforgettable story of trauma and transformation.


So what do you make of a book about a violent rape and kidnapping? Aside from that it is terrible and horrible and a total nightmare? What do you do with this traumatic story? If you’re Lacy M. Johnson, you turn it into a powerful reflection on relationships, memory, body, self, motherhood, growth, vengeance. You turn it into art. That sounds corny. The Other Side is not. It is a dynamic book that leans into to the complexity and contradictions of trauma.

Lacy M. Johnson is the kind of writer that makes words make sense. Her use of language moved me as a reader, it felt specific, and like every word was in place, without feeling overworked or tedious. Johnson writes freely and with purpose. The book is poetic in one moment and clinical in the next. There is a quiet balance to this book.

If I learned anything from this book, it is that memory and truth are often at odds with each other. Not in a linear way. In a way that involves layers of memory and truth mixing with one another and turning muddy. That some memories are strong and wrong, and others are faint and almost unknowable. That the brain fills in the gaps and creates a narrative. The story. The story as we have come to know it. Our truth. What Johnson points out, and doesn’t want us to forget, is that this truth, this story, is just one version. That we all have our own story, and the people around us have their own. That these versions, these truths, all exist in the world at once. That none of this is real or true, not completely. That is terrifying and comforting at once. The Other Side is a memoir that grapples with these types of ideas, The Other Side is an outstanding book.

The Other Side is triggering (rape, emotional abuse, physical abuse). You should be fully aware before you pick it up. That being said, this book handles the trauma with dignity. It is not sensational. Johnson is unique in her experiences and never once attempts to turn her journey into anything universal. It is this specificity that keeps The Other Side from feeling common or precious. That is extremely clear from the first pages of this book. It holds true through the end, and even into the notes section (of which I read every word, I simply didn’t want this book to end) where Johnson mixes science and poetry.

I thoroughly enjoyed this book, the fluidity of language, the self reflection, the pain and the calm. I know it could be an extremely tough read for many people. If you can, read this book, it is worth reading. It is worth thinking about. It is worth your time.

  • Paperback: 232 pages
  • Publisher: Tin House Books; 1 edition (July 15, 2014)
  • 5/5 stars
  • Buy on The Other Side Amazon

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.

The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website. Shopping through these links helps support the show, but does not effect my opinions on books and products. For more information click here.

Ep. 33 Book Girl Magic with Renee Hicks

cropped-TheStacks_logo_final.jpgThis week on the podcast, our guest is Renée Hicks, founder of Book Girl Magic, an online book club that centers books by and about Black women. Renée shares with us her journey into reading, how her reading has inspired the reading life of her children, and her love of romance novels, one in particular.

You can find everything we talk about this week in the show notes below. By shopping through the links you help support The Stacks, at no cost to you. Shop on Amazon and iTunes.

BOOKS

EVERYTHING ELSE

Connect with Renee and Book Girl Magic: Book Girl Magic Website|Book Girl Magic Instagram|Book Girl Magic Facebook|Book Girl Magic Twitter

Connect with The Stacks: Instagram|The Stacks Website|Facebook|Twitter|Subscribe|Patreon|Goodreads|Traci’s Instagram

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.

Sponsors

Audible– to get your FREE audiobook download and FREE 30 day trial go to audibletrial.com/thestacks.

My Mentor Book Club – for 50% off your first month of new nonfiction from My Mentor Book Club go to mymentorbookclub.com/thestacks


The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website. Shopping through these links helps support the show, but does not effect my opinions on books and products. For more information click here.

The Tipping Point: How Little Things Can Make a Big Difference by Malcolm Gladwell

7796075C-DD3E-4D0A-8259-4C8E5A469D83I’ve been lying to the world. I’ve been proudly boasting that I love Malcolm Gladwell and that I’ve read all his books, and that he’s just the best. Turns out, thats a lie. I thought I had read all his books, but I had never actually read his first book, The Tipping Point. It has been a point of shame for me, I felt a little depressed that I wasn’t as much of a super fan of his work as I thought. But now, I can go back to my unabashed bragging about my love for Mr. Gladwell, because I have finally read The Tipping Point.

If you’re not familiar, here is more about The Tipping Point

The tipping point is that magic moment when an idea, trend, or social behavior crosses a threshold, tips, and spreads like wildfire. Just as a single sick person can start an epidemic of the flu, so too can a small but precisely targeted push cause a fashion trend, the popularity of a new product, or a drop in the crime rate. This widely acclaimed bestseller, in which Malcolm Gladwell explores and brilliantly illuminates the tipping point phenomenon, is already changing the way people throughout the world think about selling products and disseminating ideas.


Malcolm Gladwell is a thinker. Sure we all think, but we’re not all professional thinkers. His brand is his thought process; critical, obscure, individual. He has become known for taking an idea we think we understand, and flipping it on it’s head. Showing us the complexities of life, and often time the simplicity of it as well. The Tipping Point is his first book, and is perfectly in line with Gladwell’s brand and subsequent books, and podcast, Revisionist History.

I really enjoyed this book. Gladwell takes his time explaining his points, without laboring any one idea to death. The book is the right length, long enough to make sure you understand what a tipping point is, and how it works, but not so long that you’re skipping ahead because you’ve got it already. This is hard to do. Many books make a point early on, and work through it so many times it becomes redundant and stale. Gladwell uses a variety of examples, from crime in NYC to Hushpuppy shoes, to Divine Secrets of the Ya-ya Sisterhood, to illustrate his points, and this variety keeps the reader interested and engaged.

The later edition of The Tipping Point has an afterword that shows how ahead of conventional thinking Gladwell is. In the afterward written in 2002, a few years after the original book (2000) Gladwell makes a few predictions about the future as he sees it. One thing he discusses is school shootings as an emerging epidemic afflicting American teens, all before many of the most notorious school shootings of the last 20 years. He also forecasts a growing apathy toward email, and how we will become immune to the power of email, which of course in 2018 is expressly clear. Gladwell’s thinking is ahead of his time.

There were moments where Gladwell lost me in his train of thought. I wasn’t sure what point he was making, or the difference between certain categorizations he had laid out (i.e. maven vs sales person), or the connection between two seemingly unrelated topics. This happened a few times throughout the book and I had to go back and draw the connections in a second (or sometimes third) pass.

I listened to the audiobook of The Tipping Point with Gladwell narrating, which is well done. While he isn’t as animated as as he is on his podcast, you can hear his passion for the work he has done. He is convincing and clear. I also happen to enjoy the smooth sound of his voice. But again, I am huge Gladwell fangirl.

I recommend this book. I recommend just about everything Malcolm Gladwell does. Have I mentioned how much I love and admire his work? I don’t always agree with him, but I appreciate his thinking and his ability to shift the way I think and perceive the world around me. He is a provocateur in the best way.

  • Audiobook: 8 hours and 33 minutes
  • Publisher: Hachette Audio (December 31, 2006)
  • Paperback: 301 pages
  • Publisher: Back Bay Books (January 7, 2002)
  • 4/5 stars
  • Buy on The Tipping Point Amazon

To contribute to The Stacks, join The Stacks Pack, and get exclusive perks, check out our Patreon page. We are beyond grateful for anything you’re able to give to support the production of this show. If you prefer to do a one time contribution go to paypal.me/thestackspod.

The Stacks participates in affiliate programs. We receive a small commission when products are purchased through links on this website. Shopping through these links helps support the show, but does not effect my opinions on books and products. For more information click here.